SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sir Edward Deering"/1) | (@(roleclean,performerclean) "Sir Edward Deering")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6471 matches on Performance Comments, 2525 matches on Author, 1133 matches on Event Comments, 539 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: I Went With Mallet to breakfast with Garrick; and from thence to Drury-Lane house, where I assisted at a very Private rehearsal, in the Green-room, of a new tragedy of Mallet's, called Elvira. As I have since seen it acted, I shall defer my opinion of it till then; but I can't help mentioning here the surprising versatility of Mrs Pritchard's talents, who rehearsed, almost at the same time, the part of a furious Queen in the Green-room, and that of a Coquette on the stage; and passed several times from one to the other with the utmost ease and happiness. I dined with Darrel, saw The Way of the World afterward (Edward Gibbon's Journal, ed. D. M. Lowe (New York, n.d.) pp. 185-86). [Apparently Mrs Pritchard rehearsed Millamant in the morning.

Performances

Mainpiece Title: The Way Of Ye World

Performance Comment: Mirabel-Palmer; Fainall-Havard; Sir Wilful-Yates; Witwood-OBrien; Lady Wishfort-Mrs Clive; Mrs Fainall-Mrs Davies; Mincing-Mrs Simson; Waitwell-Bransby; Petulant-Blakes; Foible-Mrs Bennet; Millamant-Mrs Pritchard; Mrs Marwood-Mrs Hopkins.
Cast
Role: Sir Wilful Actor: Yates

Afterpiece Title: The Witches

Song: III: A Cantata-Miss Young

Event Comment: Benefit for Messrs Wignel and Stoppelaer. Neither Piece Acted This Season. The Prologue and Epilogue spoken By particular Desire by Master Wignell. Charges #72 15s. [of which Wignel bore #32 2s. 6d. and Stoppelaer bore #40 12s. 6d. Their deficit codered by income from tickets: Wignel #97 6s. (Box 82; Pit 362; Gallery 225); Stoppelaer #104 15s. (Bhx 118; Pit 377; Gallery 187).] Paid Edward Bamford for the Giant in the Dragon of Wantly #1 1s. (Account Book). With difficulty got into the Pit just before began (Neville MS Diary). [He comments favorably on the play and performers. Liked Shuter, especially, as Sharp in the afterpiece, and thought Miss Baker looked well in men's clothes.] Receipts: #48 7s. (Account Book)

Performances

Mainpiece Title: The Fair Quaker Of Deal

Performance Comment: Mizen-Woodward; Flip-Dunstall (with Famous Sea-Song of Ninety-Two); Worthy-Smith; Rovewell-Hull; Sir Charles Pleasant-Wignell; Arabella-Miss Macklin; Belinda-Mrs Baker; Jiltup-Mrs Walker; Jenny Private-Mrs Gardner; The Fair Quaker-Miss Wilford.
Cast
Role: Sir Charles Pleasant Actor: Wignell

Afterpiece Title: The Lying Valet

Dance: III: Blind Man's Buff, as17670516; End I Farce: Double Hornpipe, as17670427

Entertainment: After: The Prologue to the Apprentice-Master Wignell; End Farce: an Epilogue addressed to Most Noble Order of Bucks-Master Wignel

Ballet: End I Farce: The Wapping Landlady. As17670427

Event Comment: Mainpiece: Not acted these 12 years. [See 24 Jan. 1758.] Prologue written by Paul Whitehead. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Sarjant (only) at the Stage-Door. No persons can be admitted behind scenes, nor any Money returned after curtain is drawn up. To begin exactly at 6 o'clock. [Customary note in succeeding bills.] Receipps: #190 14s. (Account Book). @The New Occasional Prologue@As when the merchant to increase his store@For Dubious seas, advent'rous quits the shore;@Still anxious for his freight, he trembling sees@Rocks in each buoy, and tempest in each breeze@The curling wave to mountain billow swells,@And every cloud a fancied storm fortells:@Thus rashly launch'd on this Theatric main,@Our All on board, each phantom gives Us pain;@The Aatcall's note seems thunder in our ears,@And every Hiss a hurricane appears;@In Journal Squibs we lightning's blast espy,@And meteors blaze in every Critic's eye.@Spite of these terrors, still come hopes we view,@Hopes, ne'er can fail us--since they're plac'd--in you.@Your breath the gale, our voyage is secure,@And safe the venture which your smiles insure;@Though weak his skill, th' adventurer must succeed,@Where Candour takes th' endeavor for the deed.@For Brentford's state, two kings could once suffice;@In ours, behold! four kings of Brentford rise;@All smelling to one nosegay's od'rous savor@The balmy nosegay of--the Public favor.@From hence alone, our royal funds we draw,@Your pleasure our support, your will our law.@While such our government, we hope you'll own us;@But should we ever Tyrant prove--dethrone us.@Like Brother Monarchs, who, to coax the nation@Began their reign, with some fair proclamation,@We too should talk at least--of reformation;@Declare that during our imperial sway,@No bard shall mourn his long-neglected Play;@But then the play must have some wit, some spirit,@And We allow'd sole umpires of its merit.@For those deep sages of the judging Pit,@Whose taste is too refin'd for modern wit,@From Rome's great Theatre we'll cull the piece,@And plant on Britain's stage the flow'rs of Greece.@If some there are, our British Bards can please,@Who taste the ancient wit of ancient days,@Be our's to save, from Time's devouring womb,@Their works, and snatch their laurels from the tomb.@For you, ye Fair, who sprightlier scenes may chuse,@Where Music decks in all her airs the Muse,@Gay Opera shall all its charms dispense,@Yet boast no tuneful triumph over sense;@The nobler Bard shall still assert his right,@Nor Handel rob a Shakespear of his night,@To greet the mortal brethren of our skies [upper galleries]@Here all the Gods of Pantomime shall rise:@Yet midst the pomp and magic of machines,@Some plot may mark the meaning of our scenes;@Scenes which were held, in good King Rich's days,@By sages, no bad epilogues to plays.@If terms like these your suffrage can engage,@To fix our mimic empire of the stage;@Confirm our title in your fair opinions,@And crowd each night to people our dominions.@--(Poems and Miscelaneous Compositions, Ed. Capt. Edward Thompson, 1777) Covent Garden opened with the Rehearsal with alterations. I was in the Pit. Powell, from Drury Lane, one of the new managers who have bought the patent from Rich's heirs, spoke an occasional Prologue. Shuter did Bayes pretty much to my liking, adding many crochets of his own.... Entertainment The Mock Doctor,...Young Jasper pretty well by one Massey, being his first appearance on that stage (Neville MS Diary)

Performances

Mainpiece Title: The Rehearsal

Related Works
Related Work: Britons Strike Home; or, The Sailors' Rehearsal Author(s): Edward Phillips

Afterpiece Title: The Mock Doctor

Performance Comment: Doctor-Dunstall; Sir Jasper-Massey, 1st appearance that stage; Leander-R. Smith; James-Quick; Harry-Holtom; Charlotte-Miss Helme; Dorcas-Mrs Green.
Event Comment: Mainpiece [1st time; T 5, by George Edward Ayscough, based on Semiramis, by Voltaire. Prologue by the author. Epilogue by Richard Brinsley Sheridan (see text)]: With New Scenes and Dresses. This Tragedy is a translation from Voltaire by Captain Ayscough. Mrs Yates played finely, and met with the Applause she deserved. Mrs Reddish, alias Mrs Canning, who played the part of Azema, was hissed all through, and must never perform again. Indeed she was very bad. The Play was greatly applauded (Hopkins Diary). Public Advertiser, 24 Dec. 1776: This Day is published Semiramis (1s. 6d.). Receipts: #226 3s. 6d. (224.16.6; 0.0.0; 1.7.0)

Performances

Mainpiece Title: Semiramis

Related Works
Related Work: Semiramis Author(s): George Edward Ayscough

Afterpiece Title: The Irish Widow

Performance Comment: Whittle-Parsons; Kecksey-Dodd; Sir Patrick O'Neale-Moody; Bates-Baddeley; Nephew-Davies; Thomas-Burton; Widow Brady (with an Epilogue Song)-Mrs Greville.
Cast
Role: Sir Patrick O'Neale Actor: Moody

Dance: End I afterpiece: The Irish Fair, as17761031

Event Comment: Mainpiece [1st time; C 5, by Miles Peter Andrews. Prologue by Edward Topham. Epilogue by the author (see text)]: With New Scenes, Dresses and Decorations. The Words of the Roundelay [composed by Thomas Linley Sen.] introduced in the Comedy will be given gratis at the Theatre. Public Advertiser, 9 Apr. 1781: This Day is published Dissipation (1s. 6d.). Receipts: #243 4s. 6d. (234.6.0; 8.4.0; 0.14.6)

Performances

Mainpiece Title: Dissipation

Performance Comment: Principal Characters by King, Parsons, Brereton, Baddeley, Aickin, Bannister Jun., Suett, Waldron, Lamash, R. Palmer, Palmer, Mrs Cargill, Mrs Brereton, Mrs Love, Mrs Smith, Mrs Abington. [Cast from text (T. Becket, 1781), and Town and Country Magazine, Mar. 1781, p. 115: Sir Andrew Acorn-King; Alderman Uniform-Parsons; Charles Woodbine-Brereton; Ephraim Labradore-Baddeley; General Probe-Aickin; Doctor Quintessence-Bannister Jun.; Metaphor-Suett; Trusty-Waldron; Coquin-Lamash; Gold Waiter-R. Palmer; Lord Rentless-Palmer; Miss Uniform-Mrs Cargill; Harriet-Mrs Brereton; Winnifred-Mrs Love; Judah-Mrs Smith; Miss Labradore-Miss Kirby (see17810312 Lady Rentless-Mrs Abington; Prologue-King; Epilogue-Mrs Abington. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]
Cast
Role: Sir Andrew Acorn Actor: King

Afterpiece Title: Comus

Song: III: Smiling love to thee belong-Miss Field, Miss Wright (British Union-Catalogue, p. 621)

Event Comment: Afterpiece [1st time; f 2, by Miles Peter Andrews, with incidental music by James Hook. MS: Larpent 607; not published; synopsis of plot in Public Advertiser, 12 Dec. Prologue by Edward Topham {London Chronicle, 20 Dec.)]. Receipts: #129 13s. 6d. (76/6/0; 53/0/0; 0/7/6)

Performances

Mainpiece Title: Hamlet

Related Works
Related Work: Hamlet Author(s): Sir William Davenant

Afterpiece Title: The Best Bidder

Performance Comment: Principal Characters by Palmer, Dodd, Baddeley, Barrymore, Suett, R. Palmer, Wright, Chaplin, Parsons; Mrs Wrighten, Mrs Bulkley. [Cast from European Magazine, Dec 1782, p. 465: Count Bam-Palmer; Lord Beauboot-Dodd; Snarem-Baddeley; Captain Standard-Barrymore; Inkhorn-Suett; Skip-R. Palmer; Watchman-Wright; Sir Tedious Prose-Parsons; Mrs Brocade-Mrs Wrighten; Arabella-Mrs Bulkley. Chaplin is unassigned.] Prologue spoken by Palmer. [This was spoken, as here assigned, at all subsequent performances.] hathi. Prologue spoken by Palmer. [This was spoken, as here assigned, at all subsequent performances.] hathi.
Cast
Role: Sir Tedious Prose Actor: Parsons
Event Comment: Mainpiece [1st time; C 5, by Miles Peter Andrews. Prologue and Epilogue by Edward Topham (see text)]: With new Scenery and Dresses. Public Advertiser, 26 Feb. 1784: This Day at Noon will be published The Reparation (1s. 6d.). Receipts: #161 1s. (148/16/0; 11/19/6; 0/5/6)

Performances

Mainpiece Title: The Reparation

Performance Comment: Principal Characters by Parsons, Dodd, Brereton, Moody, Baddeley, Farren, Bannister Jun., Packer, [Lee] Lewes; Miss Pope, Mrs Hopkins, Mrs Wells, Mrs Brereton, Miss Farren. [Cast from text (T. and W. Lowndes, 1784): Sir Gregory Glovetop-Parsons; Lord Hectic-Dodd; Loveless-Brereton; Captain Swagger-Moody; Pickaxe-Baddeley; Belcour-Farren; Janus-Bannister Jun.; Captain Hardy-Packer; Colonel Quorum-Lee Lewes; Lady Betty Wormwood-Miss Pope; Miss Penelope Zodiac-Mrs Hopkins; Anna-Mrs Wells; Harriet-Mrs Brereton; Louisa-Miss Farren.] Prologue spoken by [Lee] Lewes. Epilogue spoken by Miss Farren . Prologue spoken by [Lee] Lewes. Epilogue spoken by Miss Farren .

Afterpiece Title: Thomasand Sally

Dance: Afterpiece to conclude as17831104

Event Comment: Mainpiece [1st time; C 5, author unknown; frequently attributed to Thomas Vaughan, but his authorship denied in a letter written by him to editor of the Oracle, 13 Feb. 1796. Author of Prologue unknown. Epilogue by Edward Topham (European Magazine, Nov. 1784, p. 393). MS: Larpent 670; not published; synopsis of plot in London Magazine, Nov. 1784, p. 389]. Receipts: #161 2s. 6d. (142/9/0; 18/0/6; 0/13/0)

Performances

Mainpiece Title: Deception

Performance Comment: Principal Characters by Palmer, Dodd, Bensley, Brereton, Aickin, Parsons; Miss Pope, Mrs Wilson, Miss Farren. [Cast from European Magazine, Oct. 1784, p. 328: Wharton-Palmer; Vainlove-Dodd; Sir Henry Lofty-Bensley; Henry-Brereton; Lord Courtly-Aickin; Mr Salter-Parsons; Lady Betty Friendly-Miss Pope; Miss Salter-Mrs Wilson; Clarissa-Miss Farren.] Prologue spoken by Bannister Jun. Epilogue spoken by Miss Farren . Prologue spoken by Bannister Jun. Epilogue spoken by Miss Farren .
Cast
Role: Sir Henry Lofty Actor: Bensley

Afterpiece Title: The Padlock

Dance: End of Act IV of mainpiece a New Dance incident to the Piece by Mr and Miss Hamoir

Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland. Prologue by the author. Epilogue by Edward Topham (see text). In 1794 this was altered by the author, and reduced to 4 acts]: With new Scenes and Dresses. Public Advertiser, 25 Jan. 1785: This Day is published The Natural Son (1s. 6d.). Receipts: #175 19s. 6d. (154/12/0; 21/0/0; 0/7/6)

Performances

Mainpiece Title: The Natural Son

Performance Comment: Principal Characters by King, Parsons, Bensley, Moody, Baddeley, Wrighten, Palmer; Miss Pope, Miss Tidswell, Miss Farren. [Cast from text (C. Dilly, 1785): Jack Hustings-King; Dumps-Parsons; Ruefull-Bensley; Major O'Flaherty-Moody; Sir Jeffery Latimer-Baddeley; David-Wrighten; Blushenly-Palmer; Mrs Phoebe Latimer-Miss Pope; Penelope-Miss Tidswell; Lady Paragon-Miss Farren.] Prologue spoken by Bannister Jun. Epilogue spoken by Miss Farren. [These were spoken, as here assigned, at the 1st 9 performances only (see17840310785).] hathi. Prologue spoken by Bannister Jun. Epilogue spoken by Miss Farren. [These were spoken, as here assigned, at the 1st 9 performances only (see17840310785).] hathi.
Cast
Role: Sir Jeffery Latimer Actor: Baddeley

Afterpiece Title: The Gentle Shepherd

Cast
Role: Sir William Worthy Actor: Aickin
Event Comment: Mainpiece [1st time; C 5, by Lady Eglantine Wallace. Prologue by Joseph Jekyll (World, 14 Apr.). Epilogue by Thomas Morris, with five lines added by Edward Topham (Public Advertiser, 15 Apr.)]: With new Scenes and Dresses. Public Advertiser, 26 Apr.: This Day is published The Ton (18d.). "On the next representation we hope the other performers will not give the audience reason to believe that the prompter has a part in the play from his frequent audibility" (Public Advertiser, 9 Apr.). Receipts: #295 18s. 6d. (294.9.0; 1.9.6)

Performances

Mainpiece Title: The Ton; Or, Follies Of Fashion

Afterpiece Title: Hob in the Well

Performance Comment: Hob-Ryder; Sir ThomasTesty-Fearon; Dick-Brown; Old Hob-Booth; Friendly-Davies; Hob's Mother-Mrs Pitt; Betty-Miss Stuart; Flora-Mrs Martyr.
Cast
Role: Sir ThomasTesty Actor: Fearon
Event Comment: Mainpiece: Not acted these 2 years. Some of the Airs compiled from the best Masters. The rest of the Music, the Overture, Accompanimedts, &c. by Linley? Sen. [Mrs Edwards was from the hay.] Receipts: #197 16s. 6d. (169.19.0; 26.14.6; 1.3.0)

Performances

Mainpiece Title: The Strangers At Home

Performance Comment: Montano-Kelly (1st appearance in that character); songs-Kelly; Aldobrand-Suett; Firelock (1st time)-Sedgwick; Octavio-Dignum; Regnalto-Williames; Fabio-Phillimore; Roberto-Jones; Lawrence-Bannister Jun.; Viola-Mrs Crouch; Alice-Mrs Edwards (1st appearance on that stage); Laura (1st time)-Miss Romanzini; Rosa-Mrs Jordan.
Cast
Role: Alice Actor: Mrs Edwards

Afterpiece Title: The Devil to Pay

Performance Comment: As17890121, but Sir John Loverule-Dignum.
Cast
Role: Sir John Loverule Actor: Dignum.
Event Comment: Tickets delivered for this Evening [Account-Book: by Andrews, Calkin, Chatterley, Dangerfield, Edwards, Gardiner, Gilles, Henderson, Humphreys, Irish, Long, Massingham, Panchaud, Scott, Sherratt, Smith, Stevens, Thompson] will be admitted. Receipts: #57 15s. 6d. (36.14.6; 17.14.0; 3.7.0; tickets: none listed)

Performances

Mainpiece Title: The Beaux Stratagem

Performance Comment: Aimwell-Barrymore; Archer-Palmer; Sullen-Phillimore; Sir Charles Freeman-Benson; Foigard-Moody; Gibbet-Suett; Hounslow-Maddocks [Public Advertiser: Alfred]; Bagshot-Webb; Boniface-Aickin; Scrub-Dodd; Lady Bountiful-Mrs Booth; Dorinda-Miss Heard; Mrs Sullen-Mrs Goodall; Gipsey-Miss Tidswell; Cherry-Miss Collins.
Cast
Role: Sir Charles Freeman Actor: Benson

Afterpiece Title: The Englishman in Paris

Cast
Role: Sir John Buck Actor: Phillimore

Dance: As17920613

Event Comment: Benefit for Holman. 1st piece [1st time; C 5, by Benjamin Hoadly, based partly on L'Ecole des Femmes, by Moliere. Larpent MS 1160; not published. Prologue by John Taylor; Epilogue by Edward Jerningham (European Magazine, May 1797, p. 342)]: Mr Holman having been favored by the Family of Doctor Hoadly, Author of the Suspicious Husband, with a Manuscript Comedy in Five Acts, the production of that celebrated Writer, he most respectfully informs the Public that it will be presented under the Title of The Tatlers. True Briton, 1 May: The Play was given to Holman by Dr Hoadly Ashe, Hoadly's nephew. Ibid, 10 Apr.: Tickets to be had of Holman, No. 14, John-street, Adelphi. Account-Book: Paid Insurance and Duty on #10,000 for one year from 16th Inst. at the Royal Exchange Fire Office #136 17s; ditto on #10,000 for one year from Lady Day at the Phoenix Fire Office #112 10s. Receipts: #290 11s. 6d. (143.16.0; 10.11.6; tickets: 136.4.0)

Performances

Mainpiece Title: The Tatlers

Performance Comment: Principal Characters-Quick, Holman, Pope, Munden, Murray, Middleton, Thompson, Miss Chapman, Miss Mansel, Mrs Davenport, Mrs Mattocks. Cast from European Magazine, May 1797, p. 341: Cobler-Quick; Shatter-Holman; Allworthy-Pope; Froward-Munden; Sir ThomasSevern-Murray; Woodville-Middleton; Jonathan-Thompson; Miss Severn-Miss Chapman; Fanny Allworthy-Miss Mansel; Madge Haggard-Mrs Davenport; Lady Nettleton-Mrs Mattocks; Prologue-Holman; Epilogue-Mrs Mattocks.
Cast
Role: Sir ThomasSevern Actor: Murray

Afterpiece Title: Cross Purposes

Cast
Role: Sir Jeffery Actor: Davenport

Afterpiece Title: Netley Abbey

Event Comment: [By Theophilus Cibber.] Alter'd from Shakespear. Containing the Marriages of King Edward the Fourth , and young Prince Edward , with Lady Gray , and Lady Anne . The Distresses of Queen Margaret . The Deposing King Henry the Sixth . The Battles Fought at St. Albans, Wakefield, Mortimer's-Cross, and Tewkesbury. The Deaths of Lord Clifford of Cumberland , and his Son, the Duke of York , his Steward. And many other True Historical Passages

Performances

Mainpiece Title: An Historical Tragedy Of The Civil Wars Between The Houses Of York And Lancaster In The Reign Of King Henry The Vith

Performance Comment: Cast not listed in edition of 1723, but edition of 1724 lists: King Henry-Roberts; Prince Edward-Cibber Jr; Old Clifford-Boman; Young Clifford-Wilks Jr; York-Savage; Edward-Oates; George-Parlour; Richard-Wilson; Warwick-Bridgwater; Queen Margaret-Mrs Campbell; Lady Grey-Mrs Seal; Lady Elizabeth-Mrs Davison; Lady Anne-Mrs Brett; Prologue-Th. Cibber.
Cast
Role: Prince Edward Actor: Cibber Jr
Role: Edward Actor: Oates
Event Comment: [In mainpiece the playbill retains Bannister Jun. as Edward, but he "was so ill as to be incapable of performing-his part of Lord Edward was read by Bland" (Thespian Magaune, Jan. 1794, p. 30). Afterpiece in place of HARLEQUIN PEASANT, advertised on playbill of 2 Jan.]

Performances

Mainpiece Title: The Haunted Tower

Performance Comment: As17931216, but Robert-Maddocks; Martin-Waldron Jun.; Edward-read by Bland .
Cast
Role: Edward Actor: read by Bland

Afterpiece Title: THE DIVORCE

Cast
Role: Sir Rowland Actor: Barrymore
Event Comment: The King's Company. Pepys, Diary: Seeing that the Spanish Curate was acted to-day, I...home again and sent to young Mr Pen and his sister to go anon with my wife and I to the Theatre...we went by coach to the play, and there saw it well acted, and a good play it is, only Diego the Sexton did overdo his part too much. [Sir Edward Browne seems to connect this play with the Duke's Company. See Introdutcion to 1661-1662.

Performances

Mainpiece Title: The Spanish Curate

Event Comment: Hotson (Commonwealth and Restoration Stage, pp. 178-79) believes that this was Jolly's organization. See also the list of Sir Edward Browne's attendance at plays in the introduction to this season. An edition of this play appeared in 1663, but the title page does not state at what theatre the play was given. Pepys, Diary: Thence to taken my wife to the redd bull, where we saw Doctor Faustus, but so wretchedly and poorly done, that we were sick of it, and the worse because by a former resolution it is to be the last play we are to see till Michaelmas

Performances

Mainpiece Title: Doctor Faustus

Event Comment: A troupe of foreign comedians under Tiberio Fiorelli had arrived by this date, for on this day the Customs Commissioners were ordered to admit their clothes, scenes, and other equipment. See CSP, Treasury Books, 1672-1675, p. 119 (in Nicoll, Restoration Drama, p. 119; Boswell, Restoration Court Stage, p. 118). E. Cholmeley to Lady Harley, April 1673: Pray tell Sir Edward that I now want him to go to the new play 'for the Italian comedian Scarramouch is come, which are things I know hee delights in not a little' (HMC, 14th Report, Appendix, Part II [1894], p. 337)

Performances

Event Comment: According to Sir Edward Smith's bill--see Hotson, Commonwealth and Restoration Stage, p. 308-the regular company at Drury Lane resumed acting (after the summer vacation) on 11 Oct. 1696 and acted 200 times to 7 July 1697, after which the young actors played 58 days to 7 Oct. 1697

Performances

Event Comment: According to Sir Edward Smith's bill--see Hotson, Commonwealth and Restoration Stage, p. 308--Rich's Company acted 161 days from 6 Oct. 1697 to 19 May 1698, 41 days from that date to 10 July 1698, and the young actors played 24 days from 10 July 1698 to 10 Oct. 1698

Performances

Event Comment: According to Sir Edward Smith's bill (see Hotson, Commonwealth and Restoration Stage, p. 308) Rich's Company acted 209 times from 9 Oct. 1698 to 9 July 1699, after which the young actors performed 27 times from 9 July 1699 to 10 Oct. 1699

Performances

Event Comment: According to Sir Edward Smith's bill (see Hotson, Commonwealth and Restoration Stage, p. 308) Rich's company acted 218 times between 6 Oct. 1699 and 26 July 1700, and the young actors played 15 times from 26 July 1700 to 12 Oct. 1700

Performances

Event Comment: Play by Command of their Royal highnesses the Prince and Princess of Wales, Prince George, Prince Edward, Prince William, Lady Augusta and Lady Elizabeth

Performances

Mainpiece Title: King Henry Viii

Performance Comment: Henry-Quin; Wolsey-Ryan; Buckingham-Delane; Norfolk-Sparkes; Cromwell-Ridout; Suffolk-Arthur; Surrey-Gibson; Abergavenny-Oates; Guilford-Cushing; Lord Chancellor-Marten; Campeius-Dunstall; Lord Sands-Collins; Sir T. Lovell-Holtham; Lord Chamberlain-Anderson; Dr Butts-Stoppelaer; Patience-Miss Allen; Archbp. Cranmer-Bridgwater; Gardiner-Cibber; Anne Bullen-Miss Bellamy; Queen Katherine-Mrs Woffington 1st time; With the repersentation of the Coronation of Anne Bulldn. Vocal parts-Leveridge, Lowe, Courtney, Roberts, Mrs Dunstall, Miss Young, Miss Falkner, Miss Norris. Also the Military Ceremony of the Champion in Westminster Hallv. And all other Decorations proper to the play.
Event Comment: Mainpiece: Not acted these 4 years [not acted since 30 Oct. 1771]. Afterpiece [1st time; F 2, by Edward Topham. Prologue by Miles Peter Andrews (Public Advertiser, 7 Dec.). Larpent MS 539; not published]. Receipts: #207 11s. 6d. (158.18.0; 48.12.6; 0.1.0)

Performances

Mainpiece Title: Douglas

Afterpiece Title: Deaf Indeed

Performance Comment: Principal Characters-Palmer, Parsons, Farren, Burton, Chaplin, Fawcett, Holcroft, Phillimore, Griffiths, Helme, Dodd, Miss Kirby, Mrs Brereton; [Larpent MS lists the parts: Sir Humphrey Homespun Fordair, Kirpatrick, Demipique, Security, Knightly, Diggory, Amelia, Rose.] Prologue-King.
Related Works
Related Work: Deaf Indeed! Author(s): Edward Topham
Event Comment: Mainpiece: Not acted these Six years [8 April 1735]. Containing the Distresses and Death of King Henry VIv. The artful acquisition of the Crown by King Richardv. The Murder of Young King Edward Vv and his Brother, in the Tower. The Landing of the Earl of Richmondv, and the Death of King Richard in the memorable Battle of Bosworth Fieldv, being the last that was fought between the Houses of York and Lancaster. [This customary description appears in all subsequent notices.

Performances

Mainpiece Title: Richard Iii

Performance Comment: Richard-Ryan; King Henry-Bridgwater; Richmond-Hale; Buckingham-Cashell; Prince Edward-Mrs Vincent; Duke of York-Miss Morrison; Tressel-Chapman; Stanley-Rosco; Norfolk-Stephens; Lord Mayor-Marten; Lieut. of Tower-Stevens; Catesby-Gibson; Ratcliff-Harrington; Oxford-Bencraft; Blunt-Clark; Tyrrel-Stoppelaer; Forrest-Vaughan; Queen Elizabeth-Mrs Pritchard; Lady Anne-Mrs Horton; Duchess of York-Mrs Mullart.
Cast
Role: Prince Edward Actor: Mrs Vincent

Afterpiece Title: The Necromancer