SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sir John Vanbrugh"/1) | (@(roleclean,performerclean) "Sir John Vanbrugh")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 11245 matches on Author, 6632 matches on Performance Comments, 1692 matches on Event Comments, 676 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Feign'd Innocence; Or, Sir Martin Marall

Related Works
Related Work: Feign'd Innocence; or, Sir Martin Marall Author(s): John Dryden

Afterpiece Title: The School Boy; or, The Comical Rivals

Song:

Dance:

Event Comment: Benefit Johnson. [Advertised in Daily Courant, 4 July, not later, it was apparently performed; see 26 July.

Performances

Mainpiece Title: The Feigned Innocence; Or, Sir Martin Mar All

Related Works
Related Work: Feign'd Innocence; or, Sir Martin Marall Author(s): John Dryden
Event Comment: At the Desire of several Persons of Quality

Performances

Mainpiece Title: The Country Wit; Or, Sir Mannerly Shallow

Related Works
Related Work: The Country Wit Author(s): John Crowne
Related Work: Sir Mannerly Shallow; or, The Country Wit Author(s): John Crowne

Performances

Mainpiece Title: The Feign'd Innocence; Or, Sir Martin Marall

Related Works
Related Work: Feign'd Innocence; or, Sir Martin Marall Author(s): John Dryden

Afterpiece Title: The Stage Coach

Performances

Mainpiece Title: The Feign'd Innocence; Or, Sir Martin Mar-all

Related Works
Related Work: Feign'd Innocence; or, Sir Martin Marall Author(s): John Dryden

Afterpiece Title: The Stage Coach

Performances

Mainpiece Title: The Sophy

Related Works
Related Work: The Sophy Author(s): Sir John Denham

Performances

Mainpiece Title: The Sophy

Related Works
Related Work: The Sophy Author(s): Sir John Denham
Event Comment: The United Company. The date of the first production is not known, but the Gentleman's Journal, February 1692@3 (issued in March) makes clear that it followed Congreve's play: We have had since a Comedy, call'd, The Wary Widow, or Sir Noisy Parrot, by Henry Higden Esq; I send by here the Prologue to it by Sir Charles Sedley, and you are too great an Admirer of Shakespeare, not to assent to the Praises given to the Fruits of his rare Genius (p. 61). The play was announced in the London Gazette, No. 2875, 29 May-June 1693. The music for one song, All hands up aloft, was by Berenclow, and the song appears in D'Urfey, Wit and Mirth, 1699. Dedication, edition of 1693: But now it is forced to beg for your Protection from the malice and severe usage it received from some of my Ill natured Friends, who with a Justice peculiar to themselves, passed sentence upon it unseen or heard and at the representation made it their business to persecute it with a barbarous variety of Noise and Tumult. Gildon, The Life of Mr Thomas Betterton (p. 20): The actors were completely drunk before the end of the third act, and being therefore unable to proceed with this "Pleasant Comedy," they very properly dismissed the audience

Performances

Mainpiece Title: The Wary Widow; Or, Sir Noisy Parrat

Performance Comment: Edition of 1693: The Prologue by Sir Charles Sydly-; Epilogue-Mrs Lassells.
Cast
Role: Sir Charles Sydly Actor:
Event Comment: Benefit Delane. Mainpiece: As written by Shakespear. Tickets deliver'd for Monday the 9th will be taken. Tickets to be had of Delane at his lodgings at the Unicorn in New Exchange Row in the Strand. Places of Hobson at the stage door. There is now in rehearsal at the Theatre Royal [dl] and speedily will be acted, a new Petit Piece in imitation of that species of writing on the French Theatre call'd The Suspicious Husband Criticiz'd; or the Plague of Envy (General Advertiser). [A Folger edition of 1750 entitled Chorus for Shakespear's Tragedy of King John lists songs by Sullivan, Mrs Lampe, Mrs Storer, and Mrs Mozeen; the play had no other performance at a London theatre in the interim between 1747 and 1750.

Performances

Mainpiece Title: King John

Performance Comment: King John-Delane; Bastard-Sparks; King of France-Giffard; Dauphin-Blakes; Pandulph-Macklin; Prince Arthur-Miss Macklin; Constance-Mrs Giffard; Hubert-Berry; Salisbury-Mills; Pembroke-Mozeen; Essex-Ray; Austria-Winstone; Prince Henry-Miss Cole; Chatillion-Bransby; Citizen of Angiers-Bridges; Faulconbridge-Simpson; English Herald-Usher; French Herald-Marr; Queen Elinor-Mrs Bennet; Blanche-Miss Minors; Lady Faulconbridge-Miss Pitt.
Cast
Role: King John Actor: Delane

Afterpiece Title: The Dragon of Wantley

Dance: As17470314

Event Comment: The Characters in the Mainpiece New Dress'd. Neville MS Diary: At 6, went into the Pit...House not very full. King John was performed with new Dresses and Decorations. Powell and Smith are good in York and the Bastard, and Mrs Bellamy in Constance....The entertainment was the procession of the Coronation, with the ceremony of the Champion. Every truly free soul, on seeing a representation of such extravagant pageantry, must abhor that form of Government, of the superfluous trappings of which it is but a small specimen. Receipts: #91s. (Account Book)

Performances

Mainpiece Title: King John

Performance Comment: King John-Powell; Pembroke-Davis; Prince Henry-Lewes; Essex-Gardner; Salisbury-Perry; Bastard-Smith; Faulconbridge-Weller; Austria-Morris; Hubert-Bensley, 1st time; King of France-Clarke; Dauphin-Dyer; Chatillon-Hull; Governor of Angiers-Wignell; Pandulph-Gibson; Queen Elinor-Mrs Vincent; Prince Arthur-Miss Ford; Lady Blanch-Mrs DuBellamy; Lady Faulconbridge-Mrs Ferguson; Constance-Mrs Bellamy.
Cast
Role: King John Actor: Powell

Afterpiece Title: The Coronation

Related Works
Related Work: The Relation of His Majesties Entertainment Passing Through the City of London, to His Coronation: With a Description of the Triumphal Arches, and Solemnity Author(s): John Ogilby
Related Work: Neptune's Address to His Most Sacred Majesty Charles the Seond: King of England, Scotland, rance and Ireland &c. Congratulating His Happy Coronation Celebrated the 22th Day of Aprill, 1661 Author(s): John Tatham
Event Comment: By Command of Their Majesties. [Kemble's 1st appearance as King John was at the Smock Alley Theatre, Dublin, 18 Apr. 1782; Mrs Siddons's 1st appearance as Constance was at Bath on, by coincidence, the same day.] Receipts: #300 9s. (289/8/0; 10/3/6; 0/5/0; tickets not come in: 0/12/6)

Performances

Mainpiece Title: King John

Performance Comment: King John-Kemble (1st appearance in that character [in London]); Hubert-Bensley; Salisbury-Staunton; Pembroke-Williames; Essex-Chaplin; The Bastard-Smith; King Philip-Aickin; Dauphin-Barrymore; Prince Arthur-Miss Field; Pandulph-Packer; Chatilion-Farren; Austria-Wrighten; Citizen-Fawcett; Queen Elinor-Mrs Hopkins; Lady Blanch-Miss Palmer; Lady Faulconbridge-Mrs Hedges; Constance-Mrs Siddons (1st appearance in that character [in London]) .in London]) .
Cast
Role: King John Actor: Kemble

Afterpiece Title: The Deaf Lover

Cast
Role: John Actor: Burton
Event Comment: [In mainpiece "English Herald [omitted from playbill] Trueman; Cooke Ill." In afterpiece the playbill retains Aumer as Hephestion, but "Hephestion C. Kemble, Aumer at the Opera House. Miss Redhead, Miss Leak absent, Ill" (Powell).] Powell, 13 Mar.: King John rehearsed at 10; Edwy and Elgiva at 12; Jack of Newbury read at 2; 14 Mar.: Jack of Newbury rehearsed at 11. Receipts: #255 3s. (204.14.0; 48.8.6; 2.0.6)

Performances

Mainpiece Title: King John

Performance Comment: King John-Kemble; Prince Henry-Bland; Arthur-Master Welsh; Pembroke-Dignum; Essex-Caulfield; Salisbury-Whitfield; Hubert-Bensley; Fauconbridge-Palmer; R. Faulconbridge-Waldron; English Herald-Trueman; King Philip-Aickin; Lewis-Barrymore; Austria-Phillimore; Cardinal Pandulpho-Packer; Elinor-Mrs Hopkins; Constance-Mrs Siddons; Blanch-Miss Collins.
Cast
Role: King John Actor: Kemble

Afterpiece Title: Alexander the Great

Related Works
Related Work: Alexander the Great Author(s): John Philip Kemble
Related Work: The Amazon Queen; or, The Amours of Thalestris to Alexander the Great Author(s): John Weston

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege
Event Comment: At the Desire of several Persons of Quality. Afterpiece: several Musical Entertainments composed by Henry Purcell. [Monday 10--Saturday 15: PASSION WEEK]

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege

Afterpiece Title: Aeneas and Dido

Dance: New Scotch dances-

Event Comment: At the Desire of several Persons of Quality. Boxes 5s. Pit 3s. Gallery 2s

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege

Dance: Mlle delaVal, Mrs Elford

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege

Dance: As17051106

Event Comment: At the Desire of several Ladies of Quality. And the principal Characters new Dress'd

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege

Dance: As17161027

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege

Afterpiece Title: The Loves of Mars and Venus

Related Works
Related Work: The Loves of Mars and Venus Author(s): John Weaver

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege

Afterpiece Title: Perseus and Andromeda

Related Works
Related Work: Perseus and Andromeda: With the Rape of Colombine; or, The Flying Lovers Author(s): John Weaver
Event Comment: Rich's Company. The date of the first production is not certain, but tradition states that Dryden died on the third day (1 May 1700); if this report is correct, the first performance occurred on 29 April 1700. In A Collection of New Songs...Compos'd by Mr Daniel Purcel, Perform'd in the Revis'd Comedy call'd the Pilgrim (1700) is a song, Chronos, Chronos, mend thy pace, with Janus sung by Freeman, Momus by Pate, Diana by Mrs Erwin. Gottfried Finger apparently composed the passage sung by Venus, Calms appear when storms are past. William Egerton, Faithful Memoirs of...Mrs Anne Oldfield (1731): The Pilgrim was indeed reviv'd for the Benefit of Mr Dryden, Ann. 1700, but he dying on third Night of its Representation, his Son attended the Run of it, and the Advantages accrued to his Family. Cibber, Apology, I, 269-70: This Epilogue, and the Prologue the same Play [The Pilgrim], written by Dryden, I spoke myself, which not being usually done by the same Person, I have a mind, while I think of it, to let you know on what Occasion they both fell to my Share....Sir John Vanbrugh, who had given some light touches of his Pen to the Pilgrim to assist the Benefit Day of Dryden, had the Disposal of the Parts, and I being then as an Actor in some Favour with him, he read the Play first with me alone, and was pleased to offer me my Choice of what I might like best for myself in it. But as the chief Characters were not (according to my Taste) the most shining, it was no great Self-denial in me that I desir'd he would first take care of those who were more difficult to be pleased; I therefore only chose for myself two short incidental Parts, that of the stuttering Cook and the mad Englishman....Sir John, upon my being contented with so little a Share in the Entertainment, gave me the Epilogue to make up my Mess; which being written so much above the Strain of common Authors, I confess I was not a little pleased with. And Dryden, upon his hearing me repeat it to him, made a farther Compliment of trusting me with the Prologue. Cibber, Apology, I, 305-6: In theYear 1699, Mrs Oldfield was first taken into the House, where she remain'd about a Twelve-month almost a Mute and unheeded, 'till Sir John Vanbrugh, who first recommended her, gave her the Part of Alinda in the Pilgrim revis'd. This gentle Character happily became that want of Confidence which is inseparable from young Beginners, who, without it, seldom arrive to any Excellence: Notwithstanding, I own I was then so far deceiv'd in my Opinion of her, that I thought she had little more than her Person that appear'd necessary to the forming a good Actress; for she set out with so extraordinary a Diffidence, that it kept her too despondingly down to a formal, plain (not to say) flat manner of speaking. Nor could the silver Tone of her Voice 'till after some time incline my Ear to any Hope in he favour. A Comparison Between the Two Stages (1702), p. 27: [After Drury Lane and Lincoln's Inn Fields had revived Shakespeare and Johnson] Nay then, says the whole party at D. Lane, faith we'll e'en put the Pilgrim upon him--ay faith, so we will, says Dryden, and if youll let my Son have the Profits of the Third Night, I'll give you a Secular Mask: Done, says the House, and so the Bargain was struck

Performances

Mainpiece Title: The Pilgrim

Performance Comment: Edition of 1700: Prologue by Mr Dryden-Colley Cibber; Epilogue by Mr Dryden-Colley Cibber; Alphonso-Johnson; Pedro-Wilks; Roderigo-Powell; Governor-Simson; Scholar-Thomas; Parson-Haynes; Englishman-Cibber; Welshman-Norris; Taylor-Pinkethman; Alinda-Mrs Oldfield; Juletta-Mrs Moor.
Cast
Role: Alphonso Actor: Johnson
Related Works
Related Work: The Pilgrim Author(s): John FletcherJohn Vanbrugh
Event Comment: Benefit Mrs Horton. At the particular Desire of several Ladies of Quality. Mainpiece: Written by the late Sir John Vanbrugh

Performances

Mainpiece Title: The Relapse

Cast
Role: Sir Tunbelly Actor: Shepard
Role: Coupler Actor: Johnson
Related Works
Related Work: The Relapse; or, Virtue in Danger Author(s): John Vanbrugh

Afterpiece Title: The Devil to Pay

Cast
Role: Sir John Actor: Stoppelaer
Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): John Mottley

Dance:

Event Comment: At the Desire of several Ladies of Quality. Mainpiece: Written by the late Sir John Vanbrugh. The Festival is deferr'd on Account of the Indisposition of a principal Performer

Performances

Mainpiece Title: The Relapse

Cast
Role: Sir Tunbelly Actor: Shepard
Role: Coupler Actor: Johnson
Role: Sir John Actor: Ridout
Related Works
Related Work: The Relapse; or, Virtue in Danger Author(s): John Vanbrugh

Afterpiece Title: The Devil to Pay

Cast
Role: Sir John Actor: Berry
Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): John Mottley

Music: Second Musick: 6th Concerto of the 1st Opera of Geminiani. Third Musick: Overture for Admetus by Handel. II: Se met turbo, a Song in Porus, on the Flute Traverse. IV: Concerto for Two Hautboys composed by Dr Pepusch

Dance: I: La Bagatelle by Essex and Miss Latour. III: Les Bergeries by Essex, Miss Robinson, F. Tench, Holt, Miss Mann, Miss Brett. In V: Mock Minuet, as17331027

Event Comment: At the particular Desire of several Ladies of Quality. Written by the late Sir John Vanbrugh

Performances

Mainpiece Title: The Relapse

Cast
Role: Sir Tunbelly Actor: Shepard
Role: Coupler Actor: Johnson
Role: Sir John Actor: Ridout
Related Works
Related Work: The Relapse; or, Virtue in Danger Author(s): John Vanbrugh

Music: Second Musick: the 8th Concerto of Corelli, commonly called The Natalia. Third Musick: Overture of Alexander, composed by Handel. III: The Cuckoo, composed by Vivaldi

Dance: II: Les Amants Constants, as17340123 In V: Grand Dance in Momus, as17331231

Song: I: Lusingue pui care by Miss Arne. IV: Sentir si Dire by Miss Arne