Event Comment: This date of performance is not a certainty; for the evidence, see Spencer, Shakespeare Improved, p. 94. Neither is Shadwell's authorship of the alterations a certainty, for the contributions of other playwrights have never been fully determined. (See Nicoll, Restoration Drama, p. 43.) The instrumental music was composed by Matthew Lock, with new vocal music by James? Hart and Pietro Reggio. See Songs Set by Signior Pietro Reggio, 1680. And differing versions of the second Prologue and the second Epilogue are in BM Egerton MS. 2623, ff. 54-55. Downes (Roscius Anglicanus, pp. 34-35): The Year after in 1673. The Tempest, or the Inchanted Island, made into an Opera by Mr Shadwell, having all New in it; as Scenes, Machines; particularly, one Scene Painted with Myriads of Ariel Spirits; and another flying away, with a Table Furnisht out with Fruits, Sweetmeats and all sorts of Viands; just when Duke Trinculo and his Companions, were going to Dinner; all things Perform'd in it so Admirably well, that not any succeeding Opera got more Money

Event Comment: London Gazette, No 2919, 30 Oct.-2 Nov. 1693. Whereas last Monday proving to be the Lord Mayors Day Signior Tosi could not play his Consort of Musick, but will do it this present Thursday the 2d instant, and the Thursday following; and afterwards on every Monday, in York-Buildings, during the Winter

Event Comment: Betterton's Company. The date of the first performance is not known, but the fact that the play was advertised in the Post Boy, 25-28 April 1696, suggests that it was acted not later than the period preceding Passion Week (6-11 April 1696). In addition, the large number of minor performers in the cast suggests a Lenten performance by the young actors. In Act I, Scene i, there is an Entertainment of Instrumental Musick, Compos'd by Signior Finger: Then a Song, set by Mr John Eccles, and Sung by Young La Roche. In III, iii: A Dialogue set by Seignior Baptist. The play is an adaptation of John Webster's Cure for a Cuckold. A Comparison Between the Two Stages (1702): The City Bride, by another Player, Damn'd

Event Comment: London Gazette, No. 3250, 31 Dec. 1696-4 Jan. 1696@7: The Musick that was perform'd of St. Cecilia's Day, Composed by Signior Nicola, will be Performed on Thursday night in York Buildings, being the 7th Instant

Event Comment: London Gazette, No. 3264, 18-22 Feb. 1696@7: On Wednesday next, being the 24th instant, will be performed at York Buildings, a New Song Set by Signior Baptist, for the Birth Day of Her Royal Highness the Princess, and by Her Royal Highness's Command

Event Comment: London Gazette, No. 3378, 24-28 March 1698: Next Monday, being the 28th Instant, will be performed in York Buildings, a new Consort of Musick by the chiefest Masters in England, where Signior Rampany, an Italian Musician belonging to the prince of Vaudemont, at the Request of several Persons of Quality, will for once sing in the same in Italian and French. Half a Guinea Entrance

Event Comment: Benefit Signior Francisco. At the Desire of several Persons of Quality. Tickets 5s

Event Comment: At the Desire of several Persons of Quality. Afterpiece: With the Comical Interlude of Floro and Blesa set to Musick by the famous Signior Bononcini. [In Daily Courant, 15 March, the premiere of Hydaspes had been announced for this day.

Event Comment: Benefit Nicolino. With New Scenes and Cloaths, particularly the Scene with the Fountain. Pit and Boxes half a guinea. Stage Boxes 15s. Gallery 4s. At 6 p.m. Weekly Packet, 25 June: Signior Nicolini's Quail-Pipe continues to lug the Nobility and Gentry by the Ears, who have gone very far on his last Benefit-Night, towards equipping him for another purchase at Venice, he having already built a stately Edifice there, near the Rialto, upon which is written in Characters of Gold, Villa Britannica, as a Testimony that Scaliger's Saying, that we are Hospitibus Feri, is a downright Untruth, and falsly imputed to our Nation