Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Signora Bossi DelCaro"/1) | (@(roleclean,performerclean) "Signora Bossi DelCaro")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
641 results for: Keyword - Signora Bossi DelCaro
We found 332 matches on Performance Comments, 224 matches on Performance Title, 139 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.

551
05 April 1712 @ Queen's Theatre

Event Comment: Benefit Signora Elizabetta Piloti Schivaonetti. Admission to pit and boxes by ticket only at half a guinea. At 6 p.m. Lady Hervey to John Hervey, 5 April: Yet I venture to the Opera, because poor Pilota has great faction made against her (Hervey, I, 323)

Performances

Mainpiece Title: Antiochus

Afterpiece Title: Thomyris (the famous Scene only)

552
13 November 1712 @ Hickford's Room

Event Comment: Benefit Signora Celotti. At the Request of several Ladies. A 6 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-, Compos'd by some of the best Italian Masters

553
10 December 1712 @ Queen's Theatre

Performances

Mainpiece Title: Dorinda

Performance Comment: singers included Cavaliero Valeriano, Valentini Urbani, Signora Pilotta Schivaonetti, Mrs Barbier, Leveridge.

554
04 March 1713 @ Stationer's Hall

Event Comment: Benefit Signora Celotti. At 6 p.m. Tickets 2s. 6d

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Hands of the Opera

555
28 March 1713 @ Queen's Theatre

Event Comment: Benefit Signora Pelotti. Admission as 21 March. Colman's Opera Register: Ye House was very full this Night

Performances

Mainpiece Title: Ernelinda

556
09 April 1713 @ Hickford's Room

Event Comment: Benefit Signora Victoria Albergotti Romano. At 6 p.m. Tickets half a guinea

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; performing several Songs out of the newest Operas-; with One and Two Trumpets-; With variety of new Concertos for Flutes, German Flutes, Trumpets, Hautboys, other Instruments; by Mr Corbet-Mr Corbet, others of the best Masters in the Opera

557
17 April 1714 @ Queen's Theatre

Event Comment: Benefit Signora Galerati. Admission as 10 April

Performances

Mainpiece Title: Ernelinda

Music: As17140403

558
28 April 1714 @ Hickford's Room

Event Comment: Benefit Signora Lodi and Corbet. Tickets 5s. At 8 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; a Solo of Corelli's-Mr Corbet; with variety of Pieces on the Echo Flute Hautboy German Flute and Trumpet-the best Masters; with a new Cantata-the best Masters; a Solo for the Harpsichord-the best Masters

559
02 April 1715 @ King's Theatre

Event Comment: Benefit Signora Pilotti. By His Majesty's Command. Pit and Boxes together by tickets only at half a guinea. Stage Boxes 15s. Gallery 4s. Tickets for Ernelinda taken. At 6 p.m

Performances

Mainpiece Title: Lucius Verus

560
23 April 1715 @ King's Theatre

Event Comment: Benefit Signora Galerati. With several Songs alter'd. Admission as 23 Oct. 1714. By Command. Weekly Journal, 30 April: His Majesty was incognito...at Lucius Verus...as were the Prince and Princess of Wales, who went publickly

Performances

Mainpiece Title: Lucius Verus

561
30 April 1715 @ King's Theatre

Event Comment: Benefit Signora Vico. By Command

Performances

Mainpiece Title: Lucius Verus

562
15 March 1716 @ Hickford's Room

Event Comment: Benefit Signora Isabella Aubert

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; the Instrumental-Castraccio lately arriv'd from Rome

563
09 May 1716 @ King's Theatre

Event Comment: Benefit Signora Elizabetta Pilotti Schiavonetti, Servant to Her Royal Highness. By Command. Admission as 1 Feb

Performances

Mainpiece Title: Hydaspes

564
06 June 1716 @ King's Theatre

Event Comment: Benefit Signora Elene Croce. By Command

Performances

Mainpiece Title: Cleartes

565
13 June 1716 @ King's Theatre

Event Comment: Benefit Signora Elena Croce. By Command

Performances

Mainpiece Title: Cleartes

566
02 May 1717 @ King's Theatre

Event Comment: Benefit Signora Elizabetta Pilotti. By Command. Admission as 8 Dec. 1716

Performances

Mainpiece Title: Rinaldo

567
25 April 1719 @ King's Theatre

Event Comment: Benefit Signora Mons. At 7 p.m. Tickets 2s. 6d

Performances

Mainpiece Title: Concert

568
17 March 1724 @ King's Theatre

Event Comment: Benefit Signora Margherita Durastanti. Particular Care will be taken to Place Benches on the Stage for the Accommodation of the Company. [According to Deutsch, Handel, p. 160, her benefit brought her #1,000, in addition to a salary of 1,200 guineas yearly. The Cantata is printed in the Daily Journal, 18 March.

Performances

Mainpiece Title: Coriolanus

569
05 February 1726 @ King's Theatre

Performances

Mainpiece Title: Otho

Performance Comment: Announced but deferred by indisposition of Signora Cuzzoni.

570
09 February 1727 @ King's Theatre

Event Comment: [Benefit Signora Diana. By $His Majesty's Command

Performances

Mainpiece Title: [la Donna Piu Constante Dell' Humo: Viz

Song: [

Dance: [

571
16 February 1727 @ King's Theatre

Event Comment: Benefit Signora Argentina. By His Majesty's Command. And at the Desire of several Persons of Quality. Tickets for The Hortolana taken at this play

Performances

Mainpiece Title: Lo Soirito Foletto; Viz, The Hobgoblin

Song: Singing-

Dance: Dancing After their different Manner-

572
07 March 1727 @ King's Theatre

Event Comment: Benefit Signora Faustina. With several New Additions. By his Majesty's Command, for the better Convenience of the Audience, the Stage will be laid quite Open. N.B. The Court of Directors have resolved not to make use of their Tickets as Subscribers this Night

Performances

Mainpiece Title: Admetus

573
18 March 1727 @ King's Theatre

Event Comment: With the same Additions there were in Signora Faustina's Benefit. [For a satiric poem on operatic difficulties, see F@@na's Answer to S@@no's Epistle, published 18 March.

Performances

Mainpiece Title: Admetus

574
15 April 1727 @ King's Theatre

Event Comment: As 18 March. Daily Journal, 15 April: Signora Faustina lies very ill of the Measles, attended with a high Fever

Performances

Mainpiece Title: Admetus

575
11 June 1728 @ King's Theatre

Performances

Mainpiece Title: Admetus

Performance Comment: Announced but deferred by illness of Signora Faustina.
Accessibility Report a Concern Careers Privacy Policy About Find People
© University of Oregon. All Rights Reserved.

UO prohibits discrimination on the basis of race, color, sex, national or ethnic origin, age, religion, marital status, disability, veteran status, sexual orientation, gender identity, and gender expression in all programs, activities and employment practices as required by Title IX, other applicable laws, and policies. Retaliation is prohibited by UO policy. Questions may be referred to the Title IX Coordinator, Office of Affirmative Action and Equal Opportunity, or to the Office for Civil Rights. Contact information, related policies, and complaint procedures are listed on the statement of non-discrimination.