SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Signor Lovattini"/1) | (@(roleclean,performerclean) "Signor Lovattini")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 70 matches on Event Comments, 66 matches on Performance Comments, 38 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: La Schiava

Performance Comment: Personnae: Lelio-; Nerina-; Rosalba-; Asdrubale-; Arminda-; Talpia-. Lovattini, Sga Guadagni sang-Edition of 1767.
Cast
Role: Lelio Actor:
Role: Nerina Actor:
Role: Rosalba Actor:
Role: Asdrubale Actor:
Role: Arminda Actor:
Role: Talpia Actor: . Lovattini, Sga Guadagni sang-Edition of 1767.
Role: sang Actor: Edition of 1767.

Performances

Mainpiece Title: Le Contadine Bizzarre

Performance Comment: Rosalba-Sga Piatti; Lucio-Piatti; Gianfriso-Morigi; Auretta-Sga Zamperini; Nardone-Lovattini; Fiorina-Sga Guadagni; Livietta-Sga A. Zamperini; Masino-Bianchi; Director of the Dances-Campioni (Larpent MS).
Cast
Role: Rosalba Actor: Sga Piatti
Role: Lucio Actor: Piatti
Role: Gianfriso Actor: Morigi
Role: Auretta Actor: Sga Zamperini
Role: Nardone Actor: Lovattini
Role: Fiorina Actor: Sga Guadagni
Role: Livietta Actor: Sga A. Zamperini
Role: Masino Actor: Bianchi
Role: Director of the Dances Actor: Campioni

Performances

Mainpiece Title: Il Disertore

Performance Comment: Rosetta-Sga Guglielmi; Alessio-Lovattini; Gian Luioi-Marigi; Gianetta-Sga Bernardi; Beltramino-Savoi; Tonina-Sga Mengis Boschetti; Montacielo-Ristorini; Ballet Master-Galeotti; Principal Dancers-Mlle Heinel, Sga Crispi, Lepy, Lepy Jr, Sga Guidi, Sga Curz, Galeotti, Como; Painter, Machinist-Bigarri Jr (Edition of 1770).

Performances

Mainpiece Title: La Vicende Della Sorte; Or, The Turns Of Fortune

Performance Comment: First singer-Sga Ristorini; first man-Lovattini.
Cast
Role: First singer Actor: Sga Ristorini
Role: first man Actor: Lovattini.

Performances

Mainpiece Title: La Contadina In Corte

Performance Comment: Clarice-Mrs Barthelemon; Rinaldo-Lovattini; Fabio-Morigi; Sandrina-Sga Ristorini; Menichino-Zanca; Tancia-Sga Demera; Berto-Ristorini (Larpent MS).
Cast
Role: Clarice Actor: Mrs Barthelemon
Role: Rinaldo Actor: Lovattini
Role: Fabio Actor: Morigi
Role: Sandrina Actor: Sga Ristorini
Role: Menichino Actor: Zanca
Role: Tancia Actor: Sga Demera
Role: Berto Actor: Ristorini
Event Comment: Benefit for Lovattini. Signora Guglielmi not being ready with her part in La Buona Figliuola as proposed for the evening Lovattini is oblig'd to have Le Pazzie which he humbly hopes will be acceptable

Performances

Mainpiece Title: Le Pazzie D'orlando

Dance: I: Turkish Dance-Mlle Heinel, other principals; End Last Act: Admete and Alceste, as17720310

Performances

Mainpiece Title: La Buona Figliuola

Performance Comment: . Parts-Lovattini, Fochetti, Signora Farinella, Signora Galli, Signora Sestini, Signora Spilleta.

Dance: I: New Pastoral Ballet, as17741119; Pas Deux, as17741119; II: Silvie, as17741203; End Opera: La Bal Masquer-Lany, M and Mme Valouis, Mlle Bacelli; with a Pas Deux-Henery, Mlle Sophie

Performances

Mainpiece Title: La Marchesa Giardiniera

Performance Comment: Parts-Lovattini, Fochetti, Sga Galli, Sga Farinelli, Sga Spiletta, Sga Sestini.

Dance: As17750207; End II: New Ballet-S. Vallouis, Mlle Vallouis

Performances

Mainpiece Title: La Donna Di Spirito

Performance Comment: Singers-Lovattini, Fochetti, Signora Farinelli, Signora Galli, Signora Spilletta, Signora Sestina.

Dance: As17750516

Performances

Mainpiece Title: Deborah

Performance Comment: Edition of 1733 does not list performers' names, but Daily Advertiser, 20 March, states: Wherein Principal Parts-Signor Senosini, Signora Strada, Signora Gismundi, Signora Bertoldi, Signor Montagnana, Miss Young, Miss Arne, Mrs Wright, Mr Swartzs[, perform'd the principal Parts. [See also Deutsch, Handel, p. 308, and Dean, Handel's Dramatic Oratorios, p. 236.], perform'd the principal Parts. [See also Deutsch, Handel, p. 308, and Dean, Handel's Dramatic Oratorios, p. 236.]

Performances

Mainpiece Title: Armida

Performance Comment: As17750107, but [the Alterations and new Songs specified by particular reference to the 1774 Word Book] Act I, Page 15. Duetto [by Anfossi-Signor Rauzinni, Signora Schindlerin; [Act II. Page 19, a Song [by Galuppi-Sga Farinella; [Page 20. a Song [by Vento-Sga Schindlerin;[. Page 23 a Song [by Bach-Signor Passini; [Page 24. a Song [by Sacchini-Sga Schindlerin; [Page 27. a Song [by Bertoni-Sg Rauzzini; [Act III. Page 32. Song [by Vento-Sg Rauzzini.
Event Comment: New Dances, new Clothes, new Decorations. A new serious Opera; music by several celebrated Composers. Pit and Boxes put together and no Persons to be admitted without Tickets, which will be delivered this Day, at Half a Guinea each; First Gallery 5s. Second Gallery 3s. Gallery, Pit, and Boxes open at Five. By their Majesties Command, no Person whatsoever to be admitted behind the Scenes or into the Orchestra. 6:30 p.m. Vivant Rex et Regina. [Notice repeated in the bills.] [Messrs. Vincent and Gordon, Managers of the Operas had noted (Public Advertiser, 9 Sept.) their engagement of singers: For the Serious Opera: Guarducci, first Man; Signora Campolini, first Woman; Savoi, second Man; Signora Querzioli, second Woman; Signora Piatti, third Woman; Michelli The Comic Opera: Lovattini, first Man; Signora Guadagni, first Woman; Savoi, serious Man; Signora Querzoli, serious Woman; Moriggi (Bass); Signora Piatti, third Woman; Michelli. Also engaged: Guglielmi and Alessandri, Composers; Pugniani, first Violin; Signora Coradini a new Dancer.

Performances

Mainpiece Title: Tigrane

Event Comment: Benefit for Lovattini. Music by Buranello [i.e., Galluppi.

Performances

Mainpiece Title: Il Filosopho Di Campagna

Event Comment: Letter from Impartial to the editor of the Public Advertiser: The managers of the Opera most certainly think themselves peculiarly unfortunate in having incurred the disapprobation of your correspondent Timotheus....If...it has been found...that this Demi-critic has given his opinion to the public too precipitately, little regard will be paid to his animadversions, and the managers who, perhaps, will be found to have spared neither trouble or expense, will meet with the support they solicit....The splenetic gentleman, perhaps, resides chiefly in the country, and only came to town to see some Raree Shew, consequently he might never have heard of our justly celebrated Lovattini, Guadagni, Moriggi, and so forth, with whose performances we have been so highly entertained, to whom the Nightengale, as he is pleased to call Giaccomazzi, and Luciani, for the demi-characters in the Comic will make no inconsiderable additions; from hence I conclude, that our Opera entertainments this season will exceed any we have ever had in this country

Performances

Mainpiece Title: Gli Amanti Ridicoli

Event Comment: A new comic Opera. Music by Alessandri. Benefit for Lovattini

Performances

Mainpiece Title: Il Re Alla Caccia

Event Comment: The above opera will be perform'd owing to the sudden indisposition of Sig Lovattini, the first man in the Comic Opera

Performances

Mainpiece Title: Cosroe

Event Comment: Benefit for Lovattini. Music by Piccini

Performances

Mainpiece Title: La Schiava

Event Comment: Evelyn, Diary: I din'd at my Lord Falklands, Tressurer of the Navy, where after dinner we had rare Musique, there being amongst others Signor Pietro Reggio and Signor Jo. Battist bothe famous, the one for his Voice, & the other his playing on the Harpichord, few if any in Europe exceeding him

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Concert

Music: Vocal and instrumental Music-the best Masters; viz., A Full Piece of the famous Signor Colista-Dean Sr, Holmes, Smith; A Solo for the Arch Lute and Violin by Dean Jr-Dean Sr, Dean Jr; Singing-Gates; A set of Airs for the Arch Lute and Violin-Dean Sr, Dean Jr; Singing to the Lute-Dean Jr; A Solo of the famous Archangelo Corelli-Dean Sr; Also several select Airs Out of Camilla and Thomyris-; with Symphonies-the best Performers

Performance Comment: , A Full Piece of the famous Signor Colista-Dean Sr, Holmes, Smith; A Solo for the Arch Lute and Violin by Dean Jr-Dean Sr, Dean Jr; Singing-Gates; A set of Airs for the Arch Lute and Violin-Dean Sr, Dean Jr; Singing to the Lute-Dean Jr; A Solo of the famous Archangelo Corelli-Dean Sr; Also several select Airs Out of Camilla and Thomyris-; with Symphonies-the best Performers.

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music ....The orchestra was not very strong, consisting of no more than sixty persons, but it was incomparable-; Signiora Margarita del'Epine; sang, but she was by no means as pleasing as in the opera....She was the only person who sang. The instrumental music was extremely beautiful: Pepusch; who directs everything, and played the thorough-bass, excelled all the others. The violins too could scarce have been better. But most notable of all was a most charming concerto played with Pepusch by a flute and a viol di gamba. The person who plays the flute is a Frenchman called-Paisible; whose equal is not to be found....The second man, who played the viol di gamba with such uncommon excellence, is an Italian called-Signor Pietro

Performance Comment: ...The orchestra was not very strong, consisting of no more than sixty persons, but it was incomparable-; Signiora Margarita del'Epine; sang, but she was by no means as pleasing as in the opera....She was the only person who sang. The instrumental music was extremely beautiful: Pepusch; who directs everything, and played the thorough-bass, excelled all the others. The violins too could scarce have been better. But most notable of all was a most charming concerto played with Pepusch by a flute and a viol di gamba. The person who plays the flute is a Frenchman called-Paisible; whose equal is not to be found....The second man, who played the viol di gamba with such uncommon excellence, is an Italian called-Signor Pietro.

Performances

Mainpiece Title: Concert

Performance Comment: Vocal and Instrumental Music-; wherein several Solos and Sonatas on two different Instruments never heard in England before-Gli Signori Vegelini (two select Musicians lately arriv'd); With some celebrated Songs of the late Mr Henry Purcell-; and an Addition of a famous Harp-.

Performances

Mainpiece Title: The Constant Lovers; Or, The False Friend; With The Comical Humours Of Sir Timothy Timberhead And His Man Pismire

Performance Comment: Sir Timothy-Bullock Sr; Pismire-Norris; Signor Don Diego Fizgiggo-Griffin; others-Ogden, Smith, H. Bullock, Mrs Willis.

Song: Mrs Willis

Dance: Newhouse, Pelling, Miss Francis, Mrs Willis

Event Comment: [Text by P. A. Rolli. Originally set by Signor Orlandini, with some songs composed by Signor Phillipo Amadei.] A new Opera. Admission as 19 Nov. 1720

Performances

Mainpiece Title: Arsaces; Or, Amore E Maesta

Performance Comment: Edition of 1721 lists: Statira-Signora Marg. Durastanti; Arsace-Francesco Bernardi called Senesino; Megabise-Matteo Berselli; Rosmiri-Signora Madalena Salvai; Mitrane-Signora Galerati; Artabano-Guiseppe Boschi.

Performances

Mainpiece Title: The Mother-in-law

Afterpiece Title: Chronohotonthologos

Performance Comment: Cast not listed, but edition of 1734 lists: Chronohotonthologos-Winstone; Bombardinion-Ridout; Aldiborontiphoscophornio-Cross; Rigdum Funnidos-Oates; Captain of the Guards-Woodburn; Doctor-Gray; Cook-H. Tench; King of Fidlers-Davis; King of Antipodes-Jannot; Dumb-Gray; Signor Scacciatinello-Mrs Shirburne; Tatlanthe-Mrs Charke; Ladies-Miss Oates, Miss Dancy; Venus-Mrs Clark; Cupid-Master Arne. Prologue spoken by W. Mills. Epilogue by Mrs Shireburne. music and.

Dance: As17340221 Also A new Overture. With Songs (in the Italian Stile) a propos [to the Afterpiece]

Event Comment: Benefit Carlo Broschi Farinello. With several Alterations and Additions. Pit and Boxes, Places on the Stage, at Half a Guinea. N.B. Signor Farinello humbly hopes, that the Subscribers will not make use of their Tickets on this Occasion. The Stage will be in the same Manner as in the Assembly with a great Number of Benches. Mrs Pendarves to Mrs Granville, 15 March: Tonight is Farinelli's benefit; all the polite world will flock there, and go at four o'clock, for fear they should not be time enough. I don't love mobbing, and so I shall leave them to themselves. Daily Advertiser, 13 March: 'Tis expected that Signor Farinelli will have the greatest Appearance on Saturday that has been known. We hear that a Contrivance will be made to accommodate 2000 People. His Royal Highness the Prince of Wales has been pleas'd to give him 200 Guineas, the Spanish Ambassador 100, the Emperor's Ambassador 50, his Grace the Duke of Leeds 50, the Countess of Portmore 50, Lord Burlington 50, his Grace the Duke of Richmond 50, the Hon. Col. Paget 30, Lady Rich 20, and most of the other Nobility 50, 30 or 20 Guineas each; so that 'tis believ'd his Benefit will be worth to him upwards of 2000l

Performances

Mainpiece Title: Artaxerxes