SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Signor Baptista"/1) | (@(roleclean,performerclean) "Signor Baptista")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 120 matches on Performance Comments, 62 matches on Event Comments, 38 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Poor Old Drury

Afterpiece Title: As You Like It

Afterpiece Title: The Critic

Performance Comment: Dangle-R. Palmer; Sneer-Palmer; Sir Fretful Plagiary-Parsons; Signor Ritornello-Hamoir; Interpreter-Baddeley; Puff-King; Mrs Dangle-Mrs Hopkins; Italian Girls-Miss Hagley, Miss DeCamp, Miss Daniels; Characters of the Tragedy: Lord Burleigh-Hollingsworth; Governor-Wrighten; Earl of Leicester-Whitfield; Sir Walter Raleigh-Burton; Sir Christopher Hatton-Waldron; Master of the Horse-Alfred; Beef@eater-Phillimore; Justice-Packer; Son-Suett; Constable-Fawcett; Don Ferolo Whiskerandos-Bannister Jun.; Nieces-Miss Heard, Miss Collins; Justice's Lady-Mrs Heard; Confidant-Mrs Booth; Tilburina-Miss Pope.
Cast
Role: Signor Ritornello Actor: Hamoir

Song: V 2nd piece: song-Miss Hagley

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: The Critic

Performance Comment: As17931120, but Signor Pasticio Ritornello-Hamoir.

Performances

Mainpiece Title: The Rage

Performance Comment: Principal Characters by Lewis, Quick, Holman, Munden, Fawcett, Bernard, Middleton, Davenport, Cross, Rees, Mrs Mattocks, Mrs Mountain, Mrs Pope. [Cast from text (T. N. Longman, 1795): Gingham-Lewis; Sir Paul Perpetual-Quick; Darnley-Holman [in text: Pope]; Flush-Munden; The Hon. Mr Savage-Fawcett; Signor Cygnet-Bernard; Sir George Gauntlet-Middleton; Ready-Davenport; Servants-Cross, Abbot, Ledger, Wilde; Waiter-Rees; Groom-Simmons; Lady Sarah Savage-Mrs Mattocks; Clara Sedley-Mrs Mountain; Mrs Darnley-Mrs Pope; Prologue-Holman; Epilogue-Mrs Mattocks. [These were spoken, as here assigned, at the 1st 24 performances only (see17941213).]These were spoken, as here assigned, at the 1st 24 performances only (see17941213).]
Cast
Role: Signor Cygnet Actor: Bernard

Afterpiece Title: Cymon

Dance: Afterpiece to conclude with: a Dance-

Performances

Mainpiece Title: All's Well That Ends Well

Afterpiece Title: The Critic; or, A Tragedy Rehearsed

Performance Comment: Dangle-Dodd; Sneer-Palmer; Sir Fretful Plagiary-Parsons; Signor Ritornello-Dubois; Interpreter-Benson; Under Prompter-Maddocks; Puff-King; Mrs Dangle-Mrs Hopkins; Italian Girls-Miss Leak; Mrs Bland, Miss DeCamp; Tragedians : Lord Burleigh-Caulfield; Governor-Hollingsworth; Earl of Leicester-Whitfield; Sir Walter Raleigh-Burton; Sir Christopher Hatton-Waldron; Master of Horse-Webb; Beefeater-Phillimore; Justice-Packer; Tom Jenkins-Suett; Constable-Bland; Don Ferolo Whiskerandos-Bannister Jun.; Nieces-Miss Heard, Miss Collins; Justice's Lady-Mrs Heard; Confidant-Mrs Booth; Tilburina-Miss Pope.
Cast
Role: Signor Ritornello Actor: Dubois
Event Comment: Afterpiece [1st time; MD 2, by William Pearce. The Masque was produced in honor of the marriage of the Prince of Wales and Princess Caroline of Brunswick, 8 April 1795]: The Overture composed expressly for the Occasion by Haydn, as is the rest of the Music by Salomon [and see 9 Apr.]. The Scenery, Machinery, Decorations and Dresses are entirely New, and Designed by Noverre, except St. George's Hall, painted by the late Signor Cipriani. The Scenery executed by Hodgins, Walmsley, Phillips, Lupino, Hollogan, and many Assistants. The Machinery and Decorations by Sloper. Goosetree and Martinelli. The Dresses by Lupino, Dick and Mrs Egan. Books of the Songs to be had at the Theatre. "On the 10th [of April] I was at the Covent Garden Theatre-to see the big Spectacul [sic]-Windsor Castle, the music by Salomon quite passable. The decorations-costumes-scenery, and the enormous amount of people on the stage are exaggerated. All the Gods of Heaven and Hell, and everything that lives on the earth are in the piece" (Haydn, 299). Morning Chronicle, 7 May 1795: This Day is published Windsor Castle (1s. 6d.). Receipts: #266 8s. 6d. (250.12.6; 15.16.0)

Performances

Mainpiece Title: The Rage

Cast
Role: Signor Cygnet Actor: Bernard

Afterpiece Title: Windsor Castle 1

Afterpiece Title: Windsor Castle 2

Song: Part I: concludes with ancient British Airs-; Chorus of Bards-, accompanied on the Harp by Jones

Performances

Mainpiece Title: The Rage

Performance Comment: Gingham-Lewis; Sir Paul Perpetual-Quick; Darnley-Holman; Flush-Munden; Savage-Fawcett; Signor Cygnet-Bernard; Sir George Gauntlet-Middleton; Ready-Davenport; Waiter-Rees; Groom-Simmons; Servants-Abbot, Ledger, Wilde, Cross; Lady Sarah Savage-Mrs Mattocks; Clara Sedley-Mrs Mountain; Mrs Darnley-Mrs Pope.
Cast
Role: Signor Cygnet Actor: Bernard

Afterpiece Title: A Divertisement

Dance: In afterpiece: Ballet-Byrn, Mlle St.Amand

Performances

Mainpiece Title: The Rage

Performance Comment: As17951007, but Signor Cygnet-Farley.
Cast
Role: Signor Cygnet Actor: Farley.

Afterpiece Title: Oscar and Malvina

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Son-in-Law

Performance Comment: Cranky-Suett; Vinegar-Aickin; Bouquet-Dignum; Bowkit-Bannister Jun.; Man of the House-Maddocks; Signor Arionelli (1st time)-Miss DeCamp; Idle-R. Palmer; Mum-Wewitzer; John-Trueman; Lilly-Master Gregson; Cecilia-Miss Leak; Dolce-Mrs Jones.
Cast
Role: Signor Arionelli Actor: Miss DeCamp

Performances

Mainpiece Title: The Smugglers

Afterpiece Title: A Favourite Scene from New Hay [Sylvester Daggerwood]

Afterpiece Title: The Critic

Performance Comment: Dangle-Dodd; Sneer-Benson; Sir Fretful Plagiary (for that night)-Bannister Jun. (1st appearance in that character); Signor Ritornello-Fairbrother; Interpreter-Wewitzer; Puff-King; Mrs Dangle-Mrs Maddocks; Italian Girls-Miss Leak, Miss Granger, Miss DeCamp; [Tragedians:] Don Ferolo Whiskerandos-Bannister Jun. [i.e. doubled Sir Fretful Plagiary]; Nieces-Miss Heard, Miss Mellon; Justice's Lady-Mrs Heard; Confidant-Miss Tidswell; Tilburina-Miss Pope.

Afterpiece Title: The Wedding Day

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Critic; or, A Tragedy Rehearsed

Performance Comment: Dangle-R. Palmer; Sneery-Barrymore; Sir Fretful Plagiary (1st time)-Dowton; Signor Ritornello-Maddocks; Interpreter-Wewitzer; Puff-Palmer; Mrs Dangle-Miss Tidswell; Italian Girls-Miss Leak, Mrs Bland, Miss DeCamp; Tragedians Lord Burleigh-Caulfield; Governor of Tilbury Fort-Hollingsworth; Earl of Leicester-Whitfield; Sir Walter Raleigh-Russell; Sir Christopher Hatton-Wathen; Don Ferolo Whiskerandos-Bannister Jun.; Nieces-Miss Heard, Miss Mellon; Tilburina-Miss Pope.
Cast
Role: Signor Ritornello Actor: Maddocks

Song: V: song-Mrs Bland

Ballet: The Scotch Ghost. As17961221

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Critic; or, A Tragedy Rehearsed

Performance Comment: Dangle-R. Palmer; Sneer-Palmer; Sir Fretful Plagiary-Dowton; Signor Ritornello-Maddocks; Interpreter-Wewitzer; Puff-King; Mrs Dangle-Miss Tidswell; Italian Girls-Miss Leak, Mrs Bland, Miss DeCamp; Tragedians: Lord Burleigh-Sparks; Governor of Tilbury Fort-Hollingsworth; Earl of Leicester-Trueman; Sir Walter Raleigh-Russell; Sir Christopher Hatton-Wathen; Beef@eater-Caulfield; Don Ferolo Whiskerandos-Bannister Jun.; Tilburina-Miss Pope.
Cast
Role: Signor Ritornello Actor: Maddocks

Dance: In II: Masquerade-; with Dancing-Mlle Parisot, Sga Bossi DelCaro

Song: In Masquerade: Sigh no more Ladies (composed by Stevens)-Sedgwick, Dignum, Mrs Bland, Miss DeCamp; End IV: Little Taffline-Mrs Bland; In course of Evening: Ally Croaker, Little Bess the Ballad Singer (composed by Dr Arnold)-Miss Leak

Performances

Mainpiece Title: False And True

Afterpiece Title: The Son-in-Law

Performance Comment: Bowkit (By Permission of the Proprietors of Drury-Lane Theatre)-Bannister Jun. (1st appearance on this stage); Cranky-Munden; Vinegar-Emery; Orator Mum-Knight (Their 1st apappearance in those characters); Bouquet-Hill; Idle-Farley; Signor Arionelli-Incledon; Cecilia-Mrs Atkins.
Cast
Role: Signor Arionelli Actor: Incledon

Afterpiece Title: The Paradox; or, Maid, Wife and Widow

Dance: III: a Characteristic Dance and Masquerade as at the Venetian Carnival-

Song: In course Evening: a new Sea Ballad, composed for his Royal Highness the Prince of Wales, Tomorrow[; or, the Mars, Capt. Connor (the words by the Author of the Castle Spectre [Matthew Gregory Lewis]; the music by Kelly)-Incledon; A Touch at old Times-Munden; In my Father's Mud Cabin-Johnstone

Performances

Mainpiece Title: The Rage

Performance Comment: Gingham-Knight; Darnley-Holman; Flush-Munden; Savage-Fawcett; Sir Paul Perpetual-Emery; Signor Cygnet-Farley; Sir George Gauntlet-Claremont; Ready-Davenport; Lady Sarah Savage-Mrs Mattocks; Clara Sedley-Miss Murray; Mrs Darnley-Mrs Pope.
Cast
Role: Signor Cygnet Actor: Farley

Afterpiece Title: The Critic; or, A Tragedy Rehears'd

Performance Comment: Dangle-Farley; Sir Fretful Plagiary-Munden; Puff-Knight; Sneer-Murray (Their 1st appearance in those characters); Signor Pasticcio-Delpini; Interpreter-Klanert; Italian Girls-Mrs Atkins, Miss Wheatley; Mrs Dangle-Mrs Chapman; Tragedians Lord Burleigh-Johnstone (1st appaarance in that character); Governor-Waddy; Earl of Leicester-Whitfield; Sir Walter Raleigh-Claremont; Master of the Horse-Atkins; Sir Christopher Hatton-Simmons; Beef@Eater-Rees; Don Ferolo Whiskerandos-Fawcett (1st appearance in that character); Confidante-Mrs Whitmore; Nieces-Mrs Watts, Miss Leserve; Tilburina-Mrs Mattocks (1st appearance in that character). Edition of 1807 (John Cawthorn) adds: Under Prompter-$Wilde.
Cast
Role: Signor Pasticcio Actor: Delpini

Song: End IV: Sally in our Alley-Incledon; End: Black Ey'd Susan-Incledon; Afterpiece conclude: Rule Britannia-Incledon, Townsend, Hill, Chorus

Event Comment: Pepys, Diary: So I to White Hall, and there all the evening on the Queen's side; and it being a most summer-like day, and a fine warm evening, the Italians come in a barge under the leads, before the Queen's drawing-room; and so the Queen and ladies went out, and heard them, for almost an hour; and it was indeed very good together; but yet there was but one voice that alone did appear considerable, and that was Seignor Joanni [Giovanni Baptista Draghi?]

Performances

Mainpiece Title: Concert

Event Comment: The Duke's Company. This performance, the premiere, is on the L. C. list, 5@141, p. 216: first Acting. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance; see VanLennep, Nell Gwyn's Playgoing, p406. The title page states: The English Opera; or The Vocal Musick in Psyche, with the Instrumental Therein Intermix'd...By Matthew Lock. Preface: All the Instrumental Musick (which is not mingled with the Vocal) was Composed by that Great Master, Seignior Gio. Baptista Draghi, Master of the Italian Musick to the King. The Dances were made by the most famous Master of France, Monsieur St.Andree. The Scenes were Painted by the Ingenious Artist, Mr Stephenson. In those things that concern the Ornament or Decoration of the Play, the great industry and care of Mr Betterton ought to be remember'd, at whose desire I wrote upon this Subject. Roger North Upon Music: I am sure the musick in the Psyche was composed by Mr M. Lock, of whom wee may say, as the Greeks sayd of Cleomenes, that he was ultimus Heroum. This masque is also in print, and begins 'Great Psyche,' &c. and the book containing the whole musick of that entertainment is not unworthy of a place in a vertuoso's cabanet (ed. John Wilson [1959], pp. 306-7). Preface to Settle's Ibrahim (licensed 4 May 1676): I have often heard the Players cursing at their oversight in laying out so much on so disliked a play [Psyche]; and swearing that they thought they had lost more by making choice of such an Opera: writer than they had gained by all his Comedies; considering how much more they might have expected, had such an Entertainment had that scence in it, that it deserved: and that for the future they expect the Tempest, which cost not one Third of Psyche, will be in request when the other is forgotten. Downes (Roscius Anglicanus, pp. 35-36): In February 1672. The long expected Opera of Psyche, came forth in all her Ornaments; new Scenes, new Machines, new Cloaths, new French Dances: This Opera was Splendidly set out, especially in Scenes; the Charge of which amounted to above 800l. It had a Continuance of Performance about 8 Days together it prov'd very Beneficial to the Company; yet the Tempest got them more Money

Performances

Mainpiece Title: Psyche

Event Comment: Evelyn, Diary: [I] heard Signor Francisco on the Harpsichord, esteem'd on[e] of the most excellent masters in Europe on that Instrument: then came Nicholao Matteis? with his Violin & struck all mute, but Mrs Knight, who sung incomparably, & doubtlesse has the greatest reach of any English Woman; she had lately ben roming in Italy: & was much improv'd in that quality: Then was other Musique, & this Consort was at Mr Slingsbys Master of the Mint, my worthy friend, & great a lover of musique. [For a contemporary account of Matteis, see Roger North on Music, ed. John Wilson (London, 1959), pp. 307-11.

Performances

Mainpiece Title: Concert

Event Comment: Evelyn, Diary: I dined at the Master of the Mints with my Wife, invited to heare Musique which was most exquisitely performed by 4 the most renouned Masters, DuPrue a French-man on the Lute: Signor Bartholomeo Albrici? Ital: on the Harpsichard: & Nicolao Matteis? on the Violin; but above all for its sweetenesse & novelty the Viol d'Amore of 5 wyre-strings, plaied on with a bow, being but an ordinary Violin, play'd on Lyra way by a German, than which I never heard a sweeter Instrument or more surprizing: There was also a Flute douce now in much request for accompanying the Voice: Mr Slingsby Master of the house (whose Sonn & Daughter played skillfully) being exceedingly delighted with this diversion, had these meetings frequently in his house

Performances

Mainpiece Title: Concert

Event Comment: Evelyn, Diary: Came to my house some German strangers, & Signor Pietro Reggio a famous Musitian, who had ben long in Sweden in Queene Christina s Court: he sung admirably to a Guittar & has a perfect good tenor & base: & had set to Italian composure, many of Abraham Cowleys Pieces which shew'd extremely well

Performances

Mainpiece Title: Concert

Event Comment: In the London Gazette, No 2917, 23-26 Oct. 1693, appeared a notice of a concert by Signor Tosi for this date, but another notice in the London Gazette, No 2919, 30 Oct.-2 Nov. 1693, announced that the concert had been postponed to 2 Nov. 1693

Performances

Event Comment: The Boxes are to be open'd into the Pit, where none are to be admitted but by printed Tickets, not exceeding four hundred in number, at Five Shillings a Ticket. [In Daily Courant, 20 Jan., the announcement had specified singing by Signora Joanna Maria Lindebleim, accompanied by Signor Sajoni.

Performances

Mainpiece Title: The Country House

Song: several Songs in Italian and French- The FamousSigniora Joanna Maria; accompany'd-Signior Gasperini; Leveridge, Laroon, Hughes

Dance: Du/Ruell, Mrs Campion, others

Performances

Mainpiece Title: Concert

Music: Vocal and instrumental Music-; viz. A full Piece of the late Mr Henry Purcell-Dean, Holmes, Feiston; A new Set of Airs for the Arch Lute and Violin Composed on purpose by Tho. Dean-; That celebrated Sonata for a Violin and Flute made by the famous Signor Gasperini, and played by him and Paisable often before her Majesty, and at the Theatre,-two young Gentlemen that never Play'd in Publick; who also perform some new Italian Sonatas of the most Eminent Masters in Europe, Double/stopped Solos of the Famous Archangelo Corelli-two young Gentlemen; Singing to the Lute-Dean; Several Pieces for Trumpets Flutes and Haut/boys-; Also Select Airs out of the Operas of Camilla and Thomyris, with their Symphonies-the best Performers

Performance Comment: A full Piece of the late Mr Henry Purcell-Dean, Holmes, Feiston; A new Set of Airs for the Arch Lute and Violin Composed on purpose by Tho. Dean-; That celebrated Sonata for a Violin and Flute made by the famous Signor Gasperini, and played by him and Paisable often before her Majesty, and at the Theatre,-two young Gentlemen that never Play'd in Publick; who also perform some new Italian Sonatas of the most Eminent Masters in Europe, Double/stopped Solos of the Famous Archangelo Corelli-two young Gentlemen; Singing to the Lute-Dean; Several Pieces for Trumpets Flutes and Haut/boys-; Also Select Airs out of the Operas of Camilla and Thomyris, with their Symphonies-the best Performers.
Event Comment: Never perform'd before. By Subscription. The Boxes to be open'd to the Pit, and no Person to be admitted but by the Subscribers' Tickets. Edition 1710: Music composed by Francesco Mancini. The Scenes painted by Signor Marco Rizzi of Venice

Performances

Mainpiece Title: Hydaspes

Performance Comment: edition of 1710 lists: Artaxerxes-Cassani; Darius-Valentino Urbani; Hydaspes-Nicolino Grimaldi; Arbaces-Lawrence; Mandana-Madame Isabella Girardau; Berenice-Signora Margarita del'Epine.
Event Comment: Benefit Cavaliero Valeriano Pellegrini. With an Addition of several new Songs, particularly an English one sung by Signor Cavaliero Valeriano Pellegrini. Admission as 21 March. [Valeriano received #73 19s. See Deutsch, p. 59.

Performances

Mainpiece Title: Ernelinda

Event Comment: Benefit Signor Claudio. Tickets half a guinea. At 7 p.m

Performances

Mainpiece Title: Concert

Music: A Compleat Consort of Musick-

Event Comment: Benefit Signor Pardini. At 8 p.m

Performances

Mainpiece Title: Concert