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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Signora Vidini"/1) | (@(roleclean,performerclean) "Signora Vidini")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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675 results for: Keyword - Signora Vidini
We found 353 matches on Performance Comments, 241 matches on Performance Title, 131 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.

576
02 February 1769 @ Drury Lane Theatre

Event Comment: [The following day Garrick received a letter from L. A. Ein Schweitzer: "As you spare nothing in adding new characters etc. to the Masquerade...I hope you will introduce in it the dress as described hereunder, being the first, perhaps, that ever appeared in this country. It is that of a country maid of the Cantoon of Bern; and as the Allemande is really a Swiss Dance, nobody could with more propriety wear it than Sga Vidini who would greatly shine in it." The hairdo is described in detail--ringlets, with cap and small feather, and no powder. The jacket, skirt, and socks (red jacket with black trim, black skirt, red stockings) are described in detail. "N.B. The dress in my opinion would also do very well for a Colombine. The man's dress is not suitable to a dance." Folger Library Copy, Garrick Correspondence, Vol. IV, MS Letter 42.

Performances

Mainpiece Title: Douglas

Afterpiece Title: Fortunatus

577
14 December 1774 @ Covent Garden

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Romance of an Hour

Dance: II: The Frolick-Aldridge, Mrs Stephens, Miss Besford See17740416; End: A New Dance call'd The Generous Pirate-Dagueville, his Pupil, Mas. Blurton, Mrs Stevens, Helme, Sga Vidini

Performance Comment: Blurton, Mrs Stevens, Helme, Sga Vidini.

578
16 May 1775 @ Covent Garden

Event Comment: Benefit for Young and Sga Vidini

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The What DYe Call It

Dance: I: The Country Macaroni Assembly, as17750512; With Minuet, as17750512; End Opera: The British Bacchanalian, as17750512; with Wooden Shoe Dance, as17750512

Ballet: II: Boadicea Queen of Britain. As17750512, but in addition are Twenty@three Combatants-, dressed after the manner of the ancient Britons and Romans

579
23 January 1703 @ Drury Lane Theatre

Event Comment: The Boxes are to be open'd into the Pit, where none are to be admitted but by printed Tickets, not exceeding four hundred in number, at Five Shillings a Ticket. [In Daily Courant, 20 Jan., the announcement had specified singing by Signora Joanna Maria Lindebleim, accompanied by Signor Sajoni.

Performances

Mainpiece Title: The Country House

Song: several Songs in Italian and French- The FamousSigniora Joanna Maria; accompany'd-Signior Gasperini; Leveridge, Laroon, Hughes

Dance: Du/Ruell, Mrs Campion, others

580
13 May 1707 @ Drury Lane Theatre

Performances

Mainpiece Title: Thomyris Queen Of Scythia

Performance Comment: Advertised but postponed by the illness of Signora Margarita.

581
29 March 1710 @ York Buildings

Event Comment: Benefit Signora Maria Gallia Saggione

Performances

Mainpiece Title: Concert

Music: Vocal and instrumental Music-

582
21 April 1710 @ Queen's Theatre

Event Comment: Benefit Signora del'Epine. At the Desire of several Ladies of Quality

Performances

Mainpiece Title: Hydaspes

583
25 November 1710 @ Queen's Theatre

Event Comment: Receipts: #147 3s. 6d. Signora Schiavonetti is announced as in the Service of her Highness the Princess Sophia of Hanover

Performances

Mainpiece Title: Hydaspes

584
28 April 1711 @ Queen's Theatre

Event Comment: Benefit Signora Elizabetta Pilotta Schiavonetti. At the Desire of several Ladies of Quality. Admission as 7 April

Performances

Mainpiece Title: Hydaspes

585
05 April 1712 @ Queen's Theatre

Event Comment: Benefit Signora Elizabetta Piloti Schivaonetti. Admission to pit and boxes by ticket only at half a guinea. At 6 p.m. Lady Hervey to John Hervey, 5 April: Yet I venture to the Opera, because poor Pilota has great faction made against her (Hervey, I, 323)

Performances

Mainpiece Title: Antiochus

Afterpiece Title: Thomyris the famous Scene only

586
13 November 1712 @ Hickford's Room

Event Comment: Benefit Signora Celotti. At the Request of several Ladies. A 6 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-, Compos'd by some of the best Italian Masters

587
10 December 1712 @ Queen's Theatre

Performances

Mainpiece Title: Dorinda

Performance Comment: singers included Cavaliero Valeriano, Valentini Urbani, Signora Pilotta Schivaonetti, Mrs Barbier, Leveridge.

588
04 March 1713 @ Stationer's Hall

Event Comment: Benefit Signora Celotti. At 6 p.m. Tickets 2s. 6d

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Hands of the Opera

589
28 March 1713 @ Queen's Theatre

Event Comment: Benefit Signora Pelotti. Admission as 21 March. Colman's Opera Register: Ye House was very full this Night

Performances

Mainpiece Title: Ernelinda

590
09 April 1713 @ Hickford's Room

Event Comment: Benefit Signora Victoria Albergotti Romano. At 6 p.m. Tickets half a guinea

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; performing several Songs out of the newest Operas-; with One and Two Trumpets-; With variety of new Concertos for Flutes, German Flutes, Trumpets, Hautboys, other Instruments; by Mr Corbet-Mr Corbet, others of the best Masters in the Opera

591
17 April 1714 @ Queen's Theatre

Event Comment: Benefit Signora Galerati. Admission as 10 April

Performances

Mainpiece Title: Ernelinda

Music: As17140403

592
28 April 1714 @ Hickford's Room

Event Comment: Benefit Signora Lodi and Corbet. Tickets 5s. At 8 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; a Solo of Corelli's-Mr Corbet; with variety of Pieces on the Echo Flute Hautboy German Flute and Trumpet-the best Masters; with a new Cantata-the best Masters; a Solo for the Harpsichord-the best Masters

593
02 April 1715 @ King's Theatre

Event Comment: Benefit Signora Pilotti. By His Majesty's Command. Pit and Boxes together by tickets only at half a guinea. Stage Boxes 15s. Gallery 4s. Tickets for Ernelinda taken. At 6 p.m

Performances

Mainpiece Title: Lucius Verus

594
23 April 1715 @ King's Theatre

Event Comment: Benefit Signora Galerati. With several Songs alter'd. Admission as 23 Oct. 1714. By Command. Weekly Journal, 30 April: His Majesty was incognito...at Lucius Verus...as were the Prince and Princess of Wales, who went publickly

Performances

Mainpiece Title: Lucius Verus

595
30 April 1715 @ King's Theatre

Event Comment: Benefit Signora Vico. By Command

Performances

Mainpiece Title: Lucius Verus

596
15 March 1716 @ Hickford's Room

Event Comment: Benefit Signora Isabella Aubert

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; the Instrumental-Castraccio lately arriv'd from Rome

597
09 May 1716 @ King's Theatre

Event Comment: Benefit Signora Elizabetta Pilotti Schiavonetti, Servant to Her Royal Highness. By Command. Admission as 1 Feb

Performances

Mainpiece Title: Hydaspes

598
06 June 1716 @ King's Theatre

Event Comment: Benefit Signora Elene Croce. By Command

Performances

Mainpiece Title: Cleartes

599
13 June 1716 @ King's Theatre

Event Comment: Benefit Signora Elena Croce. By Command

Performances

Mainpiece Title: Cleartes

600
02 May 1717 @ King's Theatre

Event Comment: Benefit Signora Elizabetta Pilotti. By Command. Admission as 8 Dec. 1716

Performances

Mainpiece Title: Rinaldo