SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sir Richard Steel"/1) | (@(roleclean,performerclean) "Sir Richard Steel")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6455 matches on Performance Comments, 3625 matches on Author, 1305 matches on Event Comments, 1155 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Fair Rosamond Representing Her Amours With King Henry And Her Being Poisoned By Queen Eleanor In Woodstock Bower

Performance Comment: King Henry-Boman; Fair Rosamond-Mrs Bambridge; Cardinal Aquinas-Wallis; Cardinal Columbus-Bambridge; Sir Trusty-Clark; Lord Sands-Bencraft; Cupid-Master Brown; Cleora-Mrs Brown; Queen Eleanor-Mrs Mullart .
Cast
Role: Sir Trusty Actor: Clark

Afterpiece Title: The Modern Pimp or The Doctor Deceivd With the Comical Humours of Crack the Pimp Dr Grey Goose and Sir Nehemiah Nestle Cock

Performance Comment: Crack-Chapman; Grey Goose-Mullart; Sir Nehemiah-Smith; Bellamy-Ray; Captain Strut-Yates; Servant-Littleton; Page-Master Brown; Mrs Grey Goose-Mrs Herle; Miss Grey Goose-Miss Atherton; Betty-Mrs Cantrell .
Cast
Role: Sir Nehemiah Actor: Smith

Dance: I: Two Pierrots by Livier and Mlle Delorme. II: Wooden Shoe Dance by Livier and Janno. End of Afterpiece: Grand Peasant Dance by Livier, Janno, Mlle Delorme, Mrs Woodward

Performances

Mainpiece Title: Arius King Of Persia Or The Noble Englishman With The Comical Humours Of Sir Andrew Ague cheek At The siege Of Babylon

Performance Comment: Darius-Redman, from Dublin; Antipater-Taswell; Anglicanus-Stephens; Fearful-Vaughan; Eudocia-Mrs Purden; Queen-Mrs Egerton; Mrs Pert-Mrs Wright; Sir Andrew Aguecheek-Woodward.

Afterpiece Title: The Wrangling Deities or Venus Upon Earth

Song: Miss Polly Casey, her first on any stage

Dance: LLes Jardiniers Suedois-Vaughan, Mrs Wright

Performances

Mainpiece Title: The Merry Wives Of Windsor With The Humours Of Sir John Falstaff

Performance Comment: Falstaff-Quin; Ford-Ryan; Mrs Ford-Mrs Horton; Shallow-Chapman; Slender-Woodward; Page-Cashell; Fenton-Gibson; Caius-Stoppelaer; Host of Garter-Rosco; Pistol-James; Simple-Bencraft; Bardolph-Harrington; Mrs Page-Mrs Bellamy; Ann Page-Mrs Vincent; Mrs Quickly-Mrs James; Robin-Miss Morrison; Sir Hugh-Hippisley.
Cast
Role: Sir Hugh Actor: Hippisley.

Afterpiece Title: The Virgin Unmaskd

Dance: As17421026

Performances

Mainpiece Title: The Merry Wives Of Windsor With Humours Of Sir John Falstaff

Performance Comment: Falstaff-Quin; Ford-Ryan; Shallow-Chapman; Sir Hugh-Hippisley; Page-Cashell; Slender-Woodward; Host-Rosco; Dr Caius-Stoppelaer; Pistol-James; Simple-Bencraft; Bardolph-Marten; Fenton-Gibson; Mrs Page-Mrs Hale; Ann Page-Mrs Vincent; Mrs Quickly-Mrs Mullart; Mrs Ford-Mrs Pritchard.
Cast
Role: Sir Hugh Actor: Hippisley

Afterpiece Title: The Royal Chace or Merlins Cave

Performances

Mainpiece Title: The Merry Wives Of Windsor With The Humours Of Sir John Falstaff

Performance Comment: Falstaff-Bridges; Ford-Ryan; Page-Ridout; Shallow-Rosco; Slender-Collins; Fenton-Gibson; Pistol-James; Bardolph-Dunstall; Nym-Kennedy; Caius-Stoppelaer; Host-Morgan; Mrs Page-Mrs Hale; Anne Page-Mrs Storer; Mrs Quickly-Mrs James; Simple-Paddick; Robin-Miss Mullart; Sir Hugh-Morris; Mrs Ford-Mrs Horton.
Cast
Role: Sir Hugh Actor: Morris

Afterpiece Title: The Royal Chace

Performances

Mainpiece Title: King Henry Iv Part I With The Humours Of Sir John Falstaff

Performance Comment: Falstaff-Quin; King-Sparks 1st appearance that stage; Wales-Ryan; Prince John-Miss Hippisley; Westmoreland-Holtham; Northumberland-Paget; Sir Walter Blunt-Ridout; Douglas-Anderson; Vernon-Gibson; Worcester-Dance; Carriers-Arthur, Dunstall; Francis-Collins; Gadshill-Bencraft; Bardolph-Marten; Peto-Stoppelaer; Sheriff-Oates; Traveller-Smith; Hostess-Mrs Bambridge; Lady Piercy-Mrs Woffington; Hotspur-Delane who has not appeared that stage these 7 years.
Cast
Role: Sir Walter Blunt Actor: Ridout

Performances

Mainpiece Title: The First Part Of King Henry Iv With The Humours Of Sir John Falstaff

Performance Comment: Falstaff (for that night only)-Mrs Webb; Hotspur-A Gentleman (1st appearance on any stage [unidentified]); King-Bensley; Westmorland-Usher; Sir Walter Blunt-Riley; Prince John-Master Farley; Worcester-Gardner; Poins-R. Palmer; Vernon-Davies; Bardolph-Wewitzer; Francis-Barrett; Carriers-Parsons, Burton; Prince of Wales-Palmer; Hostess-Mrs Love; Lady Percy-Mrs Cuyler .
Cast
Role: Sir Walter Blunt Actor: Riley

Afterpiece Title: Gretna Green

Performances

Mainpiece Title: The Life And Death Of Sir Walter Ralegh

Performance Comment: Characters-Kemble, Aickin, Barrymore, Packer, Williames, Benson, Haymes, Webb, Bensley, Mrs Powell, Miss Tidswell, Mrs Ward. [Cast from European Magazine, Dec. 1789, p. 459: Raleigh [sic]-Kemble; Gundamor-Aickin; Young Raleigh-Barrymore; Salisbury-Packer; Wade-Williames; Carew-Benson; Sir Julius Caesar-Haymes; Lord Cobham-Webb; Howard-Bensley; Olympia-Mrs Powell; Florella-Miss Tidswell; Lady Raleigh-Mrs Ward.
Cast
Role: Sir Julius Caesar Actor: Haymes

Afterpiece Title: Harlequins Invasion

Event Comment: The Duke's Company. Pepys, Diary: After dinner my wife and I to the Duke's playhouse, where we saw the new play acted yesterday, The Feign Innocence, or Sir Martin Marr-all; a play made by my Lord Duke of Newcastle, but, as every body says, corrected by Dryden. It is the most entire piece of mirth, a complete farce from one end to the other, that certainly was ever writ. I never laughed so in all my life. I laughed till my head [ached] all the evening and night with the laughing; and at very good wit therein, not fooling. The house full, and in all things of mighty content to me

Performances

Mainpiece Title: Feignd Innocence Or Sir Martin Marall

Event Comment: The Duke's Company. Pepys, Diary: To the Duke of York's house, all alone, and there saw Sir Martin Marr-all again, though I saw him but two days since, and do find it the most comical play that ever I saw in my life

Performances

Mainpiece Title: Feignd Innocence Or Sir Martin Marall

Event Comment: The Duke's Company. Pepys, Diary: With my Lord Bruncker to the Duke's playhouse (telling my wife so at the 'Change, where I left her), and there saw Sir Martin Marr-all again, which I have now seen three times, and it hath been acted but four times, and still find it a very ingenious play, and full of variety

Performances

Mainpiece Title: Feignd Innocence Or Sir Martin Marall

Event Comment: The Duke's Company. Pepys, Diary: To the Duke of York's playhouse, and there saw a piece of Sir Martin Marall, with great delight, though I have seen it so often

Performances

Mainpiece Title: Feignd Innocence Or Sir Martin Marall

Event Comment: The Duke's Company. Pepys, Diary: To the Duke of York's House, and there went in for nothing into the pit, at the last act, to see Sir Martin Marr-all, and met my wife, who was there, and my brother, and W. Hewer and Willett, and carried them home, still being pleased with the humour of the play, almost above all that ever I saw

Performances

Mainpiece Title: Feignd Innocence Or Sir Martin Marall

Event Comment: The Duke's Company. Pepys, Diary: I after dinner to the Duke of York's playhouse, and there saw Sir Martin Mar-all; which I have seen so often, and yet am mightily pleased with it, and think it mighty witty, and the fullest of proper matter for mirth that ever was writ; and I do clearly see that they do improve in their acting of it. Here a mighty company of citizens, prentices, and others; and it makes me observe, that when I begun first to be able to bestow a play on myself, I do not remember that I saw so many by half of the ordinary prentices and mean people in the pit at 2s. 6d. a-piece as now; I going for several years no higher than the 12d. and then the 18d. places, though I strained hard to go in them when I did: so much the vanity and prodigality of the age is to be observed in this particular

Performances

Mainpiece Title: Feignd Innocence Or Sir Martin Marall

Event Comment: The Duke's Company. Pepys, Diary: To the Duke of York's playhouse, and there saw Sir Martin Marr-all, which, the more I see, the more I like

Performances

Mainpiece Title: Feignd Innocence Or Sir Martin Marall

Event Comment: The Duke's Company. Pepys, Diary: To the Duke of York's house to a play, and saw Sir Martin Marr-all, where the house is full; and though I have seen it, I think, ten times, yet the pleasure I have is yet as great as ever, and is undoubtedly the best comedy ever was wrote

Performances

Mainpiece Title: Feignd Innocence Or Sir Martin Marall

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2: Sir Martin Marall. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: Feignd Innocence Or Sir Martin Marall

Event Comment: The Duke's Company. The Loyal Protestant, 20 May 1682: May 18. Yesterday his Excellency the Morocco Embassador was entertain'd at His Royal Highness's Theatre with a Play, called, Sir Timothy Treat all. [See also True Protestant Mercury, 17-20 May 1682; Luttrell, A Brief Relation, I, 187; Wilson, More Theatre Notes from the Newdigate Newsletters," p. 59.

Performances

Mainpiece Title: The City Heiress Or Sir Timothy Treatall

Event Comment: Written by Mr Crown, Author of Sir Courtly Nice

Performances

Mainpiece Title: The Country Wit Or Sir Mannerly Shallow

Dance: Thurmond Jr, Topham, Mrs Tenoe, Miss Smith

Event Comment: The Duke's Company. The date of the first performance is not known; an entry in L. C. 5@145, p. 120, lists it for 1 March, but leaves the year in question. See also Nicoll, Restoration Drama, p. 349. Because the Prologue upbraids the audience for deserting Dorset Garden to see The Female Prelate at Drury Lane (beginning 31 May 1680) and because the Epilogue refers to railing at the Penny Post, a service inaugurated on 1 April 1680, a performance in mid-June 1680 seems the likely first production. If so, the L. C. entry for 1 March probably represents a revival for 1 March 1680@1. A song, Bonny lass gin thou wert mine, with music by Thomas Farmer, is in Choice Ayres and Songs, The Third Book, 1681. For Leigh as Sir Jolly and Nokes as Sir Davy, see Cibber, Apology, ed. Lowe, I, 147-48. Downes (Roscius Anglicanus, p. 36): These two Comedies [The Soulder's Fortune and D'Urfey's The Fond Husband] took extraordinary well, and being perfectly Acted; got the Company great Reputation and Profit

Performances

Mainpiece Title: The Souldiers Fortune

Performance Comment: Edition of 1681: Beaugard-Betterton; Courtine-Smith; Sir Davy Dunce-Nokes; Sir Jolly Jumble-Leigh; Fourbin-Jevon; Bloody Bones-Richards; Vermin-A Boy; Lady Dunce-Mrs Barry; Sylvia-Mrs Price; Prologue by the Lord Falkland-; Epilogue-.
Cast
Role: Sir Davy Dunce Actor: Nokes
Role: Sir Jolly Jumble Actor: Leigh
Role: Bloody Bones Actor: Richards
Event Comment: [By Sir John Vanbrugh and Colley Cibber.] All the Characters new drest. Mist's 13 Jan.: On Wednesday last a most horrid, barbarous, and cruel Murder was committed...upon a posthumous Child of the late Sir John Vanbroog, by one who, for some Time past, has gone by the Name of Keyber. It was a fine Child born, and would certainly have lived long, had it not fallen into such cruel Hands. Davies (Dramatic Miscellanies, III, 260-61): In all the tumults and isturbances of the theatre on the first night of a new play, which was formerly a time of more dangerous service, to the actors, than it has been of late, Mrs Oldfield was entirely mistress of herself; she thought it her duty, amidst the most violent opposition and uproar, to exert the utmost of her abilities to serve the author. In the comedy of uproar, to exert the utmost of her abilities to serve the author. In the comedy of the Provoked Husband, Cibber's enemies tried all their power to get the play condemned. The reconciliation scene wrought so effectually upon the sensible and generous part of the audience, that the conclusion was greatly and generously approved. Amidst a thousand applauses, Mrs Oldfield came forward to speak the epilogue; but when she had pronounced the first line,-Methinks I hear some powder'd critic say-a man, of no distinguished appearance, from the seat next to tne orchestra, saluted her with a hiss. She fixed her eye upon him immediately, made a very short pause, and spoke the words poor creature! loud enough to be heard by the audience, with such a look of mingled scorn, pit, and contempt, that the most uncommon applause justified her conduct in this particular, and the poor reptile sunk down with fear and trembling. See also Cibber, Apology, I, 310-11; Victor, History of the Theatres, II, 105

Performances

Mainpiece Title: The Provokd Husband Or A Journey To London

Performance Comment: Edition of 1728 lists: Lord Townly-Wilks; Lady Townly-Mrs Oldfield; Lady Grace-Mrs Porter; Manly-Mills; Sir Francis Wronghead-Cibber; Lady Wronghead-Mrs Thurmond; Squire Richard-Young Wetherilt; Jenny-Mrs Cibber; John Moody-Miller; Count Basset-Bridgwater; Mrs Motherly-Mrs Moore; Myrtilla-Mrs Grace; Mrs Trusty-Mrs Mills; Prologue-Wilks; Epilogue-Mrs Oldfield.
Event Comment: Afterpiece [1st time; B 3, by Richard Brinsley Sheridan. Prologue by the Hon. Richard Fitzpatrick (Public Advertiser, 3 Aug. 1781)]: With a Procession. [This was included in all subsequent performances. For the Sea Fight see 20 Nov.] With New Scenes, Dresses and Decorations. The Scenery designed by DeLoutherbourg, and executed under his direction. The Doors to be opened at 5:15. To begin at 6:15 [same for rest of season, except on 1 May 1780]. "The House was so crowded that there were many disturbances, one so great that Smith when he had nearly finished 'To be or not to be' was obliged to leave the Stage, and when the noise subsided, to return and begin the soliloquy again... As The Critic took up two hours and a half in performance, it must of necessity be considerably shortened" (Morning Chronicle, 1 Nov.). "The scene of the battle with the Armadav [was] executed in the most masterly manner. The Motion of the sea, the engaging of the ships, and the destruction occasioned by the fire-ships were happily contrived and accurately represented" (London Chronicle, 1 Nov.). Account-Book, 9 Nov.: Paid R. B. Sheridan on Acct. of Critic #320. Receipts: #241 19s. 6d. (222.11.0; 19.3.6; 0.5.0)

Performances

Mainpiece Title: Hamlet

Related Works
Related Work: Hamlet Author(s): Sir William Davenant

Afterpiece Title: The Critic or A Tragedy Rehearsd

Performance Comment: Principal Characters by King, Dodd, Palmer, Parsons, Baddeley; Mrs Hopkins. Principal Tragedians by Moody, Farren, Aickin, Waldron, Lamash, Burton, Chaplin, Holcroft, Hurst, Wright, Wrighten, Grimaldi, Bannister Jun, Mrs Bradshaw, Mrs Davenett, Miss Pope; [Cast from text (T. Becket, 1781): Puff-King; Dangle-Dodd; Sneer-Palmer; Sir Fretful Plagiary-Parsons; Interpreter-Baddeley; Signor Pasticcio Ritornello-Delpini; Under Prompter-Philimore; Mrs Dangle-Mrs Hopkins; Italian Girls-Miss Field, Miss Abrams; [Tragedians: Lord Burleigh-Moody; Earl of Leicester-Farren; Sir Christopher Hatton-Waldron; Son-Lamash; Sir Walter Raleigh-Burton; Beefeater-Wright; Governor of Tilbury Fort-Wrighten; Don Ferolo Whiskerandos-Bannister Jun.; Master of the Horse-Kenny; Justice-Packer; Constable-Fawcett; Thames-Gaudry; Confidante-Mrs Bradshaw; Justice's Lady-Mrs Davenett [in text: Mrs Johnston]; Tilburina-Miss Pope; Nieces-Miss Collett, Miss Kirby; unassigned-Aickin, Chaplin, Holcroft, Hurst, Grimaldi; Prologue-King. [This was spoken, as here assigned, at the 1st 14 performances only (see17791124), and again on 3 and 10 Dec.]This was spoken, as here assigned, at the 1st 14 performances only (see17791124), and again on 3 and 10 Dec.]

Performances

Mainpiece Title: Half An Hour After Supper

Afterpiece Title: King Henry the Fourth Part I

Performance Comment: King Henry-Williamson; Prince of Wales-Palmer Jun. (1st appearance on the stage); Lancaster-Bland; Worcester-Aickin; Northumberland-Chapman; Hotspur-Bensley; Douglas-Evatt; Sir Richard Vernon-Davies; Westmoreland-Usher; Sir Walter Blunt-Iliff; Sir John Falstaff-Palmer; Poins-R. Palmer; Gadshill-Ledger; Peto-Farley; Bardolph-Rock; Carriers-Wewitzer, Burton; Francis-Barrett; Lady Percy-Mrs Cuyler; Hostess-Mrs Webb; New Occasional Prologue-Palmer.
Cast
Role: Sir Richard Vernon Actor: Davies
Role: Sir Walter Blunt Actor: Iliff
Role: Sir John Falstaff Actor: Palmer

Dance: End II: Triple Hornpipe, as17910617

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Performance Comment: King Henry-Bensley; Prince of Wales-Wroughton; Duke of Lancester-Bland; Earl of Worcester-Aickin; Earl of Northumberland-Packer; Hotspur-Kemble; Earl Douglas-Caulfield; Sir Richard Vernon-assigned to Barrymore, but see below; Earl of Westmoreland-Fawcett; Sir Walter Blunt-Whitfield; Sir John Falstaff-Palmer; Poins-R. Palmer; Gadshill-Cooke; Peto-Benson; Bardolph-Alfred; Francis-Bannister Jun.; Carriers-Moody, Burton; Sheriff-Maddocks; Traveller-Lyons; Messenger-Banks; Lady Percy-Mrs Powell; Mrs Quickly-Mrs Hopkins.

Afterpiece Title: The Devil to Pay

Performances

Mainpiece Title: Half An Hour After Supper

Afterpiece Title: King Henry the Fourth Part I

Performance Comment: King Henry-Aickin; Prince of Wales-Williamson; Lancaster-Miss DeCamp; Worcester-Davies; Northumberland-Johnson; Hotspur-Bensley; Douglas-Evatt; Sir Richard Vernon-Bland; Westmoreland-Usher; Sir Walter Blunt-Cleveland; Sir John Falstaff-King (1st appearance in that character); Poins-R. Palmer; Gadshill-Ledger; Peto-Farley; Bardolph-Cubitt; Carriers-Wewitzer, Parsons; Francis-Barrett; Lady Percy-Mrs Cuyler; Hostess-Mrs Webb.
Cast
Role: Sir Richard Vernon Actor: Bland
Role: Sir Walter Blunt Actor: Cleveland
Role: Sir John Falstaff Actor: King