SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sir Thomas Skipwith"/1) | (@(roleclean,performerclean) "Sir Thomas Skipwith")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6976 matches on Author, 6375 matches on Performance Comments, 1282 matches on Event Comments, 503 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: The United Company. The date of the first performance is not known, but Lord Granville, writing on 5 May 1688, refers to the King's presence on the third day, and since The Squire of Alsatia may have begun its run about 2 May 1688, Crowne's play must have been produced by the end of April. Lord Granville to Sir William Leveson, 5 May 1688: The town is as empty of news as the Court; we have had a new play called The Fall of Darius (written by Crown), by which the poet, though he could get no fame, yet had a most extraordinary third day by reason the King's presence at it; the first day of its acting Mrs Bower [Barry] was taken so violently ill in the midst of her part that she was forced to be carried off, and instead of dying in jest was in danger of doing it in earnest. Mrs Cook is dead and Mrs Boute...is again come upon the stage, where she appears with great applause. We are promised this week another new play of Shadwell's called the Alsatia Bully, which is very much commended by those who have had the private perusal of it (HMC, 5th Report, Part II, pP. 197-98). Dedication, Edition of 1688: A misfortune fell upon this Play, that might very well dizzy the Judgments of the Audience. Just before the Play began, Mrs Barry was struck with a very violent Fever, that took all Spirit from her, by consequence from the Play; the Scenes She acted fell dead from her; and in the 4th Act her distemper grew so much upon her, She cou'd go on no further, but all her part in that Act was wholly cut out and neither Spoke nor Read; that the People went away without Knowning the contexture of the Play, yet thought they knew all....[My] Thanks to His Majesty for the Honor of his Presence, on the Day which was to be for my Advantage; which He was pleased to Grant me. [See L. C. 5@148, p. 195--in Nicoll, Restoration Drama, p. 356--for a grant of #20 as a gift from the King to Crowne for this play.

Performances

Mainpiece Title: Darius, King Of Persia

Event Comment: The United Company. This performance is on the L. C. list, 5@149, p. 368: The Queene a Box, and a Box for the Maids of Honor at the Spanish Fryer. See also Nicoll, Restoration Drama, p. 352. A warrant, dated 8 June 1689, L. C. 5@149, p. 154 (see Nicoll, Restoration Drama, p. 356), calls for a payment of #25 to Mrs Barry and presumably represents payment for this performance. Daniel Finch, ca. June 1689: The only day Her Majesty gave herself the diversion of a play, and that on which she designed to see another, has furnished the town with discourse for a month. The choice of the play was the Spanish Fryar, the only play forbid by the late K@@. Some unhappy expressions, among which those that follow, put her in some disorder, and forc'd her to hold up her fan, and often look behind her and call for her palatine and hood, and any thing she could next think of, while those who were said. (Sir John Dalrymple, Memoirs of Great Britain [London, 1771-88], in the pit before her, whenever their fancy led them to make any application of what was Volume II, Appendix, Part II, pp. 78-80.) Henry Purcell's new setting for whilst I with grief did on you look may have been made by this date. It is in Deliciae Musicae, 1695

Performances

Mainpiece Title: The Spanish Fryar

Performances

Mainpiece Title: London's Great Jubilee

Performance Comment: Restor'd and Perform'd On Tuesday, October the 29th 1689. For the Entertainment of the Right Honourable Sir ThomasPilkington Kt. Lord Mayor of the City of London. Containing a Description of the several Pageants and Speeches together with a Song for the Entertainment of Their Majesties, who with their Royal Highnesses the Prince and Princess of Denmark, the whole Court, and both Houses of Parliament, Honour His Lordship this Year with their Presence. All set forth at the Proper Cost and Charges of the Right Worshipful Company of Skinners. [By Matthew Taubman.]

Performances

Mainpiece Title: The Triumphs Of London Performed On Thursday, Oct

Performance Comment: 29. 1691, for the Entertainment of the Right Honourable Sir ThomasStamp, Kt; Lord Mayor of the City of London. Containing a true Description of the several Pageants, with the Speeches spoken on each Pageant. All set forth at the proper Costs and Charges of the Worshipful Company of Drapers. [By Elkanah Settle.]
Event Comment: Lacedemonian Mercury, 11 March 1691@2: Query 2. Whether the Town's receiving and coveting Love for Money, The Marriage-Hater Match'd, when at the same time The Plain Dealer and Sir Foplin Flutter rest untouch'd and unsoughtfor, be not Evidence of a very great declension in Common Sense?

Performances

Performances

Mainpiece Title: The Triumphs Of London

Performance Comment: Performed on Saturday, Octob. 29th 1692. For the Entertainment of the Right Honourable Sir John Fleet, Kt. Lord Mayor of the City of London. Containing A True Description of the several Pageants w ith the Speeches spoken on each Pageant. All set forth at the proper Costs and Charges of the Worshipful Company of Grocers. Together with An Exact Relation of the most Splendid Entertainments, prepared for the Reception of Their Sacred Majesties.
Related Works
Related Work: The Triumphs of London: Performed on Monday, October XXIX Author(s): Thomas Jordan

Performances

Mainpiece Title: Henry The Second, King Of England; With The Death Of Rosamond

Performance Comment: Edition of 1693: Prologue-; Epilogue by Mr Dryden-Mrs Bracegirdle; King Henry the Second-Betterton; Prince Henry-Mich. Lee; Sir Tho. Vaughan-Ant. Leigh; Abbot-Sandford; Verulam-Kynaston; Sussex-Hodgson; Aumerle-Bridges; Bertrard-Dogget; Queen Eleanor-Mrs Barry; Rosamond-Mrs Bracegirdle; Rosamond's Woman-Mrs Kent.
Related Works
Related Work: Alfred the Great, King of England Author(s): Thomas Arne
Related Work: Henry the Second; or, The Fall of Rosamond Author(s): Thomas Hull

Performances

Mainpiece Title: The Triumphs Of London

Performance Comment: Performed on Monday October 30, 1693. For the Entertainment of the Right Honourable Sir William Ashurst, Knight, Lord Mayor of the City of London. Containing A True Description of the several Pageants; with the Speeches Spoken on each Pageant. All set forth at the proper Cost and Charges of the Worshipful Company of Merchant Taylors. Together with The Festival Songs for His Lordship and the Companies Diversion.
Related Works
Related Work: The Triumphs of London: Performed on Monday, October XXIX Author(s): Thomas Jordan

Performances

Mainpiece Title: The Triumphs Of London

Performance Comment: Prepared for the Entertainment of Sir ThomasLane, Knight....Containing a full Description of the Pageants, Speeches, Songs, and the whole Solemnity of the Day. Performed on Monday the 29 of October, 1694. Set forth at the Proper Cost and Charges of the...Clothworkers.
Related Works
Related Work: The Triumphs of London: Performed on Monday, October XXIX Author(s): Thomas Jordan
Event Comment: According to Sir Edward Smith's bill--see Hotson, Commonwealth and Restoration Stage, p. 308-the regular company at Drury Lane resumed acting (after the summer vacation) on 11 Oct. 1696 and acted 200 times to 7 July 1697, after which the young actors played 58 days to 7 Oct. 1697

Performances

Event Comment: John Dryden to his sons, 3 Sept. 1697: After my return to Town, I intend to alter a play of Sir Robert Howards, written long since, & lately put by him into my hands: tis calld The Conquest of China by the Tartars. It will cost me six weeks study, with the probable benefit of an hunderd pounds. In the meane time I am writeing a Song for St Cecilia's feast, who you know is the Patroness of Musique. This is troublesome, & no way beneficiall: but I coud not deny the Stewards of the feast, who came in a body to me, to desire that kindness (Letters of John Dryden, p. 93)

Performances

Event Comment: According to Sir Edward Smith's bill--see Hotson, Commonwealth and Restoration Stage, p. 308--Rich's Company acted 161 days from 6 Oct. 1697 to 19 May 1698, 41 days from that date to 10 July 1698, and the young actors played 24 days from 10 July 1698 to 10 Oct. 1698

Performances

Event Comment: According to Sir Edward Smith's bill (see Hotson, Commonwealth and Restoration Stage, p. 308) Rich's Company acted 209 times from 9 Oct. 1698 to 9 July 1699, after which the young actors performed 27 times from 9 July 1699 to 10 Oct. 1699

Performances

Performances

Mainpiece Title: Glory's Resurrection

Performance Comment: Being the Triumphs of London Reviv'd for the Inauguration of the Right Honourable Sir Francis Child, Kt. Lord Mayor of London. Containing the Description (and also the Sculptures) of the Pageants, and the whole Solemnity of the Day: All set forth at the proper cost and charge of the Honourable Company of Goldsmiths. By Elkanah Settle.
Event Comment: James Brydges, Diary: About 5 my Coz: Roberts & I went to ye Playhouse in Covent Garden, but not liking ye play, wee went to that in Lincolns inn fields, & staid till 'twas done. I saw Ld Normanby, Ld Willouby, Sir Rich. Samford &c. here (Huntington MS St 26)

Performances

Event Comment: According to Sir Edward Smith's bill (see Hotson, Commonwealth and Restoration Stage, p. 308) Rich's company acted 218 times between 6 Oct. 1699 and 26 July 1700, and the young actors played 15 times from 26 July 1700 to 12 Oct. 1700

Performances

Performances

Mainpiece Title: The Triumphs Of London

Performance Comment: For the Inauguration of the Right Honourable Sir Richard Levett, Kt. Lord Mayor of the City of London. Containing a Description of the Pageants, together with the Publick Speaches, and the whole Solemnity of the Day. Perform'd on Monday the 30th day of October, Anno 1699. All set forth at the proper cost and charges of the Honourable Company of Haberdashers. [By Elkanah Settle.]
Related Works
Related Work: The Triumphs of London: Performed on Monday, October XXIX Author(s): Thomas Jordan
Event Comment: John Vanbrugh to the Earl of Manchester, 25 Dec. 1699: Miss Evans the dancer at the New Playhouse is dead too; a feaver Slew her in eight and forty hours. She's much lamented by the Towne as well as the House, who can't well bare her loss; Matters running very low with 'em this Winter; if Congreve's Play [The Way of the World] don't help 'em they are undone. 'Tis a Comedy and will be play'd about Six weeks hence, nobody has seen it yet. Liveridge is in Ireland, he Owes so much money he dare not come over, so for want of him we han't had one Opera play'd this Winter; tho' Purcell has set one New One and Fingar another. We have got the Woman from the Chesire Cheese upon the Stage, who has the best Voyce for't by much that has been there at any time. We have the Emperors Crooaed Eunuch here, Francisco. They give him a hundred and twenty Guineas for five times. He has sung Once and was well likt. Dogget was here last Week, they gave him thirty pound to act Six times, which he did and fill'd the house every time (The Complete Works of Sir John Vanbrugh [Bloomsbury: Nonesuch Press, 1928], IV, 4)

Performances

Event Comment: Villiers Bathurst to Arthur Charlett, 28 Jan. 1699@1700: The Wits of all qualities have lately entertained themselves with a reviv 6: went to ye play. I staid there a quarter of an hour (Huntington MS St 26). The Wits of all qualities have lately entertained themselves with a revived humour of Sir John Falstaff in Henry the Fourth, which has drawn all the town, more than any new play that has bin produced of late; which shews that Shakespeare's wit will always last: and the criticks allow that Mr Betterton has hitt the humour of Falstaff better than any that have aimed at it before (G. Thorn-Drury, More Seventeenth Century Allusions to Shakespeare, [London, 1924], p. 48)

Performances

Event Comment: Betterton's Company. James Brydges, Diary: About 6: he [Brydges' brother Henry] set me down at y- Playhouse in Lincolns inn fields, where I met Me Coke, Mr Hammond, & Sir Godfrey Coply: about 8: I came home (Huntington MS St 26)

Performances

Mainpiece Title: The Way Of The World

Performances

Mainpiece Title: The Gamester

Performance Comment: Edition of 1705 lists: Sir Thos. Valere-Freeman; Dorante-Corey; Young Valere-Verbruggen; Lovewell-Betterton; Marquess of Hazard-Fieldhouse; Hector-Pack; Galoon-Smeaton; Count Cogdie-Dickins; First Gentleman-Weller; 2d Gentleman-Knap; Boxkeeper-Lee; Lady Wealthy-Mrs Barry; Angelica-Mrs Bracegirdle; Betty-Mrs Parsons; Favourite-Mrs Hunt; Mrs Security-Mrs Willis; Mrs Topknot-Mrs Fieldhouse; Prologue [written by Roe-Betterton; Epilogue-Verbruggen [written by Charles Johnson, according to Diverting Post, 3 Feb.].written by Charles Johnson, according to Diverting Post, 3 Feb.].
Event Comment: Mainpiece: Written by Sir William Davenant; but Originally by the famous French Dramatick Poet Monsieur Moliere. [Genest, II, 352, surmises that the company probably acted Acts I, II, and V of The Playhouse to be Let.] Afterpiece: A Burlesque Farce

Performances

Mainpiece Title: The Playhouse To Be Let; With Sganarella, The Blacksmith Of Paris

Related Works
Related Work: The Playhouse To Be Let Author(s): Sir William Davenant

Afterpiece Title: Mock Pompey

Song:

Dance:

Event Comment: Philip Perceval to Sir John Perceval, 1 Feb.: The opera of Camilla has been one of the chief diversions of the town this long time, and business is forgot. Next week we expect a new one, and soon after another. One goes by Mr Addison's name; I think they call it Fair Rosamond, the other is Mr Clayton's undertaking. Great things are expected of them both. (Egmont MS, II, 215.

Performances

Mainpiece Title: Camilla

Event Comment: Benefit Mrs Rogers. At the Desire of several Ladies of Quality. Tickets for Sir Fopling Flutter taken at this play

Performances

Mainpiece Title: Mithridates, King Of Pontus

Performances

Mainpiece Title: The Stratagem

Performance Comment: As17080217, but Sir Charles-_; Lady Bountiful-Mrs Powell; Cherry-Mrs Bicknell; A New Epilogue upon an Ass-Pinkeman written by Estcourt.