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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sig Salomon"/1) | (@(roleclean,performerclean) "Sig Salomon")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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143 results for: Keyword - Sig Salomon
We found 67 matches on Performance Title, 46 matches on Event Comments, 32 matches on Performance Comments, 2 matches on Author, and 0 matches on Roles/Actors.

101
20 March 1775 @ Covent Garden

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Druids with two New Scenes

Performance Comment: As17750316 but Sig_ Rossignol and "With Alterations to make room for Two Entire New Scenes; The Characters of the Pantomime and Dances as Usual".
Cast
Role: 7750102 but Imitations of Birds Actor: Sig Rossignol , being his first appearance here
Role: Country Fiddler Actor: Sig Rossignol

102
06 March 1776 @ Covent Garden

Performances

Mainpiece Title: Concerto Spirituale; Judas Maccabaeus

Performance Comment: See17760223, but Part I: An Anthem by Dr Arnold-; Part II: Stabat Mater-Sig B. Pergolesi , with additional chorusses; Part III: The Power of Harmony an Ode by Dr Arnold-.
Cast
Role: Stabat Mater Actor: Sig B. Pergolesi , with additional chorusses

Music: First Violin, as17760223; After I: Concerto on German Flute, as17760223; End II: Concerto on Violin-Lamotte

103
19 May 1670 @ Dover, England

Event Comment: On this day and on Friday the 20th the Duke's players gave The Impertinents; or, The Sullen Lovers or Sir Salomon. Downes (Roscius Anglicanus, p. 29) lists these as the two plays presented by the Duke's Company, but no contemporary statement indicates for certain which play was given on each day. The Journal of Sir Richard Bulstrode: Yesterday [19] at five of ye clocke, the Court were entertained with a comedy acted by the Duke's player (The Bulstrode Papers, 1879, I, 139). Saturday 28 May 1670: The absence of the court which continues at Dover till Wensday next makes us very barren of news. There is the greatest gallantry and mirth imaginable. The Dukes players have beene there all the time past came up yesterday and the kings goe downe this day (Aston Papers, Vol. XVI, Add. Mss. 36916, folio 182)

Performances

104
21 November 1746 @ Drury Lane Theatre

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Anatomist

Dance: Signora Padouana, from Italy, 1st appearance. Muilment, Salomon's Son

Performance Comment: Muilment, Salomon's Son.

105
09 April 1795 @ Covent Garden

Event Comment: The Overture to the Drama selected from Pleyel. The Overture to the Masque composed expressly for the occasion by Haydn, as is the rest of the Music by Salomon, except the Glee and Song, May the Prince and his Bride, which composed by Spofforth. [Rest of COMMENT as 6 Apr.]. Receipts: #236 10s. 6d. (220.5.0; 16.5.6)

Performances

Mainpiece Title: Life's Vagaries

Cast
Role: unassigned Actor: Rees, Burton, Rock, Wilde

Afterpiece Title: Windsor Castle 1

Afterpiece Title: Windsor Castle 2

106
15 May 1716 @ King's Theatre

Event Comment: By His Royal Highness's Command. With Magnificent New Scenes, Particularly one in Perspective of a Royal Palacev, which exceeds any that has been seen in England, containing about One Thousand Yards of Painting by Sig Roberto Clerici, and to be seen again this Year. Admission as 1 Feb. [The Prince and Princess present.

Performances

Mainpiece Title: Pyrrhus And Demetrius

Cast
Role: Marius Actor: Signora Diana Vico
Role: Deidamia Actor: Signora Elena Croce Viviani.

Music: As17160502

107
01 October 1719 @ Drury Lane Theatre

Event Comment: Afterpiece: A Cantata (divided into two Entertainments) set to Musick by Sig Attilio Ariosti

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: Diana on Mount Latmos

108
23 March 1727 @ King's Theatre

Event Comment: Benefit Sig Victoria and the Doctor. By His Majesty's Command. Mainpiece: Being a particular Fatigue of Argentina, with her Comical Affectation of her New Title; wherein the Doctor will perform by the Name of Tabarin , a New Character, very Comical and Jocose, never yet seen on the Stage, which has been reserved for that Day, and may be continued hereafter, if he has the Happiness of pleasing his most Noble Spectators better than by his former

Performances

Mainpiece Title: Argentina Ortolana Contessa Per Forza

Dance: new Scaramouch , lately arriv'd from Italy; Serious and Grotesque Dancing particularly-M deCamp, Mlle Mimi l'Post , first Dancers of the Opera at Brussels, just arrived

109
08 April 1734 @ Hickford's Room

Performances

Mainpiece Title: Concert

Music: By the best Performers. [Thumoth] performs several Lessons on the Harpsichord, and several Solos of Sig Quontz's on the German Flute, and Grand Concertos compos'd for the Trumpet

Performance Comment: [Thumoth] performs several Lessons on the Harpsichord, and several Solos of Sig Quontz's on the German Flute, and Grand Concertos compos'd for the Trumpet .

110
16 April 1734 @ Lincoln's Inn Fields

Event Comment: Composed by Sig Bononcini

Performances

Mainpiece Title: Astartus

111
14 March 1738 @ Covent Garden

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Honest Yorkshireman

Music: Musical Medley called The Topers; or The Sons of Bacchus. Written and set to Musick, by Sig Carini, Author of The Dragon of Wantley; Vocals-Leveridge, Laguerre, Salway, Roberts

Performance Comment: Written and set to Musick, by Sig Carini, Author of The Dragon of Wantley; Vocals-Leveridge, Laguerre, Salway, Roberts.

Dance: IV: Peasant-Lalauze, Mlle Roland; V: Clown-Nivelon; End Afterpiece: Dance of Sailors-Glover

112
29 January 1743 @ King's Theatre

Event Comment: N.B. Sig Sodi being recover'd of his last indisposition, will dance this Night as usual

Performances

Mainpiece Title: Enrico

113
19 March 1743 @ Drury Lane Theatre

Event Comment: Benefit Sig Checo Torinese. Mainpiece: By Particular desire. Tickets deliver'd out for Venice Preserv'd will be taken. Tickets and places to be had of Hobson at the stage door

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Lying Valet

Dance: I: The Sicilian Peasant, as17430310 III: La Mascarade de Florana-Checo, Chiaretta; V: Italian Gardeners, as17421231

114
16 May 1744 @ Hickford's Room

Performances

Mainpiece Title: Orpheus Seeking After Eurydice

Performance Comment: Vocal Parts-Palma, Rochetti, Fratestanti; who sing some song composed in Italy in Comic Style; for the first time in publick, the famous Cantata by the late Sig. Pergolesi-.

115
14 March 1748 @ King's Theatre

Event Comment: We hear from the King's Theatre in the Haymarket, that as the Celebrated Opera Dido, wrote by Abbat Metastasio, and set to Musick by Sig Hasse, cannot be got ready for Representation till almost a fortnight, the Opera Lucius Verus (consisting of chosen Airs from the Compositions of Mr Handel) will be performed next Saturday (Daily Advertiser)

Performances

116
28 February 1749 @ King's Theatre

Event Comment: A New Comic Opera. Benefit for Sig Crosa who brought into England the comedy of Italy. Set to Musick by the celebrated Cocchi of Naples. [Subscriber's tickets will not be admitted this Night. La Maestra published this day.

Performances

Mainpiece Title: La Maestra

Entertainment: Between the Acts: A new Interlude-Signor Laschi

117
23 August 1749 @ Bartholomew Fair

Event Comment: At Phillips's Great Theatrical Booth opposite Cow Lane. With the surprising performances of an Englishman and a Citizen of London [Lort] who performs all the Equilibres on the Slack Rope that were performed by the muchfamed Turk. Prices: 2s. 6d., 1s. 6d., 1s., 6d. To begin at Twelve. [Time and prices the same at all booths.] Afterpiece: With the Escape of Harlequin into a Glass Bottle, also the last new additional Scene of Sig Jumpedo Jumping Down his own Throat. [An unhappy evening, for "last night the gallery of Phillips' booth fell down, with a great number of people in it, by which accident several persons were hurt, and some dangerously. This misfortune could be owing to nothing but the carelessness of the workmen, who upon such occasions deserve to be severely punished" (General Advertiser, 24 Aug.). The Daily Advertiser noted that Mr Stringellow, a goldsmith, in Aldersgate St., and Thomas Hodges, a journeyman-plaisterer in Golden Lane, were killed.

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Harlot's Progress

118
20 March 1750 @ King's Theatre

Event Comment: By Desire of Several Persons of Quality. [Scheduled performance of 17 March, cancelled because of "The Indisposition of Sig Laschi."

Performances

Mainpiece Title: Il Negligente

119
27 March 1750 @ King's Theatre

Event Comment: Benefit Signor Laschi, with Comic Interludes between the Acts, called La Serva Padrona. The music composed by Sig Gio. Batista Pergolesi

Performances

Mainpiece Title: Adriano In Siria

Afterpiece Title: La Serva Padrona

120
07 April 1750 @ King's Theatre

Event Comment: Benefit Sig Croza

Performances

Mainpiece Title: Il Trionfo Di Camilla

121
11 December 1752 @ Haymarket Theatre

Performances

Mainpiece Title: The Old Woman's Oratory

Cast
Role: particularly a Piece Actor: Signor Spoonatissimo on an Instrument dug out of the Ruins of Herculaneumv, much used by the Ancient Romans, and celebrated by Virgil in his Georgics

Afterpiece Title: Animal Pantomime

Performance Comment: Pantomime Entertainment. The Animal Comedians brought from Italy by Sig Ballard.

122
10 April 1753 @ Haymarket Theatre

Event Comment: Benefit for Master Benjamin Hallet and Sig Gapatono

Performances

Mainpiece Title: The Old Woman's Oratory

Song: TThe Dust Cart-Toe; accompanied-, Bombasto; Grand Dance in the Old British Taste-; Hornpipe-Timertoe

123
05 January 1754 @ King's Theatre

Event Comment: A New Opera composed by Sig Ciampi. To begin at 6:30 p.m

Performances

Mainpiece Title: Didone

124
11 February 1754 @ Covent Garden

Event Comment: Comic Opera in Italian and French, 3 Acts (Larpent MS 107). Subtitle, O Sia, Il Finto Femmina. La Musica e del Sig Leonardo Leo, Maestro di Capella Napolitano (Edition of 1752, Amsterdam). [Rich had applied for license to Duke of Grafton 8 Feb.] This day at Noon will be publish'd at 1s. L'Amor Costante, Dramma Comico, pe Musica, as it is acted at Covent Garden. With an English translation. Sold by H. Woodfall

Performances

Mainpiece Title: L'amour Costante

Dance: [Unspecified.]

125
29 November 1755 @ King's Theatre

Event Comment: Composed by Sig Perez. [The first advance bill attributed it to Hasse.

Performances

Mainpiece Title: Ezio

Performance Comment: Signora Mingotti will sing this evening.