SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Sir Richard Brome"/1) | (@(roleclean,performerclean) "Sir Richard Brome")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6432 matches on Performance Comments, 3625 matches on Author, 1300 matches on Event Comments, 1154 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: [Mainpiece in place of A Trip to Scarborough, announced on playbill of 9 Mar.] 2nd piece [1st time; M. INT I, by Richard Brinsley Sheridan]: With a new Scene invented and designed by DeLoutherbourg for the occasion. [Music composed by Thomas Linley Sen. Miss Wright is identified on playbill of 24 May; and see 19 Feb.] Public Advertiser, 27 Mar. 1779: This Afternoon at Four is published A Monody (1s. 6d.). Afterpiece: Not acted these 3 years. Receipts: #213 10s. 6d. (180.18.0; 32.6.0; 0.6.6). "Some of the verses [of the Monody] were responded [to] by the principal vocalists, accompanied by the band, who occupied an orchestra built on the stage, as at the oratorios. The whole of the performers [were] requested to appear in black clothes" (Parke, I, 17)

Performances

Mainpiece Title: The West Indian

Related Works
Related Work: The West Indian Author(s): Richard Cumberland

Afterpiece Title: A Monody

Afterpiece Title: Polly Honeycomb

Event Comment: Mainpiece [1st time; T 5, by Richard Cumberland]: taken from [the same, by] Massinger and [Mariamne, by] Fenton. [not in Larpent MS; not published.] With new Dresses. Henderson "might surely break himself of the aukward custom of clapping his hands together almost perpetually, and running on and off the stage with so ungraceful a levity" (Morning Chronicle, 11 Nov.). [Miss Younge was from dl.] Receipts: #127 10s. 6d. (124.14.0; 2.16.6)

Performances

Mainpiece Title: The Duke Of Milan

Related Works
Related Work: The Duke of Milan Author(s): Richard Cumberland

Afterpiece Title: The Touchstone

Event Comment: Afterpiece [1st time; PAST 2, by Richard Josceline Goodenough, altered from his unacted play The Cottagers]: The Overture and Music composed by Baumgarten. [Baumgarten used this overture again in Robin Hood (see cg, 17 Apr. 1784).] Books of the Pastoral to be had at the Theatre. [Wordsworth is identified in the playbill of 22 Dec. Mrs Webb was from the Hay.] Public Advertiser, 24 Nov. 1779: This Day is published William And Nanny (1s.). Receipts: #122 15s. (116.15.6; 5.19.6)

Performances

Mainpiece Title: The Duke Of Milan

Related Works
Related Work: The Duke of Milan Author(s): Richard Cumberland

Afterpiece Title: William And Nanny

Related Works
Related Work: William and Nanny Author(s): Richard Josceline Goodenough
Related Work: The Cottagers Author(s): Richard Josceline Goodenough
Event Comment: [Mainpiece: Prologue by Richard Cumberland. Afterpiece: Prologue by George Colman, the elder.] To begin at 6:00. Pit 2s. Gallery 1s

Performances

Mainpiece Title: The West Indian

Related Works
Related Work: The West Indian Author(s): Richard Cumberland

Afterpiece Title: Bon Ton or High Life above Stairs

Performance Comment: Sir John Trotley (with the original Prologue)-Jerrold; Lord Minikin-Jones; Lady Minikin-Mrs Jerrold; Miss Tittup-Mrs Kingham.
Cast
Role: Sir John Trotley Actor: Jerrold

Entertainment: Monologue.End: A Sea Fight.Frenchman-Jerrold

Event Comment: Benefit for Wilson. 1st piece [1st time; prel I (?)]: A Tragical Tragedy, altered [probably by Richard Wilson] from Fielding's Pasquin. In the Tragedy will be introduced the Triumphal Entry of the Queen of Ignorance. 2nd piece: In 3 acts. [This play is by Thomas Baker; it is not TUNBRIDGE Wells; or, A Day's Courtship, by Thomas Rawlins, the younger.] 3rd piece [1st time; M. INT I, author unknown. Words printed complete in Public Advertiser 19 Aug. 1782]

Performances

Mainpiece Title: The Life And Death Of Common Sense

Related Works
Related Work: The Life and Death of Common Sense Author(s): Richard Wilson

Afterpiece Title: Tunbridge Wells recte Walks or The Yeoman of Kent

Afterpiece Title: The Tobacco Box or The Soldiers Pledge of Love

Afterpiece Title: The Author

Event Comment: Afterpiece [1st time; c 3, altered from the same, probably by the author, Richard Bentley]: Written in the manner of the Italian Comedy. With new Scenes and Dresses. [Author of Prologue unknown.] "It was originally produced at Drury Lane in the summer of 1761 [27 July] . . . and has now been new dished up, and seasoned to the day" (European Magazine, ibid). J. P. Collier states that "it is not a revival of the former piece" (MacMillan, Larpent Catalogue, p. 98). It was not, strictly speaking, a "revival", but, rather, a revision, as a collation of Larpent MS 586 (the present version, which is unpublished) with MS 199 (Bentley's 1761 version) makes clear. In 1761 Bentley introduced "the speaking Harlequin after the manner of the Italians . . . Mr Harris some years after gave it a second chance on the stage" (Cumberland, Memoirs, I, 212-14). Receipts: #215 19s. (213/5/6; 2/13/6)

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: The Wishes

Related Works
Related Work: The Wishes Author(s): Richard Bentley
Related Work: The Wishes; or, Harlequin's Mouth Opened Author(s): Richard Bentley
Event Comment: Benefit for Wilson. 2nd piece [1st time; INT I, probably by Richard Wilson. MS: Larpent 667; not published]. 3rd piece: Never perform'd here. [Prologue and Epilogue by John Gay.]

Performances

Mainpiece Title: Lionel And Clarissa

Performance Comment: Jessamy-Sga Sestini (1st appearance in that character on this stage); Lionel-Brett; Sir John Flowerdale-Aickin; Jenkins-Bannister; Harman-Riley; Colonel Oldboy-Wilson; Diana-Miss George; Lady Mary-Mrs Webb; Jenny-Mrs Wells; Clarissa-Mrs Bannister .
Cast
Role: Sir John Flowerdale Actor: Aickin

Afterpiece Title: A Peep into Elysium or Foote Weston and Shuter in the Shades

Related Works
Related Work: A Peep into Elysium; or, Foote, Weston, and Shuter in the Shades Author(s): Richard Wilson

Afterpiece Title: The What dye Call It

Performance Comment: Squire Thomas-Parsons; John Dock-Wilson; Sir Roger-Usher; Peter Nettle-Swords; Justice Statute-Gaudry; Parish Clerk-Barrett; Kitty-Miss Morris. Tragedians: Timothy Peascod-Wilson; ThomasFilbert-Parsons; Serjeant-Swords; Constable-Painter; Corporal-Lyons; Countrymen-Spencer, Ledger; Susan (with 'Tmaswhen the seas mere roaring)-Miss George; Aunt-Mrs Edwin; Dorcas-Miss Francis; Joyce-Miss Painter; Grandmother-Mrs Love; Ghost of Bess Smut-Mrs Morris; Ghost of Goody Black and Blue-Miss Brangin; Ghost of a Child unborn-Master Morris. Prologue spoken by Wilson. Epilogue spoken by a Parish Clerk .
Cast
Role: Sir Roger Actor: Usher

Monologue: 1784 08 10 End of interlude Joe Haynes's Epilogue, riding on an Ass, by Wilson

Event Comment: Mainpiece [1st time; T 5, by Richard Cumberland. Prologue and Epilogue by the author (see text)]: With new Scenes, Dresses, and Decorations. Public Advertiser, 14 Dec. 1784: This Day is published The Carmelite (1s. 6d.). "We never saw [Kemble] wandering to the audience; he never turned his eye around for applause when he had closed an animated period, nor ever entertained his intervals of silence with glances at the side-boxes, like some of his contemporaries, not to mention the great Palmer, nor Davies, &c." This behavior "he has so happily caught from Mrs Siddons" (Public Advertiser, 22 Dec.). Receipts: #233 17s. (216/15/0; 16/10/6; 0/11/6)

Performances

Mainpiece Title: The Carmelite

Related Works
Related Work: The Carmelite Author(s): Richard Cumberland

Afterpiece Title: The Spanish Rivals

Event Comment: Benefit for Henderson. Part of the Pit will be laid into the Boxes. Mainpiece [1st time; T 5, by Richard Cumberland. Text, which assigns no parts, 1st published in his Posthumous Dramatic Works, Vol. II (1813), under the title of Alcanor]. Public Advertiser, 5 Mar.: Tickets to be had of Henderson at his house in Buckingham-street, York-buildings

Performances

Mainpiece Title: The Arab

Related Works
Related Work: The Arab Author(s): Richard Cumberland

Afterpiece Title: Rosina

Dance: As17841116

Event Comment: Afterpiece: With new Scenery, Machinery, Music, Dresses, and Decorations. The Scenes chiefly designed by Richards, and executed by him, Carver, Hodgins, and assistants. The Overture, Songs, Chorusses, and the Music of the Pantomime composed by Shield. Receipts: #206 4s. 6d. (204/2/0; 2/2/6)

Performances

Mainpiece Title: The West Indian

Related Works
Related Work: The West Indian Author(s): Richard Cumberland

Afterpiece Title: The Magic Cavern or Virtues Triumph

Event Comment: Mainpiece [1st time; CO 3, by Richard Bentley. Beginning with 4 Feb. 1789 reduced to an afterpiece of 2 acts. Not in Larpent MS; not published; synopsis of plot in Public Advertiser, 15 Dec.]: With entire new Dresses, Scenery, and Decorations. The Music partly selected from the works of Haydn, Purcell, Pleyel, Anfossi, Cimarosa, Gretry, Giordani, Sacchini [the score (Longman and Broderip [1788]) adds: Irwich]; and partly composed by Shield. With a Grand Overture by Salieri. Books of the Songs to be had at the Theatre. Receipts: #245 3s. 6d. (238.6.6; 6.17.0)

Performances

Mainpiece Title: The Prophet

Related Works
Related Work: The Prophet Author(s): Richard Bentley

Afterpiece Title: Duke and No Duke

Dance: End: a New Dance, as17881107, but Mrs _Ratchford

Event Comment: Benefit for Mrs Mattocks. Tickets delivered for the 24th of April will be taken. Public Advertiser, 16 Apr.: Tickets [for 24 Apr.] to be had of Mrs Mattocks, No. 7, King-street, Covent Garden. Mainpiece: Written by Richard Steele. 3rd piece [1st time; ENT I, author unknown. Larpent MS 830; not published]. Receipts: #253 17s. 6d. (159.12.0; 8.9.6; tickets: 85.16.0)

Performances

Mainpiece Title: The Funeral Or Grief A la mode

Related Works
Related Work: The Funeral, or, Grief a la Mode Author(s): Richard Steele

Afterpiece Title: Annette and Lubin

Afterpiece Title: Saint Georges Day or Britons Rejoice

Song: End 3rd piece: God save the King-; with Grand Accompaniment [on the organ]-Greatorex [, as performed at the Oratorios see17890320

Event Comment: Benefit for Whitfield and Mrs Ward. Afterpiece [1st time; F 2, by-Fernside, for whose authorship see Kemble Mem., based partly on Love's Cure; or, The Martial Maid, probably by Philip Massinger. Incidental music by Richard Suett]. Public Advertiser, 15 May: Tickets to be had of Whitfield, under the Great Piazza; of Mrs Ward; No. 6, York-street, Covent-Garden. Morning Herald, 12 June 1793: This day is published The Female Duellist (1s.). Receipts: #469 13s. 6d. (51.4.0; 33.9.0; 8.4.0; tickets: 376.16.6) (charge: #158 17s. 2d.)

Performances

Mainpiece Title: At Kings A Trip To Scarborough

Cast
Role: Sir Tunbelly Clumsey Actor: Moody

Afterpiece Title: The Female Duellist

Related Works
Related Work: The Female Duellist Author(s): Richard Suett

Song: End: As on the pleasant banks of Tweed-Master Welsh

Event Comment: 1st piece: In one Act [i.e. reduced from the original two]. 2nd piece [1st time; MD 3, by Richard Cumberland. Author of Prologue unknown]. Receipts: #235 13s. 6d. (232.9.6; 3.4.0)

Performances

Mainpiece Title: Arrived At Portsmouth

Afterpiece Title: The Days of Yore

Performance Comment: Principal Characters by Pope, Middleton, Harley, Macready, Hull, Toms, Richardson, Davenport, Claremont, Thompson, Williamson, Mrs Clendining, Mrs Pope. Cast from text (C. Dilly, 1796): Voltimar-Pope; King Alfred-Middleton; Oddune, Earl of Devonshire-Harley; Sibald-Macready; Roger de Malvern-Hull; Alric, Earl of Northumberland-Toms; Gothrun-Richardson; Redwald-Davenport; Egbert-Claremont; Mollo-Thompson; Messenger-Williamson; Lothaire-Mrs Clendining; Swithun-Blurton; Dane-Abbot; Oswena-Miss Morris [see17960114]; Adela-Mrs Pope; Prologue-Toms.
Cast
Role: Gothrun Actor: Richardson
Related Works
Related Work: The Days of Yore Author(s): Richard Cumberland

Afterpiece Title: Merry Sherwood

Cast
Role: Tanner Actor: Richardson
Event Comment: 2nd piece [1st time; D 5, by Richard Cumberland. Prologue by the author; Epilogue by George Colman ynger (London Chronicle, 27 July). Larpent MS 1138; 1st published in Cumberland's Posthumous Dramatic Works, 1813, Vol. II, with unassigned casts listing Citizens.

Performances

Mainpiece Title: The Quaker

Afterpiece Title: Don Pedro

Related Works
Related Work: Don Pedro Author(s): Richard Cumberland
Event Comment: Afterpiece [1st time; BALL P 1, by John Cartwright Cross. Text, i.e. synopsis of ballet, and the songs, in Cross's Circusiana (Lackington, Allen and Co., 1809), Vol. I. Bologna, Bologna Jun. and Mrs Parker were from the Royal Circus]: Invented and under the Direction of Cross. With entire new Scenes, Dresses, Music and Decorations. The Overture and Music principally new, with a Selection of some novel Irish Air, by Reeve, composer of the Music to Oscar and Malvina, &c. The Harp by Weippert. The Scenery, comprehending a Display of the most Romantic Views in Ireland, painted by Richards, Phillips, Lupino, Hollogan, and Blackmore. The Machinery by Cresswell, Sloper and Goostree. The Dresses by Dick, Mrs Egan, &c. The Following are a Part of the new Scenes, &c.: The Ancient Temple, dedicated to Bel, the God of Fire, with the Flactaga, or Sacred Fire burning; it having been enacted that, on the last Evening of October, no other Fire should be Used thro'out the Kingdom, that all might be derived from that, which being a Fire Sacrifice, would render the rest Propitious and Holy. The Dargle, where the Irish Druids consulted their Oracle. A View near Wicklow. The Salmon Leap. Entrance of a Subterraneous Pass. Maon's Cavern. Cemetery and Dungeon, appertaining to the Round Tower, Moated Castle, &c. Receipts: #264 2s. 6d. (259.19.6; 4.3.0)

Performances

Mainpiece Title: False Impressions

Cast
Role: Sir Oliver Montrath Actor: Murray
Related Works
Related Work: False Impressions Author(s): Richard Cumberland

Afterpiece Title: The Round Tower or The Chieftains of Ireland

Event Comment: Benefit for Mme Banti. A New Serious Opera [1st time; SER 2]. The Poetry by Metastasio, and the Music entirely new, composed by an English Gentleman [Richard Edgcumbe, Earl of Mount-Edgcumbe], who has obligingly lent Mme Banti the Score, and kindly consented to its being represented upon that occasion. Tickets to be had of Mme Banti, No. 24, St. Alban's-street. "Having granted the use of this opera to Banti only, I withdrew it immediately, and would not permit it to be again represented for the manager, who requested to have it. After this, Roselli sung no more, nor had we ever another soprano [i.e. castrato] at the opera [until 1825]" (Mount-Edgcumbe, 88)

Performances

Mainpiece Title: Zenobia Of Armenia

Related Works
Related Work: Zenobia of Armenia Author(s): Richard Edgecumbe, Earl of Mount-Edgcumbe

Dance: As18000513

Event Comment: The Duke's Company. On Thursday 10 Dec. 1663, Pepys reported that this play was to be acted the following week, but the date of the first performance is uncertain. But--except for the holidays--it was probably acted on consecutive days until 1 Jan. 1663@4, when Pepys saw it. The play is also in Herbert, Dramatic Records, p. 138, as a "Revived Play." Pepys, Diary: I perceive the King and Duke and the Court was going to the Duke's playhouse to see Henry VIII. acted, which is said to be an admirable play. But, Lord! to see now near I was to have broken my oathe, or run the hazard of 20s. losse, so much my nature was hot to have gone thither; but I did not go. Downes (p.24): King Henry the 8th, This Play, by Order of Sir William Davenant, was all new Cloath'd in proper Habits: The King's was new, all the Lords, the Cardinals, the Bishops, the Doctors, Proctors, Lawyers, Tip-staves, new Scenes: The part of the King was so right and justly done by Mr Betterton, he being Instructed in it by Sir William, who had it from Old Mr Lowen, that had his Instructions from Mr Shakespear himself, that I dare and will aver, none can, or will come near him in this Age, in the performance of that part: Mr Harris's performance of Cardinal Wolsey, was little Inferior to that, he doing it with such just State, Port, and Mein, that I dare affirm, none hitherto has Equall'd him:...Every part by the great Care of Sir William, being exactly perform'd; it being all new Scenes; it continu'd Acting 15 Days together with general Applause

Performances

Mainpiece Title: Henry Viii

Related Works
Related Work: Henry VIII Author(s): Sir William Davenant
Event Comment: The Duke's Company. This performance is known from a disturbance which occurred on this day; Langbaine states that the play was Macbeth. John Verney to Sir Ralph Verney, 30 Aug. 1675: On Saturday last, at the Duke's playhouse, Sir Tho. Armstrong killed Mr Scrope....Their quarrel is said to [be] about Mrs Uphill, the player, who came into the house maskt, and Scrope would have entertained discourse with her, which Sir T. Armstrong would not suffer, so a ring was made wherein they fought (HMC Verney MSS., 7th Report, 1879, p. 465). See also The Hatton Correspondence, Camden Society, XXII (1878), 121

Performances

Mainpiece Title: Macbeth

Related Works
Related Work: Macbeth Author(s): Sir William Davenant

Performances

Mainpiece Title: The Rivals

Performance Comment: Parts by Woodward, Shuter, Lee, Lewis, Quick, Lee Lewes, Dunstall, Fearon, Mrs Green, Miss Barsanti, Mrs Lessingham, Mrs Bulkley; With a Prologue and Epilogue. Capt. Absolute-Woodward; Sir Anthony Absolute-Shuter; Sir Lucius O'Trigger-Lee; Faulkland-Lewis; Acres-Quick; Fag-Lee Lewes; David-Dunstall; Coachman-Fearon; Mrs Malaprop-Mrs Green; Lydia Languish-Miss Barsanti; Lucy-Mrs Lessingham; Julia-Mrs Bulkley; Prologue by Sheridan-Woodward, Quick; Epilogue-(Edition of 1775).
Related Works
Related Work: The Rivals Author(s): Sir William Davenant

Afterpiece Title: The Chaplet

Performances

Mainpiece Title: The Rivals

Performance Comment: Capt. Absolute-Woodward; Sir Anthony-Wilson, first time; Faulkland-Lewis; Sir Lucius-Clinch; Acres-Quick; Fag-Lee Lewes; David-Wewitzer; Coachman-Thompson; Mrs Malaprop-Mrs Green; Lydia-Mrs Mattocks; Lucy-Mrs Booth; Julia-Mrs Bulkley.
Cast
Role: Sir Anthony Actor: Wilson, first time
Role: Sir Lucius Actor: Clinch
Related Works
Related Work: The Rivals Author(s): Sir William Davenant

Afterpiece Title: Orpheus and Eurydice

Performances

Mainpiece Title: The Rivals

Performance Comment: Faulkland-Lewis; Captain Absolute-Bernard; Sir Anthony Absolute-Fearon; Sir Lucius O'Trigger-Johnstone; Fag-Brown; David-Wewitzer; Coachman-Thompson; Acres-Quick; Julia-Miss Brunton; Mrs Malaprop-Mrs Webb; Lucy-Miss Stuart; Lydia Languish-Mrs Pope.
Related Works
Related Work: The Rivals Author(s): Sir William Davenant

Afterpiece Title: The Poor Soldier

Dance: End: The Irish Lilt-Mr and Mrs Ratchford

Performances

Mainpiece Title: The Rivals

Performance Comment: Captain Absolute-Farren; Faulkland-Holman (Their 1st appearance in those characters); Sir Anthony Absoulute-Wilson; Sir Lucius O'Trigger-Johnstone; David-Munden (1st appearance in that character); Fag-Cubitt; Coachman-Thompson; Acres-Quick; Julia-Mrs Merry; Mrs Malaprop-Mrs Webb; Lucy-Miss Stuart; Lydia Languish-Mrs Pope.
Related Works
Related Work: The Rivals Author(s): Sir William Davenant

Afterpiece Title: The Irishman in London

Dance: As17920420

Song: As17920421

Performances

Mainpiece Title: The Wits

Performance Comment: Downes (Roscius Anglicanus, p. 21): Elder Palatine-Betterton; Young Palatine-Harris; Sir Morgly Thwack-Underhill; Lady Ample-Mrs Davenport.
Cast
Role: Sir Morgly Thwack Actor: Underhill
Related Works
Related Work: The Wits Author(s): Sir William Davenant

Performances

Mainpiece Title: Love In A Tub

Performance Comment: [See16640300 The Prologue-; The Epilogue-the Widow?, Wheadle?; Lord Beanford-Betterton?; Colonel Bruce-Smith?; Lovis-Morris?; Sir NicholasCully-Nokes?; Palmer-Underhill?; Wheadle-Saunford?; Graciana-Mrs Betterton?; Aurelia-Mrs Davies?; Widow-Mrs Long?; Sir Frederick Frolick-Harris?; Dufoy-Price?.
Cast
Role: Sir NicholasCully Actor: Nokes?
Role: Sir Frederick Frolick Actor: Harris?
Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege