SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Signora Cecilia Grassi"/1) | (@(roleclean,performerclean) "Signora Cecilia Grassi")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 444 matches on Performance Comments, 202 matches on Performance Title, 158 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Duke and no Duke

Dance: PPeasant-Cooke; Comic Ballet-Cooke, Signora Campioni

Song: SSong of Diana from Dryden's Secular Masque,-Beard (set by Mr Boyce); Genius of England-Beard

Performances

Mainpiece Title: The Amorous Widow

Afterpiece Title: Loves of Mars and Venus

Dance: II: Pigmalion-Cooke, Signora Campioni; III: The Revellers-Essex, Miss Vandersluys, Sodi

Performances

Mainpiece Title: Volpone

Afterpiece Title: The Lying Valet

Dance: PPeasant-Cooke; Les Allemandes-Cooke, Signora Campioni

Song: SSong of Diana, as17460313

Performances

Mainpiece Title: Audlin; Or, The Merchant's Daughter Of Brastol; With The Comical Humours Of Roger, Antonio's Man

Song: Batt Platt, the original Mad Tom

Dance: Sig and Signora Capuchino, Mynheer Drollelo, being children lately arrived from Holland, who never appeared on any Stage

Performances

Mainpiece Title: The Provoked Husband

Dance: TTurkish Pirate-Salomon, Mlle Violette, Signora Padouana; Laundress's Visiting Day-Salomon, Mlle Violette, Salomon's Son

Performances

Mainpiece Title: The Artful Husband

Afterpiece Title: The Stage Coach

Dance: Salomon, Signora Padouana

Performances

Mainpiece Title: The False Friend

Dance: IIl Morlaco, as17521219; Grand Scots Ballet-Cooke, Miss Hilliard; Il Pastore-Maranesi, Signora Bugiani

Performances

Mainpiece Title: The Royal Merchant

Afterpiece Title: Harlequin Sorcerer

Dance: IIl Pastore-Marinesi, Signora Bugiani

Performances

Mainpiece Title: La Je Ne Sca Quoi; Or, Wooden Spoons A La Mode

Dance: LLady Pentweazle's Vagaries-; Hornpipe-Timbertoe; Kettle Drums-Woodbridge

Entertainment: Concert On Salt@Box-Signora Tatteratro

Performances

Mainpiece Title: Acis And Galatea

Music: Solo on violoncello-Lonzetti; Italian Song=-Signora Galli; Violin Solo-Hallandall

Performances

Mainpiece Title: The Old Woman's Oratory

Afterpiece Title: The Coup de Grace

Dance: EEnglish Ballet-Timbertoe, Signora Mentorini

Performances

Mainpiece Title: The Funeral

Afterpiece Title: Harlequin Sorcerer

Dance: LLes Tailleurs-Maranesi, Signora Bugiani

Performances

Mainpiece Title: The French Flogg'd; Or, The English Sailors In America

Song: Diet, The Humours of Bartholomew Fair-Alley Croaker, Signora Ciperini; And a Song- on the late glorious success gained over the French by his Serene Highness Prince Ferdinand

Performances

Mainpiece Title: Vologeso

Performance Comment: Edition of 1759 lists: Vologeso-Emanuele Cornacchini; Berenice-Signora Colomba Mattei; Lucio Vero-Gaetano Quilici; Lucilla-Signora Angiola Calori; Amiceto-Ferdinando Tenducci detto il Senesino; Flavio-Signora Laura Rosa.

Dance: DDancesdirected by Gallini,-Gallini, Mlle Asselin, Maranesi, Signora Provenzale

Performances

Mainpiece Title: He Whimsical Battle Of The Greybeards; Or, The Humourous History Of A Covent Garden Adventure; Containing The Ridiculous Behaviour Of shela O'flannegan The First Irish Woman Introduced At Any Fair, The Odd Resentment Of col

Dance: CComic Dance-Signora Florentina, a capital performer from the Opera House at Turin

Performances

Mainpiece Title: La Calamita Di Cuori

Afterpiece Title: La Serva Padrona

Dance: MMinuet-Gallini, Signora DeAmicis by Desire

Performances

Mainpiece Title: Leucippo

Dance: I: The Turkish Coffee House, as17631213; II: A new Dance-Signora Marcucis, just arrived from Italy; III: A New Dance, as17631213; a new Dance Le Matellot Provencalle-Fischar, Miss Auretti call'd Le Matellot Provencalle

Performances

Mainpiece Title: La Conquesta Dell Messico

Dance: After each act: Dancing-Slingsby, Signora Radicati

Performances

Mainpiece Title: Il Filosopho Di Campagna

Dance: I: New Hornpipe-Slingsby; New Allemande-Slingsby, Signora Radicatti; II: The Tambourine-; III: A New Pastoral Dance-

Performances

Mainpiece Title: I Viaggiatori

Dance: I: A New Dance-Lepy, Signora Radicatti

Performances

Mainpiece Title: Artaserse; Or, Le Pazzie D'orlando

Performance Comment: Arbaces?-Millico? (first time in England); Mandane?-Signora Grassi?.
Cast
Role: Mandane? Actor: Signora Grassi?.

Dance: Mlle Heinel, other principals

Event Comment: A new Comic Opera. The Music composed by several celebrated Composers. All Boxes put together, and no Persons admitted without Tickets, which will be delivered this Day at the Office at Half a Guinea each; First Gallery 5s. Second Gallery 3s. By His Majesties Command no Person whatsoever to be admitted behind the Scenes or into the Orchestra. 6:30 p.m. Vivant Rex et Regina. [Repeated in all bills.] [A pasticchio similar to La Schiava (The Humorists). See Nicoll, III, 361. Advertisement for the company of performers at the Opera had been given in the Public Advertiser three months earlier, 6 August: 'Drummond, Vincent and Gordon,Proprietors and Managers of the Opera at the King's Theatre in the Haymarket beg leave to announce that they have engaged the best Company that could be got in Italy...and are expected in London this month. The company are as follows: Serious-the celebrated Guarducci, first man; Signora Aunuciati, first woman; Savoi, second man; Miss Young, second woman; Grassi, Signora Piatti, third woman. Comic-Lovattini, first man, tenor; Signora Zamperini, first woman; Savoi, first man, serious; Miss Young, first woman; Signor Moriggi (the old man) bass; Signora Piatti, second woman; Zamperini second man; Signora Gibbetti [Gibelli in the Gazetteer] third woman."

Performances

Mainpiece Title: Gli Stravaganti

Performances

Mainpiece Title: Saul

Performance Comment: Deutsch, Handel, p. 473, lists: Saul-Waltz; Jonathan-Beard; David-Russell; Merab-Mrs Arne Miss Cecilia Young; Michael-Signora Francesina; Doeg-Butler; Witch of Endor-Signora Lucchesina?, or Mrs Arne?-Young; Apparition of Samuel-Hussey; An Amalekite-Stoppelaer; High Priest-Kelly.
Cast
Role: Merab Actor: Mrs Arne Miss Cecilia Young
Role: Michael Actor: Signora Francesina
Role: Witch of Endor Actor: Signora Lucchesina?, or Mrs Arne?-Young

Performances

Mainpiece Title: Angelica And Medoro

Performance Comment: Edition of 1739 lists: Angelica-Signora Lucia Panichi called la Moscovita; Medoro-Signora Antonia Marchesina called la Lucchesini; Licori-Mrs Cecilia Arne; Tirsi-Rochetti; Orlando-Waltz; Titiro-Reinhold.
Event Comment: By Command of Their Majesties. Tickets and places to be taken of Mr Johnston at the Stage Door of the Theatre at Half a Guinea. Pit 5s. First Gallery 3s. 6d. Second Gallery 2s. Doors to be opened at Five o'clock. To begin at Half past Six. Theatrical Review (London, 1772), appendix, pp. 207-8: The Oratorios performed at this House were conducted by Messrs. Stanley and Smith, for their own emolument; the Managers of the theatre having had no Share of the profit arising from these performances, nor any advantage, except a premium for the use of the house. Mr Stanley's musical abilities are well known. Mr Smith, was, if we are not mistaken, a pupil of the celebrated Mr Handel's; and, we believe, that Gentleman left Mr Smith the greatest part of his music, if not his whole library; so that Mr Smith may with great propriety claim the right of succeeding Mr Handel in the exhibition and conduct of his Oratorios, which he has undertaken (in conjunction with Mr Stanley) every since Mr Handel's death. Their band was composed of some of the most capital performers in this kingdom, and was led by Mr Ximenes. The vocal performers (exclusive of Chorus singers) were Mr Norris, well known to all lovers of Music, for his taste and delicacy of execution. Mr Parry (a Bass voice) from the Cathedral Church of Salisbury. This gentleman, though very young, has an extensive compass, and a great power of voice, and acquits himself with considerable reputation. Mrs Weichsel and Mrs Scott, of whom it would be superfluous and unnecessary to say anything, since their abilities are generally known. And lastly Signora Grassi, a performer of great merit. Theatrical Review, 6 March: This is Mr Dryden's celebrated Ode on St Cecelia's Day, and not an Oratorio, but performed as such...It contains many beauties and such as are worthy of Mr Handel's genius...Being much shorter than the usual length of oratorios, Mr Handel's celebrated Coronation Anthems were added in order to make the evening's entertainment of a proper length. Also a Solo on the Violincello by Mr Janson...lately arrived from Paris, said to have been a pupil of Mr Duport's but, though his taste and excution is very astonishing, we cannot give him the preference of his master. [See 13 April 1773.Charge seems to have been #28 per night plus expenses for oil, candles &c.

Performances

Mainpiece Title: Alexander's Feast, With Coronation Anthems

Music: First Violin-Mr Ximene; with a Solo on the Violincello-Mr Janson, lately arrived from Paris, (Who has never performed in Public in England)