SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Signor Francisco Scarlatti"/1) | (@(roleclean,performerclean) "Signor Francisco Scarlatti")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 236 matches on Performance Comments, 75 matches on Event Comments, 50 matches on Performance Title, 6 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit Francisco Scarlatti. At 7 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-Scarlatti

Event Comment: Benefit Signor Francisco Scarlatti, Brother to the famous Allessandro Scarlatti. At 7 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-

Performances

Mainpiece Title: Ridotto

Music: Consisting of several Songs chosen out of the last new Operas, some new Cantatas by Signor Bononcini-Signor Francisco Bernardi Senesino, Signor Benedetto Baldassari, Mrs Anastasia Robinson, Signora Salvai

Performances

Mainpiece Title: Ridotto

Music: Consisting of 24 Songs chosen out of the late Operas-Signor Francisco Bernardi Senesino, Signor Benedetto Baldassari, Mrs Anastasia Robinson, Signora Salvai

Event Comment: Benefit Scarlatti. Tickets 5s. At 7 p.m

Performances

Mainpiece Title: Concert

Music: Pastoral Cantata for Two Voices-; accompanied with all sorts of Instruments- by Scarlatti on this Occasion

Event Comment: [Music by Dominico Scarlatti, with additional numbers by Thomas Roseingrave. Text by P. A. Rolli.] A new Opera. Pit and Boxes together at half a guinea. Gallery 5s. Stage one Guinea. N.B. When the Tickets are disposed of, no Person will be admitted for Money; places will be kept in the Boxes only

Performances

Mainpiece Title: Narcissus

Performance Comment: Edition of 1720 lists: Narciso-Signora Durastanti; Cefalo-Benedetto Baldassari; Aristeo-Gordon; Eco-Mrs Anastasia Robinson; Procri-Mrs Turner Robinson.
Cast
Role: Narciso Actor: Signora Durastanti
Related Works
Related Work: Narcissus Author(s): Domenico Scarlatti
Event Comment: Benefit Rochetti. At the Desire of several Persons of Quality. Mainpiece: Written by the late Mr Congreve. Afterpiece: A short Opera of one Act. The Musick by the late celebrated Alexander Scarlatti. [Apparently not published.] Receipts: money #22 11s. 6d.; tickets #31 16s

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: Telemachus

Related Works
Related Work: Telemachus Author(s): Alexander Scarlatti

Dance: TTwo Pierrots-Poitier, Pelling; Hornpipe-Jones, Mrs Ogden

Event Comment: Benefit Francisco. Tickets 5s. [See London in 1710, pp. 66-67, from which the above description is taken.

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music ....The orchestra was not very strong, consisting of no more than sixty persons, but it was incomparable-; Signiora Margarita del'Epine; sang, but she was by no means as pleasing as in the opera....She was the only person who sang. The instrumental music was extremely beautiful: Pepusch; who directs everything, and played the thorough-bass, excelled all the others. The violins too could scarce have been better. But most notable of all was a most charming concerto played with Pepusch by a flute and a viol di gamba. The person who plays the flute is a Frenchman called-Paisible; whose equal is not to be found....The second man, who played the viol di gamba with such uncommon excellence, is an Italian called-Signor Pietro

Performance Comment: ...The orchestra was not very strong, consisting of no more than sixty persons, but it was incomparable-; Signiora Margarita del'Epine; sang, but she was by no means as pleasing as in the opera....She was the only person who sang. The instrumental music was extremely beautiful: Pepusch; who directs everything, and played the thorough-bass, excelled all the others. The violins too could scarce have been better. But most notable of all was a most charming concerto played with Pepusch by a flute and a viol di gamba. The person who plays the flute is a Frenchman called-Paisible; whose equal is not to be found....The second man, who played the viol di gamba with such uncommon excellence, is an Italian called-Signor Pietro.
Cast
Role: called Actor: Signor Pietro.
Event Comment: Evelyn, Diary: [I] heard Signor Francisco on the Harpsichord, esteem'd on[e] of the most excellent masters in Europe on that Instrument: then came Nicholao Matteis? with his Violin & struck all mute, but Mrs Knight, who sung incomparably, & doubtlesse has the greatest reach of any English Woman; she had lately ben roming in Italy: & was much improv'd in that quality: Then was other Musique, & this Consort was at Mr Slingsbys Master of the Mint, my worthy friend, & great a lover of musique. [For a contemporary account of Matteis, see Roger North on Music, ed. John Wilson (London, 1959), pp. 307-11.

Performances

Mainpiece Title: Concert

Event Comment: By Signor Veracini. At the particular Desire of several Ladies of Quality. Pit and Boxes half a guinea. Gallery 5s. 7 p.m

Performances

Mainpiece Title: A New Eclogue

Performance Comment: And other Pastoral Poems by Signor Veracini-; The Vocal Parts-Signora Francesina, Signor Andreoni; Intermixed with several Concertos-Caporali, Veracini.
Event Comment: Benefit for Macklin. Afterpiece: A New Dramtic Satire in two acts. N.B. As several of the Town have prejudged the Pit the Boxes and Galleries acting their own parts themselves for their diversion, to be of the same species of the Lick at the Town last year; and that it can mean only the ordinary Approbation or Disapprobation of the Audience, Signor Pasquin thinks it incumbent on himself to assure to Publick that all those conjectures are groundless; And farther, he assures them that the Pit, &c. acting their parts has no other meaning than the common literal sense; and that the Audience are really interwoven in the piece; and are to be bona fide part of the Dramatis Personae; and he makes no doubt but that he shall make them perform their parts to a numerous and polite audience, and with universal Applause. But he begs that those Ladies and Gentlemen who intend to perform in the Pit and Galleries will be at the Theatre betimes, for particular reasons; and those who are to act in the Boxes are requested to send their servants to keep their places by three o'clock. Signor Pasquin has received the letters sent by the Town and the Village, and they may depend upon having Places kept for them upon the Stage. The Hiss concerning the Robin Hood Society will be complied with (General Advertiser). [The parts were: Pasquin, Marforio, Sir Eternal Grinn, Sir Conjecture Positive, Sir Roger Ringwood, Bob Smart, Soloman Common Sense; Count Hunt Bubble, Sir John Ketch, hic and Hac (Scribblers), Hydra, Lady Lucy Loveit, Miss Diana Singlelife, Miss Brilliant, Miss Bashfull (Larpent MS 96).

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: Covent Garden Theatre; or, Pasquin turn'd Drawcansir, Censor of Great Britain

Performance Comment: The parts of the Pit, Boxes, Galleries, Stage, and Town to be performed by themselves, for their diversion; the parts of several Dull, disorderly characters, in and about St Jame's to be performed by certain persons, for example; And the part of Pasquin@Drawcansir to be performed by his Censorial Highness;, for his interest. The Satire to be introduced by an Exordium;, and to conclude by a satirical@panegyrical@ironical@comical@original Peroration upon the Virtues, Vices, Wisdom and Folly, Judgment and Power of the Town. Both to be spoken from the Rostrum-Signor Pasquin.

Dance: GGrand Comic Ballet, as17511216

Event Comment: Benefit for R. Palmer, Russell & Dowton. 1st piece [1st time; B 1, by Edward Henry Iliff. The title-page has "by Edmund Spenser, Ynger." On his copy, now in Huntington Library, J. P. Kemble has written, "Iliffe [sic] is the real Name of the Authour"; he has made a similar notation on the playbill]: Founded on the 17th Number of The Spectator. 3rd piece [1st time; MF 1. Larpent MS 1219; not published. The characters are all taken from previous plays by John O'Keeffe, as follows: Sadboy (The Young Quaker); Signor Arionelli and Bowkitt (The Son-in-Law); Motley (The Dead Alive); Tully (The London Hermit); Lingo and Cowslip (The Agreeable Surprise); Ephraim Smooth (Wild Oats); Nipperkin (Sprigs of Laurel); Jemmy Jumps and Betty Blackberry (The Farmer); Mrs Casey (Fontainbleau)]: Written by Mr O'Keeffe. Times, 4 June: Tickets to be had of R. Palmer, No. 2, Queen's-row, Pimlico; of Russell, No. 19, Martlet-court, Bow-street; of Dowton, No. 5, Strand-lane, Surry-street, Strand. Receipts: #413 11s. 6d. (76.17.6; 37.7.0; 1.0.0 tickets: 298.7.0) (charge: #215 10s. 5d.)

Performances

Mainpiece Title: The Ugly Club

Afterpiece Title: The Castle-Spectre

Afterpiece Title: A Nosegay of Weeds; or, Old Servants in New Places

Performance Comment: Sadboy-Palmer; Signor Arionelli-Miss DeCamp; Motley-Hollingsworth; Tully-R. Palmer; Lingo-Dowton; Ephraim Smooth-Wewitzer; Nipperkin-Wathen; Jemmy Jumps-Russell; Bowkitt-Bannister Jun.; Mrs Casey-Mrs Sparks; Betty Blackberry-Miss Mellon; Cowslip-Mrs Bland.
Cast
Role: Signor Arionelli Actor: Miss DeCamp

Performances

Mainpiece Title: The False Friend

Afterpiece Title: The Necromancer

Song: Signor Gaetano Phillipo Rochetti, being the first Time of his performing on the British Stage

Performances

Mainpiece Title: Venice Preserved

Dance: Signor Grimaldi, detto Gamba di Ferro, Mlle Auguste. (Being the 1st time of his appearing on the English stage.

Performances

Mainpiece Title: Alphonso

Dance: Signor and Signora Campioni will dance this Day for the first time in England

Performances

Mainpiece Title: British Fortitude And Hibernian Friendship; Or, An Escape From France

Afterpiece Title: THE LONDON HERMIT; or, Rambles in Dorsetshire

Afterpiece Title: THE SON-IN-LAW

Performance Comment: Signor Arionelli-Incledon; Bowkitt-Fawcett (Their 1st appearance in those characters); Bouquett-Davies; Vinegar-Cubitt; Cranky-Powel; Idle-Farley// Cecilia-Mrs Clendining. VAUDEVILLE. End of 2nd piece An Irishman's Tour through London; or, Tully's Vocal and Rhetorical Description of Westminster Abbey, St. James's, St. Paul's, The Tower, A Quarrel, A Masquerade, &c., by Johnstone . or, Tully's Vocal and Rhetorical Description of Westminster Abbey, St. James's, St. Paul's, The Tower, A Quarrel, A Masquerade, &c., by Johnstone .
Cast
Role: Signor Arionelli Actor: Incledon

Performances

Mainpiece Title: Wit Without Money

Performance Comment: Valentine-Sparks; Francisco-Essex; Uncle-Wheeler; Merchant-Lyon; Hairbrain-Horwell; Fountain-Stephens; Bellatnore-Bailey; Roger-Middleton; Humphrey-Richards; Lance-Marks; Shorthose-Ryder (1st appearance); Isabella-Miss Fitzherbert; Lucy (with a song)-Mrs Coxe; Lady Hartwell-A Young Lady (1st appearance [unidentified]). With a new Prologue and Epilogue .unidentified]). With a new Prologue and Epilogue .
Cast
Role: Francisco Actor: Essex

Afterpiece Title: The Taylors

Performance Comment: Francisco (with an occasional Prologue in the character of Harlequin)-Pressley; Abrahamides-Cross; the other Characters by Marks, Bailey, Singer, Thomas, Sparrows, Middleton, Stephens, Jones, Browne, Goodman, James, Barnet, Newton, Hunt, Jackson, Hurst, Bulls, Crowther; Tailors' Ladies-Mrs Burden, Miss Nash, Miss Jameson, Miss Hemet .
Cast
Role: Francisco Actor: Pressley

Dance: End of mainpiece a Hornpipe (over 12 eggs blindfold) by Middleton

Song: End of Act III of mainpiece a favourite song by Mrs Coxe; End of Act IV a favourite song by Miss Hemet

Monologue: 1782 11 25 After the Hornpipe John Bull, Half Seas Over (a new Scene) by Ryder

Event Comment: Signor Martini danc'd for first time tolerable (Hopkins Diary). Paid Mr Park 1 boy 18 nights #6 15s.; Pryor (turner) #3 6d.; Mr Blanchard (tallow chandler) #43 17s. 2d. Receipts: #156 3s. (Treasurer's Book)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Jubilee

Dance: I: A New Comic Dance call'd The Gardeners-Sg Martini, first appearance on the English Stage, and Sga Paccini

Performances

Mainpiece Title: Concert

Music: Serenata by Sig Cavalliero Allessandro Scarlatti-Sig Francisco Bernardi Senesino, Signora Durastanti, Mrs Anastasia Robinson, Signora Salvai, Sig Boschi

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music entirely new by the famous Scarlatti Bononcini, other the greatest Italian Masters-; To which will be added, the new Scene which was perform'd on Saturday last in the Opera of Pyrrhus and Demetrius-; The Vocal Parts-Signior Nicolini, others

Performances

Mainpiece Title: Concert And Thomyris (one Scene)

Music: The Entertainment of Musick, which was performed before Her Majesty on her Birth Day-; To which will be added, the famous Scene of Thomyris, by Signior Scarlatti-Signior Cavalliero Nicolino Grimaldi

Dance: Several Entertainments-Mrs Santlow, young Mr Camille, composed by Mr Isaack

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; in which several New Songs by the famous Dominico Scarlatti-Mademoiselle Coraill

Performances

Mainpiece Title: Amadis

Music: A New Symphony by the Famous Signor Atilio Ariosti-; in which he performs upon a New Instrument, call'd Viola D'Amour-Signor Atilio Ariosti

Event Comment: Benefit Signora Durastanti. At 7 p.m. Admission as 14 June

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Masters; Particularly, Two new Cantatas by Mr Hendel and Sig Sandoni-; Four Songs, Six Duettos by the famous Signor Stefan-Signora Durastanti, Signor Senesino

Performances

Mainpiece Title: Love's Last Shift

Dance: End I: A new Harlequin-Young Rainton; II: Pastoral-Miss Robinson; III: La Pierrete-Roger, Mrs Brett; IV: Muzette-Young Rainton, Miss Robinson; V: A Grand Turkish Dance-Thurmond, Boval, Lally, Haughton, Duplessis

Music: In III: Trumpet Sonata by Mons Dieupart-; In IV: Sonata by Signor Corelli-; End IV: First Concerto (by Desire) of Signor Michael Arcangello Corelli-