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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sig Laschi"/1) | (@(roleclean,performerclean) "Sig Laschi")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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95 results for: Keyword - Sig Laschi
We found 39 matches on Event Comments, 34 matches on Performance Comments, 25 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

51
29 February 1752 @ Haymarket Theatre

Event Comment: Benefit Signor Antonio Ambrosia, Operator on the Cremona Staccato, vulgarly call'd the Salt-Box. Tickets delivered for 5 March will be taken. Prices, Boxes 4s. Pit 3s. Gallery 2s. [The fifteenth night.

Performances

Mainpiece Title: The Old Woman's Oratory

Performance Comment: As17520211, but a Song, in the character of a Lion-Sig Antonio.
Cast
Role: in the character of a Lion Actor: Sig Antonio.

52
21 March 1752 @ Haymarket Theatre

Event Comment: Benefit for Signor Bombasto and Signor Piantofugo. [Eighteenth night.] Henley's advertisements say he came to London in 1720, is not in debt and One Time with another, my Oratory is as full as ever, when I please, and my Service to Mr Smart, Mrs Warner, Mr Newberry, etc. J. Henley" (Daily Advertiser, 21 March).

Performances

Mainpiece Title: The Old Woman's Oratory

Performance Comment: See17520211, but a new Cantata composed by Phillipo Ruge (organist of St. Peter's in Rome)-; likewise a Solo in a new Taste-Sig Piantofugo; introduce Jew's Harp-; Salt@Box-; between the Acts a humorous Solo on the French Horn-Mrs Midnight's Daughter (just arrived from Padua); Epilogue-Hallet (in the character of Cupid).
Cast
Role: likewise a Solo in a new Taste Actor: Sig Piantofugo

53
01 April 1752 @ Haymarket Theatre

Performances

Mainpiece Title: The Old Woman's Oratory

Performance Comment: See17520321 but Concerto, Solo on Cymballo-Noell; Two new Orations-Mrs Midnight; the humourous performances of Bombasto; Bambaseno; Solo in new Taste-Sig Piantafugo; The Declamatory Piece on the Jew's Harp-a Casuist; the Oration on a Salt Box-a Rationalist; Solo of Humour on French Horn-Mrs Midnight's Daughter; New Prologue-Mr Toe.
Cast
Role: Solo in new Taste Actor: Sig Piantafugo

54
11 February 1754 @ Haymarket Theatre

Performances

Mainpiece Title: Alexander's Feast

Performance Comment: Vocals-Sig Frasi, Signora Galli, Wass.
Cast
Role: Vocals Actor: Sig Frasi, Signora Galli, Wass.

55
12 March 1761 @ King's Theatre

Performances

Mainpiece Title: Concert

Performance Comment: Part I Overture-; Songs Hail Immortal Bacchus (from Judith Arne)-Champness; Di Nobil Alma (Ciampi)-Miss Frederick; Farewell ye Limpid Springs (from Jeptha, Handel)-Sga Frasi; Come Blooming Boy (from Choice of Hercules, Handel)-Miss Young; Concerto on violincello-Sig Cervetto; Anthem My Heart is Insisting-(Handel); Part II Concerto on Bassoon-Baumgarten; Songs, Nymphs and Shepherds (from Alfred, Arne)-Miss Brent; Happy Day (from Eliza, Arne)-Miss Young; Concerto on violin composed and performed-Dubourg; Anthem As pants the heart-(Handel); Part III Concerto on Hautboy-Vincent; Songs, Vain is Beauty's Gaudy Flow'r (from Judith, Arne)-Miss Brent; When Bacchus, Jolly God (Handel)-Beard; Verdi Prati (from Alcina, Handel)-Miss Frederick; Freely I to Heaven Resign (from Jeptha, Handel)-Sga Frasi; Anthem, The King Shall Rejoice-(Handel).
Cast
Role: Concerto on violincello Actor: Sig Cervetto
Role: Freely I to Heaven Resign Actor: Sga Frasi

56
02 February 1770 @ King's Theatre

Event Comment: For the Benefit and Increase of a Fund established for the Support of decay'd Musicians, or their Families. Sig Guadagni having declined singing at this Concert, the Managers have applied to Sig Tenducci who is so obliging to favour the Society with his Performance. Upper Gallery 3s. 6d

Performances

Mainpiece Title: A Concert Of Vocal And Instrumental Music

57
27 March 1772 @ Covent Garden

Event Comment: Never performed in this Kingdom. In the manner of an Oratorio. This is a species of entertainment borrowed from our volatile neighbors on the continent, and never performed in England before; that is not directly in this manner. [But see 4 May 1759.] The performance was divided into three parts: the First consisted of Mr Addison's celebrated Hymn, set to music by Mr Handel, which is a masterly performance; the second contained Miserere mei Dei, &c., the music compsoed by Sig Pergolesi; this is a noble performance; the third part consisted of a very fine anthem, by Sig Nigri of Milan, a work of great merit. A concerto on the French Horn (as 6 March) and a concerto on the Violin (as 11 March) (Theatrical Review, p. 220). Charges: #35 (Account Book)

Performances

Mainpiece Title: Concerto Spirituale

58
20 March 1775 @ Covent Garden

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Druids with two New Scenes

Performance Comment: As17750316 but Sig_ Rossignol and "With Alterations to make room for Two Entire New Scenes; The Characters of the Pantomime and Dances as Usual".
Cast
Role: 7750102 but Imitations of Birds Actor: Sig Rossignol , being his first appearance here
Role: Country Fiddler Actor: Sig Rossignol

59
06 March 1776 @ Covent Garden

Performances

Mainpiece Title: Concerto Spirituale; Judas Maccabaeus

Performance Comment: See17760223, but Part I: An Anthem by Dr Arnold-; Part II: Stabat Mater-Sig B. Pergolesi , with additional chorusses; Part III: The Power of Harmony an Ode by Dr Arnold-.
Cast
Role: Stabat Mater Actor: Sig B. Pergolesi , with additional chorusses

Music: First Violin, as17760223; After I: Concerto on German Flute, as17760223; End II: Concerto on Violin-Lamotte

60
22 April 1749 @ King's Theatre

Event Comment: Benefit for Sga Anna Laschi

Performances

Mainpiece Title: Don Calascione

61
15 May 1716 @ King's Theatre

Event Comment: By His Royal Highness's Command. With Magnificent New Scenes, Particularly one in Perspective of a Royal Palacev, which exceeds any that has been seen in England, containing about One Thousand Yards of Painting by Sig Roberto Clerici, and to be seen again this Year. Admission as 1 Feb. [The Prince and Princess present.

Performances

Mainpiece Title: Pyrrhus And Demetrius

Cast
Role: Marius Actor: Signora Diana Vico
Role: Deidamia Actor: Signora Elena Croce Viviani.

Music: As17160502

62
01 October 1719 @ Drury Lane Theatre

Event Comment: Afterpiece: A Cantata (divided into two Entertainments) set to Musick by Sig Attilio Ariosti

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: Diana on Mount Latmos

63
23 March 1727 @ King's Theatre

Event Comment: Benefit Sig Victoria and the Doctor. By His Majesty's Command. Mainpiece: Being a particular Fatigue of Argentina, with her Comical Affectation of her New Title; wherein the Doctor will perform by the Name of Tabarin , a New Character, very Comical and Jocose, never yet seen on the Stage, which has been reserved for that Day, and may be continued hereafter, if he has the Happiness of pleasing his most Noble Spectators better than by his former

Performances

Mainpiece Title: Argentina Ortolana Contessa Per Forza

Dance: new Scaramouch , lately arriv'd from Italy; Serious and Grotesque Dancing particularly-M deCamp, Mlle Mimi l'Post , first Dancers of the Opera at Brussels, just arrived

64
08 April 1734 @ Hickford's Room

Performances

Mainpiece Title: Concert

Music: By the best Performers. [Thumoth] performs several Lessons on the Harpsichord, and several Solos of Sig Quontz's on the German Flute, and Grand Concertos compos'd for the Trumpet

Performance Comment: [Thumoth] performs several Lessons on the Harpsichord, and several Solos of Sig Quontz's on the German Flute, and Grand Concertos compos'd for the Trumpet .

65
16 April 1734 @ Lincoln's Inn Fields

Event Comment: Composed by Sig Bononcini

Performances

Mainpiece Title: Astartus

66
14 March 1738 @ Covent Garden

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Honest Yorkshireman

Music: Musical Medley called The Topers; or The Sons of Bacchus. Written and set to Musick, by Sig Carini, Author of The Dragon of Wantley; Vocals-Leveridge, Laguerre, Salway, Roberts

Performance Comment: Written and set to Musick, by Sig Carini, Author of The Dragon of Wantley; Vocals-Leveridge, Laguerre, Salway, Roberts.

Dance: IV: Peasant-Lalauze, Mlle Roland; V: Clown-Nivelon; End Afterpiece: Dance of Sailors-Glover

67
29 January 1743 @ King's Theatre

Event Comment: N.B. Sig Sodi being recover'd of his last indisposition, will dance this Night as usual

Performances

Mainpiece Title: Enrico

68
19 March 1743 @ Drury Lane Theatre

Event Comment: Benefit Sig Checo Torinese. Mainpiece: By Particular desire. Tickets deliver'd out for Venice Preserv'd will be taken. Tickets and places to be had of Hobson at the stage door

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Lying Valet

Dance: I: The Sicilian Peasant, as17430310 III: La Mascarade de Florana-Checo, Chiaretta; V: Italian Gardeners, as17421231

69
16 May 1744 @ Hickford's Room

Performances

Mainpiece Title: Orpheus Seeking After Eurydice

Performance Comment: Vocal Parts-Palma, Rochetti, Fratestanti; who sing some song composed in Italy in Comic Style; for the first time in publick, the famous Cantata by the late Sig. Pergolesi-.

70
14 March 1748 @ King's Theatre

Event Comment: We hear from the King's Theatre in the Haymarket, that as the Celebrated Opera Dido, wrote by Abbat Metastasio, and set to Musick by Sig Hasse, cannot be got ready for Representation till almost a fortnight, the Opera Lucius Verus (consisting of chosen Airs from the Compositions of Mr Handel) will be performed next Saturday (Daily Advertiser)

Performances

71
23 August 1749 @ Bartholomew Fair

Event Comment: At Phillips's Great Theatrical Booth opposite Cow Lane. With the surprising performances of an Englishman and a Citizen of London [Lort] who performs all the Equilibres on the Slack Rope that were performed by the muchfamed Turk. Prices: 2s. 6d., 1s. 6d., 1s., 6d. To begin at Twelve. [Time and prices the same at all booths.] Afterpiece: With the Escape of Harlequin into a Glass Bottle, also the last new additional Scene of Sig Jumpedo Jumping Down his own Throat. [An unhappy evening, for "last night the gallery of Phillips' booth fell down, with a great number of people in it, by which accident several persons were hurt, and some dangerously. This misfortune could be owing to nothing but the carelessness of the workmen, who upon such occasions deserve to be severely punished" (General Advertiser, 24 Aug.). The Daily Advertiser noted that Mr Stringellow, a goldsmith, in Aldersgate St., and Thomas Hodges, a journeyman-plaisterer in Golden Lane, were killed.

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Harlot's Progress

72
07 April 1750 @ King's Theatre

Event Comment: Benefit Sig Croza

Performances

Mainpiece Title: Il Trionfo Di Camilla

73
11 December 1752 @ Haymarket Theatre

Performances

Mainpiece Title: The Old Woman's Oratory

Cast
Role: particularly a Piece Actor: Signor Spoonatissimo on an Instrument dug out of the Ruins of Herculaneumv, much used by the Ancient Romans, and celebrated by Virgil in his Georgics

Afterpiece Title: Animal Pantomime

Performance Comment: Pantomime Entertainment. The Animal Comedians brought from Italy by Sig Ballard.

74
10 April 1753 @ Haymarket Theatre

Event Comment: Benefit for Master Benjamin Hallet and Sig Gapatono

Performances

Mainpiece Title: The Old Woman's Oratory

Song: TThe Dust Cart-Toe; accompanied-, Bombasto; Grand Dance in the Old British Taste-; Hornpipe-Timertoe

75
05 January 1754 @ King's Theatre

Event Comment: A New Opera composed by Sig Ciampi. To begin at 6:30 p.m

Performances

Mainpiece Title: Didone