SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sir Roger LEstrange"/1) | (@(roleclean,performerclean) "Sir Roger LEstrange")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6865 matches on Performance Comments, 1783 matches on Author, 1058 matches on Event Comments, 800 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: The Duke's Company. This date marks the opening of the new theatre in Dorset Garden. Downes (Roscius Anglicanus, p. 31): The new Theatre in Dorset-Garden being Finish'd, and our Company after Sir William's Death, being under the Rule and Dominion of his Widow the Lady Davenant, Mr Betterton and Mr Harris, (Mr Charles Davenant her Son Acting for her) they remov'd from Lincolns-Inn-Fields thither. And on the Ninth Day of November 1671, they open'd their new Theatre with Sir Martin Marral, which continu'd Acting 3 Days together, with a full Audience each Day; notwithstanding it had been Acted 30 Days before in Lincolns-Inn-Fields, and above 4 times at court. [This play is also on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 18: Sir Martin.

Performances

Mainpiece Title: Feignd Innocence Or Sir Martin Marall

Performance Comment: For a previous cast, see16670815. A Prologue by Sir George Etherege is in A Collection of Poems (1701), p. 293-.
Event Comment: The United Company. The date of the first production is not known, but the Gentleman's Journal, February 1692@3 (issued in March) makes clear that it followed Congreve's play: We have had since a Comedy, call'd, The Wary Widow, or Sir Noisy Parrot, by Henry Higden Esq; I send by here the Prologue to it by Sir Charles Sedley, and you are too great an Admirer of Shakespeare, not to assent to the Praises given to the Fruits of his rare Genius (p. 61). The play was announced in the London Gazette, No. 2875, 29 May-June 1693. The music for one song, All hands up aloft, was by Berenclow, and the song appears in D'Urfey, Wit and Mirth, 1699. Dedication, edition of 1693: But now it is forced to beg for your Protection from the malice and severe usage it received from some of my Ill natured Friends, who with a Justice peculiar to themselves, passed sentence upon it unseen or heard and at the representation made it their business to persecute it with a barbarous variety of Noise and Tumult. Gildon, The Life of Mr Thomas Betterton (p. 20): The actors were completely drunk before the end of the third act, and being therefore unable to proceed with this "Pleasant Comedy," they very properly dismissed the audience

Performances

Mainpiece Title: The Wary Widow Or Sir Noisy Parrat

Performance Comment: Edition of 1693: The Prologue by Sir Charles Sydly-; Epilogue-Mrs Lassells.
Cast
Role: Sir Charles Sydly Actor:

Performances

Mainpiece Title: The Man Of Mode Or Sir Fopling Flutter

Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege
Event Comment: At the Desire of several Persons of Quality. Afterpiece: several Musical Entertainments composed by Henry Purcell. [Monday 10--Saturday 15: PASSION WEEK]

Performances

Mainpiece Title: The Man Of Mode Or Sir Fopling Flutter

Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege

Afterpiece Title: Aeneas and Dido

Dance: New Scotch dances-

Event Comment: At the Desire of several Persons of Quality. Boxes 5s. Pit 3s. Gallery 2s

Performances

Mainpiece Title: The Man Of Mode Or Sir Fopling Flutter

Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege

Dance: Mlle delaVal, Mrs Elford

Performances

Mainpiece Title: The Man Of Mode Or Sir Fopling Flutter

Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege

Dance: As17051106

Event Comment: At the Desire of several Ladies of Quality. And the principal Characters new Dress'd

Performances

Mainpiece Title: The Man Of Mode Or Sir Fopling Flutter

Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege

Performances

Mainpiece Title: The Man Of Mode Or Sir Fopling Flutter

Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege

Dance: As17161027

Performances

Mainpiece Title: The Man Of Mode Or Sir Fopling Flutter

Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege

Afterpiece Title: The Loves of Mars and Venus

Performances

Mainpiece Title: The Man Of Mode Or Sir Fopling Flutter

Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege

Performances

Mainpiece Title: The Man Of Mode Or Sir Fopling Flutter

Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege

Afterpiece Title: Perseus and Andromeda

Cast
Role: Pierot Actor: Roger
Related Works
Related Work: Perseus and Andromeda: With the Rape of Colombine; or, The Flying Lovers Author(s): Roger
Event Comment: Never acted on the British Stage. One of Terence's Comedies. Translated by Mr Echard and Sir Roger L'Estrange

Performances

Mainpiece Title: The Eunuch

Event Comment: Translated by Mr Echard and Sir Roger L'Estrange

Performances

Mainpiece Title: The Eunuch

Performances

Mainpiece Title: Rose And Colin

Afterpiece Title: King Henry the Fifth

Afterpiece Title: The Wives Revenged

Dance: End: The Shepherd's Wedding-Harris, Miss Matthews

Performances

Mainpiece Title: King Henry The Fifth

Afterpiece Title: The Invasion

Performance Comment: Sir John Evergreen-Quick; Charles-Whitfield; Beaufort-Robson; Drill-Wewitzer; Tattoo-Brunsdon; Roger-Egan; Cameleon-Lee Lewes; Brussels-Mrs Pitt; Emily-Mrs Morton; Sally-Mrs Willems; Lady Catherine-Mrs Green.
Cast
Role: Sir John Evergreen Actor: Quick
Role: Roger Actor: Egan

Performances

Mainpiece Title: Sir Harry Wildair

Performance Comment: Edition of 1701 lists: Sir Harry Wildair-Wilks; Colonel Standard-Mills; Fireball-Johnson; Marquis-Cibber; Beau Banter-Mrs Rogers; Clincher-Pinkethman; Dicky-Norris; Shark-Fairbank; Ghost-Mrs Rogers; Lord Bellamy-Simpson; Lady Lurewell-Mrs Verbruggen; Angelica-Mrs Rogers; Parly-Mrs Lucas; Prologue, Epilogue-.
Cast
Role: Sir Harry Wildair Actor: Wilks
Role: Beau Banter Actor: Mrs Rogers
Role: Ghost Actor: Mrs Rogers
Role: Angelica Actor: Mrs Rogers
Event Comment: The King's company. On 31 Aug. or 1 Sept. 1664 Orrery wrote to Sir Henry Bennett: Ther was noe Play of myne Acted, they are now but Studyinge it; I hope within less then a Fortnight twill be on ye Theater And if you are not surfetted, with what of mine you have already seene [Henry V], I will beg ye honour to wait on you when tis Acted (see The Dramatic Works of Roger Boyle, ed. W. S. Clark@II [Cambridge, Mass., 1937], 1, 102). The play is also on the list of Herbert, Dramatic Records, p. 138. Boswell, Restoration Court Stage, p. 281, lists it among the plays given at court, but Sir Heneage Finch's note (see below) seems to indicate an afternoon performance. Sir Heneage Finch to Sir Edward Dering, 15 Sept. 1664: Yesterday was acted, in the Greatest and noblest presence wch ye Court can make, before ye fullest Theatre, & with the highest applause imaginable, my Lo Orerys new play calld ye Generall formerly acted in Ireland by the name of Altamira, but much altered & improved. From thence the whole Court went to Wallingford house, where the Earl of Arran and the Lady Mary Stuart were that night before Supper marryd in the Gallery (Dramatic Works of Roger Boyle, I, 103, from Stowe MS 744 f. 81)

Performances

Mainpiece Title: The Generall

Related Works
Related Work: The General Author(s): Roger Boyle, Earl of Orrery

Performances

Mainpiece Title: Macbeth

Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Afterpiece Title: St Patricks Day

Performances

Mainpiece Title: Macbeth

Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Afterpiece Title: The Two Misers

Song: Mainpiece: Vocal Parts-Mattocks, Baker, Fox, Miss Brown, Miss Dayes, Miss Valois, Mrs Willems

Performances

Mainpiece Title: Macbeth

Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Afterpiece Title: St

Song: Vocal Parts-Mattocks, Mahon, Baker, Fox, Miss Brown, Mrs Morton, Mrs Willems, Miss Valois, Miss Green

Performances

Mainpiece Title: Macbeth

Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Afterpiece Title: The Touchstone

Song: Vocal parts-Reinhold, Doyle, J. Wilson, Baker, Miss Brown, Miss Valois, Mrs Morton, Mrs Willems

Performances

Mainpiece Title: The Wives Revenged

Afterpiece Title: Macbeth

Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Afterpiece Title: The Siege Of Gibraltar

Song: As17791018Vocal Parts-Reinhold, Doyle, J. Wilson, Baker, Miss Valois, Mrs Morton, Mrs Willems

Performances

Mainpiece Title: Macbeth

Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Afterpiece Title: The Humours of an Election

Song: Vocal Parts-Reinhold, Doyle, J. Wilson, Baker, Mrs Morton, Miss Valois, Mrs Willems, Miss Stewart

Performances

Mainpiece Title: Macbeth

Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Afterpiece Title: The Golden Pippin

Song: Mainpiece: Vocal Parts by Reinhold, Doyle, J. Wilson, Baker, Darley; Mrs Morton, Miss Morris, Mrs Davenett, Miss Stuart, Miss Willis, Miss Elrington, &c

Event Comment: CCross: (Pam: publish'd). Play dislik'd. Hiss'd much. [The pamphlet referred to was "Mr Garrick's Conduct as Manager of TRDL considered in a Letter Addressed to him," by E. F. 18 Oct.: As a manager, Sir, it is your business not only to prepare the Evening's Entertainment, but to prepare it in the best manner you are able; and the manager who does otherwise uses his customers ill." The burden of the author's complaints was: (1) the theatre has been operating for a month yet Garrick has appeared in only one character; (2) that he should buy himself off with speaking a prologue only, then sell that to the public at 6d. shows vanity, avarice, and lack of managerial responsibility; (3) that plays such as Albumazar (simple and poorly cast) and Scornful Lady, (with irreligious and atheistical parts) should not have been passed off on the public, whose expectations were raised high at the thought of Garrick's management. Macklin even had to apologize to the audience as he played the part of Sir Roger in the latter play. E. F. closed by urging: "Get up the best of our English Tragedies and Comedies; encourage the rising Wits and be under no apprehesion of the want of success." If you use common sense in casting your actors, as your former managers did (with all their other faults) in casting you, you will not yourself have to play every night. Above all remember your responsibility to the public.] Receipts: #100 (Cross); #127 4s. 6d. (Powel)

Performances

Mainpiece Title: The Scornful Lady

Performance Comment: Loveless-Mills; Young Loveless-Blakes; Roger-Macklin; Savil-Yates; Welford-Havard; Morecraft-Taswell; Captain-Winstone; Poet-Arthur; Traveller-I. Sparks; Tobaccoman-Gray; Abigail-Mrs Macklin; Martha-Mrs Mozeen; Widow-Mrs Cross; Scornful Lady-Mrs Woffington.
Cast
Role: Roger Actor: Macklin

Afterpiece Title: The Double Disappointment

Dance: II: Dance-Cooke