SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sir William DAvenant"/1) | (@(roleclean,performerclean) "Sir William DAvenant")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 11560 matches on Author, 6982 matches on Performance Comments, 1330 matches on Event Comments, 512 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Paid Mr Chapman for horsekeeping [for Jubilee] #12 6s. (Treasurer's Book). [Published this month A Letter to David Garrick, Esq. on his conduct as Principal Manager and Actor at Drury Lane. Printed for S. Bladon. Accuses Garrick of controlling the press, save for two papers, and thus getting more favourbale treatment than his position and actions deserve. "You are a mere actor. You affect to feel where you do not, and imitate tones, looks and gestures, while your heart is at ease. This should heighten our opinion of you as an artist, whatever we might think of you as a man. I believe you are not generally judged of in this manner. It is not difficult to impose on the world." The author (David Williams?) deprecates Garrick's supposed handling of the actors of his company, and desires to see more Shakespeare. Suggests Garricks' acting perfection lies in the extreme, in exaggerated gesture, and sudden bursts of passion." Suggests he is getting old and should try his hand at Shylock.] Receipts: #271 (Treasurer's Book)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: Wit's Last Stake

Event Comment: [This New Comedy (by Mrs Elizabeth Griffith) seems not to have been performed this night, according to the author's Preface to her Edition of 1772. Shuter had been unattentive and absent from many rehearsals]: At length though late [in the season] a day was appointed for the representation, and on that morning Mr Shuter appeared at rehearsal, pretty much in the same state as before, and confessed himself incapable of performing his part, that night. Upon which the play was oblig'd to be further postponed, and handbills were sent about at noon, to advertise town of the disappointment....A further final day was afterwards determined on, but the audience being out of humour at their former disappointment, called Mr Shuter to account for it, on his first appearance; which threw him into such confusion, that he was not able to get the better of it, throughtout the whole performance...in the hurry of his spirits the actor not only forgot his part, the deficiency of which he endeavoured to supply with his own dialect, but also seemed to lose all idea of the character he was to perform; and made the Governor appear in a light which the author never intended: that of a mean, ridiculous buffoon. [Mrs Griffith concluded her preface by relating how her friends stood by the piece, but two or three in the gallery, when it was given out again objected and threw an apple at the chandeliers, which so perturbed the management that the play was withdrawn. She therefore published it by subscription, prefixing the names of about 440 subscribers, persons of the first quality, including James Boswell, Edmund Burke, Col. Burgoyne, the Duke of Devonshire, David Garrick, Mrs Montague, William Richardson, and a host of writers, players, and people of fashion. This list provides a pretty good roster of those who filled the boxes and part of the pit of both theatres at the time.] Paid Younger #2 2s. for the license for A Wife in the Right (Account Book). Receipts: #218 12s. (Account Book)

Performances

Mainpiece Title: A Wife In The Right

Afterpiece Title: The Intriguing Chambermaid

Event Comment: [Letter in the paper from William Havard denying the report of his having #50 a year annually from the Fund, or that he ever intended it (Winston MS 10).

Performances

Mainpiece Title: None

Event Comment: Proprietor of Marlebone Gardens, Mr Arnold, summoned to Bow St. to pay penalty of #5 for causing Fireworks to be made contrary to the Act of 9th and 10th of William III. Opinion of the Bench he was not fineable (Public Advertiser). Letter to Garrick in consequence of his moving the Court of the King's Bench for leave to file an information against author of Love in the Suds &c. will shortly be publish'd by D. Kendk. Was publish'd 7 July Folio 2s. 6d. an quarto 1s. 6d. 2nd edn. (Winston MS 10, from Burney News Clippings.

Performances

Event Comment: Mrs Greville ill new piece deferr'd. A Christmas Tale after this night will be laid aside for sometime (playbill). Paid Chorus 4 nights (this incl.) #8 2s; Extra Guitars and Flutes 2 nights (this inc) #2.; Mr Wrighten on note #12 12s.; Mrs Weston's Debt & Costs to Rd Williams #4 17s. (Treasurer's Book). Receipts: #210 18s. (Treasurer's Book)

Performances

Mainpiece Title: A Christmas Tale

Afterpiece Title: Neck or Nothing

Cast
Role: Sir Harry Actor: Waldron

Performances

Mainpiece Title: The Nabob

Performance Comment: Parts-Foote, Weston, Wilson, first time (from Edinburgh), Kennedy, Follett, Griffith, Owenson, Fearon, Davis, Jacobs, Jones, Castle, Lloyd, Courtney, Mrs Williams, Miss Ambrose, Mrs Palmer, Mrs Gardner.

Afterpiece Title: The Padlock

Dance: As17740516

Performances

Mainpiece Title: The Maid Of Bath

Performance Comment: As17750612 but Parts-Williams, _Davis.
Cast
Role: Parts Actor: Williams, _Davis.

Afterpiece Title: The Waterman

Dance: The Haymakers-

Event Comment: Opera, music by Sacchini &c. [not performed, according to Public Advertiser, 8 Nov., because of illness of two singers, one being Sga Sestini. A Letter by William Lee in The Public Advertiser (7 Nov.) notes that beginning in 1772 he had served refreshments in a room which served also as a passage to the boxes; alterations made to enclose the passage were made in 1773; Lee was charged #60 a year for the room (with the fire and light at his own expense). Then Elizabeth Smith, who had had charge of concessions died. In 1774 Lee was charged #160 plus #80 for coals and light. Hence Lee lost #130 and was saved only by a benefit by the graciousness of the Nobility and Gentry.

Performances

Mainpiece Title: Didone

Dance: As17751104

Ballet: Le Triomphe D'Euthime sur Le Genie de Liba. As17751104

Performances

Mainpiece Title: Douglas

Afterpiece Title: Prometheus

Performance Comment: As17760212, but Vocals-Mrs Williams, Mrs +Masters; Dance-Zuchelli, Sga Vidini.
Cast
Role: Vocals Actor: Mrs Williams, Mrs +Masters
Event Comment: Benefit for Miller, Shuter, Robson, Colley & Stephenson. Tickets delivered by Robinson, Brereton, William Ansell, Miller (constable), Smallwood and Halliburton will be taken this Night. Tickets delivered by Morris will likewise be received. Receipts: #210 18s. 6d. (32.8.0; 0.13.6; tickets: 177.17.0) (charge: none listed)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Lyar

Cast
Role: Sir James Elliot Actor: Whitefield

Dance: As17761123

Event Comment: Afterpiece [1st time; P 2, attributed to Richard Brinsley Sheridan (see G. W. Williams in Studies in Philology, XLVII, 1950, 619-28). Synopsis of action (W. Randall, 1779) lists no parts]: The Overture and Music entirely new. With new Scenes, Machines, Dresses and Decorations. All the Scenery, Machinery, &c. designed by DeLoutherbourg and executed under his direction. Nothing under Full Price will be taken. [For a discussion of this pantomime see Theatre Survey, II, 54-66.] Public Advertiser, 24 Feb. 1779: This Day is published an Account of The Wonders of Derbyshire and the Songs (6d.). Receipts: #225 19s. (223.18.0; 2.1.0)

Performances

Mainpiece Title: Merope

Afterpiece Title: The Wonders of Derbyshire; or, Harlequin in the Peak

Event Comment: Mainpiece: With alterations by the author [William Mason]. The Overture and all the new Music composed by Giardini.[On playbill of 27 Feb.: With a New Scene painted by Richards.] Public Advertiser, 23 Feb. 1779: This Day at Noon is published Elfrida (price not listed). [Afterpiece: Prologue by the author (New Spouter's Companion, c. 1798, p. 59).

Performances

Mainpiece Title: Elfrida

Related Works
Related Work: Elfrida Author(s): William Mason

Afterpiece Title: The Liverpool Prize

Event Comment: [Afterpiece in place of William And Nanny, announced on playbill of 22 Nov.] Receipts: #64 1s. 6d. (60.18.6; 3.3.0)

Performances

Mainpiece Title: The Wonder

Related Works
Related Work: Ramah Droog; or, Wine does Wonders Author(s): William Reeve

Afterpiece Title: The Commissary

Dance: End: The Dockyard-Dagueville, Master Dagueville, Holland, Miss Valois

Event Comment: Mainpiece [1st time; T 5, by Frances Brooke, based on the anonymous libretto of Sarti's opera Mitridate a Sinope. Prologue by the Rev. William? Collier (see text). Epilogue by Arthur Murphy (Murphy, Works, 1786, VII, 54)]: With New Scenes, Dresses, &c. Public Advertiser, 8 Feb. 1781: This Day at Noon will be published The Siege of Sinope. (1s. 6d.). Receipts:#231 5s. (228.10; 2.15)

Performances

Mainpiece Title: The Siege Of Sinope

Afterpiece Title: Harlequin Free-Mason

Event Comment: Performed after the manner of an Oratorio. With the original Music [to William Macon's play] as composed by the late Dr Arne. To begin at 7:00. Boxes 7s. 6d. Pit 4s. 1st Gallery 3s. 2nd Gallery 2s

Performances

Mainpiece Title: Elfrida

Related Works
Related Work: Elfrida Author(s): William Mason

Music: End Part I: concerto on the hautboy-LeBrun; End Part II: concerto on the violin-Salomon (1st public performance in this Kingdom)

Entertainment: Monologue.End Oratorio: Collins's Ode on the Passions-Henderson (Public Advertiser, 24 Mar.); , accompanied with new Airs, Chorus-Dr Arnold, under whose direction the whole Music will be conducted

Event Comment: Mainpicce [1st time; burl 3, by Charles Dibdin]: Taken from [Amphitryon, by John] Dryden. [MS: Larpent 573; not published.] With new Scenery, Dresses, &c. The Music by several eminent Composers [Charles Dibdin, William Shield, &c.]. Books of the Songs to be had at the Theatre. Receipts: #153 15s. 6d. (151/8/0; 2/7/6)

Performances

Mainpiece Title: Jupiter And Alcmena

Afterpiece Title: The Norwood Gypsies

Performances

Mainpiece Title: The Fair Circassian

Afterpiece Title: Lun's Ghost; or, The New Year's Gift

Performance Comment: Principal Characters by Wright, Grimaldi, Delpini, Burton, Suett, Lamash, R. Palmer, Phillimore, Spencer, Norris, Nash, Williams, Fawcett; Mrs Love, Miss Simson, Miss Barnes, Miss Palmer, Miss Collett. Cast not known .

Dance: In afterpiece by Zuchelli, Miss M. Stageldoir, &c

Performances

Mainpiece Title: The Fashionable Wife; Or, The Female Gallant

Performance Comment: Principal Characters by Barrett, Swords, Johnson, Jackson, Barnes, Lyon, Alfred, Morris; Miss Atkinson, Mrs Sauley, Miss Brice, Miss Churchill, Miss Williams. Cast not known. With a Prologue and Epilogue .

Afterpiece Title: The Lawyer Nonsuited

Dance: End of mainpiece a Hornpipe by Middleton

Song: End of Act III of mainpiece The Soldier tir'd of War's Alarms; End of Act V The Merry Roundelay, both by Miss Hemet

Monologue: 1782 05 06 End of afterpiece Bucks have at ye All by Middleton

Event Comment: Afterpiece [1st time; P 2, author unknown. MS not in Larpent; synopsis of action in Public Advertiser, 8 and 9 Jan.]: With new Scenes, Dresses and Decorations. To conclude with a Representation of the Repulse of the Spaniards before the Rock of Gibraltar [on 13 Sept. 1782; this was included in all subsequent performances]. The Music partly new [by William Shield, with overture by Carl Friedrich Baumgarten] and partly compiled from the best Masters. The Scenes designed and executed by Greenwood. Nothing under Full Price will be taken. Books of the Pantomime to be had at the Theatre. Account-Book, 4 June: Paid the Author of Harlequin Junior a Compliment on the Success #30. Receipts: #261 5s. 6d. (257/10/0; 3/8/0; tickets not come in: 0/7/6)

Performances

Mainpiece Title: Conscious Lovers

Cast
Role: Sir John Bevil Actor: Packer

Afterpiece Title: Harlequin Junior; or, The Magis Cestus

Performance Comment: Characters by Wright, Williamson, Burton, Staunton, Williames, R. Palmer, Waldron, Chaplin, Phillimore, Wilson, Alfred, Spencer, Kenny, Grimaldi; Mrs Burnett, Miss Burnett, Miss Tidswell, Miss Barnes, Miss Cranford, Miss M. Stageldoir. [Partial cast from Parker's General Advertiser, 8 Jan.: Old Harlequin-Wright; Magician-Staunton; Sailor-Williames; Clown-Grimaldi; Spirit-Miss Cranford; Colombine-Miss M. Stagedoir. Playbill of 10 Nov. 1788 lists the other parts: Harlequin, German Officer, French Gentleman, Valet, Miller, Landlord, Cook, Daemon, Taylor; Old Colombine, French Ladies.] hathi. Old Colombine, French Ladies.] hathi.
Cast
Role: Sailor Actor: Williames
Related Works
Related Work: Harlequin Junior; or, The Magic Cestus Author(s): William Shield

Song: In Act II of mainpiece a song by Miss Phillips

Event Comment: Benefit for Mr and Mrs Wellman. Tickets to be had of Mr and Mrs Wellman, No. 20, and of Williams, Hair-Dresser, Dorville's Row

Performances

Mainpiece Title: The Spanish Fryar; Or, The Comical Discovery

Afterpiece Title: Midas

Afterpiece Title: Mother Shipton; or, Harlequin Gladiator

Song: End of Act II of 1st piece The Pidgeon by Miss Cranford; End of 1st piece Four and Twenty Fidlers all on a Row by Wellman

Monologue: 1785 07 15 End of 2nd song Bucks have at ye all by Benson

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Sons of Anacreon

Performance Comment: As17850819, but Suett in place of Edwin; Phillimore in place of Gaudry; added: Williams. hathi.

Afterpiece Title: Here and There and Every Where

Related Works
Related Work: Every Body Mistaken Author(s): William Taverner
Event Comment: [In mainpiece the playbill assigns Ferdinand to Johnstone, but "The sudden illness of Johnstone gave much dissatisfaction, though Cubitt did all in his power to supply his place" (Town and Country Magazine, Sept. 1785, p. 451). William Palmer was from the Norwich theatre; Meadows from the HAY.] The Doors to be opened at 5:30. To begin at 6:30 [see 14 Nov.]. Places for the Boxes to be taken of Brandon, at the Stage-Door. [No playbill this season lists the various prices of admission; they were probably, as usual: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s.] The Alterations and Improvements in the Theatre this Season are made by Richards, and executed under his Superintendance by Catton and others. [Public Advertiser, 22 Sept., notes that these improvements consisted of the enlargement of the boxes, in which "the seats are formed into recesses which communicate with the other boxes"; all the pillars, "even those of iron in the back boxes [being] capped, cased, fluted and gilt"; the front of the boxes and galleries being newly painted a "warm lilac"; the back of the boxes being wainscotted and painted crimson.] Paid Charewomen for cleaning Theatre #13 0s. 6d. Receipts: #214 2s. 6d. (210/10/0; 3/12/6)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: St

Related Works
Related Work: Tarugo's Wiles; or, The Coffee House Author(s): Sir Thomas St. Serfe
Related Work: Love in a Wood; or, St. James's Park Author(s): William Wycherley
Related Work: An Adventure in St. James's Park Author(s): William Wycherley
Related Work: The Shamrock; or, The Anniversary of St. Patrick Author(s): William Shield
Related Work: The Union; or, St. Andrew's Day Author(s): William Reeve

Dance: End of mainpiece The Merry Sailors by Byrn, &c

Related Works
Related Work: Friar Bacon; or, Harlequin's Adventures in Lilliput, Brobdignag, &c Author(s): William Shield
Related Work: The Device; or, The Marriage-Office Author(s): William Bates
Event Comment: Afterpiece: With a Procession of the Inhabitants of Otaheite, New Zealand, Tanna, Marquesas, the Friendly, Sandwich, and Easter Islands, Tschutzki, Siberia, Kamtschatka, Nootka Sound, Onalashka, Prince William's Sound, and the other Countries visited by Captain Cook, exactly representing their Dresses and Weapons. Receipts: #237 19s. (231/16; 6/3)

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: Omai [and see17851220]

Event Comment: Benefit for Miss Brunton. Mainpiece [1st time in London; T 5, by Frederick Reynolds, 1st acted at Bath, 3 Dec. 1785. In 1795 reduced to 3 acts. Prologue and Epilogue by William Meyler (Town and Country Magazine, Apr. 1786, p. 215]. Part of the Pit will be laid into the Boxes. Morning Chronicle, 17 Feb.: Tickets to be had of Miss Brunton, No. 5, George-street, York-buildings. Receipts: #350 17s. 6d. (210/11/0; 3/1/6; tickets: 137/5/0) (charge: #105)

Performances

Mainpiece Title: Werter

Afterpiece Title: Barataria

Song: In Act III of mainpiece an Epithalamium. The Music composed by Rauzzini. Vocal Parts by Cubitt, Darley [Public Advertiser: Johnstone, Brett], Mrs Martyr, Mrs Bannister

Event Comment: Mainpiece [1st time; T 5, by Hannah Cowley. Prologue and Epilogue by the author (see text)]. @When first thy Tragedy I view'd@Where Sparta mourns her Lot severe;@I caught the Spartan Fortitude@And watch'd her Woes without a Tear.@ (William Parsons [not the actor], in Thraliana, II, 713.) Public Advertiser, 27 Feb. 1788: This Day is published The Fate of Sparta (1s. 6d.). Receipts: #203 15s. 6d. (171.13.0; 30.15.0; 1.7.6)

Performances

Mainpiece Title: The Fate Of Sparta; Or, The Rival Kings

Performance Comment: Principal Characters by Kemble, Bensley, Barrymore, Whitfield, Staunton, Williames, Bates, Phillimore, Chaplin, Wilson, Benson, Mrs Siddons. [Cast from text (G. G. J. and J. Robinson), and World, 1 Feb.: Cleombrotus-Kemble; Leonidas-Bensley; Amphares-Barrymore; Nicrates-Whitfield; Corex-Staunton; Mezentius-Williames; Officer-Bates; Sarpedon-Phillimore; High Priest-Chaplin; Priest-Wilson; Attalus-Benson; Child-Miss Gaudry; Chelonice-Mrs Siddons; Prologue-Wroughton; Epilogue-Mrs Siddons. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]
Cast
Role: Mezentius Actor: Williames

Afterpiece Title: The Humourist

Cast
Role: Beaumont Actor: Williames
Role: Sir Anthony Halfwit Actor: Suett