SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sir Richard"/1) | (@(roleclean,performerclean) "Sir Richard")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6430 matches on Performance Comments, 3583 matches on Author, 1300 matches on Event Comments, 1154 matches on Performance Title, and 245 matches on Roles/Actors.
Event Comment: The Duke's Company. Pepys, Diary: After dinner my wife and I to the Duke's playhouse, where we saw the new play acted yesterday, The Feign Innocence, or Sir Martin Marr-all; a play made by my Lord Duke of Newcastle, but, as every body says, corrected by Dryden. It is the most entire piece of mirth, a complete farce from one end to the other, that certainly was ever writ. I never laughed so in all my life. I laughed till my head [ached] all the evening and night with the laughing; and at very good wit therein, not fooling. The house full, and in all things of mighty content to me

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

Event Comment: The Duke's Company. Pepys, Diary: To the Duke of York's house, all alone, and there saw Sir Martin Marr-all again, though I saw him but two days since, and do find it the most comical play that ever I saw in my life

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

Event Comment: The Duke's Company. Pepys, Diary: With my Lord Bruncker to the Duke's playhouse (telling my wife so at the 'Change, where I left her), and there saw Sir Martin Marr-all again, which I have now seen three times, and it hath been acted but four times, and still find it a very ingenious play, and full of variety

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

Event Comment: The Duke's Company. Pepys, Diary: To the Duke of York's playhouse, and there saw a piece of Sir Martin Marall, with great delight, though I have seen it so often

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

Event Comment: The Duke's Company. Pepys, Diary: To the Duke of York's House, and there went in for nothing into the pit, at the last act, to see Sir Martin Marr-all, and met my wife, who was there, and my brother, and W. Hewer and Willett, and carried them home, still being pleased with the humour of the play, almost above all that ever I saw

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

Event Comment: The Duke's Company. Pepys, Diary: I after dinner to the Duke of York's playhouse, and there saw Sir Martin Mar-all; which I have seen so often, and yet am mightily pleased with it, and think it mighty witty, and the fullest of proper matter for mirth that ever was writ; and I do clearly see that they do improve in their acting of it. Here a mighty company of citizens, prentices, and others; and it makes me observe, that when I begun first to be able to bestow a play on myself, I do not remember that I saw so many by half of the ordinary prentices and mean people in the pit at 2s. 6d. a-piece as now; I going for several years no higher than the 12d. and then the 18d. places, though I strained hard to go in them when I did: so much the vanity and prodigality of the age is to be observed in this particular

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

Event Comment: The Duke's Company. Pepys, Diary: To the Duke of York's playhouse, and there saw Sir Martin Marr-all, which, the more I see, the more I like

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

Event Comment: The Duke's Company. Pepys, Diary: To the Duke of York's house to a play, and saw Sir Martin Marr-all, where the house is full; and though I have seen it, I think, ten times, yet the pleasure I have is yet as great as ever, and is undoubtedly the best comedy ever was wrote

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2: Sir Martin Marall. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

Event Comment: The Duke's Company. The Loyal Protestant, 20 May 1682: May 18. Yesterday his Excellency the Morocco Embassador was entertain'd at His Royal Highness's Theatre with a Play, called, Sir Timothy Treat all. [See also True Protestant Mercury, 17-20 May 1682; Luttrell, A Brief Relation, I, 187; Wilson, More Theatre Notes from the Newdigate Newsletters," p. 59.

Performances

Mainpiece Title: The City Heiress; Or, Sir Timothy Treatall

Event Comment: Written by Mr Crown, Author of Sir Courtly Nice

Performances

Mainpiece Title: The Country Wit; Or, Sir Mannerly Shallow

Dance: Thurmond Jr, Topham, Mrs Tenoe, Miss Smith

Event Comment: The Duke's Company. The date of the first performance is not known; an entry in L. C. 5@145, p. 120, lists it for 1 March, but leaves the year in question. See also Nicoll, Restoration Drama, p. 349. Because the Prologue upbraids the audience for deserting Dorset Garden to see The Female Prelate at Drury Lane (beginning 31 May 1680) and because the Epilogue refers to railing at the Penny Post, a service inaugurated on 1 April 1680, a performance in mid-June 1680 seems the likely first production. If so, the L. C. entry for 1 March probably represents a revival for 1 March 1680@1. A song, Bonny lass gin thou wert mine, with music by Thomas Farmer, is in Choice Ayres and Songs, The Third Book, 1681. For Leigh as Sir Jolly and Nokes as Sir Davy, see Cibber, Apology, ed. Lowe, I, 147-48. Downes (Roscius Anglicanus, p. 36): These two Comedies [The Soulder's Fortune and D'Urfey's The Fond Husband] took extraordinary well, and being perfectly Acted; got the Company great Reputation and Profit

Performances

Mainpiece Title: The Souldiers Fortune

Performance Comment: Edition of 1681: Beaugard-Betterton; Courtine-Smith; Sir Davy Dunce-Nokes; Sir Jolly Jumble-Leigh; Fourbin-Jevon; Bloody Bones-Richards; Vermin-A Boy; Lady Dunce-Mrs Barry; Sylvia-Mrs Price; Prologue by the Lord Falkland-; Epilogue-.
Cast
Role: Sir Davy Dunce Actor: Nokes
Role: Sir Jolly Jumble Actor: Leigh
Role: Bloody Bones Actor: Richards
Event Comment: Afterpiece [1st time; B 3, by Richard Brinsley Sheridan. Prologue by the Hon. Richard Fitzpatrick (Public Advertiser, 3 Aug. 1781)]: With a Procession. [This was included in all subsequent performances. For the Sea Fight see 20 Nov.] With New Scenes, Dresses and Decorations. The Scenery designed by DeLoutherbourg, and executed under his direction. The Doors to be opened at 5:15. To begin at 6:15 [same for rest of season, except on 1 May 1780]. "The House was so crowded that there were many disturbances, one so great that Smith when he had nearly finished 'To be or not to be' was obliged to leave the Stage, and when the noise subsided, to return and begin the soliloquy again... As The Critic took up two hours and a half in performance, it must of necessity be considerably shortened" (Morning Chronicle, 1 Nov.). "The scene of the battle with the Armadav [was] executed in the most masterly manner. The Motion of the sea, the engaging of the ships, and the destruction occasioned by the fire-ships were happily contrived and accurately represented" (London Chronicle, 1 Nov.). Account-Book, 9 Nov.: Paid R. B. Sheridan on Acct. of Critic #320. Receipts: #241 19s. 6d. (222.11.0; 19.3.6; 0.5.0)

Performances

Mainpiece Title: Hamlet

Related Works
Related Work: Hamlet Author(s): Sir William Davenant

Afterpiece Title: The Critic; or, A Tragedy Rehears'd

Performance Comment: Principal Characters by King, Dodd, Palmer, Parsons, Baddeley; Mrs Hopkins. Principal Tragedians by Moody, Farren, Aickin, Waldron, Lamash, Burton, Chaplin, Holcroft, Hurst, Wright, Wrighten, Grimaldi, Bannister Jun, Mrs Bradshaw, Mrs Davenett, Miss Pope; [Cast from text (T. Becket, 1781): Puff-King; Dangle-Dodd; Sneer-Palmer; Sir Fretful Plagiary-Parsons; Interpreter-Baddeley; Signor Pasticcio Ritornello-Delpini; Under Prompter-Philimore; Mrs Dangle-Mrs Hopkins; Italian Girls-Miss Field, Miss Abrams; [Tragedians: Lord Burleigh-Moody; Earl of Leicester-Farren; Sir Christopher Hatton-Waldron; Son-Lamash; Sir Walter Raleigh-Burton; Beefeater-Wright; Governor of Tilbury Fort-Wrighten; Don Ferolo Whiskerandos-Bannister Jun.; Master of the Horse-Kenny; Justice-Packer; Constable-Fawcett; Thames-Gaudry; Confidante-Mrs Bradshaw; Justice's Lady-Mrs Davenett [in text: Mrs Johnston]; Tilburina-Miss Pope; Nieces-Miss Collett, Miss Kirby; unassigned-Aickin, Chaplin, Holcroft, Hurst, Grimaldi; Prologue-King. [This was spoken, as here assigned, at the 1st 14 performances only (see17791124), and again on 3 and 10 Dec.]This was spoken, as here assigned, at the 1st 14 performances only (see17791124), and again on 3 and 10 Dec.]
Event Comment: Afterpiece [1st time; M. ENT 2, by Richard Brinsley Sheridan (also attributed to Richard Tickell). Prologue by Richard Tickell (London Chronicle, 23 Oct.). Text 1st published probably by T. Lowndes, 1795]: To conclude with a perspective Representation of the Grand Camp at Cox-Heathv [near Maidstone, Kent, where a military encampment had been in existence for several months], from a View taken by DeLoutherbourg and executed under his direction. [This was included in all subsequent performances.] With a New Overture and other Music [by Thomas Linley Sen.]. New Scenery, Dresses and Decorations. Account-Book, 16 Oct.: Paid Supernumeraries & Soldiers for Camp #35 5s. 6d. Receipts: #266 0s. 6d. (258.16.0; 6.18.0; 0.6.6)

Performances

Mainpiece Title: Braganza

Afterpiece Title: The Camp

Performance Comment: Principal Characters by Webster, Moody, Parsons, Bannister, Baddeley, Carpenter, Wrighten, Burton, Fawcett, Dodd; Mrs Robinson, Mrs Cuyler, Miss Farren, Mrs Love, Mrs Bradshaw, Mrs Booth, Miss Kirby, Mrs Wrighten, Miss Walpole. Prologue-Palmer; [This was spoken, as here assigned, at the first 46 performances, except on 9, 10, 17, 18 Nov. (see17790209).] [Cast from Morning Chronicle, 16 Oct.: Corporal [later called William]-Webster; O'Daub-Moody; Gage-Parsons; Serjeant-Bannister; Mons Bluard-Baddeley; Recruits-Carpenter, Fawcett, Holcroft, Chaplin; Countrymen-Wrighten, Burton, Waldron; Sir Charles Plume [later called Sir Harry Bouquet]-Dodd; Commander@in@Chief at the Camp-Farren; Officers of Regiments-R. Palmer, Lamash, Kenny; Lady Plume-Mrs Robinson; Lady Gorget-Mrs Cuyler; Lady Sash-Miss Farren; Countrywomen-Mrs Love, Mrs Bradshaw, Mrs Booth, Miss Kirby; Nell-Mrs Wrighten; Nancy-Miss Walpole.
Event Comment: Benefit for Palmer [whose 1st recorded appearance as King Richard was at Canterbury, 8 Mar. 1780]. Morning Herald, 26 Aug.: Tickets to be had of Palmer, No. 39, Great Pultney-street, Golden-square

Performances

Mainpiece Title: The School Of Shakespeare; Or, Humours And Passions

Performance Comment: Given in a regular representation of several of his most favourite and capital Scenes. With Scenery and Dresses suited to the Characters and their situations. The inimitable Scenes of the Poet, selected for the Purpose, and digested into Five Acts, will exemplify in the strongest colours of our immortal Bard, Cruelty, Vanity, Ambition, Rusticity, Tyranny-; [Act I. Cruelty, in The Merchant of Venice [IV. i]. Shylock-Palmer; Anthonio-Aickin; Bassanio-C. Kemble; Gratiano-R. Palmer; Portia-Mrs Kemble; [Act II. Vanity, in the First Part of Henry IV [parts of II. iv]. Sir John Falstaff-Fawcett; Prince of Wales-Palmer Jun.; Francis (for that night only)-Bannister Jun.; [Act III. Ambition, in King Henry the Eighth [parts of III. ii]. Cardinal Wolsey (1st time)-Palmer; King Henry-R. Palmer; [Act IV. Rusticity, in As You Like it [III. iii]. Touchstone-Bannister Jun.; Audrey-Mrs Harlowe; [Act V. Tyranny, in King Richard the Third [parts of I. ii; II. ii; and V]. King Richard (1st time)-Palmer; King Henry-Aickin; Richmond (1st time)-Palmer Jun.; Lady Anne-Miss Logan.
Cast
Role: Sir John Falstaff Actor: Fawcett
Role: King Richard Actor: Palmer

Afterpiece Title: The Hodge Podge; or, A Receipt to make a Benefit

Afterpiece Title: The Son-in-Law

Cast
Role: Sir Rowland Actor: C. Kemble

Song: In 2nd piece: Mad Bess (in character)-Miss Leak; a Welch Song (in character)-Mrs Bland; The Waiter-Fawcett

Entertainment: In 2nd piece: Imitations-Caulfield

Event Comment: [By Sir John Vanbrugh and Colley Cibber.] All the Characters new drest. Mist's 13 Jan.: On Wednesday last a most horrid, barbarous, and cruel Murder was committed...upon a posthumous Child of the late Sir John Vanbroog, by one who, for some Time past, has gone by the Name of Keyber. It was a fine Child born, and would certainly have lived long, had it not fallen into such cruel Hands. Davies (Dramatic Miscellanies, III, 260-61): In all the tumults and isturbances of the theatre on the first night of a new play, which was formerly a time of more dangerous service, to the actors, than it has been of late, Mrs Oldfield was entirely mistress of herself; she thought it her duty, amidst the most violent opposition and uproar, to exert the utmost of her abilities to serve the author. In the comedy of uproar, to exert the utmost of her abilities to serve the author. In the comedy of the Provoked Husband, Cibber's enemies tried all their power to get the play condemned. The reconciliation scene wrought so effectually upon the sensible and generous part of the audience, that the conclusion was greatly and generously approved. Amidst a thousand applauses, Mrs Oldfield came forward to speak the epilogue; but when she had pronounced the first line,-Methinks I hear some powder'd critic say-a man, of no distinguished appearance, from the seat next to tne orchestra, saluted her with a hiss. She fixed her eye upon him immediately, made a very short pause, and spoke the words poor creature! loud enough to be heard by the audience, with such a look of mingled scorn, pit, and contempt, that the most uncommon applause justified her conduct in this particular, and the poor reptile sunk down with fear and trembling. See also Cibber, Apology, I, 310-11; Victor, History of the Theatres, II, 105

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Performance Comment: Edition of 1728 lists: Lord Townly-Wilks; Lady Townly-Mrs Oldfield; Lady Grace-Mrs Porter; Manly-Mills; Sir Francis Wronghead-Cibber; Lady Wronghead-Mrs Thurmond; Squire Richard-Young Wetherilt; Jenny-Mrs Cibber; John Moody-Miller; Count Basset-Bridgwater; Mrs Motherly-Mrs Moore; Myrtilla-Mrs Grace; Mrs Trusty-Mrs Mills; Prologue-Wilks; Epilogue-Mrs Oldfield.
Event Comment: The Duke's Company. The date of the premiere is not known, but a licensing date of 18 Feb. 1677@8 suggests a premiere not later than January 1677@8. It is possible, however, that this play followed Sir Patient Fancy (17 Jan. 1677@8), as the licensing date of Timon follows that for Sir Patient Fancy. Part of the music for Timon was composed by Louis Grabu and was published, without the singers' names, in Choice Ayres and Songs, 1679. Downes (Roscius Anglicanus, p. 37): Timon of Athens, alter'd by Mr Shadwell; 'twas very well Acted, and the Musick in't well Perform'd; it wonderfully pleas'd the Court and City; being an Excellent Moral

Performances

Mainpiece Title: The History Of Timon Of Athens, The Man-hater

Performance Comment: Edition of 1678: Prologue to Timon-; Timon of Athens-Betterton; Alcibiades-Smith; Apemantus-Harris; Nicias-Sandford; Phaeax-Underhill; Aelius-Leigh; Cleon-Norris; Isander-Percival; Isidore-Gillo; Demetrius-Medburne; Dephilus-Bowman; Old Man-Richards; Poet-Jevon; Evandra-Mrs Betterton; Melissa-Mrs Shadwell; Chloe-Mrs Gibbs; Thais-Mrs Seymour; Phinias-Mrs Le-Grand; Epilogue-.
Cast
Role: Old Man Actor: Richards
Event Comment: Mainpiece: Written by the late Sir John Vanbrugh, and Colley Cibber, Esq; Poet Laureat. Afterpiece: Not perform'd these Ten Years

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Performance Comment: Townly-Ryan; Lady Townly-Mrs Horton; Manly-Bridgwater; Lady Grace-Mrs Stevens; Basset-Neale; Richard-James; Poundage-Mullart; Mrs Motherly-Mrs Martin; Lady Wronghead-Mrs James; Jenny-Mrs Vincent; Myrtilla-Miss Brunette; Trusty-Mrs Mullart; Sir Francis-Hippisley.
Cast
Role: Richard Actor: James
Role: Sir Francis Actor: Hippisley.

Afterpiece Title: The Strolers

Performance Comment: Buskin-Cibber; Sir Barnaby-Arthur; Carbine-Hale; Macahone-Neale; Jeremy-James; Spangle-Rosco; Truncheon-Roberts; Robin-Bencraft; Justice Pumpkin-Mullart; Betty-Bridgwater; Mrs Buskin-Mrs Martin; Fidelia-Miss Brunette.
Cast
Role: Sir Barnaby Actor: Arthur

Dance: V: Grecian Sailors-Glover; End Afterpiece: A new English Ballet; or, Country Dance-Mr Buskin, the Justice

Event Comment: Mainpiece: Written by the late Sir John Vanbrugh, and Colley Cibber, Esq; Poet-Laureat

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: See17391103, but Townly-Ryan; Lady Townly-Mrs Horton; Manly-Hale; Lady Grace-Mrs Stevens; Basset-Neale; Richard-James; Mrs Motherly-Mrs Martin; Lady Wronghead-Mrs Kilby; Jenny-Mrs Vincent; Myrtilla-Mrs Hale; Trusty-Mrs Cross; Sir Francis-Hippisley.
Cast
Role: Richard Actor: James
Role: Sir Francis Actor: Hippisley.

Afterpiece Title: Perseus and Andromeda

Dance: TTambourine-French Girl; Miller and His Wife-French Boy and Girl

Ballet: GGrand Dance in Momus. As17400110

Cast
Role: Fawns Actor: Richardson, Dupre, Desse, Delagarde
Event Comment: Mainpiece: Written by the late Sir John Vanbrugh( and Colley Cibber Esq; Poet-Laureat. At Common Prices. 6 p.m. Receipts: #62 13s. (Account Book); #80 (Rylands MS.)

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Performance Comment: Townly-Ryan; Lady Townly-Mrs Horton; Manly-Bridgwater; Lady Grace-Mrs Stevens; Sir Frances-Hippisley; Basset-Neale; Richard-James; Lady Wronghead-Mrs Kilby; Mrs Motherly-Mrs Martin; Jenny-Mrs Vincent; Myrtilla-Mrs Hale; Trusty-Mrs Mullart.
Cast
Role: Sir Frances Actor: Hippisley
Role: Richard Actor: James

Afterpiece Title: The Mock Doctor

Performance Comment: Doctor-Cibber; Sir Jasper-Arthur; Leander-Salway; Harry-Mullart; James-Anderson; Welsh Davy-Hippisley; Hellebore-Roberts; Robert-Harrington; Dorcas-Miss Burgess; Charlotte-Miss Brunette.
Cast
Role: Sir Jasper Actor: Arthur

Dance: As17400919

Event Comment: [M$Mrs Barrington, formerly Mrs Hale.] To the Author of the General Advertiser, &c. Sir: I am far from being of the opinion of too many of my countrymen, who exclaim against the performances of foreigners be they ever so extraordinary: on the contrary whenever I hear of a person who merits Encouragement from the Publick, I use all my interest in his favour; and will always continue so to do, though he should come from the extremity of the globe--Nor am I of the opinion of another class, who imagine no man can by a great performer unless he comes from a strange land. I am convinced we have an artist at present among us, as excellent in his way as ever was seen in Britain. He is an Englishman, and citizen of London; and without any instruction (as I am inform'd) performs all the surprizing Equilibres on the Slack Rope that were exhibited by the famous Turk. I have seem his performances once already and they gave me infinite pleasure. Tomorrow evening I intend to see them again, at the Theatre in the Haymarket, and heartily wish him the success he deserves, Yours, &c A. B. [See 23 Dec. 1749 note about Rich's engaging Caratha@the@Turk, and note, 28 Oct. 1749.] Receipts: #67 9s

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Performance Comment: Townley-Ryan; Manly-Delane; Lady Grace-Mrs Barrington; Basset-Anderson; Mrs Motherly-Mrs Cushing; Myrtilla-Miss Young; Trusty-Miss Haughton; Sir Francis-Arthur; Lady Wronghead-Mrs Bambridge; Squire Richard-Collins; Moody-Dunstall; Miss Jenny-Miss Minors, being her first appearance on that stage; Lady Townley-Mrs Woffington.
Cast
Role: Sir Francis Actor: Arthur
Role: Squire Richard Actor: Collins

Afterpiece Title: Phebe; or, The Beggar's Wedding

Event Comment: At 5 went into the Pit at Covent Garden to see Mrs Yates do Lady Townly. Yates is an excellent Sir Francis, but Powell does not shine in Lord Townly....The Entertainment was the new comedy in two acts called the Oxonian in Town, with a prologue by Woodward in the character of a student....It being suspected that a number of sharpers whose characters and practices are laid open in this piece, would attempt to damn it tonight (the 3rd of its being Performed) under pretence of its casting odium on the Irish, bills were dispersed in the House during the play vindicating it from any such intention. Woodward was allowed to speak the prologue, but as soon as the curtain drew up catcalls began. When the performers retired, Powell spoke several times, but was not heard. I was told that the author (Mr Colman) desires to know whom he has offended. The Pros were a very great majority, and at last after a contest of better than 1!2 an hour, the victory was over and the piece was performed. I think it contains many good sentiments, and excellent instruction to young men and is not unworthy of Mr Colman. If vice must not be exposed to hatred and contempt, the usefulness of our theatres is at an end. Only I think the Covent Garden pleasures are represented in too favourable a light. When all was over Powell came on the stage and thanked the audience for their generous protection (Neville MS Diary). Receipts: #212 12s. (Account Book)

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Performance Comment: Lord Townly-Powell; Manly-Clarke; Richard-Dibdin; Moody-Dunstall; Basset-Dyer; Sir Francis-Yates; Poundage-Bates; Servant-Holtom; Constable-Wignell; James-R. Smith; Lady Grace-Mrs Dyer; Lady Wronghead-Mrs Pitt; Mrs Motherly-Mrs Ferguson; Myrtilla-Miss Pearce; Trusty-Miss Mills; Miss Jenny-Mrs Mattocks, 1st time; Lady Townly-Mrs Yates.
Cast
Role: Richard Actor: Dibdin
Role: Sir Francis Actor: Yates

Afterpiece Title: The Oxonian in Town

Dance: II: New Comic Dance, as17671106; End: The Merry Sailors, as17671009

Event Comment: Mainpiece [1st time; C 5, by Richard Brinsley Sheridan. Prologue by David Garrick. Epilogue by George Colman elder (London Chronicle, 9 May). Text 1st published (unauthorized), Dublin, 1780]: With New Scenes and Dresses. "No modern theatrical piece ever met with a fuller success, nor deserved it more... The performers deserve every sort of commendation for their spirited exertion in supporting the respective characters, especially Smith, King and the incomparable Mrs Abington" (Gazetteer, 9 May). "To my great astonishment there were more parts performed admirably in The School for Scandal than I almost ever saw in any play. Mrs Abington was equal to the first of her profession, Yates (the husband), Parsons, Miss Pope, and Palmer, all shone. It seemed a marvellous resurrection of the stage. Indeed, the play had as much merit as the actors. I have seen no comedy that comes near it since The Provoked Husband" (Walpole [13 July 1777], X, 82). Receipts: #224 10s. (215.12.0; 8.14.6; 0.3.6)

Performances

Mainpiece Title: The School For Scandal

Performance Comment: Principal Characters by King, Yates, Dodd, Palmer, Parsons, Baddeley, Aickin, Packer, Farren, Lamash, Gaudry, R. Palmer, Norris, Chaplin, Smith, Miss Pope,Miss P. Hopkins, Miss Sherry, Mrs Abington. [Cast from Public Advertiser, 9 May: Sir Peter Teazle-King; Sir Oliver Surface-Yates; Sir Benjamin Backbite-Dodd; Joseph Surface-Palmer; Crabtree-Parsons; Moses-Baddeley; Rowley-Aickin; Snake-Packer; Careless-Farren; Trip-Lamash; Sir Harry Bumper-Gaudry; Gentlemen-R. Palmer, Norris, Chaplin; Charles Surface-Smith; Mrs Candour-Miss Pope; Maria-Miss P. Hopkins; Lady Sneerwell-Miss Sherry; Lady Teazle-Mrs Abington; Prologue-King; Epilogue-Mrs Abington. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]
Cast
Role: Sir Peter Teazle Actor: King
Role: Sir Oliver Surface Actor: Yates
Role: Sir Benjamin Backbite Actor: Dodd
Role: Sir Harry Bumper Actor: Gaudry

Afterpiece Title: The Mayor of Garratt

Cast
Role: Sir Jacob Jollup Actor: Waldron
Event Comment: Afterpiece [1st time; P 2, by Charles Dibdin. After being altered and enlarged this was billed as Harlequin Every-where (see 27 Dec.)]: With entire new Music; new Scenes, Dresses and Decorations. The Music composed by Dibdin; the Scenes designed and executed by Richards, Carver, Hodgins, Cipriani. Nothing under Full Price will be taken. The Orphan [announced on playbill of 29 Nov.] is deferred on account of Mrs Hartley's Indisposition. Account-Book, 13 Nov.: Paid Hodgins, painter, 14 weeks salary #36 15s. Public Advertiser, 1 Dec. 1779: This Afternoon is bublishpublished The Mirror (1s.). Receipts: #180 18s. (168.1; 12.17)

Performances

Mainpiece Title: The Busy Body

Performance Comment: Marplot-Lewis; Sir George Airy-Wroughton; Charles-Whitfield; Sir Jealous Traffic-Thompson; Sir Francis Gripe-Quick; Whisper-Cushing; Scentwell-Mrs Poussin; Isabinda-Mrs Lessingham; Patch-Mrs Pitt; Miranda-Mrs Bulkley.

Afterpiece Title: The Mirror; or, Harlequin Every-where

Event Comment: Benefit for Richard Brinsley Sheridan [who is named in the Account-Book, but not on the playbill]. Afterpiece: With a Sea Fight and Procession. [These were included in all subsequent performances.] The Scenery designed by De Loutherbourg, and executed under his direction. Receipts: #236 3s. 6d. (200.17.0; 35.0.0; 0.6.6; tickets: none listed) (charge: #73 10s.)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Critic; or, A Tragedy Rehears'd

Performance Comment: Principal Characters by King, Dodd, Palmer, Parsons, Baddeley, Mrs Hopkins. Principal Tragedians by Farren, Waldron, Burton, Packer, Lamash, Bannister Sen., Miss Pope. Cast from text (T. Becket, 1781): Puff-King; Dangle-Dodd; Sneer-Palmer; Sir Fretful Plagiary-Parsons; Interpreter-Baddeley; Mrs Dangle-Mrs Hopkins; Tragedians: Earl of Leicester-Farren; Sir Christopher Hatton-Waldron; Sir Walter Raleigh-Burton; Justice-Packer; Son-Lamash; Don Ferolo Whiskerandos-Bannister Sen.; Tilburina-Miss Pope.

Dance: End I: The Butterfly, as17800921

Song: V: song-Miss Field