SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Signora Diana By His Majesty"/1) | (@(roleclean,performerclean) "Signora Diana By His Majesty")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1180 matches on Event Comments, 705 matches on Performance Comments, 270 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: At the Particular Desire of several persons of Quality. [Mrs Macklin doubled in Mrs Peachum and Diana Trapes.] Afterpiece: Containing his Surprizing Victory over Glumdalca, Queen of the Giants; His Magnificent reception in King Arthur's Courtv; His Marriage with the Princess Huncamunca; With the fatal Jealousy of Queen Dollalolla. And many other Historical Passages

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Polly-Mrs Mozeen; Macheath-Lowe; Peachum-Macklin; Lockit-Berry; Filch-Raftor; Mat-Blakes; Player-Bransby; Beggar-Winstone; Ben Budge-Simpson; Bagshot-Leigh; Crookfinger Jack-Usher; Nimming Ned-Wright; Dreary-Bransby; Drawer-Gray; Mrs Peachum-Mrs Macklin; Mrs Slammekin-Miss Minors; Jenny Diver-Miss Royer; Sukey Tawdry-Mrs Yates; Mrs Vixen-Miss Cole; Dolly Trull-Miss Pitt; Molly Brazen-Miss Copin; Mrs Coaxer-Mrs Horsington; Diana Trapes-Mrs Macklin; Lucy-Mrs Clive; In Act III, Hornpipe-Yates.
Cast
Role: Diana Trapes Actor: Mrs Macklin

Afterpiece Title: The Tragedy of Tragedies; or, The Life and Death of Tom Thumb the Great

Event Comment: [Alter'd from +Lionel and Clarissa. Mrs Wrighten made her first appearance in the Stage in Diana. A very fine Voice--Aukward & Clumsy figure--Well faced (Hopkins Diary). Mrs Wrighten's first Appearance (Cross Diary). New Scenes, Dresses and Decorations. Greater part of the Music entirely New (playbill)

Performances

Mainpiece Title: lionel And Clarissa; Or, The School For Fathers

Performance Comment: Parts-Vernon, Aickin, Parsons, Dodd, Bannister, Fawcett, Mrs Baddeley, Miss Radley, Mrs Bradshaw, Mrs Dorman, A Young Gentlewoman, her first appearance. Lionel-Vernon; Col. Oldboy-Parsons; Jessamy-Dodd; Sir John Flowerdale-Aickin; Jenkins-Bannister; Harman-Fawcett; Clarissa-Mrs Baddeley; Diana-Mrs Wrighten, first appearance; Jenny-Miss Radley; Lady Mary Oldboy-Mrs Bradshaw; Servant?-Mrs Dorman (MacMillan, p. 272).

Afterpiece Title: [The Old Maid

Event Comment: Some of the Audience having objected to the Omission of a Scene on Friday night, that Scene will be restored this Evening. [Public Advertiser, 18 Oct., specifies the scene as that of Diana Trapes in Act III, the exclusion of whom "breaks a principal Link in the Chain of the Plot."] Paid Guard [master carpenter] for Scene-men #19 15s. Receipts: #287 16s. (286.8; 1.8)

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: As17771017, but Diana Trapes-Mrs White.
Cast
Role: Diana Trapes Actor: Mrs White.

Afterpiece Title: Cross Purposes

Dance: Hornpipe, as17771017; End: As17771001

Event Comment: Mainpiece: With Alterations [by John Philip Kemble. In his version, as published in 1793, Lewis is assigned to Barrymore, Helena to Mrs Siddons, the Countess to Mrs Ward, Diana to Mrs Powell. Genest lists the present cast; it appears to be reliable. He omits Phillimore, who is assigned in the text, and Miss Tidswell]. A new Edition of All's Well that Ends Well to be had in the Theatre. Afterpiece: With a Sea Fightv. Powell: Drummer rehearsed at 10; Critic at 11:30; Cherokee at 1. Receipts: #282 1s. (178.19; 99.16; 3.6)

Performances

Mainpiece Title: All's Well That Ends Well

Performance Comment: [Principal Characters by Bensley, Kemble, Aickin, Bannister Jun., Whitfield, C. Kemble, Benson, Caulfield, Bland, Packer, King, R. Palmer, Phillimore, Mrs Powell, Mrs Jordan, Mrs Booth, Miss Miller, Miss Tidswell. Cast from text (J. Debrett, 1793 [sic]) conflated With Genest, VII, 183: King-Bensley; Bertram-Kemble; Lafeu-Aickin; Clown-Bannister Jun.; Dumain-Whitfield; Lewis [i.e. 2nd Lord ]-C. Kemble; Biron [i.e. 1st Gentleman ]-Benson; Jaquez [i.e. 2nd Gentleman ]-Caulfield; Tourville [i.e. Astringer ]-Bland; Steward-Packer; Parolles-King; Soldier (Interpreter)-R. Palmer; Soldier-Phillimore; Countess-Mrs Powell; Helena-Mrs Jordan; Widow-Mrs Booth; Diana-Miss Miller; Mariana-Miss Tidswell.
Cast
Role: Diana Actor: Miss Miller

Afterpiece Title: The Critic; or, A Tragedy Rehearsed

Performance Comment: Dangle-Dodd; Sneer-Palmer; Sir Fretful Plagiary-Parsons; Signor Ritornello-Dubois; Interpreter-Benson; Under Prompter-Maddocks; Puff-King; Mrs Dangle-Mrs Hopkins; Italian Girls-Miss Leak; Mrs Bland, Miss DeCamp; Tragedians : Lord Burleigh-Caulfield; Governor-Hollingsworth; Earl of Leicester-Whitfield; Sir Walter Raleigh-Burton; Sir Christopher Hatton-Waldron; Master of Horse-Webb; Beefeater-Phillimore; Justice-Packer; Tom Jenkins-Suett; Constable-Bland; Don Ferolo Whiskerandos-Bannister Jun.; Nieces-Miss Heard, Miss Collins; Justice's Lady-Mrs Heard; Confidant-Mrs Booth; Tilburina-Miss Pope.
Event Comment: It is not certain that this Ode was given on Sunday 1 Jan. It may have been a part of the program on Monday 2 Jan., when a play was acted for Their Majesties. The Ode was published in 1693

Performances

Mainpiece Title: Concert

Event Comment: By His Majesty's Command. [The King present.

Performances

Mainpiece Title: Diana's Madness; Or, Fatime, A Favourite Slave In The Seraglio, Mad For Love, And Crown'd Empress By The Grand Signior: With Pantlon And Harlequin Eunuchs Elected Kaimcan And Ciguir, The One Impaled And The Other Sawed Asunder, The Bashas Selim And Achmet Ript Open, Rabca Strangled, And Chistar Beheaded

Entertainment: Carneval-after the Venetian Manner; Dancing-Masqueraders in divers Characters, Madmen, Turks Men and Women being the Invention of Mr Poictiers

Event Comment: A New Serenata. [Music by Giovanni Battista Pescetti.] Tickets half a guinea. 6 p.m. Mrs Pendarves to Lady Throckmorton, 28 Nov.: The concerts begin next Saturday at the Haymarket. Caristini sings, Peschetti composes; the house is made up into little boxes, like the playhouses abroad; Lord Middlesex is the chief undertaker, and I believe it will prove to his cost, for concerts will not do. --Delany, Autobiography, II, 66

Performances

Mainpiece Title: Diana And Endymion

Performances

Mainpiece Title: Diana And Endymion

Performances

Mainpiece Title: Diana And Endymion

Performances

Mainpiece Title: Diana And Endymion

Event Comment: According to Robert Withington (English Pageantry, An Historical Outline, Cambridge, Mass., 1918, I, 242n), the expense of the entertainment came to #7888 2s. 6d. (See also Pepys, Diary, and other accounts.) The Diurnal of Thomas Rugg, ed. Sachse, pp. 98-99: A lane [was] made in the Citty, made by the livery men of several companyes; and many pageants in the streets...Att Cheap sid his Majesty beheld a famous pagien, and staid there for som littl space, where were speeches made by the lady paganetts. Evelyn, Diary: I saw his Majestie go with as much pompe & splendor as any Earthly prince could do to the greate Citty feast...but the exceeding raine which fell all that day, much eclips'd its luster:...the streets adorn'd with Pageants &c: at immense cost

Performances

Mainpiece Title: London's Glory Represented By Time, Truth, And Fame

Performance Comment: At the Magnificent Triumphs and Entertainment of His Most Sacred Majesty Charles the II...At Guildhall on Thursday the 5th day of July 1660.
Event Comment: Newdigate newsletters (Folger Shakespeare Library), 22 Oct. 1687: There are to be 5 Pageants on the Ld Mayors day one representing Liberty by a Beautifull young Lady attended with Riches Plenty and ffreedom &c. (transcribed by Professor John Harold Wilson). Luttrell (A Brief Relation, I, 418): The 29th was the anniversary of the lord mayors show, the new one, sir John Shorter, now entring on his office; the shew was splendid and the entertainment great, according to custome: his majestie, with the prince of Denmark, did the citty the honour to dine with them at Guildhall, as also the nobility, foreign ministers, amongst which was the popes nuncio (who was invited particularly by some of the aldermen): the streets were new gravell'd all that morning on one side of the way, from Charing-crosse to the citty, for his majesties passage. His majestie was well satisfied with the whole entertainment. The Duke of Beaufort to the Duchess, 29 Oct. 1687 [a summary, apparently]: Has just come from the greatest entertainment he ever saw at a Lord Mayor's feast in the city, and the best ordered, though there was the greatest concourse there and in the streets that was ever known, and the greatest acclamations, all through the city as the King passed. The Queen did not dare venture, remembering that the Bristol entertainment had put her out of order, but all the nobility in town, and the foreign ministers were there. The Pope's Nuncio in particular was invited by the Lord Mayor and nobly entertained (HMC, 12th Report, Appendix, Beaufort MSS., Part IX, pp. 90-91)

Performances

Mainpiece Title: London's Triumph; Or, The Goldsmith's Jubilee

Performance Comment: Performed on Saturday, October XXIX. 1687. For the Confirmation and Entertainment of the Right Honourable Sir John Shorter, Kt. Lord Mayor of the City of London. Containing A Description of the several Pageants and Speeches, made proper for the Occasion. Together with a Song, for the Entertainment of His Majesty, who with His Royal Consort; the Queen Dowager; their Royal Highnesses, the Prince and Princess of Denmark, and the whole Court, honour his Lordship, this Year, with their Presence. All set forth at the proper Costs and Charges of the Worshipful Company of Goldsmiths. By Mr Taubman.
Event Comment: [Dedication signed by John James Heidegger.] By Subscription. Never Perform'd before. Colman's Opera Register: Monr John James Heidegger managed both this & ye former Opera for ye Singers & ye Subscription was for Six Nights paying 10 Guin for 3 Tickets each Night, they not to give out above 400 Tickets a Night

Performances

Mainpiece Title: Ernelinda

Performance Comment: Signora Albergotti, lately come from Italy, advertised, but edition of 1713 lists: Ricimero-Valentino Urbani; Rodoaldo-Signora del'Epine; Ernelinda-Signora Elizabetta Pilotti Schiavonetti; Edwige-Signora Vittoria Albergotti; Vitige-Cavaliero Valeriano Pellegrini; Edelberto-Mrs Barbier.
Event Comment: Benefit for Capitani, now in the King's Bench, singer in the Opera for 20 years past. Boxes 10s. 6d. Pit 5s. Gallery 2s. 6d. To begin at 7 p.m. [A long note hn the Public Advertiser about the nature of Capitani's distresses--death of wife after an expensive illness loss of considerable sums in trade, now in debtor's prison. The Public Advertiser this day Published the following Sonnet V, seemingly a new sort of puff' for Foote]: @To Mr F-@While party rage, my F., distracts the state@And mutual lies contending parties raise,@As int'rest leads, or Pitt or Bute to praise,@Let vet'ran Tories with staunch Whigs debate.@With gen'rous Punch our spirits we'll dilate,@Laugh at those loud-tongued politicians' frays,@And to good Brookman's fame attune our lays,@Whose genial bowl all cares can dissipate.@Safely to Harrogate let Bute retire,@His gout at Hayes lett Pitt in quiet nurse,@And Wilkes at either Secretary rail:@These party feuds unsocial rage inspire,@Destroy all mirth, and all good humour curse,@But shall not o'er our joyous souls prevail.

Performances

Mainpiece Title: Concert

Performance Comment: Signora deAmicis, Signora Carmignani, Signora Cremonini, Signora Valescchi, Giardini, Giustinelli, Quilici, Zingoni, Tenducci.

Dance: Miss Capitani, Master Rogers

Performances

Mainpiece Title: L'incostanza Deluza

Performance Comment: Signora Frederica's part-Mrs Arne.

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The Humours of Harlequin; With the Loves of Several Deities

Performance Comment: Diana-Mrs Hill; Venus-Miss Hill; Endymion-Carlton; Adonis-Chardin; Aurora-Mrs Ward; Graces (attendants on Venus )-Mrs Thomas, Mrs Mountfort, Mrs Purden; Shepherds (attendants on Adonis )-Sandham, H. Fench, Webster; Harlequin-Leprue; Miller-Reynolds; Miller's Wife-Miss Mann; Miller's Man-Giffard; 1st Countryman-Gillow; 2d Countryman-Wathen; 3d Countryman-Dove; 1st Countrywoman-Mrs Clarke; 2d Countrywoman-Mrs Holt; 3rd Countrywoman-Mrs Nokes; Ceres-Miss Hill; Sylvans-Sandham, H. Fench, Webster; Nymphs-Mrs Thomas, Mrs Mounfort, Mrs Purden.
Cast
Role: Diana Actor: Mrs Hill

Performances

Mainpiece Title: The Royal Merchant

Afterpiece Title: The Devil to Pay

Dance: II: Ballet of Shepherds and Shepherdesses-Muilment, Mlle Chateauneuf

Ballet: End Afterpiece: Grand Ballet. Diana-Mlle Chateauneuf; Apollo-Muilment; Mars-Desse; Hercules-Nivelon; Pallas-Mrs Thompson; Mercury-Carney; Pan-LaPierre; Ceres-Mrs Walter; Bacchus-Livier

Performance Comment: Diana-Mlle Chateauneuf; Apollo-Muilment; Mars-Desse; Hercules-Nivelon; Pallas-Mrs Thompson; Mercury-Carney; Pan-LaPierre; Ceres-Mrs Walter; Bacchus-Livier.
Cast
Role: Diana Actor: Mlle Chateauneuf

Performances

Mainpiece Title: The Beggar's Opera

Entertainment: As at hay, 11 Sept. Signora Violante; Harlequin-Master LaFevre, Miss Violante; Louvre in Boys' Clothes-Miss Violante; Two Pierrots-Lalauze, Tobin

Performance Comment: Signora Violante; Harlequin-Master LaFevre, Miss Violante; Louvre in Boys' Clothes-Miss Violante; Two Pierrots-Lalauze, Tobin.

Performances

Mainpiece Title: The Old Woman's Oratory

Performance Comment: Signora Spoonatissima; Kettledrum-Woodbridge; Jew's Harp-Church.

Performances

Mainpiece Title: Ezio

Performance Comment: Signora Mingotti will sing this evening.

Performances

Mainpiece Title: Il Demofoonte

Performance Comment: Signora Mingotti will sing.

Performances

Mainpiece Title: The Messiah

Performance Comment: Signora Frasi's part by Mr Savage's celebrated Boy (Deutsch, Handel, from Jackson's Oxford Journal).
Event Comment: Signora Guglielmi, being greatly recovered, will sing this evening

Performances

Mainpiece Title: L'assemblea

Dance: I: New Pastorale dance-Mlle Heinel; End Last Act: A New Jacone-

Performances

Mainpiece Title: Artaserse

Cast
Role: Mandane? Actor: Signora Grassi?.

Dance: I: Statue Dance-Signora Guidi; II: New Dance-Signora Guidi, Signora Crispi; Last Act: A New dance, Le Triomphe de la Magie-Mlle Heinel, other principals

Performances

Mainpiece Title: Artaserse

Dance: I: Pastoral Dance-Slingsby, Signora Guidi, Signora Crispi; II: A New Dutch Dance-Signora Guidi, Slingsby, other Principals; End Opera: New Historical Ballet, Admete and Alceste, as17720310