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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sig Roberto Clerici"/1) | (@(roleclean,performerclean) "Sig Roberto Clerici")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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111 results for: Keyword - Sig Roberto Clerici
We found 50 matches on Performance Comments, 39 matches on Event Comments, 24 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

76
23 March 1727 @ King's Theatre

Event Comment: Benefit Sig Victoria and the Doctor. By His Majesty's Command. Mainpiece: Being a particular Fatigue of Argentina, with her Comical Affectation of her New Title; wherein the Doctor will perform by the Name of Tabarin , a New Character, very Comical and Jocose, never yet seen on the Stage, which has been reserved for that Day, and may be continued hereafter, if he has the Happiness of pleasing his most Noble Spectators better than by his former

Performances

Mainpiece Title: Argentina Ortolana Contessa Per Forza

Dance: new Scaramouch , lately arriv'd from Italy; Serious and Grotesque Dancing particularly-M deCamp, Mlle Mimi l'Post , first Dancers of the Opera at Brussels, just arrived

77
08 April 1734 @ Hickford's Room

Performances

Mainpiece Title: Concert

Music: By the best Performers. [Thumoth] performs several Lessons on the Harpsichord, and several Solos of Sig Quontz's on the German Flute, and Grand Concertos compos'd for the Trumpet

Performance Comment: [Thumoth] performs several Lessons on the Harpsichord, and several Solos of Sig Quontz's on the German Flute, and Grand Concertos compos'd for the Trumpet .

78
16 April 1734 @ Lincoln's Inn Fields

Event Comment: Composed by Sig Bononcini

Performances

Mainpiece Title: Astartus

79
14 March 1738 @ Covent Garden

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Honest Yorkshireman

Music: Musical Medley called The Topers; or The Sons of Bacchus. Written and set to Musick, by Sig Carini, Author of The Dragon of Wantley; Vocals-Leveridge, Laguerre, Salway, Roberts

Performance Comment: Written and set to Musick, by Sig Carini, Author of The Dragon of Wantley; Vocals-Leveridge, Laguerre, Salway, Roberts.

Dance: IV: Peasant-Lalauze, Mlle Roland; V: Clown-Nivelon; End Afterpiece: Dance of Sailors-Glover

80
29 January 1743 @ King's Theatre

Event Comment: N.B. Sig Sodi being recover'd of his last indisposition, will dance this Night as usual

Performances

Mainpiece Title: Enrico

81
19 March 1743 @ Drury Lane Theatre

Event Comment: Benefit Sig Checo Torinese. Mainpiece: By Particular desire. Tickets deliver'd out for Venice Preserv'd will be taken. Tickets and places to be had of Hobson at the stage door

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Lying Valet

Dance: I: The Sicilian Peasant, as17430310 III: La Mascarade de Florana-Checo, Chiaretta; V: Italian Gardeners, as17421231

82
16 May 1744 @ Hickford's Room

Performances

Mainpiece Title: Orpheus Seeking After Eurydice

Performance Comment: Vocal Parts-Palma, Rochetti, Fratestanti; who sing some song composed in Italy in Comic Style; for the first time in publick, the famous Cantata by the late Sig. Pergolesi-.

83
14 March 1748 @ King's Theatre

Event Comment: We hear from the King's Theatre in the Haymarket, that as the Celebrated Opera Dido, wrote by Abbat Metastasio, and set to Musick by Sig Hasse, cannot be got ready for Representation till almost a fortnight, the Opera Lucius Verus (consisting of chosen Airs from the Compositions of Mr Handel) will be performed next Saturday (Daily Advertiser)

Performances

84
28 February 1749 @ King's Theatre

Event Comment: A New Comic Opera. Benefit for Sig Crosa who brought into England the comedy of Italy. Set to Musick by the celebrated Cocchi of Naples. [Subscriber's tickets will not be admitted this Night. La Maestra published this day.

Performances

Mainpiece Title: La Maestra

Entertainment: Between the Acts: A new Interlude-Signor Laschi

85
23 August 1749 @ Bartholomew Fair

Event Comment: At Phillips's Great Theatrical Booth opposite Cow Lane. With the surprising performances of an Englishman and a Citizen of London [Lort] who performs all the Equilibres on the Slack Rope that were performed by the muchfamed Turk. Prices: 2s. 6d., 1s. 6d., 1s., 6d. To begin at Twelve. [Time and prices the same at all booths.] Afterpiece: With the Escape of Harlequin into a Glass Bottle, also the last new additional Scene of Sig Jumpedo Jumping Down his own Throat. [An unhappy evening, for "last night the gallery of Phillips' booth fell down, with a great number of people in it, by which accident several persons were hurt, and some dangerously. This misfortune could be owing to nothing but the carelessness of the workmen, who upon such occasions deserve to be severely punished" (General Advertiser, 24 Aug.). The Daily Advertiser noted that Mr Stringellow, a goldsmith, in Aldersgate St., and Thomas Hodges, a journeyman-plaisterer in Golden Lane, were killed.

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Harlot's Progress

86
20 March 1750 @ King's Theatre

Event Comment: By Desire of Several Persons of Quality. [Scheduled performance of 17 March, cancelled because of "The Indisposition of Sig Laschi."

Performances

Mainpiece Title: Il Negligente

87
27 March 1750 @ King's Theatre

Event Comment: Benefit Signor Laschi, with Comic Interludes between the Acts, called La Serva Padrona. The music composed by Sig Gio. Batista Pergolesi

Performances

Mainpiece Title: Adriano In Siria

Afterpiece Title: La Serva Padrona

88
07 April 1750 @ King's Theatre

Event Comment: Benefit Sig Croza

Performances

Mainpiece Title: Il Trionfo Di Camilla

89
11 December 1752 @ Haymarket Theatre

Performances

Mainpiece Title: The Old Woman's Oratory

Cast
Role: particularly a Piece Actor: Signor Spoonatissimo on an Instrument dug out of the Ruins of Herculaneumv, much used by the Ancient Romans, and celebrated by Virgil in his Georgics

Afterpiece Title: Animal Pantomime

Performance Comment: Pantomime Entertainment. The Animal Comedians brought from Italy by Sig Ballard.

90
10 April 1753 @ Haymarket Theatre

Event Comment: Benefit for Master Benjamin Hallet and Sig Gapatono

Performances

Mainpiece Title: The Old Woman's Oratory

Song: TThe Dust Cart-Toe; accompanied-, Bombasto; Grand Dance in the Old British Taste-; Hornpipe-Timertoe

91
05 January 1754 @ King's Theatre

Event Comment: A New Opera composed by Sig Ciampi. To begin at 6:30 p.m

Performances

Mainpiece Title: Didone

92
11 February 1754 @ Covent Garden

Event Comment: Comic Opera in Italian and French, 3 Acts (Larpent MS 107). Subtitle, O Sia, Il Finto Femmina. La Musica e del Sig Leonardo Leo, Maestro di Capella Napolitano (Edition of 1752, Amsterdam). [Rich had applied for license to Duke of Grafton 8 Feb.] This day at Noon will be publish'd at 1s. L'Amor Costante, Dramma Comico, pe Musica, as it is acted at Covent Garden. With an English translation. Sold by H. Woodfall

Performances

Mainpiece Title: L'amour Costante

Dance: [Unspecified.]

93
29 November 1755 @ King's Theatre

Event Comment: Composed by Sig Perez. [The first advance bill attributed it to Hasse.

Performances

Mainpiece Title: Ezio

Performance Comment: Signora Mingotti will sing this evening.

94
10 February 1756 @ King's Theatre

Event Comment: A new Opera. [But not performed.] 'Twas with inexpressible Concern that Mr Vanneschi found the Nobility and Gentry disappointed last Night, by the new Opera's not being then performed; a circumstance wholly owing to Sig Ricciarelli's being, on a sudden, taken extremely ill Yesterday, at an hour too late for its being made known to the Public (Public Advertiser, 11 Feb.)

Performances

Mainpiece Title: L'olimpiade

95
10 April 1756 @ King's Theatre

Event Comment: A New Opera. First performance in England. The Musick composed by Sig Abos

Performances

Mainpiece Title: Tito Manlio

Performance Comment: Titus Manlius-Pazzagli; Manlius-Ricciarelli; Servilia-Signora Mingotti; Sabina-Signora Frasi; Lucius-Signora Mattei; Decius-Signora Mondini (1756 libretto).
Cast
Role: Servilia Actor: Signora Mingotti
Role: Sabina Actor: Signora Frasi
Role: Lucius Actor: Signora Mattei
Role: Decius Actor: Signora Mondini

Dance: NNew Dances-

96
08 March 1757 @ King's Theatre

Event Comment: With new Music compos'd by Sig Nicola Conforto, and new Dances. A new Scene painted by Mr Mitermayer. [Repeated in the bills.

Performances

Mainpiece Title: Antigono

97
26 April 1757 @ King's Theatre

Event Comment: Opera by Sig Hasse

Performances

Mainpiece Title: Il Re Pastore

Dance: With Dances

98
31 May 1757 @ King's Theatre

Event Comment: A New Opera. The Musick by Sig Baldassare Galuppi. [Mingotti had been advertising for subscriptions for next season but now Vanneschi announces that he was secured the licence for next year from the Lord Chamberlain and he is the new Director of the operas (Daily Advertiser).

Performances

Mainpiece Title: Euristeo

Performance Comment: Creonte-Pazzaglia; Antigona-Signora Mingotti; Eurifreo-Ricciarelli; Ermione-Signora Passerini; Learco-Signora Grandis; Ormonte-Mareschi (Larpent MS).
Cast
Role: Antigona Actor: Signora Mingotti
Role: Ermione Actor: Signora Passerini
Role: Learco Actor: Signora Grandis

Dance: With New dances-

99
14 March 1758 @ King's Theatre

Event Comment: A New Opera. Ths Musick newly composed by Sig Cocchi. New Clothes, Decorations, and Dances. [On Monday 13 March Sga Frasi published in the Public Advertiser thanks for those who supported her benefit (6 March) and apologized for deficiencies in the performances. Some of the principals were engaged in the run of the new tragedy [The Prophetess? Mariamne?] whose run she could not anticipate.

Performances

Mainpiece Title: Issipile

100
16 January 1759 @ King's Theatre

Event Comment: A new Opera, the music newly compos'd by Sig Cocchi. With New Decorations and New Dances

Performances

Mainpiece Title: Il Ciro Riconosiuto

Performance Comment: Libretto of 1759 lists: Astioges-Gaetano Quilici; Mandane-Signora Colomba Mattei; Cyrus-Paquale Potenza; Cambises-Ferdinando Tenducci called Senesino; Arpalice-Signora Angiola Calori; Egistus-Laura Rosa.
Cast
Role: Mandane Actor: Signora Colomba Mattei
Role: Arpalice Actor: Signora Angiola Calori

Dance: Director of Dances: Giovanni Gallini Dancers-Gallini, Signora Rosa Carlini, Giuseppe Forti, Signora Giac. Bonomi