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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Signor Cataneo"/1) | (@(roleclean,performerclean) "Signor Cataneo")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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148 results for: Keyword - Signor Cataneo
We found 60 matches on Event Comments, 54 matches on Performance Comments, 38 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

101
23 September 1680 @ John Evelyn's home

Event Comment: Evelyn, Diary: Came to my house some German strangers, & Signor Pietro Reggio a famous Musitian, who had ben long in Sweden in Queene Christina s Court: he sung admirably to a Guittar & has a perfect good tenor & base: & had set to Italian composure, many of Abraham Cowleys Pieces which shew'd extremely well

Performances

Mainpiece Title: Concert

102
30 October 1693 @ York Buildings

Event Comment: In the London Gazette, No 2917, 23-26 Oct. 1693, appeared a notice of a concert by Signor Tosi for this date, but another notice in the London Gazette, No 2919, 30 Oct.-2 Nov. 1693, announced that the concert had been postponed to 2 Nov. 1693

Performances

103
23 January 1703 @ Drury Lane Theatre

Event Comment: The Boxes are to be open'd into the Pit, where none are to be admitted but by printed Tickets, not exceeding four hundred in number, at Five Shillings a Ticket. [In Daily Courant, 20 Jan., the announcement had specified singing by Signora Joanna Maria Lindebleim, accompanied by Signor Sajoni.

Performances

Mainpiece Title: The Country House

Song: several Songs in Italian and French- The FamousSigniora Joanna Maria; accompany'd-Signior Gasperini; Leveridge, Laroon, Hughes

Dance: Du/Ruell, Mrs Campion, others

104
26 March 1708 @ Stationer's Hall

Performances

Mainpiece Title: Concert

Music: Vocal and instrumental Music-; viz. A full Piece of the late Mr Henry Purcell-Dean, Holmes, Feiston; A new Set of Airs for the Arch Lute and Violin Composed on purpose by Tho. Dean-; That celebrated Sonata for a Violin and Flute made by the famous Signor Gasperini, and played by him and Paisable often before her Majesty, and at the Theatre,-two young Gentlemen that never Play'd in Publick; who also perform some new Italian Sonatas of the most Eminent Masters in Europe, Double/stopped Solos of the Famous Archangelo Corelli-two young Gentlemen; Singing to the Lute-Dean; Several Pieces for Trumpets Flutes and Haut/boys-; Also Select Airs out of the Operas of Camilla and Thomyris, with their Symphonies-the best Performers

Performance Comment: A full Piece of the late Mr Henry Purcell-Dean, Holmes, Feiston; A new Set of Airs for the Arch Lute and Violin Composed on purpose by Tho. Dean-; That celebrated Sonata for a Violin and Flute made by the famous Signor Gasperini, and played by him and Paisable often before her Majesty, and at the Theatre,-two young Gentlemen that never Play'd in Publick; who also perform some new Italian Sonatas of the most Eminent Masters in Europe, Double/stopped Solos of the Famous Archangelo Corelli-two young Gentlemen; Singing to the Lute-Dean; Several Pieces for Trumpets Flutes and Haut/boys-; Also Select Airs out of the Operas of Camilla and Thomyris, with their Symphonies-the best Performers.

105
23 March 1710 @ Queen's Theatre

Event Comment: Never perform'd before. By Subscription. The Boxes to be open'd to the Pit, and no Person to be admitted but by the Subscribers' Tickets. Edition 1710: Music composed by Francesco Mancini. The Scenes painted by Signor Marco Rizzi of Venice

Performances

Mainpiece Title: Hydaspes

Performance Comment: edition of 1710 lists: Artaxerxes-Cassani; Darius-Valentino Urbani; Hydaspes-Nicolino Grimaldi; Arbaces-Lawrence; Mandana-Madame Isabella Girardau; Berenice-Signora Margarita del'Epine.
Cast
Role: Berenice Actor: Signora Margarita del'Epine.

106
02 May 1713 @ Queen's Theatre

Event Comment: Benefit Cavaliero Valeriano Pellegrini. With an Addition of several new Songs, particularly an English one sung by Signor Cavaliero Valeriano Pellegrini. Admission as 21 March. [Valeriano received #73 19s. See Deutsch, p. 59.

Performances

Mainpiece Title: Ernelinda

Cast
Role: Rodoaldo Actor: Signora del'Epine
Role: Ernelinda Actor: Signora Elizabetta Pilotti Schiavonetti
Role: Edwige Actor: Signora Vittoria Albergotti

107
05 May 1714 @ Hickford's Room

Event Comment: Benefit Signor Claudio. Tickets half a guinea. At 7 p.m

Performances

Mainpiece Title: Concert

Music: A Compleat Consort of Musick-

108
20 May 1714 @ Hickford's Room

Event Comment: Benefit Signor Pardini. At 8 p.m

Performances

Mainpiece Title: Concert

109
01 September 1720 @ Hickford's Room

Event Comment: Benefit Signor Francisco Scarlatti, Brother to the famous Allessandro Scarlatti. At 7 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-

110
26 November 1726 @ Lincoln's Inn Fields

Event Comment: Receipts: #116 10s. Probable attendance: boxes, 191 paid and 12 orders; pit, 262 paid and 5 orders; slips, 25 paid and 2 orders; first gallery, 242 paid and 6 orders; second gallery, 50 paid and 1 order. For an essay on Camilla, see London Journal, 26 Nov. Mrs Pendarves to Anne Granville, 27 Nov.: I was at the opera of Camilla...performed by a Mrs Chambers, Mrs Barbiere, Mrs Fletchere, a Signor Rochetti, Mr Leveridge, Mr Legard. I can't say I was much pleased with it, I liked it for old acquaintance sake, but there is not many of the songs better then ballads.-Mrs Delany@Autobiography, I, 125

Performances

Mainpiece Title: Camilla

111
04 March 1730 @ Drury Lane Theatre

Event Comment: Benefit Miss Cecilia Young, a Scholar of Signor Geminiani, who never yet sung in Publick. Pit and Boxes half a guinea. First Gallery 5s. Upper Gallery 2s. 6d. 7 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-

112
09 June 1733 @ King's Theatre

Event Comment: [P$Princess Royal and Princess Amelia present.] Daily Advertiser, 11 June: After the Performance was over, Signor Senesino made his Leave of the Audience, in a short Speech, acquainting them, as he said, with Regret 'That he had now perform'd his last Part on that Stage, and was henceforward discharg'd from any Engagement.

Performances

Mainpiece Title: Griselda

113
12 March 1734 @ Lincoln's Inn Fields

Event Comment: A new Oratorio or Sacred Drama. Set to Musick by Signor Nicola Porpora. [By Paul Rolli. Egmont present.]

Performances

Mainpiece Title: David

114
16 March 1734 @ Lincoln's Inn Fields

Event Comment: Set to Musick by Signor Nicola Porpora

Performances

Mainpiece Title: David

115
08 April 1734 @ Lincoln's Inn Fields

Event Comment: Set to Musick by Signor Nicola Porpora

Performances

Mainpiece Title: David

116
11 September 1734 @ Hampstead

Performances

Mainpiece Title: Concert

Performance Comment: music . The Vocal Parts by Gentlemen, particularly a new Hampstead Song, compos'd by Mr Seedo, for two French Horns, Violins, Hautboys, &c. The Instrumental by the best Hands. The Violin Concertino by Capt Dupar, Scholar to the late celebrated Signor Corelli, and late Musick Master to his present Highness the Prince of Orange. With several Pieces of his own composing, for the Violin and Harpsichord. The Concert will consist of three Acts .

117
05 November 1734 @ King's Theatre

Event Comment: Daily Advertiser, 6 Nov.: The King, the Prince of Wales and Princess Amelia, were again to . . . Artaxerxes, in which Signor Farnelli continues to sing to a crowded Audience, with all imaginable Applause. Egmont, Diary, II, 132: Went to the opera, where I heard the finest voice that Europe affords, Faranelli, lately come over. Norwich Gazette, 9 Nov.: We hear that both Operas (occasion'd by their dividing) are at a vast expence to entertain the Nobility and Gentry for the ensuing Season; the Opera House in the Haymarket are reckon'd to stand near 12000l. and Mr Handell at near 9000l. for the Season

Performances

Mainpiece Title: Artaxerxes

118
28 February 1735 @ King's Theatre

Event Comment: Set to Musick by Signor Nicola Porpora. With several Additions

Performances

Mainpiece Title: David

119
27 March 1735 @ Hickford's Room

Event Comment: Benefit Signor Arrigoni. 7 P.M. Tickets half a guinea

Performances

Mainpiece Title: Concert

120
10 May 1740 @ Haymarket Theatre

Event Comment: A new Opera. Edition of 1740 Composed by Signor Pescetti. A new Scene by M delaCour. By His Majesty's Command

Performances

Mainpiece Title: Busiri, Overo Il Trionfo D'amore

Performance Comment: Edition of 1740 lists: Busiri-Carestini; Erigone-Signora Panichi; Anubi-Andreoni; Merate-Rochetti.
Cast
Role: Erigone Actor: Signora Panichi

Dance: As17400408

121
15 May 1741 @ Covent Garden

Performances

Mainpiece Title: Double Falshood

Opera: End II and IV: of the Play will be performed an Interlude in two Comick Scenes in Musick. betwixt Signor Capoccio, a Director from the Canary Islands, and Signora Dorinna, a Virtuosa; Capoccio-Waltz; Dorinna-Miss Hillier

Performance Comment: betwixt Signor Capoccio, a Director from the Canary Islands, and Signora Dorinna, a Virtuosa; Capoccio-Waltz; Dorinna-Miss Hillier.

Dance: I: Muzette, Tambourine-Mechell, Mlle Mechell; III: Les Niaise-Mechell, Mlle Mechell

122
30 October 1741 @ Drury Lane Theatre

Event Comment: Masque: By Particular Desire. The Gentlemen's Magazine for Jan. 1742 (p. 28) in an article On Two Italian Dancers comments rather fully on the Fausans' performance in Le Boufon; or the Idiot: My expectation was rais'd to the height but at their entrance on the stage, they alarm'd me by the inexpressive Agility and descriptive Action, Look and Motion, which were all performed With such mimic Variety, that I defy the most severe Cynic to say that they wou'd not at least raise in him an agreeable surprise, to see all the attitudes, Oddities and mock Gesticulations of the two Idiots, who may be suppos'd to be in Love with one another. It is not any distortion of Body or unnatural transposition of the limbs which they exhibit to the view, but the extravagant Idiotry which the passions of Love, Disdain, Joy, Resentment, would on a real occasion actuate on the personages they represent: Nor do they so manage their Dance that it is ungraceful: they take opportunities to show by actions and movements, that in their comic Humour they have an elegancy. This performance therefore, on Reflection, appear'd to me, instead of an unnatural extravaganza to be founded on the nicest Observations of Human Nature, and prove Signor and Signora to be persons of good judgment, as well as agility. Receipts: #80

Performances

Mainpiece Title: Comus

Dance: LLe Boufon-the Fausans; Le Genereux Corsaire, as17411021

123
20 March 1744 @ King's Theatre

Event Comment: A new Oratorio, set to music by Signor Veracini

Performances

Mainpiece Title: L'errore Di Solomone

124
26 March 1748 @ King's Theatre

Event Comment: A New Opera...Written by Metastasio and set to Musick by Signor Hasse

Performances

Mainpiece Title: Dido

125
26 April 1748 @ King's Theatre

Event Comment: Benefit Signor Reginelli

Performances

Mainpiece Title: Dido

Song: In I: favorite Song-Reginelli; accompanied on the Saltero-Caruso, which was never performed in any Concert before