SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sir Henry Herbert"/1) | (@(roleclean,performerclean) "Sir Henry Herbert")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6588 matches on Performance Comments, 4877 matches on Author, 1593 matches on Performance Title, 1363 matches on Event Comments, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Marian

Performance Comment: Edward-Johnstone; Sir Henry Freeman (with Old Towler)-Incledon; Robin-Townsend; Thomas-Haymes; Jamie-Powel; Peggy-Mrs Mountain; Patty-Mrs Martyr; Marian-Mrs Serres (1st appearance in that character).
Cast
Role: Sir Henry Freeman Actor: Incledon

Performances

Mainpiece Title: Much Ado About Nothing

Related Works
Related Work: The Law Against Lovers Author(s): Sir William Davenant

Afterpiece Title: British Fortitude

Afterpiece Title: Marian

Performance Comment: Edward-Johnstone; Sir Henry Freeman-Incledon; Robin-Townsend; Thomas-Gray; Jamie-Powel; Peggy-Mrs Mountain; Patty-Mrs Martyr; Marian-Mme Mara (1st appearance in that character).
Cast
Role: Sir Henry Freeman Actor: Incledon

Dance: In II 1st piece: As17971006

Event Comment: By Particular Desire. Benefit for Cibber. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. To begin at 6:30 p.m. To prevent any interruption in the Performance, there will be no Building on the Stage. Afterpiece: The Dramatick Piece of Two Acts...is taken from the inimitable comic Scenes of Shakespeare, which contain the Humours of Antient Pistol, Justice Shallow, Sir John Falstaff, Justice Silence, the Hostess Doll Tearsheet, and the Recruits, etc. (Daily Advertiser). On Tuesday the 2d of July Mr The: Cibber had a play at Drury Lane, ye Busy Body, & farce from ye 2d pt of Henry 4th. & had 140 pounds in Money & 66 in Tickss (Cross)

Performances

Mainpiece Title: The Busy Body

Performance Comment: Marplot-Cibber; Sir George Airy-Cross; Sir Francis Gripe-Shuter; Charles-Havard; Sir Jealous Traffick-Phillips; Whisper-Vaughan; Isabinda-Mrs Baker; Patch-Mrs Cross; Miranda-Mrs Clive.

Afterpiece Title: The Humourists

Performance Comment: Pistol-Cibber; Shallow-Shuter; Falstaff-Phillips; Silence-Stoppelaer; Bardolph-Clough; Mouldy-W. Vaughan; Feeble-Blakey; Shadow-Slim; Prince-Cross; Poins-Young Cross; Davy-H. Vaughan; Wart-Johnson; Dame Quickly-Mrs Cross; Doll Tearsheet-Miss Bradshaw; After which (by Desire) The Drunken Peasant-Phillips (his first Appearance on that Stage these Ten Years); Epilogue-Nobody.

Dance: Devisse, Mme Lussant

Event Comment: The United Company. The date of the premiere is not certain, but reference to it in the Gentleman's Journal, May 1693 (issued in June 1693), suggests that it appeared in May: We have had since my last a new Comedy called, The Female Vertuosos, something in it was borrowed from Moliere's Femmes Savantes, and as it hath Wit and Humour, it cannot but please in the perusal, as in the representation (p. 168). One song, Love thou art best of human joys, to words by Anne, Countess of Winchelsea, was set by Henry Purcell

Performances

Mainpiece Title: The Female Vertuosos

Performance Comment: Edition of 1693: Prologue by Mr Doggett-Mr Doggett; Sir Maurice Meanwell-Underhill; Meanwell-Hodgson; Sir Timothy Witless-Bright; Wittless-Doggett; Sir Maggot Jingle-Bowman; Clerimont-Powell; Trap-Bowen; Bully-Hains; Lady Meanwell-Mrs Leigh; Lovewitt-Mrs Knight; Mariana-Mrs Bracegirdle; Catchat-Mrs Mountfort; Lucy-Mrs Rogers; The Epilogue-Mrs Catchat.
Event Comment: The United Company. The date of the first performance is not known, but the latest likely date is early summer, for it was licensed for publication on 14 Aug. 1685. if it did not appear before the death of Charles II, July 1685 is a likely date, as May was occupied with Sir Courtly Nice and June with Albion and Albanius. Dedication, Edition of 1685: [The Scenes] had no better Success on the Stage, was for this Reason: The principal Part (on which the Diversion depended) was, by Accident, disappointed of Mr Nokes's Performance, for whom it was design'd and only proper. A song, How great are the blessings of government made, set by Henry Purcell, is in The Musical Companion, The Second Book, 1686

Performances

Mainpiece Title: Cuckolds-haven; Or, An Alderman No Conjurer

Performance Comment: Edition of 1685: Prologue-; Alderman Touchstone Intended for Mr Nokes-Percivall; Golding-Baker; Quicksilver-Jevon; Security-Lee; Sir Petronell Flash-Williams; Captain Seagull-Gillow; Bramble-Hains; Mrs Touchstone-Mrs Corye; Girtred-Mrs Percivall; Mildred-Mrs Twiford; Security's Wife-Mrs Price; Epilogue-.
Cast
Role: Sir Petronell Flash Actor: Williams
Event Comment: The United Company. The date of the first performance is not known, but it followed The Gordian Knot Unty'd, which is mentioned in the Prologue. Edward III was advertised in the London Gazette, No. 2629, 19-22 Jan. 1690@1, and entered in the Term Catalogues, February 1690@1. The authorship is uncertain. The title page bears no author's name, but the Dedication is signed by Will. Mountfort. In addition, on 10 Oct. 1691 Mountfort received a grant of #10 when Edward III was played before the Queen (L. C. 5@150, p. 306, in Nicoll, Restoration Drama, p. 357). On tne other hand, the Gentleman's Journal, October 1692, stated that it was written by the author of Henry the Second, which has been attributed to John Bancroft. See Nicoll, Restoration Drama, pp. 388-89, for a summation of the evidence on this problem. Alfred Harbage, Elizabethan-Restoration Palimpsest, Modern Language Review, XXXV (1940), 319, thinks that this is a revision of Robert Davenport's The Politic Queen

Performances

Mainpiece Title: King Edward The Third; With The Fall Of Mortimer, Earl Of March

Performance Comment: [The author is not certain, but possibly the play was written by John Bancroft and William Mountfort.] Edition of 1691: Prologue-Mr Powell; Epilogue-Mrs Bracegirdle; King Edward the Third-Powell; Mortimer Earl of March-Williams; Lord Mountacute-Mountfort; Sir Tho. Delamore-Kynaston; Sir Robert Holland-Hodgson; Tarleton, Bishop of Hereford-Lee; Serjeant Eitherside-Nokes; Turrington-Bridges; Nevill-Freeman; Sly-Bright; Secret-Trafuse; Earl of Leicester-Bowman; Earl of Exeter-Sandford; Isabella-Mrs Barry; Maria-Mrs Bracegirdle.
Cast
Role: Sir Robert Holland Actor: Hodgson
Event Comment: The United Company. The exact date of the first production is not known, but the play was entered in the Term Catalogues, February 1691@2, and mentioned in the Gentleman's Journal, February 1691@2 (licensed 12 February 1691@2). In all probability, it was first acted not later than January 1691@2. The music to one song, As soon as the Chaos, was composed by Henry Purcell. See Purcell, Works, Purcell Society, XX (1916), xvii. Two songs--Bonny lad prithee lay thy pipe down, with music by Tollet; Great Jove once made love like a bull, with music by Mountfort--are in The Banquet of Musick, The Sixth and Last Book, 1692. Dedication, Edition of 1692: Having at last so well acquitted it self on the Stage (tho' the thronging, imperfect Action, and worse than all, the faulty length, which I will never be guilty of again, render'd it little Diversion the first day). A Letter to Mr D'Urfey [by Charles Gildon], Edition of 1692: If there be any fault in this Play, 'tis that which few are guilty of; that is, there are too many good Characters, too full of Humour, a very Pardonable failing, which only proceeds from Variety, the life of Pleasure and Wit, tho' that gave it the disadvantage of seeming too long the first days Acting, tho' the Stage's being throng'd with Spectators, did not a little contribute to the imperfect Acting of it, which accidental Misfortunes concurring with the Endeavours of an opposite Faction, must needs have damn'd it, had it not by the Force and Vigour of its own Worthy, rais'd it self the second day with the general Applause of all that saw it....But the Marriage-hater went further, and in spight of all the disadvantages it labour'd under of Action and Audience, pleas'd on, after several times Repetition. See also Poeta Infamis; or, A Poet not worth Hanging (1692) for a variety of comments upon this play. London Mercury, 26 Feb. 1691@2: Query 4. Whether in Justice he [D'Urfey] is not obliged to present Mr Dogget (who acted Solon to so much Advantage) with half the Profit of his Third Day, since in the Opinions of most Persons, the good Success of his Comedy was half owing to that admirable Actor? Query 5. Whether, if there be any Wit in bringing a Person upon the Stage with an extravagantly broad-brimmed Hat, and a Muff of the same Size, so it will not be a very easy Matter for the next Poet that writes a Play, to Out-hat and Out-muff his Predecessors, and consequently to Out-wit him? Downes, Roscius Anglicanus, p. 42: Mr Dogget perform'd the part of Solon Inimitably. Gentleman's Journal, p. 454, February 1691@2 (licensed 12 Feb. 1691@2): I send you the Marriage-hater match'd, a new Comedy by Mr Durfey; it hath met with very good success, having been plaid six days together, and is a diverting Play. Gentleman's Journal, January 1691@2: Now I speak of Music I must tell you that we shall have speedily a new Opera, wherein something very surprising is promised us; Mr Purcel who joyns to the Delicacy and Beauty of the Italian way, the Graces and Gayety of the French, composes the Music, as he hath done for the Prophetess, and the last Opera called King Arthur, which hath been plaid several times the last Month [presumably December 1691]

Performances

Mainpiece Title: The Marriage-hater Matched

Performance Comment: Edition of 1692: L. Brainless-Bowman; Sir Philip Freewit-Monfort; Sir Lawr. Limber-Sandford; Capt. Darewell-Hodson; Myn Here Van Grin-Leigh; Bias-Bright; Solon-Dogget; Callow-Bowen; MacBuffle-Trefuse; Thummum-Smeaton; Splutter-Colly Cibber?; Lady Subtle-Mrs Barry; Lady Bumfiddle-Mrs Cory; Phaebe-Mrs Bracegirdle; Berenice-Mrs Lassels; La Pupsey-Mrs Butler; Margery-Mrs Lawson; Prologue Mr Monford Enters, meets Mrs Bracegirdle dressed in Boy's Cloaths, who seeing her him, Endeavours to go back, but he taking hold of her, speaks-Mr Monford; Epilogue-La Pupsey with her Lapdog in Masquerade.
Cast
Role: Sir Philip Freewit Actor: Monfort
Event Comment: The United Company. The date of the first performance is not precisely known, but by 9 May 1693 it had been acted four times (see Dryden's letter, below); on the other hand, the Gentleman's Journal, February 1692@3 (issued in March) had stated that D'Urfey's new farce would not appear until after Easter. Hence, it may well have been the first new play after Passion Week. A dialogue, Behold, the man with that gigantick might, the music by Henry Purcell and sung by Mr Reading and Mrs Ayliff, is in Orpheus Britannicus, 1690. See Purcell's Works, Purcell Society, XXI (1917), viii-x. A dialogue, By these pigsnes eyes that stars do seem, the music by John Eccles and sung by Dogget and Mrs Bracegirdle, is in Joyful Cuckoldom, ca. 1695. Another, Stubborn church division, folly, and ambition, to a Ground of Mr Solomon Eccles, is in Thesaurus Musicus, 1694. And Maiden fresh as a rose, the verse by D'Urfey and sung by Pack, but not printed in the play, is in The Merry Musician, I (1716), 56-57. This last song may have been for a later revival. Gentleman's Journal, April 1693 (issued in May 1693): Since my last we have had a Comedy by Mr Durfey; 'tis called the Richmond Heiress or a Woman once in the right (p. 130). Dryden to Walsh, 9 May 1693: Durfey has brought another farce upon the Stage: but his luck has left him: it was sufferd but foure dayes; and then kickd off for ever. Yet his Second Act, was wonderfully diverting; where the scene was in Bedlam: & Mrs Bracegirdle and Solon [Dogget] were both mad: the Singing was wonderfully good, And the two whom I nam'd, sung better than Redding and Mrs Ayloff, whose trade it was: at least our partiality carryed it for them. The rest was woeful stuff, & concluded with Catcalls; for which the two noble Dukes of Richmond and St@Albans were chief managers (The Letters of John Dryden, pp. 52-53)

Performances

Mainpiece Title: The Richmond Heiress; Or, A Woman Once In The Right

Performance Comment: Edition of 1693: Sir Charles Romance-Freeman; Sir Quibble Quere-Bright; Tom Romance-Powel; Dr Guiacum-Sandford; Frederick-Williams; Rice ap Shinken-Bowman; Dick Stockjobb-Underhill; Hotspur-Hudson [Hodgson]; Quickwit-Dogget; Cummington-Bowen; Fulvia-Mrs Bracegirdle; Sophronia-Mrs Barry; Mrs Stockjobb-Mrs Bowman; Madam Squeamish-Mrs Knight; Marmalette-Mrs Lee; Prologue-Mr Dogget [with a Fools Cap with Bells on his Head; Epilogue-.
Event Comment: [By Henry Fielding.

Performances

Mainpiece Title: The Author's Farce; With The Pleasures Of The Town

Performance Comment: Luckless-Mullart; Witmore-Lacy; Marplay-Reynolds; Sparkish-Stopler; Don Tragedio-Marshall; Sir Farcical Comick-Davenport; Sig Opera-Stopler; Dr Orator-Jones; Mons Pantomime-Knott; Charon-Ayres; Bookweight-Jones; Scarecrow-Marshall; Harriet-Miss Palms; Goddess of Nonsense-Mrs Mullart; Somebody-Harris; Nobody-Wells; Poet-Hallam; Bookseller-Dove; Mrs Novel-Mrs Martin; Lady Kingcall-Mrs Clark; Punch-Reynolds; Joan-Hicks; but edition of 1730 lists: Luckless-Mullart; Witmore-Lacy; Marplay-Reynolds; Sparkish-Stopler; Bookweight-Jones; Scarecrow-Marshal; Dash-Hallam; Quibble-Dove; Blotpage-Wells Jr; Jack-Achurch; Jack Pudding-Reynolds; Bantomite-Marshall; Mrs Moneywood-Mrs Mullart; Harriet-Miss Palms; in Puppet Show: Player-Dove; Constable-Wells; Murdertext-Hallam; Goddess of Nonsense-Mrs Mullart; Charon-Ayres; Curry (Bookseller)-Dove; Poet-W. Hallam; Signior Opera-Stopler; Don Tragedio-Marshal; Sir Farcical Comick-Davenport; Dr Orator-Jones; Mons Pantomime-Knott; Mrs Novel-Mrs Martin; Robgrave-Harris; Saylor-Achurch; Somebody-Harris Jr; Nobody-Wells Jr; Punch-Reynolds; Joan-Hicks; Lady Kingcall-Miss Clarke; Mrs Cheatem-Mrs Wind; Mrs Glassring-Mrs Blunt; Prologue-Jones.
Related Works
Related Work: The Authors Farce; and, The Pleasures of the Town Author(s): Henry Fielding
Event Comment: Mainpiece [1st time; C 5, by Elizabeth Inchbald. Larpent MS 789; not published. Prologue by Henry Sampson Woodfall Jun. (London Chronicle, 17 Dec.); Epilogue by Frederick Pilon (Public Advertiser, 19 Dec.)]. [Miss Blower had 1st appeared at dl, 27 Apr. 1782, and thereafter in Dublin.] Receipts: #180 7s. 6d. (169.19.0; 10.8.6)

Performances

Mainpiece Title: All On A Summer's Day

Performance Comment: Principal Characters by Lewis, Quick, Aickin, Farren, Fearon, Macready, Helme, Miss Brunton, Mrs Webb, Mrs Lewis, Mrs Mattocks. Cast from London Chronicle, 17 Dec.: Wildlove-Lewis; Sir Ralph Mooneye-Quick; Governor Morton-Aickin; Sir William Carrol-Farren; Chrysostom-Fearon; Lord Henley-Macready; Servant-Helme; Louisa-Miss Brunton; Mrs Goodly-Mrs Webb; Lady Henrietta-Mrs Lewis; Lady Carrol-Mrs Mattocks; Prologue-Farren; Epilogue-Mrs Mattocks.
Cast
Role: Sir Ralph Mooneye Actor: Quick
Role: Sir William Carrol Actor: Farren

Afterpiece Title: Miss in her Teens

Event Comment: As 27 Nov. 1738. Mainpiece: Alter'd from Shakespear. Victor, History of the Theatres, II, 48: In the Year 1738, having, as he [Colley Cibber] said, Health and Strength enough to be as useful as ever, he came to Terms with Mr Fleetwood for his performing Richard, Fondlewife, Sir John Brute, &c. All his Comedy Parts he was right in, but in Richard he found his Mistake; his usual Strength and Spirit failed him most unhappily. I went behind the Scenes in the third Act, and asking him how he fared? He whispered me in the Ear, "That he wou'd give fifty Guineas to be then sitting in his easy Chair by his own Fireside.

Performances

Mainpiece Title: King Richard The Third

Performance Comment: See17380930, but King Richard-Cibber Sr, the first time of his appearing in that character these seven years; King Henry-Milward; Buckingham-Mills; Richmond-Cibber Jr; Queen Elizabeth-Mrs Roberts; Dutchess of York-Mrs Pritchard; Lady Anne-Mrs Mills.
Cast
Role: King Henry Actor: Milward

Afterpiece Title: The Mock Doctor

Related Works
Related Work: The Mock Doctor; or, The Dumb Lady Cur'd Author(s): Henry Fielding

Dance: Muilment

Event Comment: Tickets deliver'd out by Mr Davis will be taken. [Bransby doubled in Oxford and Tyrrel. The General Advertiser quoted a long Epilogue on the Birthday of his Royal Highness the Duke of Cumberland Written by the Farmer (who had taken over the role of Swift's Drapier) and spoken by Garrick in Dublin. It also quoted the following long puff for Ray's Benefit to come]: Sir, As long acquaintance best entitles us to friendly good natured offices, and as no more proper time can be found to confer them than when the person is in the Decline of life, give me leave to recommend (thro' your means) Mr Ray of Drury Lane Theatre, the oldest actor now belonging to that House, to the Favour of the Town, at his ensuing Benefit next Saturday. A person who once agreeably entertained the Public, should always feel the warmth of their Indulgence, tho' the Infirmities of Old age may have render'd him less pleasing than formerly. This Application is therefore meant to those friends of his, whom Distance of time, and change of Situation may have made it impossible any other way to acquaint them, that The Merchant of Venice is to be acted for his Benefit on Saturday next; therefore 'tis hoped they will be so kind as to send for his Tickets to Mr Hobson, in the Playhouse Passage, or to Mr Ray's lodgings, the second Door in Queen's Court, Great Queen St., Lincoln's Inn Fields, and the Favour will ever be greatly acknowledged by him

Performances

Mainpiece Title: Richard Iii

Performance Comment: As17460422 but Richard III-Thomas? Lacy; King Henry-Davies; Tyrrel-Bransby.
Cast
Role: King Henry Actor: Davies

Afterpiece Title: The Anatomist

Performances

Mainpiece Title: Marian

Performance Comment: As17931118, but added to Sir Henry Freeman: With a new song [Old Towler (see17940407)]; omitted: Oliver .
Cast
Role: Henry Actor: Blanchard

Afterpiece Title: THE SIEGE OF BERWICK

Cast
Role: Sir Paul Peckham Actor: Fawcett
Role: Sir Samuel Sheepy Actor: Munden

Afterpiece Title: HARLEQUIN AND FAUSTUS

Related Works
Related Work: Harlequin Doctor Faustus Author(s): Henry Carey
Event Comment: The King's Company. The date of the first performance is not known, but the fact that the play was entered in the Term Catalogues in February 1681@2 and advertised in The Loyal Protestant, 7 March 1681@2, suggests a premiere in December 1681. A certain performance on 14 Jan. 1681@2 may indicate, however, that the play did not have its first performance until that month. A song for this play, Retired from mortal's sight, set by Henry Purcell, is in Choice Ayres and Songs, 1683

Performances

Mainpiece Title: The Ingratitude Of A Common-wealth; Or, The Fall Of Caius Martius Coriolanus

Performance Comment: Edition of 1682: Prologue by Sir George Raynsford-; Epilogue-Valeria.
Cast
Role: Sir George Raynsford Actor:
Event Comment: The United Company. The date of the first performance is not known. The January issue of the Gentleman's Journal, wnich did not appear until some time in February, stated: Mr Congreve...hath written a Comedy, which will be acted in a little time, and is to be call'd, The Old Batchelor (p. 28). The Gentleman's Journal, February 1692@3 (issued in March 1693): The success of Mr Congreve's Old Batchelor has been so extraordinary, that I can tell you nothing new of that Comedy; you have doubtless read it before this, since it has been already printed thrice. And indeed the Wit which is diffus'd through it, makes it lose but few of those Charms in the Perusal, which yield such pleasure in the Representation. Mr Congreve will in some time give us another play; you may judge by this how acceptable it will be (p. 61). In addition, a reference in the Epilogue indicates that it was produced during Lent, ano since the third edition was advertized in the London Gazette, No. 2856, 23-27 March 1693, early March seems the most likely date for the premiere. According to The Female Wits (ca. 1696), The Old Batchelor was acted fourteen days successively. John Barnard of Yale University states that Narcissus Luttrell's copy of The Old Batchelor in the Newberry Library bears the notation: "10d Mar. 16 1692@3." BM Add. Mss. 4221 (341) Memoirs Relating to Mr Congreve Written by Mr Thomas Southern (in Macdonald, Bibliography of Dryden, p. 54n): When he began his Play the Old Batchelor haveing little Acquaintance with the traders in that way, his Cozens recommended him to a friend of theirs, who was very usefull to him in the whole course of his play, he engag'd Mr Dryden in its favour, who upon reading it sayd he never saw such a first play in his life, but the Author not being acquainted with the stage or the town, it woud be pity to have it miscarry for want of a little Assistance: the stuff was rich indeed, it wanted only the fashionable cutt of the town. To help that Mr Dryden, Mr Arthur Manwayring, and Mr Southern red it with great care, and Mr Dryden putt it in the order it was playd, Mr Southerne obtained of Mr Thos. Davenant who then governd the Playhouse, that Mr Congreve should have the privilege of the Playhouse half a year before his play was playd, wh. I never knew allowd any one before. The music for the play was composed by Henry Purcell. See Purcell's Works, Purcell Society, XXI (1917), iii-v

Performances

Mainpiece Title: The Old Batchelor

Performance Comment: Edition of 1693: Prologue intended for the Old Batchelor [sent to the Author, by an unknown Hand-; Prologue-Mrs Bracegirdle; Epilogue-Mrs Barry; Heartwell-Betterton; Bellmour-Powel; Vainlove-Williams; Sharper-Alexander [Verbruggen]; Sir Joseph-Bowen; Bluff-Hains; Fondlewife-Dogget; Servant-Underhill; Araminta-Mrs Bracegirdle; Belinda-Mrs Mountfort; Laetitia-Mrs Barry; Sylvia-Mrs Bowman; Lucy-Mrs Leigh.
Cast
Role: Sir Joseph Actor: Bowen
Event Comment: The United Company. The date of the first performance is not known, but Dryden, on 12 Dec. 1693, reported that it had then been acted eight times. If these performances were consecutive, the premiere probably occurred in November; but the fact that the play was advertised in the London Gazette, 4-7 Dec. 1693, suggests tnat the premiere was near the end of October or early in November. Henry Purcell composed the overture and act tunes. See Purcell's Works, Purcell Society, XVI (1906), xxxi. Two of the songs whose music he composed are in Thesaurus Musicus, 1694: Cynthia frowns when e're I woo her, sung by Mrs Ayliff; and Ancient Phillis has young Graces, sung by Bowman. See also 12 Dec. 1693 and 22 March 1692@3

Performances

Mainpiece Title: The Double Dealer

Performance Comment: Edition of 1693: Prologue-Mrs Bracegirdle; Epilogue-Mrs Mountford; Maskwell-Betterton; Lord Touchwood-Kynaston; Mellefont-Williams; Careless-Alexander [Verbruggen]; Lord Froth-Bowman; Brisk-Powell; Sir Paul Plyant-Dogget; Lady Touchwood-Mrs Barrey; Cynthia-Mrs Bracegirdle; Lady Froth-Mrs Mountfort; Lady Plyant-Mrs Leigh.
Cast
Role: Sir Paul Plyant Actor: Dogget
Event Comment: The United Company. The date of the first performance is not known, but according to the Gentleman's Journal, May 1694, it followed Have at All: the other call'd The married Beau, or the Curious Impertinent, by Mr Crown, already acted many times (p. 134). The manuscript of a song composed by John Eccles and sung by Doggett is in Bodleian, School of Music Collection, c. 95, f 102. One by Henry Purcell, See, where repenting Celia lyes, sung by Mrs Ayliff, is in Thesaurus Musicus, 1695. See also Purcell's Works, Purcell Society, XX (1916), xvii-xviii

Performances

Mainpiece Title: The Married Beau; Or, The Curious Impertinent

Performance Comment: Edition of 1694. The Prologue-; see Epilogue; The Epilogue-Mr Dogget who Acts Thorneback. A copy of the 1694 quarto in the Folger Shakespeare Library has a manuscript cast which appears to be the original one; Loveley-Powell; Polidor-Betterton; Thorneback-Dogget; Sir John-Bowen; Mrs Loveley-Mrs Barry; Cecilia-Mrs Bowman; Camilla-Mrs Bracegirdle; Lionell-Mrs Verbruggen; Prologue-Mr Powell?.
Cast
Role: Sir John Actor: Bowen
Event Comment: The United Company. The date of the first performance is not known, but a notice in the Gentleman's Journal, October@November 1694, suggests that it was pro6ably acted in September or October: I have only jusy room to tell you, that we have had a new Comedy by Mr Ravenscroft, 'tis call'd, The Canterbury Jests, or a Bargain Broken (p. 276). Tne play was advertised in the London Gazette, No 3037, 17-20 Dec. 1694. A song, Good neighbor, why do you look away, set by Henry Purcell, is in Thesaurus Musicus, 1695. See also Purcell's Works, Purcell Society, XVI (1906), xiii-xv

Performances

Mainpiece Title: The Canterbury Guests; Or, A Bargain Broken

Performance Comment: Edition of 1695: Prologue-a Friend; Alderman Furr-Trafuse; Sir Barnaby Buffler-Underhill; Justice Greedy-Bowin; Lovell-Verbrugen; Careless-Geo. Powel; Durzo-Bright; Dash-Dogget; First Innkeeper-Mich. Lee; Second Innkeeper and Jack Sawce-Pinkerman; Toby-Tho. Kent; Jacinta-Mrs Rogers; Hillaria-Mrs Verbrugen; Arabella-Mrs Knight; Mrs Dazie-Mrs Lawson; Mrs Breeder-Mrs Kent; Beatrice-Mrs Perrin; Epilogue-.
Event Comment: [Edition of 1730 lists airs by Henry Carey, Charke, J. Sheelis.] At Oates-Fielding Booth. [Advertised also 21, 22, 25, 26, 27, 28, 29 Aug.; 1, 2, 13, 4, 5, 6, 7 Sept.

Performances

Mainpiece Title: The Generous Free Mason; Or, The Constant Lady: With The Comical Humours Of squire Noodle And His Man doodle

Performance Comment: King of Tunis-Barcock; Mirza-Paget; Sebastian-Oates; Clerimont-Fielding; Sir Jasper-Burnett; Squire Noodle-Berry; Doodle-Smith; Davy-Excell; Captain-Brogden; Queen-Mrs Kilby; Maria-Miss Oates; Caelia-Mrs Grace; Jacinta-Miss Williams; Jenny-Mrs Stevens; Lettica-Mrs Roberts.
Cast
Role: Sir Jasper Actor: Burnett

Dance: St.Luce, Mlle Delorme; particularly Wooden shoe, Pierrot and Pierraite, Black Joke-

Related Works
Related Work: Tarugo's Wiles; or, The Coffee House Author(s): Sir Thomas St. Serfe
Event Comment: This night Dr William Kenrick gave his first lecture in his series of The School of Shakespeare, at the Devil's Tavern, in Fleet Street. Topic, I Henry IV. This lecture and those of the two succeeding Wednesday evenings are reviewed in the Monthly Miscellany, Feb. 1774. Receipts: #190 1s. (Treasurer's Book)

Performances

Mainpiece Title: A Christmas Tale

Afterpiece Title: Neck or Nothing

Performance Comment: Martin-King; Slip-Palmer; Sir Harry-Waldron; Belford-Brereton; Miss Nancy-Miss Hopkins; Stockwell-Hartry; Jenny-Miss Pope; Mrs Stockwell-Mrs Bradshaw.
Cast
Role: Sir Harry Actor: Waldron
Event Comment: Benefit for Master Russell. Tickets to be had of Master Russell at the Swan, Elephant stairs. Afterpiece: Written by Henry Fielding, Esq. In Act I the Triumphal Entry of Tom Thumbv, attended with Giants, Giantess's, Dwarfs, Pigmies, Drums, Trumpets, &c

Performances

Mainpiece Title: The Minor

Performance Comment: The Minor-Raymond; Sir William Wealthy-Lloyd; Mr Richard Wealthy-Lewis; Loader-Comerford; Dick-Master Russell; Transfer-Marson; Smirk, Shift, Mrs Cole-Russell; Lucy-Miss Taylor.
Cast
Role: Sir William Wealthy Actor: Lloyd

Afterpiece Title: The Life and Death of Tom Thumb the Great

Related Works
Related Work: The Tragedy of Tragedies; or, The Life and Death of Tom Thumb the Great Author(s): Henry Fielding

Entertainment: Monologues.Preceding: Prologue to Barbarossa in the character of a Country Boy, containing an account of his Journey to London, his different Services there, first in the City, next with a Lord, then with a Lady, and last of all with a starved Poet-Master Russell; End I: a Scene from Lethe: Fine Gentleman-Master Russell; End II: an Harangue in a Tubafter the manner of the celebrated George Alexander Stevens-Master Russell; End: The Drunken Buck-Raymond

Event Comment: Mainpiece [1st time; C 5, by Edward Jerningham. Prologue by John Taylor. Epilogue by Henry Seymour Conway (see text)]. Morning Chronicle, 22 May 1795: This Day is published The Welch Heiress (2s.). Receipts: #309 12s. 6d. (246.1.6; 51.15.6; 11.15.6)

Performances

Mainpiece Title: The Welch Heiress

Performance Comment: Characters by Palmer, Dodd, Barrymore, Hollingsworth, Bannister Jun., Suett, R. Palmer, Aickin, Webb, Evans, Miss Farren, Miss Pope, Mrs Jordan. [Cast from text (Richard White, 1795), and London Chronicle, 18 Apr.: Lord Melcourt-Palmer; Sir Pepper Plinlimmon-Dodd; Mr Fashion-Barrymore; Taffy-Hollingsworth; Mr Phrensy-Bannister Jun.; Cautious-Suett; Mr Fancy-R. Palmer; Steward-Aickin; Lady Bellair-Miss Farren; Lady Plinlimmon-Miss Pope; Miss Plinlimmon-Mrs Jordan; Webb, Evans [are unassigned; Prologue [read-Barrymore ["Barrymore could not learn the prologue" (Boaden, Jordan, I, 286)]; Epilogue-Miss Farren.
Cast
Role: Sir Pepper Plinlimmon Actor: Dodd

Afterpiece Title: My Grandmother

Cast
Role: Sir Matthew Medley Actor: Maddocks
Event Comment: Afterpiece [1st time; MF 2, by Henry Lee. Larpent MS 1221; not published in this form, but altered by the author in 3 acts, as Caleb Quotem and His Wife!; or, Paint, Poetry, and Putty (J. Roach, 1809)]: The Musick by Dr Arnold. Books of the Songs to be had at the Theatre. "Suett was, as he always is on a first night, most shamefully imperfect" (Monthly Mirror, July 1798, p. 52). [For Lee's accusing Colman, in his The Review, of plagiarism, see Genest, VII, 387-90. And see 1 Sept. 1800.

Performances

Mainpiece Title: The Battle Of Hexham

Afterpiece Title: Throw Physick to the Dogs

Performance Comment: Characters by Suett, Trueman, Caulfield, Wathen, Fawcett, Mrs Edward, Mrs Davenport, Mrs Hale, Mrs Norton, Miss Leserve, Mrs Gibbs. Cast from Songs (Cadell and Davies, 1798): Sir Nathan Nervous-Suett; Capt. Hardiman-Trueman; Brookly-Caulfield; Johnny-Wathen; Quotem-Fawcett; Augusta-Mrs Edward; Mrs Tidy-Mrs Davenport; Mrs Quotem-Mrs Hale; Betty-Mrs Norton; Dolly-Miss Leserve; Hannah-Mrs Gibbs.
Cast
Role: Sir Nathan Nervous Actor: Suett
Related Works
Related Work: Throw Physick to the Dogs! Author(s): Henry Lee
Event Comment: By order of the Town. None to be admitted without tickets at 2s. 6d. each. The Roarings of the Lion disturbing some of the inhabitants of Covent Garden, his Leonic Majesty has adjudged it necessary to remove from that end of town to the place of performance. To begin at 7 p.m. [See Cross, History of Henry Fielding, II, 409, for an account of this piece and the way it was stopped by officers while the performance was in progress.

Performances

Mainpiece Title: Grand Composition Of Fun And Music

Performance Comment: But advertised (10 Feb.) as a Decision of the Match so long depending between Sir Alexander Drawcansir, Knt. and their Lownesses of Grub Street, on which large bets are depending. It is thought the Knowing Ones will be greatly taken in. A piece of Witchcraft from Macbeth-; A Town and a Country piece between a Blood and a Blockhead-; A curious examination before Mr Justice Bobadil-; A Phenomenon of High Humbug-; A Piece from the Brazen Head-; A solo on a very uncommon instrument imported from the Antipodes-Mynheer eht soumaf dna deifiton reddalb dna grirts saila Len Roop.; An Apparition of a Ghost-; A barbarous cruel bloody and inhuman committed by the Man Mountain in Rocky Termagant, in a new Taste. To conclude with a dying Fall and the Birth, Parentage and Education of Fun. (General Advertiser). A barbarous cruel bloody and inhuman committed by the Man Mountain in Rocky Termagant, in a new Taste. To conclude with a dying Fall and the Birth, Parentage and Education of Fun. (General Advertiser).

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Nobody

Performance Comment: Characters-Barrymore, Bensley, Bannister Jun., Maddocks, Trueman, Evans, Mrs Goodall, Miss Pope, Miss Collins, Miss Heard, Miss DeCamp, Mrs Booth, Mrs Jordan; [Larpent MS 1046 lists the parts: Sir Henry Rightly, Sharply, Lord Courtland, Thomas, Servants, Nelly Primrose, Lady Languid, Lady Rouleau, Lady Farrow, Lady Squander, Miss Cassino, Mrs Goodly.] Prologue-Barrymore; Epilogue-Mrs Jordan.