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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sig Nicola Conforto"/1) | (@(roleclean,performerclean) "Sig Nicola Conforto")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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172 results for: Keyword - Sig Nicola Conforto
We found 76 matches on Author, 45 matches on Event Comments, 31 matches on Performance Comments, 24 matches on Performance Title, and 0 matches on Roles/Actors.

151
11 December 1752 @ Haymarket Theatre

Performances

Mainpiece Title: The Old Woman's Oratory

Cast
Role: particularly a Piece Actor: Signor Spoonatissimo on an Instrument dug out of the Ruins of Herculaneumv, much used by the Ancient Romans, and celebrated by Virgil in his Georgics

Afterpiece Title: Animal Pantomime

Performance Comment: Pantomime Entertainment. The Animal Comedians brought from Italy by Sig Ballard.

152
10 April 1753 @ Haymarket Theatre

Event Comment: Benefit for Master Benjamin Hallet and Sig Gapatono

Performances

Mainpiece Title: The Old Woman's Oratory

Song: TThe Dust Cart-Toe; accompanied-, Bombasto; Grand Dance in the Old British Taste-; Hornpipe-Timertoe

153
05 January 1754 @ King's Theatre

Event Comment: A New Opera composed by Sig Ciampi. To begin at 6:30 p.m

Performances

Mainpiece Title: Didone

154
11 February 1754 @ Covent Garden

Event Comment: Comic Opera in Italian and French, 3 Acts (Larpent MS 107). Subtitle, O Sia, Il Finto Femmina. La Musica e del Sig Leonardo Leo, Maestro di Capella Napolitano (Edition of 1752, Amsterdam). [Rich had applied for license to Duke of Grafton 8 Feb.] This day at Noon will be publish'd at 1s. L'Amor Costante, Dramma Comico, pe Musica, as it is acted at Covent Garden. With an English translation. Sold by H. Woodfall

Performances

Mainpiece Title: L'amour Costante

Dance: [Unspecified.]

155
29 November 1755 @ King's Theatre

Event Comment: Composed by Sig Perez. [The first advance bill attributed it to Hasse.

Performances

Mainpiece Title: Ezio

Performance Comment: Signora Mingotti will sing this evening.

156
10 February 1756 @ King's Theatre

Event Comment: A new Opera. [But not performed.] 'Twas with inexpressible Concern that Mr Vanneschi found the Nobility and Gentry disappointed last Night, by the new Opera's not being then performed; a circumstance wholly owing to Sig Ricciarelli's being, on a sudden, taken extremely ill Yesterday, at an hour too late for its being made known to the Public (Public Advertiser, 11 Feb.)

Performances

Mainpiece Title: L'olimpiade

157
10 April 1756 @ King's Theatre

Event Comment: A New Opera. First performance in England. The Musick composed by Sig Abos

Performances

Mainpiece Title: Tito Manlio

Performance Comment: Titus Manlius-Pazzagli; Manlius-Ricciarelli; Servilia-Signora Mingotti; Sabina-Signora Frasi; Lucius-Signora Mattei; Decius-Signora Mondini (1756 libretto).
Cast
Role: Servilia Actor: Signora Mingotti
Role: Sabina Actor: Signora Frasi
Role: Lucius Actor: Signora Mattei
Role: Decius Actor: Signora Mondini

Dance: NNew Dances-

158
26 April 1757 @ King's Theatre

Event Comment: Opera by Sig Hasse

Performances

Mainpiece Title: Il Re Pastore

Dance: With Dances

159
31 May 1757 @ King's Theatre

Event Comment: A New Opera. The Musick by Sig Baldassare Galuppi. [Mingotti had been advertising for subscriptions for next season but now Vanneschi announces that he was secured the licence for next year from the Lord Chamberlain and he is the new Director of the operas (Daily Advertiser).

Performances

Mainpiece Title: Euristeo

Performance Comment: Creonte-Pazzaglia; Antigona-Signora Mingotti; Eurifreo-Ricciarelli; Ermione-Signora Passerini; Learco-Signora Grandis; Ormonte-Mareschi (Larpent MS).
Cast
Role: Antigona Actor: Signora Mingotti
Role: Ermione Actor: Signora Passerini
Role: Learco Actor: Signora Grandis

Dance: With New dances-

160
14 March 1758 @ King's Theatre

Event Comment: A New Opera. Ths Musick newly composed by Sig Cocchi. New Clothes, Decorations, and Dances. [On Monday 13 March Sga Frasi published in the Public Advertiser thanks for those who supported her benefit (6 March) and apologized for deficiencies in the performances. Some of the principals were engaged in the run of the new tragedy [The Prophetess? Mariamne?] whose run she could not anticipate.

Performances

Mainpiece Title: Issipile

161
16 January 1759 @ King's Theatre

Event Comment: A new Opera, the music newly compos'd by Sig Cocchi. With New Decorations and New Dances

Performances

Mainpiece Title: Il Ciro Riconosiuto

Performance Comment: Libretto of 1759 lists: Astioges-Gaetano Quilici; Mandane-Signora Colomba Mattei; Cyrus-Paquale Potenza; Cambises-Ferdinando Tenducci called Senesino; Arpalice-Signora Angiola Calori; Egistus-Laura Rosa.
Cast
Role: Mandane Actor: Signora Colomba Mattei
Role: Arpalice Actor: Signora Angiola Calori

Dance: Director of Dances: Giovanni Gallini Dancers-Gallini, Signora Rosa Carlini, Giuseppe Forti, Signora Giac. Bonomi

162
21 April 1759 @ King's Theatre

Event Comment: A New Opera. Music by Sig Perez. New Scenes, New Cloaths, and New Dances

Performances

Mainpiece Title: Farnace

163
22 May 1759 @ King's Theatre

Event Comment: Benefit Sig and Signora Forti. [Actually a charity benefit, as the ship with their costumes was seized by the French.

Performances

Mainpiece Title: Il Ciro Riconosiuto

Dance: new dance% Il Divertimento Napolitano-

164
14 December 1759 @ Drury Lane Theatre

Event Comment: Afterpiece: An English Burtetta from the Italian. Music by Sig Adolfo Hasse (playbill). Burletta Damn'd (Cross). Acted but once and not printed (Genest, IV, 579). Mainpiece: By Particular Desire. Receipts: #140 (Cross)

Performances

Mainpiece Title: Zara

Cast
Role: Lusignan Actor: Garrick

Afterpiece Title: The Tutor

165
24 March 1763 @ King's Theatre

Event Comment: Benefit for Sga DeAmicis, who will present it [the afterpiece] in its own natural beauty, such as it originally came from the hands of the ingenious author Sig Pergolesi, and as it was first done at Naples, in order to give the Nobility and Gentry the most favorable idea of so masterly a piece. Pit and Boxes to be put together at Half a Guinea each. Gallery 5s

Performances

Mainpiece Title: Il Tutore E La Pupilla

Afterpiece Title: La Serva Padrona

Dance:

166
07 March 1765 @ King's Theatre

Event Comment: Benefit for Manzoli. The Music entirely new, composed by Giardini. On account of the great Demand for Gallery Tickets, Sig Manzoli is obliged to appropriate the Upper Gallery for this Night. Gallery, Pit and Boxes will be open at 4. To begin precisely at 6:30 p.m

Performances

Mainpiece Title: Il Re Pastore

167
23 May 1769 @ King's Theatre

Performances

Mainpiece Title: La Buona Figliola

Performance Comment: cnl, but Sig Lovatini will perform tonight.

168
10 August 1769 @ Mary-le-Bone Gardens

Event Comment: A Concert of Vocal and Instrumental Music benefit for Mrs Pinto. Songs by Mrs Forbes, Master Brown, and Mrs Pinto. Concertos on the organ and Hautboy by Hook and Park. After which will be performed for the first time a Pastoral Serenata called Love and Innocence, in two acts composed by Mr Hook, with chorusses. An elegant transparent Temple of Apollo designed and painted by Sig Bigar, machinist to the Opera House. The Gardens will be additionally illuminated. Fireworks. The whole to conclude with a Ball

Performances

Mainpiece Title: Love And Innocence

169
04 December 1770 @ King's Theatre

Event Comment: The above opera will be perform'd owing to the sudden indisposition of Sig Lovattini, the first man in the Comic Opera

Performances

Mainpiece Title: Cosroe

170
23 November 1771 @ King's Theatre

Event Comment: A New comic Opera Written by Sig Badini; The Music entirely new composed by Guglielmi. With New Dances and Decorations

Performances

Mainpiece Title: Il Disertore

171
26 March 1772 @ King's Theatre

Event Comment: Benefit Sig & Signora Guglielmi. Music by Guglielmi

Performances

Mainpiece Title: Le Pazzie D'orlando

172
24 November 1778 @ King's Theatre

Performances

Mainpiece Title: L'avaro Deluso

Dance: With new Dances composed by Simonet. End II: La Noche Hollandoise-Banti, Zuchelli, Slingsby, Sga Zuchelli, Sga Tinti; End Opera: a new grand Serious Ballet, Les Nymphes de Diane; ou, L'Amour Faune-Mons Simonet, Mme Simonet, Banti, Sga Tinti

Ballet: End I: new Pantomime Ballet Annette et Lubin. Bailly-LeDet; Sig. du Village-Simonet; Lubin-Slingsby; Annette-Mme Simonet; unassigned-Sg Zuchelli, Sga Zuchelli

Performance Comment: Bailly-LeDet; Sig. du Village-Simonet; Lubin-Slingsby; Annette-Mme Simonet; unassigned-Sg Zuchelli, Sga Zuchelli.
Cast
Role: unassigned Actor: Sg Zuchelli, Sga Zuchelli.