SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sig Badini"/1) | (@(roleclean,performerclean) "Sig Badini")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 54 matches on Event Comments, 30 matches on Performance Comments, 24 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Oratorio by Mr Handel. Benefit for Signora Frasi; To begin at 7 p.m. Prices: Pit and Boxes at half a guinea each; Gallery 5s

Performances

Mainpiece Title: Acis And Galatea

Music: Organ-Stanley; First Violin-Sig Giardini

Performances

Mainpiece Title: Manasseh

Music: CConcerto on violin-Sig Giardini

Performances

Mainpiece Title: Nanetta E Lubino

Related Works
Related Work: Nanetta E Lubino Author(s): Carto Francesco Badini

Performances

Mainpiece Title: Nanetta E Lubino

Related Works
Related Work: Nanetta E Lubino Author(s): Carto Francesco Badini

Performances

Mainpiece Title: Nanetta E Lubino

Related Works
Related Work: Nanetta E Lubino Author(s): Carto Francesco Badini

Performances

Mainpiece Title: Nanetta E Lubino

Related Works
Related Work: Nanetta E Lubino Author(s): Carto Francesco Badini

Performances

Mainpiece Title: Nanetta E Lubino

Related Works
Related Work: Nanetta E Lubino Author(s): Carto Francesco Badini

Performances

Mainpiece Title: Nanetta E Lubino

Related Works
Related Work: Nanetta E Lubino Author(s): Carto Francesco Badini

Performances

Mainpiece Title: Nanetta E Lubino

Related Works
Related Work: Nanetta E Lubino Author(s): Carto Francesco Badini

Performances

Mainpiece Title: Nanetta E Lubino

Related Works
Related Work: Nanetta E Lubino Author(s): Carto Francesco Badini

Performances

Mainpiece Title: Didone Abbandonata

Related Works
Related Work: Didone Abbandonata Author(s): Carlo F. Badini

Dance: End of Act I Divertissement Villageois, as17860124, but omitted: Spozzi; End of Opera a new Ballet Historique, Acis and Galatea, by Vestris, Sga Carolina, D'Egville, Henry, Sga Crespi, Duquesney Jun., the two Mlles Simonet, Master D'Egville, Mme Harvey, Mlle Mozon. [Morning Post, 20 Feb. assigns: Acis-Vestris; Thetis-Mlle Mozon.]

Performance Comment: , the two Mlles Simonet, Master D'Egville, Mme Harvey, Mlle Mozon. [Morning Post, 20 Feb. assigns: Acis-Vestris; Thetis-Mlle Mozon.] hathi. hathi.

Performances

Mainpiece Title: Didone Abbandonata

Related Works
Related Work: Didone Abbandonata Author(s): Carlo F. Badini

Dance: As17860218 throughout, but Acis and Galatea here entitled a New Divertissement

Performances

Mainpiece Title: Didone Abbandonata

Related Works
Related Work: Didone Abbandonata Author(s): Carlo F. Badini

Dance: End of Act I Divertissement by Vestris, Henry, Duquesney [Jun.], the two Mlles Simonet, Mlle Mozon, &c.; End of Opera Divertissement Villageois, as17860218

Performances

Mainpiece Title: Didone Abbandonata

Related Works
Related Work: Didone Abbandonata Author(s): Carlo F. Badini

Dance: As17860225 throughout

Performances

Mainpiece Title: Didone Abbandonata

Related Works
Related Work: Didone Abbandonata Author(s): Carlo F. Badini

Dance: As17860225 throughout

Performances

Mainpiece Title: Didone Abbandonata

Related Works
Related Work: Didone Abbandonata Author(s): Carlo F. Badini

Dance: As17860225

Performances

Mainpiece Title: Didone Abbandonata

Related Works
Related Work: Didone Abbandonata Author(s): Carlo F. Badini

Dance: End of Act I New Divertissement, as17860311End of Opera L'Amour Jardinier, as17860401, but added: Miss Hervey, and L'Amour-Miss De Camp

Song: In the beginning of the 2nd act a Bravura Song by Mme Mara

Performances

Mainpiece Title: Didone Abbandonata

Related Works
Related Work: Didone Abbandonata Author(s): Carlo F. Badini

Dance: End I: Divertissement, as17870116; End Opera: La Fete Provencale, as17870308

Performances

Mainpiece Title: The Old Woman's Oratory Concert

Performance Comment: Principal parts-Mrs Midnight, her Daughter Dorothy, Sig Bombasto just arrived from Padua, Sig Bombazeeno also arrived from Italy, Signora Spoonatissima dug out of the ruins of Herculaneum, Sig Ambrosiano alias Sig Salt-Box, Sig Twangdilo the Casuist, Sig Piantafugocalo, Sig Gapatoono first Cousin to Farinelli, Mynheer Puffupandyke, Mlle Rompereau, Mme Hophye, the two Mlle Broileau, Miss Merit an English Lady of an ancient Family, almost extinct.

Dance: Dancing in the old British Taste-; Hornpipe-Timbertoe

Performances

Mainpiece Title: Mrs Midnight's New Carnival Concert; Or, The Old Woman's Oratory

Performance Comment: Set for a Smoking Pipe, a Tankard, a Bassoon, a Pair of Tongs, two Wooden Spoons, a Salt Box, and a Pair of Slippers, by the best Italian masters, viz.: Sig Zappino, Sig Sallybotino, Sig Diavolino, Sig Ferrareni, Sig Cochinino, Sig Batterino, Sig Ciavartino, several others (just arrived from the Republic of San Marino).

Afterpiece Title: La Pantomime du Charpentier

Dance: An Extraordinary Original who will not touch the Ground either with his hands or feet-

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Enchanter; or, Love and Magic

Performance Comment: Actors only-Lowe, Champnes, Mrs Vincent, Miss Young, Master Leoni, 1st time. Moroc-Champness; Kaliel-Master Leoni; Zoreb-Lowe; Zaida-Mrs Vincent; Lyssa-Miss Young; The dances-Sig Grimaldi, Sig Tioli, Sig Giorgi, Sga Giorgi, Miss Baker, Miss Dawson, Miss Lucchi, others. The music composed by Mr Smith (Folger Bill).
Event Comment: By Particular Desire of several Ladies of Quality. Positively the last Night. [Intended as satire on the Reverend John Henley's Oratory (eccentric preacher, 1692-1756) and as a puff for The Midwife or Old Woman's Magazine, edited by Christopher Smart and John Newberry, 1751-53. The Old Woman's Oratory written and produced by Smart. See the Gentleman's Magazine, 1752, p. 43; and Horace Walpole's letter to Montagu 12 May 1752, as follows: It appeared the lowest buffoonery in the world, even to me who am used to my uncle Horace. There is a bad oration to ridicule, what is too like, Orator Henley; all the rest is perverted music. There is a man who plays so nimbly on the kettle drums, that he has reduced that noisy instrument to be an object of sight; for if you don't see the tricks with his hands, it is no better than ordinary. Another play on a violin and trumpet together; another mimics a bagpipe with a German flute, and makes it full if disagreeable. There is an admired dulcimer, a favourite saltbox and a really curious Jew's Harp. Two or three men intend to persuade you that they play on a broomstick, which is drolly brought in, carefully shrouded in a case, so as to be mistaken for a bassoon or bass viol, but they succeed in nothing but the action. The last fellow imitates farting and curtseying to a French horn. There are twenty medley overtures, and a man who speaks a prologue and epilogue, in which he counterfeits all the actors and singers upon earth' (The Yale Edition of Horace Walpole's Correspondence, IX, p. 131). [See 3 Dec. 1751.

Performances

Mainpiece Title: The Old Woman's Oratory

Performance Comment: See17520502, but A Full Piece by Noell-; Two Orations-Mrs Midnight; A Duetto on two Beesomatoes-; with a Song-; a Solo in a New Taste-Sig Piantofugocalo; a new Concerto and Solo on the Cymbalo-Noell; a new Cantata in the Venetian Taste, by Sig Hasse-Sig Bombazino accompanied with the Vox Humaine; Solo on violincello-Master Hallett in the Character of a Cupid ; An Oration on the Salt@Box-a Rationalist; A Declamatory Piece on the Jew's Harp-a Casuist; a Solo of Humour on the French Horn-Mrs Midnight's Daughter; Also a Prologue, Epilogue-Toe.

Performances

Mainpiece Title: Merope

Afterpiece Title: Harlequin's Invasion, with Additions and Alterations

Performance Comment: Harlequin-King; Others-Yates, Bransby, Moody, Blakes, Burton, Clough, Packer, Vaughan, Mrs Bennet, Miss Pope; The Vocal Parts-Champnes, Fawcett, Miss Young; The Dances-Sig Grimaldi, Sig Giorgi, Miss Baker; and a New Hornpipe-Miss Dawson.
Event Comment: PPublic Advertiser, 5 Sept. 1769: Mr Crawford and Co. beg Leave to acquaint the Nobility and Gentry, with the following List of their new Singers, and others engaged for the serious and comic Operas next Season. Those marked thus& are new Performers, viz. Principal Singers for the Serious Operas: &Signior Guadini, first Man. &Signora Cecilia Grassi, first Woman. For comic or serious: Signor Lovattini, first Man. &Sig Zamperini, &Signora Guadini, first Women. &Signor Piatti, 2nd Man serious. &Signor Bianchi, Tenor, Signora Zamperini, Sig Morighi, Signora Piatti. Composer: Sig Guiglielmi. Principal Dancers: Mr Slingsby, &Signor Galiotti, &Signor Siminon, &Signora Guidi, Signora Radicatti, &Signora Gardel. Ballet Master: &Sig Campioni. [See 7 Nov.

Performances