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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sir Thomas"/1) | (@(roleclean,performerclean) "Sir Thomas")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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13382 results for: Keyword - Sir Thomas
We found 6976 matches on Author, 6375 matches on Performance Comments, 1282 matches on Event Comments, 503 matches on Performance Title, and 320 matches on Roles/Actors.

876
04 May 1665 @ no theater listed

Event Comment: W. S. Clark (Works of Orrery, 1, 40-41) believes that this is Thomas Middleton's play, not one by Orrery. Henry Savile to George Savile: I am come newly from my Lord of Orrery's new play called The Widow, whose character you will receive from better hands. I will only say that one part of it is the humour of a man that has great need to go to the close stool, where there are such indecent postures as would never be suffered upon any stage but ours, which has quite turn'd the stomach of so squeamish a man as I am, that am used to see nothing upon a theatre that might not appear in the ruelle of a fine lady (Savile Correspondence, ed. W. D. Cooper, Camden Society, LXXI [1858], 4)

Performances

Mainpiece Title: The Widow

Related Works
Related Work: The Amorous Widow; or, The Wanton Wife Author(s): Thomas Betterton
Related Work: The Widow of Delphi; or, The Descent of the Deities Author(s): Thomas Butler
Related Work: The Widow Author(s): Thomas Middleton
Related Work: The Counterfeit Bridegroom; or, The Defeated Widow Author(s): Thomas Middleton
Related Work: A True Widow Author(s): Thomas Shadwell
Related Work: The Puritan; or, Widow of Watling Street Author(s): Thomas Middleton

877
18 November 1676 @ Drury Lane Theatre

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p.359: See also Nicoll, Restoration Drama, p. 346. There is no indication as to whether this is the premiere. The music for four songs was composed by Matthew Lock. See A New Collection of Songs and Poems...by Thomas D'Urfey, 1683

Performances

Mainpiece Title: The Fool Turn'd Critick

Related Works
Related Work: The Fool Turn'd Critick Author(s): Thomas D'Urfey

878
December 1676 @ Dorset Garden Theatre

Event Comment: The Duke's Company. There is no indication of the first date of performance, but a licensing date of 19 Feb. 1676@7 suggests a December 1676 or January 1677 production.Downes (Roscius Anglicanus, p. 38): Titus and Berenice, Wrote by the same Author [Thomas Otway], consisting of 3 Acts: With the Farce of the Cheats of Scapin at the end: This Play, with the Farce, being perfectly well Acted; had good Success

Performances

Mainpiece Title: Titus And Berenice

Related Works
Related Work: Titus and Berenice Author(s): Thomas Otway

Afterpiece Title: The Cheats of Scapin

Related Works
Related Work: The Cheats of Scapin Author(s): Thomas Otway

879
April 1684 @ Drury Lane Theatre

Event Comment: The United Company. The date of the first performance is not known, but Luttrell dated his copy of the separately-printed Prologue and Epilogue 5 April 1684 (J. W. Dodds, Thomas Southerne, p. 48). Very probably the play first appeared during the week of 31 March-5 April, immediately following Easter. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 191-94. This may have been the last new role William Smith undertook for some years; see Cibber, Apology, ed. Lowe, 1, 78-79, for the incident which prompted Smith's leaving the stage for awhile. One song, I never saw a face till now, with music by Captain Pack, is in The Theater of Music, the First Book, 1685; and another, O why did e'er my thoughts aspire, the music by R. King, is in the same collection. A third song, See how fair Corinna lies, the music by Captain Pack, is in A Collection of Twenty-Four Songs, 1685

Performances

Mainpiece Title: The Disappointment; Or, The Mother In Fashion

Related Works
Related Work: The Disappointment; or, The Mother in Fashion Author(s): Thomas Southerne

880
01 March 1701 @ Drury Lane Theatre

Event Comment: [By Thomas Baker. Premiere.

Performances

Mainpiece Title: The Humours Of The Age

Related Works
Related Work: The Humour of the Age Author(s): Thomas Baker

881
27 January 1703 @ Drury Lane Theatre

Event Comment: [By Thomas Baker. Date of premiere uncertain, but this day has generally been accepted by Nicoll, Genest, Winston, and Latreille. Published 29 Jan.

Performances

Mainpiece Title: Tunbridge Walks; Or, The Yeoman Of Kent

Related Works
Related Work: Tunbridge-Walks: or, The Yeoman of Kent Author(s): Thomas Baker

882
24 June 1704 @ Lincoln's Inn Fields

Event Comment: Benefit Fieldhouse. [Afterpiece: By Thomas Walker. Premiere.

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The Wit of a Woman

Related Works
Related Work: Sir Barnaby Whigg; or, No Wit Like a Womans Author(s): Thomas D'Urfey
Related Work: The Wit of a Woman Author(s): Thomas Walker

Song: a young Gentleman who never perform'd on the Stage before; a new Dialogue between him and one of the House, being set by Mr Hicks-

883
26 June 1704 @ Lincoln's Inn Fields

Event Comment: Benefit Miss Evans and Miss Mountfort. At the Desire of several Persons of Quality. [In Cowper MS, III, 79, James Cragg enclosed in a letter to Thomas Coke "Three small playing cards having on the back of each 'June 26th The Amorous Widow or the Wanton Wife. The Box. For the Benefitt of Miss Mountfort and Miss Evans."

Performances

Mainpiece Title: The Amorous Widow

Related Works
Related Work: The Amorous Widow; or, The Wanton Wife Author(s): Thomas Betterton

Dance: A New Dance by Four Scaramouches to Faranoll's Ground never perform'd but once-; A Scotch and Irish Dance-Miss Evans; Firbank, Firbank's Scholar

884
18 January 1712 @ Drury Lane Theatre

Event Comment: At the Request of seveal Persons of Quality. The Spectator, 18 Jan., has a letter from Thomas Clayton, Nicolino Haym, and Charlies Dieupart, who deny the rumor that their purpose in presenting concerts is to destroy opera. Rather they wish to improve the art of music, which they feel is utterly destroyed at the moment; however, there will be no performances at York Buildings until after that of the Subscription

Performances

Mainpiece Title: The Amorous Widow

Cast
Role: Sir Peter Actor: Johnson
Related Works
Related Work: The Amorous Widow; or, The Wanton Wife Author(s): Thomas Betterton

Entertainment: With several additional Entertainments-

885
30 May 1720 @ King's Theatre

Event Comment: [Music by Dominico Scarlatti, with additional numbers by Thomas Roseingrave. Text by P. A. Rolli.] A new Opera. Pit and Boxes together at half a guinea. Gallery 5s. Stage one Guinea. N.B. When the Tickets are disposed of, no Person will be admitted for Money; places will be kept in the Boxes only

Performances

Mainpiece Title: Narcissus

Related Works
Related Work: Narcissus Author(s): Thomas Roseingrave

886
24 February 1730 @ Goodman's Fields

Event Comment: [By Thomas Walker.] With Rich New Habits

Performances

Mainpiece Title: The Fatal Villainy

Related Works
Related Work: The Fatal Villainy Author(s): Thomas Walker

887
16 November 1732 @ Haymarket Theatre

Event Comment: A New English Opera. [Text by Thomas Lediard.] Set to Musick after the Italian Manner by Mr John Frederick Lampe. The Scenes and Cloaths are entirely New. With the Representation of a Transparent Theatre. Curiously Illuminated, and adorn'd with a great Number of Emblems, Mottos, Devices, and Inscriptions; and embellish'd with Machines, in a Manner entirely new. N.B. The Illuminations and other Preparations for this Opera are such, that no Person whatever can be admitted to the Stage. Pit and Boxes put together at 6s. Gallery 3s. 6 p.m. [For a discussion of Lediard and this work, see a series of articles by Ifan Kyrle Fletcher, Sybil Rosenfeld, and Richard Southern in Theatre Notebook, II (1948), 42-54.

Performances

Mainpiece Title: Britannia

Related Works
Related Work: Britannia Author(s): Thomas Lediard
Related Work: Britannia Author(s): Thomas Arne

888
14 May 1735 @ Lincoln's Inn Fields

Event Comment: Benefit Daniel Boyes and Thomas Lascells, who have been for many Years under Confinement for Debt

Performances

Mainpiece Title: The Royal Merchant

Related Works
Related Work: The Royal Merchant Author(s): Thomas Hull

Afterpiece Title: The Toy Shop

889
26 May 1736 @ Haymarket Theatre

Event Comment: Benefit the Author of the Farce. Mainpiece: The Sixtieth Day. Afterpiece: Written by the Author of Bacchus one Day Gaily Striding: When Fanny, Blooming Fair [Thomas Phillips.]

Performances

Mainpiece Title: Pasquin

Afterpiece Title: The Rival Captains; or, The Impostor Unmask'd

Related Works
Related Work: The Rival Captains; or, The Impostor Unmask'd Author(s): Thomas Phillips

890
31 January 1741 @ Drury Lane Theatre

Event Comment: As 10 Dec. 1740. [For a discussion of recent Shakespearean performances, see Thomas Edwards to Richard Owen Cambridge, 31 January 1740@41 in Bodleian MS. 1009, pp. 140-41.

Performances

Mainpiece Title: Comus

Cast
Role: by Desire, Actor: Mrs Clive in the Character of Euphrosine
Related Works
Related Work: Comus Author(s): Thomas Arne

Dance: LLes Masons & Les Sabotiers-Fausan, Signora Fausan; Les Matelotes-Fausan, Signora Fausan

891
19 December 1743 @ Drury Lane Theatre

Event Comment: Mainpiece: never acted [a tragedy by Thomas Cooke]. Macklin's Reply to Garrick published

Performances

Mainpiece Title: Love The Cause And Cure Of Grief; Or, The Innocent Murderer

Related Works
Related Work: Love the Cause and Cure of Grief; or, The Innocent Murderer Author(s): Thomas Cooke

Afterpiece Title: The Lying Valet

892
25 August 1746 @ Bartholomew Fair

Event Comment: YYeates senior and Bennet's Booth, facing the Hospital Gate, West Smithfield. Wrote by Thomas Sheridan, The Player. Noon to 10 p.m. [Notice repeated 26, 27 Aug.

Performances

Mainpiece Title: Captain O'blunder; Or, The Brave Irishman

Related Works
Related Work: Captain O'Blunder; or, The Brave Irishman Author(s): Thomas Sheridan

Dance: JJockey Dance-Adams; Hornpipe-Banberry

Entertainment: A Machine showing the capture of Cape Breton-

893
14 March 1751 @ Drury Lane Theatre

Event Comment: Benefit for Sowdon. Ladies send servant by three. Tickets at Will's Coffee House in Cornhill; at Mr Thomas Sowdon's in Blackman St., Southwark, and of Hobson at the stage door. Receipts: #230 (Cross)

Performances

Mainpiece Title: The Orphan

Related Works
Related Work: The Orphan; or, The Unhappy Marriage Author(s): Thomas Otway

Afterpiece Title: Lethe

Dance: Devisse, Mad Auretti

894
10 April 1752 @ Drury Lane Theatre

Event Comment: Benefit for Sowdon. No building on the stage on account of the Coronation. [With] The Death of the Duke of Buckinghamv; the Tryal and Divorce of Queen Catherinev; The Death of Cardinal Wolseyv; the Christening of Princess Elizabethv; and many other historical passages. Tickets to be had of Sowdon, next door to the Black Lyon, in Little Russel-St., Covent Garden; at Will's Coffee House in Cornhill; at Mr Thomas Sowdon's in Blackman St., Southwark, and at the stage door. Mainpiece: Not acted in 6 years [see 1 Jan. 1746]. Receipts: #230 (Cross)

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: Don Quixote

Related Works
Related Work: The Comical History of Don Quixote, Part I Author(s): Thomas D'Urfey
Related Work: The Comical History of Don Quixote, Part II Author(s): Thomas D'Urfey
Related Work: The Comical History of Don Quixote Author(s): Thomas D'Urfey
Related Work: The Comical History of Don Quixote, The Third Part: With the Marriage of Mary the Buxome Author(s): Thomas D'Urfey
Related Work: Barataria; or, Sancho Turn'd Governor Author(s): Thomas D'Urfey
Related Work: Squire Badger Author(s): Thomas Arne

895
11 May 1757 @ Drury Lane Theatre

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Britannia

Performance Comment: [See17550509, but without Miss Thomas.] With a Prologue-Garrick [in the character of a Sailor; Epilogue-[suitable to the Occasion, to be spoken at the head of a Number of Boys clothed in Sailors Habits given them by the Society.suitable to the Occasion, to be spoken at the head of a Number of Boys clothed in Sailors Habits given them by the Society.
Related Works
Related Work: Britannia Author(s): Thomas Lediard
Related Work: Britannia Author(s): Thomas Arne

896
06 March 1758 @ Covent Garden

Event Comment: Receipts: #103 18s. [The following Renters came in at 1 share each: Antony Henry Bousing, Mrs Antony Henry Bousing, Robert Jennings Esq, Thomas Repley (Account Book).

Performances

Mainpiece Title: The Prophetess

Related Works
Related Work: The Prophetess; or, The History of Dioclesian Author(s): Thomas Betterton

897
21 May 1759 @ Drury Lane Theatre

Event Comment: Benefit for Scrase, Mozeen, Ackman, Harrison. Afterpiece: A new farce written by Mr Mozeen (Indiff) (Cross). Ellis Ackman, Henry Scrase, Harrison, Thomas Mozeen advertised the above new piece for their benefit performance being founded on fact (Winston MS 8). Receipts: #170 Cross)

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: The Heiress; or, The Antigallican

Related Works
Related Work: The Heiress; or, the Antigallican Author(s): Thomas Mozeen
Related Work: The Richmond Heiress; or, A Woman Once in the Right Author(s): Thomas D'Urfey
Related Work: The Stolen Heiress or the Salamanca Doctor Outplotted Author(s): Thomas May

Dance: I: Hornpipe-Harrison, a Young Gentleman Harrison's Scholar; End: A Minuet-Two of Harrison's Scholars

898
26 April 1766 @ Covent Garden

Event Comment: Benefit for Hull. Afterpiece: Translated (with alterations) from Detouches. Never perform'd before. Translation by Thomas Hull (Biographia Dramatica)

Performances

Mainpiece Title: Love's Last Shift

Cast
Role: Sir Novelty Actor: Woodward
Role: Sir William Wisewou'd Actor: Dunstall

Afterpiece Title: All in the Right

Related Works
Related Work: The Richmond Heiress; or, A Woman Once in the Right Author(s): Thomas D'Urfey
Related Work: All in the Right Author(s): Thomas Hull
Related Work: The Lord Mayor's Show: Being a Description of the Solemnity at the Inauguration of the truly Loyal and Right Honourable Sir William Prichard, Kt. Author(s): Thomas Jordan

Entertainment: II: The Cries of London-Shuter

Dance: IV: The Venetian Gardeners, as17650925; End: Rural Love, as17651115

899
06 February 1767 @ Covent Garden

Event Comment: Sixth Day. For the Author. Charges #85 5s. Balance due to author #41 14s. (Account Book). [This balance was paid to Thomas Hull on 9 Feb.] Receipts: #126 19s. (Account Book)

Performances

Mainpiece Title: The Perplexities

Related Works
Related Work: The Perplexities Author(s): Thomas Hull

Afterpiece Title: The Fairy Favour

Related Works
Related Work: The Fairy Favour Author(s): Thomas Hull

Dance: End: The Gallant Peasants, as17670113

900
16 September 1767 @ Haymarket Theatre

Event Comment: By Permission. Benefit for Thomas Barry. Neville MS Diary: Mr Barry having obtained permission to play 3 nights after the time at which Foote by his patent is obliged to shut his house

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Related Works
Related Work: The Orphan; or, The Unhappy Marriage Author(s): Thomas Otway

Afterpiece Title: The Lyar

Performance Comment: As17670911, but Kitty-Mrs Kirby; Sir James-Smith.
Cast
Role: Sir James Actor: Smith.

Dance: End: The Fingalian-Miss Froment; End I Farce: Hornpipe-Miss Froment