SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sir Philip Howard"/1) | (@(roleclean,performerclean) "Sir Philip Howard")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6375 matches on Performance Comments, 2612 matches on Author, 1038 matches on Event Comments, 544 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: London's Triumph: Presented In Severall Delightfull Scaenes

Performance Comment: And Celebrated in Honour of the truly Loyal, and known deserver of Honour, Sir John Robinson. The edition of 1662 has no actors' names, no prologue, no epilogue.
Event Comment: In the Prologue to The Cheats (mid-March 1663) are allusions to three plays which apparently were popular on the stage at this time: Jonson's The Silent Woman ("Sir Poll"); Jonson's The Devil is an Ass ("No little Pugge, nor Devil"); and Davenant's The Siege of Rhodes ("No tedious Sieges in the Musick-room")

Performances

Event Comment: For an account of the play, see John Wilson's The Cheats, ed. Milton C. Nahm (Oxford, 1935). It was licensed on 6 March (p. 124), acted, then forbade on 22 March in an order: Letter to Mr Tho. Killigrew: Signifying the Ks Pleasure that the New Play called the Cheates be no more represented till it be reuiewed by Sir Jo. Denham & Mr Waller. 22 March. 1662-3 (p. 130). Abraham Hill to John Brooke, 28 March 1663: P.S. The new play, called The Cheats, has been attempted on the Stage; but it is so scandalous, that it is forbidden (Familiar Letters of? Abraham Hill, [London, 1717], p. 103. Downes (Roscius Anglicanus, p. 16) concerning Lacy: @For his just Acting, all gave him due Praise,@His Part in the Cheats, Jony Thump, Teg and Bayes,@In these Four Excelling, The Court gave him the Bays.

Performances

Mainpiece Title: The Cheats

Event Comment: It is possible that Katherine Phillips' Pompey, which was given in Dublin in February 1662@3, may have been presented in London in the late spring of 1663. Sir William Davenant's The Playhouse To Be Let, which apparently appeared in London in the late summer of 1663, has in Act V some elements of travesty upon Pompey. It is unlikely that its appearances in Dublin would make satire upon it have much point to London audiences without a performance in London; the spring of 1663 would be the most likely time for a presentation in London

Performances

Event Comment: Pepys, Diary: And called at Wotton's.... He tells me that by the Duke of York's persuasion Harris is come again to Sir W. Davenant upon his terms that he demanded, which will make him very high and proud

Performances

Performances

Mainpiece Title: Londinium Triumphans

Performance Comment: [London's Celebration in Honour of the truely Deserving Sir Anthony Bateman, Knight, Lord Mayor of the Honourable City of London. And Done at the Costs and Charges of the Right Worshipful the Company of Skinners. The 29th of October, 1663. By John Tatham.].
Event Comment: Pepys, Diary: Calling at Wotton's...he tells me...that Harris is come to the Duke's house again; and of a rare play to be acted this week of Sir William Davenant's; the story of Henry the Eighth with all his wives

Performances

Event Comment: The King's Company. Pepys, Diary: Sir W. Pen...did carry me to a play and pay for me at the King's house, which is The Rivall Ladys, a very innocent and most pretty witty play. I was much pleased with it, and it being given me, I look upon it as no breach to my oathe

Performances

Mainpiece Title: The Rival Ladies

Event Comment: The King's Company. Pepys, Diary: By coach to White Hall, thinking to have met at a Committee of Tangier, but nobody being there but my Lord Rutherford, he would needs carry me and another Scotch Lord to a play, and so we saw, coming late, part of The Generall, my Lord Orrery's (Broghill) second play; but, Lord! to see how no more either in words, sense, or design, it is to his Harry the 5th is not imaginable, and so poorly acted, though in finer clothes, is strange. And here I must confess breach of a vowe in appearance, but I not desiring it, but against my will, and my oathe being to go neither at my own charge nor at another's, as I had done by becoming liable to give them another, as I am to Sir W. Pen and Mr Creed; but here I neither know which of them paid for me, nor, If I did, am I obliged ever to return the like

Performances

Mainpiece Title: The Generall

Event Comment: The King's Company. Pepys, Diary: Alone to the Kings' house, to a play, The Traytor, where, unfortunately, I met with Sir W. Pen, so that I must be forced to confess it to my wife, which troubles me. Thence walked home, being ill-satisfied with the present actings of the House, and prefer the other House before this infinitely

Performances

Mainpiece Title: The Traytor

Event Comment: The play was entered in the Stationers' Register on 26 May 1665. In addition, the Prologue alludes to The Indian Queen (25 Jan. 1663@4): @The Scenes are old, the Habits are the same,@We wore last year, before the Spaniards came.@ Printed with The Indian Emperour was The Connexion of the Indian Emperour to the Indian Queen, which may have been distributed at the theatre, for Bayes, in The Rehearsal, remarks: Besides, Sir, I have printed above a hundred sheets of paper to insinuate the Plot into the Boxes

Performances

Mainpiece Title: The Indian Emperour; Or, The Conquest Of Mexico By The Spaniards

Event Comment: The Duke's Company. Pepys, Diary: With Creed, my wife, and Mercer to a play at the Duke's, of my Lord Orrery's, called Mustapha, which being not good, made Betterton's part and Ianthe's but ordinary too, so that we were not contented with it at all...All the pleasure of the play was, the King and my Lady Castlemayne wer there; and pretty witty Nell Gwin?, at the King's house, and the younger Rebecca? Marshall sat next us; which pleased me mightily. Downes (p. 26): All the Parts being new Cloath's with new Scenes, Sir William's great Care of having it perfect and exactly perform'd, it produc'd to himself and Company vast Profit

Performances

Mainpiece Title: Mustapha, The Son Of Solyman The Magnificent

Event Comment: On this day Pepys heard a report about the reopening of the play-houses which probably was an erroneous rumor: And found Sir W. Pen talking to Orange Moll [Mary Meggs] of the King's house, who, to our great comfort, told us that they begun to act on the 18th of this month

Performances

Event Comment: Pepys, Diary: Sir W. Pen and my wife and Mercer and I to Polichinelly, but were there horribly frighted to see Young Killigrew come in with a great many more young sparks; but we hid ourselves, so as we think they did not see us. By and by they went away, and then we were at rest again; and so, the play being done

Performances

Mainpiece Title: Puppetry

Event Comment: Pepys, Diary: By and by with Lord Bruncker by coach to his house, there to hear some Italian musique: and here we met Tom Killigrew, Sir Robert Murray, and the Italian Signor Baptista, who hath composed a play in Italian for the Opera, which T. Killigrew do intend to have up; and here he did sing one one of the acts. He himself is the poet as well as the musician.... This done, T. Killigrew and I to talk: and he tells me how the audience at his house [Bridges St.] is not above half so much as it used to be before the late fire. That Knipp is like to make the best actor that ever come upon the stage, she understanding so well: that they are going to give her #30 a-year more. That the stage is now by his pains a thousand times better and more glorious than ever heretofore. Now, wax candles, and many of them; then, not above 3 l6s. of tallow: now, all things civil, no rudeness anywhere; then, as in a bear-garden: then, two to three fiddlers; now, nine or ten of the best: then, nothing but rushes upon the ground, and every thing else mean; and now, all otherwise: then, the Queen seldom and the King never would come; now, not the King only for state, but all civil people do think they may come as well as any....That he hath gathered our Italians from several Courts in Christendome, to come to make a concert for the King, which he do give #200 a-year a-piece to: but badly paid, and do come in room of keeping four ridiculous gundilows, he having got the King to put them away, and lay out money this way; and indeed I do commend him for it, for I think it is a very noble undertaking. He do intend to have some times of the year these operas to be performed at the two present theatres, since he is defeated in what he intended in Moorefields on purpose for it; and he tells me plainly that the City audience was as good as the Court, but now they are most gone

Performances

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse; and by and by comes Mr Lowther and his wife and mine, and into a box, forsooth, neither of them being dressed, which I was almost ashamed of. Sir W. Pen and I in the pit, and there saw The Mayden Queene again; which indeed the more I see the more I like, and is an excellent play, and so done by Nell, her merry part, as cannot be better done in nature, I think

Performances

Mainpiece Title: Secret Love; Or, The Maiden Queen

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, by agreement met Sir W. Pen, and saw Love in a Maze: but a sorry play: only Lacy's clowne's part, which he did most admirably indeed; and I am glad to find the rogue at liberty again. Here was but little, and that ordinary, company. We sat at the upper bench next the boxes, and I find it do pretty well, and have the advantage of seeing and hearing the great people, which may be pleasant when there is good store. Now was only Prince Rupert and my Lord Lauderdale, and my Lord [...]...But here was neither Hart, Nell, nor Knipp; therefore, the play was not likely to please me

Performances

Mainpiece Title: The Changes; Or, Love In A Maze

Related Works
Related Work: The Change of Crowns Author(s): Edward Howard
Event Comment: The King's Company. Pepys, Diary: My wife and I and Sir W. Pen to the King's playhouse, and there saw The Mayden Queene, which, though I have often seen, yet pleases me infinitely, it being impossible, I think, ever to have the Queen's part, which is very good and passionate, and Florimel's part, which is the most comicall that ever was made for woman, ever done better than they two are by young Marshall and Nelly

Performances

Mainpiece Title: Secret Love; Or, The Maiden Queen

Event Comment: Pepys, Diary I home to dinner, where Mr Pierce dined with us, who tells us what troubles me, that my Lord Buckhurst hath got Nell Gwin? away from the King's house, lies with her, and gives her #100 a year, so as she hath sent her parts to the house, and will act no more. And yesterday Sir Thomas Crew told me that Lacy lies a-dying of the pox

Performances

Event Comment: The King's Company. Pepys, Diary: My wife and I and Sir W. Pen to the King's playhouse, where the house extraordinary full; and there was the King and Duke of York to see the new play, Queen Elizabeth's Troubles, and the History of Eighty Eight. I confess I have sucked in so much of the sad story of Queen Elizabeth, for my cradle, that I was ready to weep for her sometimes; but the play is the most ridiculous that sure ever come upon the stage; and, indeed, is merely a shew, only shews the true garbe of the Queen in those days, just as we see Queen Mary and Queen Elizabeth painted; but the play is merely a puppet play, acted by living puppets. Neither the design nor language better; and one stands by and tells us the meaning of things: only I was pleased to see Knipp dance among the milkmaids, and to hear her sing a song to Queen Elizabeth; and too see her come out in her night-gowne with no lockes on, but her bare face and hair only tied up in a knot behind; which is the comeliest dress that ever I saw her in to her advantage

Performances

Mainpiece Title: Queen Elizabeth's Troubles; And The History Of Eighty Eight

Event Comment: Pepys, Diary: I met Rolt and Sir John Chichly, and Harris, the player, and there we talked of many things, and particularly of Catiline, which is to be suddenly acted at the King's house; and there all agree that it cannot be well done at that house, there not being good actors enow: and Burt acts Cicero, which they all conclude he will not be able to do well. The King gives them #500 for robes, there being, as they say, to be sixteen scarlett robes. Thence home for dinner, and would have had Harris home with me, but it was too late for him to get to the playhouse after it

Performances

Performances

Mainpiece Title: The Tempest

Performance Comment: [Altered by Sir William Davenant and John Dryden.] See16671107.
Related Works
Related Work: The Tempest Author(s): Sir William Davenant
Related Work: The Tempest; or, The Enchanted Island Author(s): Sir William Davenant
Event Comment: The King's Company. Pepys, Diary: And wife and Deb. to the King's house, there to see The Wild-goose Chase, which I never saw, but have long longed to see it, being a famous play, but as it was yesterday I do find that where I expect most I find least satisfaction, for in this play I met with nothing extraordinary at all, but very dull inventions and designs. Knepp come and sat by us, and her talk pleased me a little, she telling me how Mis Davis is for certain going away from the Duke's house, the King being in love with her; and a house is taken for her, and furnishing; and she hath a ring given her already worth #600: that the King did send several times for Nelly, and she was with him, but what he did she knows not; this was a good while ago, and she says that the King first spoiled Mrs Weaver, which is very mean, methinks, in a prince, and I am sorry for it, and can hope for no good to the State from having a Prince so devoted to his pleasure. She told me also of a play shortly coming upon the stage, of Sir Charles Sidly's, which, she thinks, will be called The Wandering Ladys, a comedy that, she thinks, will be more pleasant; and also another play, called The Duke of Lerma; besides Catelin, which she thinks, for want of the clothes which the King promised them, will not be acted for a good while

Performances

Mainpiece Title: The Wild Goose Chace

Event Comment: The King's Company. Pepys, Diary: [Sir W. Pen] and I to the King's house, and there, in one of the upper boxes, saw Flora's Vagarys, which is a very silly play; and the more, I being out of humour, being at a play without my wife

Performances

Mainpiece Title: Flora's Vagaries

Event Comment: The King's Company. Pepys, Diary: [Sir W. Pen] and I into the King's house, and there The Mayd's Tragedy, a good play, but Knepp not there

Performances

Mainpiece Title: The Maid's Tragedy