SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sisters of the deceased Mr Gay"/1) | (@(roleclean,performerclean) "Sisters of the deceased Mr Gay")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4300 matches on Event Comments, 1414 matches on Author, 1186 matches on Performance Comments, 593 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Benefit for Mr and Mrs Ward. The Country Mad-Cap [announced on playbill of 5 May] is obliged to be set aside on account of Mrs Pitt's indisposition. Tickets delivered for Alexander the Great, for Saturday, May 3, will be admitted. Public Advertiser, 22 Apr.: Tickets to be had of Mr and Mrs Ward at Stacy's, No. 76, the Corner of Long-acre, Drury-lane. Receipts: #197 18s. (82.10; tickets: 115.8) (charge: #66 1s.)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Country Wife

Dance: End: All in the Downs, as17770425

Song: As17770505

Event Comment: Benefit for Whitefield and Wewitzer. Mainpiece: Written by the late Hugh Kelly, Esq., Never acted there. Public Advertiser, 26 Apr.: Tickets to be had of Whitefield, Crown-court, Bow-street; of Wewitzer. Great Hart-street, Covent Garden. Receipts: #137 4s. 6d. (55.14.6; tickets: 81.10.0) (charge: #85 12s. 6d.)

Performances

Mainpiece Title: A Word To The Wise

Afterpiece Title: True-Blue

Afterpiece Title: Three Weeks after Marriage

Dance: End III: As17761123; In interlude: Langrish

Song: End I: a favourite air (composed by Dr Arne)-Mrs Farrell

Performances

Mainpiece Title: The Committee

Afterpiece Title: The Deserter

Dance: End I: The Corn Thrashers, as17770419; End II: a Hornpipe-Master Staples (scholar of Blurton)

Ballet: End: The Wapping Landlady. Jack in Distress-Blurton; Wapping Landlady-Mr Griffiths; Orange Woman-Mrs Sutton

Performances

Mainpiece Title: The Minor

Performance Comment: Smirk, Mrs Cole-Foote; The Minor-Aickin; Shift-Bannister; Sir William Wealthy-Egan; Mr Richard Wealthy-Fearon; Loader-T. Davis; Transfer-Jackson; Dick-Stevens; Lucy-Mrs Jewell.
Cast
Role: The Minor Actor: Aickin

Afterpiece Title: The Author

Dance: End: The Merry Lasses, as17770611

Event Comment: Mainpiece: The Characters dressed in Spanish Habits. [Henderson's 1st recorded appearance as Leon was at Bath, 4 Feb. 1777.

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Waterman

Dance: As17770707

Event Comment: [This was Foote's last appearance on the stage. He died on 21 Oct. 1777.

Performances

Mainpiece Title: The Maid Of Bath

Afterpiece Title: The Mayor of Garratt

Dance: End: The Venetian Regatta, as17770611

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Padlock

Performances

Mainpiece Title: The Distress'd Mother

Afterpiece Title: Harlequin's Invasion

Performances

Mainpiece Title: The Duenna

Cast
Role: Father Paul Actor: Mahon
Role: The Duenna Actor: Mrs Green

Afterpiece Title: The Minor

Performance Comment: Shift, Smirk, Mrs Cole (with the Original Epilogue)-Wilkinson; Sir George Wealthy-Whitfield; Sir William Wealthy-Wewitzer; Mr Wealthy-L'Estrange; Loader-Fearon; Transfer-Jones; Dick-Stevens; Lucy-Miss Leeson.
Event Comment: Afterpiece: Not acted these 6 years [acted 23 May 1774]. Receipts: #199 10s. 6d. (198.12.0; 0.18.6)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Mother Shipton

Performance Comment: Harlequin-Lee Lewes; Clown-Cushing; Farmer-Messink; Mother Shipton-Mr Baker; Colombine-Sga Tinte; other Characters-Wewitzer, Jones, Smith, Thompson, Stevens, Ledger, Mrs White, Mrs Poussin.
Related Works
Related Work: Mother Shipton Author(s): George Colman, the elder

Dance: In: As17770929; In afterpiece: Langrish, Miss Besford [who danced in all subsequent performances]

Song: End IV: Solemn Dirge, as17770929, but _Reinhold, Battishill

Event Comment: Boxes 10s. 6d. Pit 4s. 1st Gallery 3s. 2nd Gallery 2s. Places for the Boxes to be taken of Sarjant (only) at the Stage Door. Books of the Oratorio to be had at the Theatre. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season. The Account-Book notes that the director of the oratorios this season was James Hook.

Performances

Mainpiece Title: Acis And Galatea

Related Works
Related Work: Acis and Galatea Author(s): John Gay

Afterpiece Title: Sacred Canons

Performance Comment: A Select Collection, by the most eminent ancient and modern composers; Principal Vocal Parts-Vernon, Meredith, Mrs Wrighten, Mr Weichsel; to conclude with Non Nobis Domine-.

Music: End Part I: concerto on the German flute-Florio; End of Part III: concerto on the piano forte-Miss Weichsel; concerto on the hautboy-LeBrun; concerto on the violin-Master Weichsel

Event Comment: Benefit for Moody. Public Advertiser, 16 Apr.: Tickets to be had of Moody at the New Inn Coffee-house, Wych-street. Receipts: #173 6s. 6d. [98.17.0; 12.18.6; 0.8.0; tickets: 61.3.0) [charge: #66 16s. 6d.)

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Afterpiece Title: Belphegor

Dance: As17780409

Event Comment: By Authority [of the Lord Chamberlain]. Benefit for the Westminster New Lying-In Hospital

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Old Maid

Song: End III: a new Cantata, suitable to the occasion, composed by Barthelemon,-Mrs Barthelemon

Music: End: concerto on the violin-Barthelemon; in which Grammacree with variations-

Event Comment: Mainpiece: Altered from [The Artful Wife, by William? Taverner. [1st time; C 3, by George Colman elder. Not in Larpent MS; not published; synopsis of plot in London Chronicle, 20 May. Public Advertiser, 19 May, notes that the Prologue was the same as that spoken on 15 May 1777. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Servants to keep Places are to be at the door in Suffolk-street by Five o'clock. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. On account of the Performers employed at other Theatres the second Night of Representation cannot be till Thursday, the 21st inst. [On this night, the 18th, Baddeley's name is in the playbills at both dl and hay.

Performances

Mainpiece Title: The Female Chevalier

Performance Comment: Principal Characters by Palmer, Aickin, Baddeley, R. Palmer, Massey, Davis, Kenny, Silvester, Parsons, Miss Sherry, Mrs Love, Miss Walton, Mrs Greville. Cast from London Chronicle, 20 May: Sir Harry Freelove-Palmer; Ned Winworth-Aickin; Servants-Baddeley, Massey, Davis, Kenny, Silvester; Young Upstart-R. Palmer; Mr Stockwell-Parsons; Mrs Upstart-Miss Sherry; Landlady-Mrs Love; Mademoiselle-Miss Walton; Belinda-Mrs Greville; The occasional Prologue on Opening the Theatre, with Alterations,-Palmer.
Related Works
Related Work: The Female Chevalier Author(s): George Colman, the elder

Afterpiece Title: Piety in Pattens

Performance Comment: Butler-Parsons; The Squire-Lamash; Mrs Candy-Mrs Love; Polly Pattens-Mrs Jewell.
Cast
Role: The Squire Actor: Lamash

Dance: End I: The Merry Lasses-(see17780529); End: Provencalle Dance-Master and Miss Byrn

Performances

Mainpiece Title: The London Merchant; Or, George Barnwell

Afterpiece Title: The Old Maid

Performance Comment: Clerimont-Russell; Mr Harlow-Cooke; Captain Cape-West; Servant-Massey; Mrs Harlow-Mrs Burden; Mademoiselle Florival-Mrs West; Miss Harlow (the Old Maid)-Mrs Russell.

Dance: As17780601

Song: As17780608

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: Cross Purposes

Song: As17780529

Entertainment: Monologue.End: Bucks have at ye All-Middleton (1st appearance on any stage)

Event Comment: Afterpiece [1st time in London; F 2, by John O'Keeffe, 1st acted at the Smock Alley Theatre, Dublin, 13 Apr. 1774. Prologue by George Colman elder (Prose on Several Occasions, III, 222)]. Public Advertiser, 16 Aug. 1780: This Day is published Tony Lumpkin in Town (1s.)

Performances

Mainpiece Title: King Henry Viii

Cast
Role: Queen Catherine Actor: Mrs Massey.

Afterpiece Title: Tony Lumpkin in Town; or, The Dilettante

Dance: As17780623

Performances

Mainpiece Title: The Minor

Performance Comment: Smirk, Shift, Mrs Cole-Bannister; The Minor-R. Palmer; Sir William Wealthy-Baddeley; Mr Richard Wealthy-Gardner; Loader-Davis; Transfer-Jackson; Dick-Stevens; Lucy-Mrs Jewell.
Cast
Role: The Minor Actor: R. Palmer

Afterpiece Title: The Gipsies

Dance: As17780615

Event Comment: 1st piece [1st time; CO I, by Charles Dibdin, based on Rose et Colas, by Michel Jean Sedaine]. 3rd piece [1st time; CO I, by Charles Dibdin, based on Les Femmes Vengees, by Michel Jean Sedaine]: With new Scenery [Public Advertiser, 19 Sept.: by Richards] and Decorations. Both the Musical Pieces, with new Overtures, composed by Dibdin. Books of the new Musical Pieces to be had at the Theatre. Places for the Boxes to be taken of Brandon (only) at the Stage Door. No Money to be taken at the Stage Door, nor any Money to be returned after the Curtain is drawn up. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:15. To begin at 6:15 [see 21 Sept.]. Public Advertiser, 18 Sept.: This Afternoon at Three will be published Rose and Colin and The Wives Revenged (each 6d.). "At this season of the year the little company upon the Ton, who are in town, seldom rise from the table till after the beginning of the play; in order, therefore, to obviate the disturbance that the fracas in the boxes usually makes towards the close of the first act, or the beginning of the second, this comic opera [Rose and Colin] was prefaced. It at the same time affords these late comers an opportunity of seeing the play [i.e. the mainpiece] complete" (Town and Country Magazine, Sept. 1778, p.453)

Performances

Mainpiece Title: Rose And Colin

Afterpiece Title: She Wou'd and She Wou'd Not

Afterpiece Title: The Wives Revenged

Performances

Mainpiece Title: The Battle Of Hastings

Performance Comment: Edgar Atheling-Henderson; Earl Edwin-Palmer; Earl Waltheof-Brereton; Earl of Northumberland-Aickin; Earl of Mercia-Norris; Siffric-R. Palmer; Raymond-Wrighten; Reginald-Chaplin; Duncan-Chambers; Harold-Bensley; Matilda-Miss Younge; Sabina-Mrs Colles; Edwina-Mrs Yates.
Cast
Role: Edgar Atheling Actor: Henderson
Role: Earl Waltheof Actor: Brereton

Afterpiece Title: Harlequin's Invasion

Performances

Mainpiece Title: Annette And Lubin

Cast
Role: Lord of the Manor Actor: Fearon

Afterpiece Title: All in the Wrong

Afterpiece Title: The Old Maid

Dance: As17780925

Event Comment: By Permission of the Lord Chamberlain, Mainpiece: Altered from the Original [Woman is a Riddle, by Christopher Bullock. Not in Larpent MS; not published]. 2nd piece [1st time; M. INT I, author unknown. MS not in Larpent; not published]. 3rd piece: Written by Henry Fielding, Esq. The Doors to be opened at 5:30. To begin at 6:30. Tickets delivered by Davis, Wright, Mrs Lefevre will be admitted. Constant fires will be kept on the stage, Pit, Boxes and Galleries to air the house

Performances

Mainpiece Title: The Macaroni Adventurer; Or, Woman's A Riddle

Performance Comment: Characters-Payler, Middleton, Swords, Evans, Kennedy, Levi [their 1st appearance on any stage], Davis, Everard, Mrs Shirley, Miss Hiorne, Miss Percey, Miss Dudley (their 1st appearance on any stage), Mrs Lefevre; A new occasional Prologue-; Epilogue-.

Afterpiece Title: Fashionable Love; or, The Happy British Tar

Afterpiece Title: The Covent Garden Tragedy

Performance Comment: Lovegirlo-Kennedy; Captain Bilkum-Davis; Gallono-Keene; Leathersides-Clarke; Chairman-Evans; Kissinda-Miss Dudley; Stormandra-Mrs Lefevre; Nonparel-Miss Walters; Industrious Jenny-Miss Hiorne; Mother Punchbowl-Mr Swords.
Cast
Role: Leathersides Actor: Clarke
Role: Mother Punchbowl Actor: Mr Swords.

Dance: Entertainments ofDancing-

Entertainment: Monologue.End III: Imitations [Vocal and Rhetorical, never attempted, a Trumpet-a Choice Spirit [who will (to his vocal performances) accompany himself with the Symphonies (his 1st appearance on the stage [unidentified])

Performance Comment: End III: Imitations [Vocal and Rhetorical, never attempted, a Trumpet-a Choice Spirit [who will (to his vocal performances) accompany himself with the Symphonies (his 1st appearance on the stage [unidentified]).who will (to his vocal performances) accompany himself with the Symphonies (his 1st appearance on the stage [unidentified]).

Performances

Mainpiece Title: The First Part Of King Henry Iv, With The Humours Of Sir John Falstaff

Related Works
Related Work: The Humours of Sir John Falstaff, Justice Shallow, and Ancient Pistol Author(s): Theophilus Cibber

Afterpiece Title: The Minor

Dance: As17790216

Event Comment: Benefit for Reddish [and his last appearance on the stage]. Tickets sold at the Doors will not be admitted. Public Advertiser, 1 May: Tickets to be had of Reddish, No. 14, near the Turnpike, Tottenham Court Road. "Poor Reddish, on the 5th of May, had a benefit, and it was resolved to try whether he could not go through the character of Posthumus. He was now infirm; in common occurrences imbecile, but to be exited by his former profession, or nothing. The late John Ireland gave an affecting detail of this attempt. He met his friend an hour before the performance began. Reddish entered the room with the step of an idiot, his eye wandering, and his whole countenance vacant. Mr Ireland congratulated him, that he was sufficiently recovered to perform his favourite Posthumus. 'Yes', said he, 'and in the garden scene I shall astonish you.' 'The garden scene! I thought you were to play Posthumus?' 'No, Sir, I play Romeo.' His friend assured him that Posthumus was the part he was to act--and he walked to the theatre, reciting Romeo all the way. When dressed for Posthumus, and in the green-room, it was still hard to undeceive him--at length he was pushed upon the stage....The instant he came in sight of the audience his recollection seemed to return; his countenance resumed meaning, his eye became lighted up, he made the modest bow of respect, and played the scene as well as he had ever done. But Romeo again met him in the green-room, and it was only the stage cue that had the power to unsettle this delusion; and that never failed to do it through the whole play. Mr Ireland thought him, on this occasion, less assuming and more natural than he had seemed in the full enjoyment of his reason" (Boaden, Kemble, I, XVI-XVII; Ireland, 58-60)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Three Weeks after Marriage

Dance: As17781024

Song: As17781024

Event Comment: Benefit for Fosbrook, box-book-keeper. Mainpiece: Not acted these 4 years [acted 1 June 1776]. Receipts: #305 5s. 6d. (53.5.0; 12.18.6: 1.5.0; tickets: 237.17.0) (charge: #105)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Who's the Dupe

Dance: to conclude with: Country Dance-; End I afterpiece: As17790417

Song: End II: Tally ho!, as17790413