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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Signor Atilio Ariosti"/1) | (@(roleclean,performerclean) "Signor Atilio Ariosti")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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420 results for: Keyword - Signor Atilio Ariosti
We found 272 matches on Author, 69 matches on Event Comments, 54 matches on Performance Comments, 40 matches on Performance Title, and 0 matches on Roles/Actors.

376
26 March 1708 @ Stationer's Hall

Performances

Mainpiece Title: Concert

Music: Vocal and instrumental Music-; viz. A full Piece of the late Mr Henry Purcell-Dean, Holmes, Feiston; A new Set of Airs for the Arch Lute and Violin Composed on purpose by Tho. Dean-; That celebrated Sonata for a Violin and Flute made by the famous Signor Gasperini, and played by him and Paisable often before her Majesty, and at the Theatre,-two young Gentlemen that never Play'd in Publick; who also perform some new Italian Sonatas of the most Eminent Masters in Europe, Double/stopped Solos of the Famous Archangelo Corelli-two young Gentlemen; Singing to the Lute-Dean; Several Pieces for Trumpets Flutes and Haut/boys-; Also Select Airs out of the Operas of Camilla and Thomyris, with their Symphonies-the best Performers

Performance Comment: A full Piece of the late Mr Henry Purcell-Dean, Holmes, Feiston; A new Set of Airs for the Arch Lute and Violin Composed on purpose by Tho. Dean-; That celebrated Sonata for a Violin and Flute made by the famous Signor Gasperini, and played by him and Paisable often before her Majesty, and at the Theatre,-two young Gentlemen that never Play'd in Publick; who also perform some new Italian Sonatas of the most Eminent Masters in Europe, Double/stopped Solos of the Famous Archangelo Corelli-two young Gentlemen; Singing to the Lute-Dean; Several Pieces for Trumpets Flutes and Haut/boys-; Also Select Airs out of the Operas of Camilla and Thomyris, with their Symphonies-the best Performers.

377
23 March 1710 @ Queen's Theatre

Event Comment: Never perform'd before. By Subscription. The Boxes to be open'd to the Pit, and no Person to be admitted but by the Subscribers' Tickets. Edition 1710: Music composed by Francesco Mancini. The Scenes painted by Signor Marco Rizzi of Venice

Performances

Mainpiece Title: Hydaspes

Performance Comment: edition of 1710 lists: Artaxerxes-Cassani; Darius-Valentino Urbani; Hydaspes-Nicolino Grimaldi; Arbaces-Lawrence; Mandana-Madame Isabella Girardau; Berenice-Signora Margarita del'Epine.
Cast
Role: Berenice Actor: Signora Margarita del'Epine.

378
02 May 1713 @ Queen's Theatre

Event Comment: Benefit Cavaliero Valeriano Pellegrini. With an Addition of several new Songs, particularly an English one sung by Signor Cavaliero Valeriano Pellegrini. Admission as 21 March. [Valeriano received #73 19s. See Deutsch, p. 59.

Performances

Mainpiece Title: Ernelinda

Cast
Role: Rodoaldo Actor: Signora del'Epine
Role: Ernelinda Actor: Signora Elizabetta Pilotti Schiavonetti
Role: Edwige Actor: Signora Vittoria Albergotti

379
05 May 1714 @ Hickford's Room

Event Comment: Benefit Signor Claudio. Tickets half a guinea. At 7 p.m

Performances

Mainpiece Title: Concert

Music: A Compleat Consort of Musick-

380
20 May 1714 @ Hickford's Room

Event Comment: Benefit Signor Pardini. At 8 p.m

Performances

Mainpiece Title: Concert

381
01 September 1720 @ Hickford's Room

Event Comment: Benefit Signor Francisco Scarlatti, Brother to the famous Allessandro Scarlatti. At 7 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-

382
26 November 1726 @ Lincoln's Inn Fields

Event Comment: Receipts: #116 10s. Probable attendance: boxes, 191 paid and 12 orders; pit, 262 paid and 5 orders; slips, 25 paid and 2 orders; first gallery, 242 paid and 6 orders; second gallery, 50 paid and 1 order. For an essay on Camilla, see London Journal, 26 Nov. Mrs Pendarves to Anne Granville, 27 Nov.: I was at the opera of Camilla...performed by a Mrs Chambers, Mrs Barbiere, Mrs Fletchere, a Signor Rochetti, Mr Leveridge, Mr Legard. I can't say I was much pleased with it, I liked it for old acquaintance sake, but there is not many of the songs better then ballads.-Mrs Delany@Autobiography, I, 125

Performances

Mainpiece Title: Camilla

383
04 March 1730 @ Drury Lane Theatre

Event Comment: Benefit Miss Cecilia Young, a Scholar of Signor Geminiani, who never yet sung in Publick. Pit and Boxes half a guinea. First Gallery 5s. Upper Gallery 2s. 6d. 7 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-

384
09 June 1733 @ King's Theatre

Event Comment: [P$Princess Royal and Princess Amelia present.] Daily Advertiser, 11 June: After the Performance was over, Signor Senesino made his Leave of the Audience, in a short Speech, acquainting them, as he said, with Regret 'That he had now perform'd his last Part on that Stage, and was henceforward discharg'd from any Engagement.

Performances

Mainpiece Title: Griselda

385
12 March 1734 @ Lincoln's Inn Fields

Event Comment: A new Oratorio or Sacred Drama. Set to Musick by Signor Nicola Porpora. [By Paul Rolli. Egmont present.]

Performances

Mainpiece Title: David

386
16 March 1734 @ Lincoln's Inn Fields

Event Comment: Set to Musick by Signor Nicola Porpora

Performances

Mainpiece Title: David

387
08 April 1734 @ Lincoln's Inn Fields

Event Comment: Set to Musick by Signor Nicola Porpora

Performances

Mainpiece Title: David

388
11 September 1734 @ Hampstead

Performances

Mainpiece Title: Concert

Performance Comment: music . The Vocal Parts by Gentlemen, particularly a new Hampstead Song, compos'd by Mr Seedo, for two French Horns, Violins, Hautboys, &c. The Instrumental by the best Hands. The Violin Concertino by Capt Dupar, Scholar to the late celebrated Signor Corelli, and late Musick Master to his present Highness the Prince of Orange. With several Pieces of his own composing, for the Violin and Harpsichord. The Concert will consist of three Acts .

389
28 February 1735 @ King's Theatre

Event Comment: Set to Musick by Signor Nicola Porpora. With several Additions

Performances

Mainpiece Title: David

390
27 March 1735 @ Hickford's Room

Event Comment: Benefit Signor Arrigoni. 7 P.M. Tickets half a guinea

Performances

Mainpiece Title: Concert

391
10 May 1740 @ Haymarket Theatre

Event Comment: A new Opera. Edition of 1740 Composed by Signor Pescetti. A new Scene by M delaCour. By His Majesty's Command

Performances

Mainpiece Title: Busiri, Overo Il Trionfo D'amore

Performance Comment: Edition of 1740 lists: Busiri-Carestini; Erigone-Signora Panichi; Anubi-Andreoni; Merate-Rochetti.
Cast
Role: Erigone Actor: Signora Panichi

Dance: As17400408

392
15 May 1741 @ Covent Garden

Performances

Mainpiece Title: Double Falshood

Opera: End II and IV: of the Play will be performed an Interlude in two Comick Scenes in Musick. betwixt Signor Capoccio, a Director from the Canary Islands, and Signora Dorinna, a Virtuosa; Capoccio-Waltz; Dorinna-Miss Hillier

Performance Comment: betwixt Signor Capoccio, a Director from the Canary Islands, and Signora Dorinna, a Virtuosa; Capoccio-Waltz; Dorinna-Miss Hillier.

Dance: I: Muzette, Tambourine-Mechell, Mlle Mechell; III: Les Niaise-Mechell, Mlle Mechell

393
30 October 1741 @ Drury Lane Theatre

Event Comment: Masque: By Particular Desire. The Gentlemen's Magazine for Jan. 1742 (p. 28) in an article On Two Italian Dancers comments rather fully on the Fausans' performance in Le Boufon; or the Idiot: My expectation was rais'd to the height but at their entrance on the stage, they alarm'd me by the inexpressive Agility and descriptive Action, Look and Motion, which were all performed With such mimic Variety, that I defy the most severe Cynic to say that they wou'd not at least raise in him an agreeable surprise, to see all the attitudes, Oddities and mock Gesticulations of the two Idiots, who may be suppos'd to be in Love with one another. It is not any distortion of Body or unnatural transposition of the limbs which they exhibit to the view, but the extravagant Idiotry which the passions of Love, Disdain, Joy, Resentment, would on a real occasion actuate on the personages they represent: Nor do they so manage their Dance that it is ungraceful: they take opportunities to show by actions and movements, that in their comic Humour they have an elegancy. This performance therefore, on Reflection, appear'd to me, instead of an unnatural extravaganza to be founded on the nicest Observations of Human Nature, and prove Signor and Signora to be persons of good judgment, as well as agility. Receipts: #80

Performances

Mainpiece Title: Comus

Dance: LLe Boufon-the Fausans; Le Genereux Corsaire, as17411021

394
20 March 1744 @ King's Theatre

Event Comment: A new Oratorio, set to music by Signor Veracini

Performances

Mainpiece Title: L'errore Di Solomone

395
26 March 1748 @ King's Theatre

Event Comment: A New Opera...Written by Metastasio and set to Musick by Signor Hasse

Performances

Mainpiece Title: Dido

396
26 April 1748 @ King's Theatre

Event Comment: Benefit Signor Reginelli

Performances

Mainpiece Title: Dido

Song: In I: favorite Song-Reginelli; accompanied on the Saltero-Caruso, which was never performed in any Concert before

397
07 May 1748 @ King's Theatre

Event Comment: A new Opera written by Metastasio and the Musick compos'd originally by Signor Hasse. [First time performed in England.

Performances

Mainpiece Title: La Semiramide Reconosciuta

398
08 November 1748 @ King's Theatre

Event Comment: By Subscription. A Burletta, or Comic Opera...being the first of this Species of Musical Drama ever exhibited in England. [But see Burney, II, 248, on both cast and music.] Pit and Boxes Half a guinea. Gallery 5s. To begin at 6 p.m. Last Wednesday arrived in London, from Italy, Signor Croza, with his New Company of Italian Performers, who are to entertain the Town the approaching Season, at the King's Theatre in the Haymarket, with Operas of a new kind, call'd Burlettas (General Advertiser, 23 Sept.)

Performances

Mainpiece Title: La Comedia In Comedia

Dance: GGrand Dance (compos'd by Poitier)-Mlle Poitier, Master Charles, Miss Jenny Poitier

Music: Rinaldo da Capua

399
27 March 1750 @ King's Theatre

Event Comment: Benefit Signor Laschi, with Comic Interludes between the Acts, called La Serva Padrona. The music composed by Sig Gio. Batista Pergolesi

Performances

Mainpiece Title: Adriano In Siria

Afterpiece Title: La Serva Padrona

400
29 February 1752 @ Haymarket Theatre

Event Comment: Benefit Signor Antonio Ambrosia, Operator on the Cremona Staccato, vulgarly call'd the Salt-Box. Tickets delivered for 5 March will be taken. Prices, Boxes 4s. Pit 3s. Gallery 2s. [The fifteenth night.

Performances

Mainpiece Title: The Old Woman's Oratory