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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Shirley"/1) | (@(roleclean,performerclean) "Shirley")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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354 results for: Keyword - Shirley
We found 338 matches on Author, 18 matches on Event Comments, 3 matches on Performance Comments, 2 matches on Performance Title, and 0 matches on Roles/Actors.

351
14 April 1758 @ Drury Lane Theatre

Event Comment: Benefit for Miss Pritchard. Part of Pit laid into Boxes. This day publish'd, Price 1s. Brief Remarks on the Original and Present State of the Drama. To which is added Hecate's Prophecy, being a characteristic Dialogue between future Mangers and their Dependents. [William Shirley? A most virulent attack on Garrick's management as well as Rich's Quotes from the Herald No. XX, a denunciatory article on the managers, deplores the pamphleteering attempt to praise Garrick, asks "Shall he shine the God of our Idolatry, merely for excluding every other emulous and aspiring candidate?"] Receipts: #170 (Cross)

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: The Apprentice

Dance: II: The Italian Peasants, as17571004; End: By Desire, a Minuet-Noverre, Miss Pritchard

352
28 December 1778 @ Haymarket Theatre

Performances

Mainpiece Title: The Macaroni Adventurer; Or, Woman's A Riddle

Performance Comment: Characters-Payler, Middleton, Swords, Evans, Kennedy, Levi [their 1st appearance on any stage], Davis, Everard, Mrs Shirley, Miss Hiorne, Miss Percey, Miss Dudley (their 1st appearance on any stage), Mrs Lefevre; A new occasional Prologue-; Epilogue-.

Afterpiece Title: Fashionable Love; or, The Happy British Tar

Afterpiece Title: The Covent Garden Tragedy

Dance: Entertainments ofDancing-

Entertainment: Monologue.End III: Imitations [Vocal and Rhetorical, never attempted, a Trumpet-a Choice Spirit [who will (to his vocal performances) accompany himself with the Symphonies (his 1st appearance on the stage [unidentified])

353
29 May 1784 @ Covent Garden

Event Comment: Benefit for Brereton, Beeston, Longley & Colley. Tickets delivered by Robson, Stephenson, Robinson, Varley, Small wood, Partridge, Shirley, Shuter, Pilbrow, Turtle, W. Ansell, Hall will be admitted this Evening. Tickets sold at the Doors will not be admitted. [This was Whitsun Eve, on which night the theatre was customarily closed.] Receipts: #242 17s. (29/17/6; 3/9/6; tickets: 209/10/0)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: RosiNA

354
24 April 1786 @ Covent Garden

Event Comment: Benefit for Quick. Mainpiece: Altered from Shirley. Never acted here. With proper Scenes, Dresses, and Decorations. [Epilogue by Edward Topham (European Magazine, May 1786, p. 368).] Afterpiece: In 2 Acts; written by Addison. Public Advertiser, 29 Mar.: Tickets to be had of Quick, No. 99, High Holborn. Receipts: #281 17s. 6d. (153/14/6; 4/4/0; tickets: 123/19/0) (charge: #105)

Performances

Mainpiece Title: The Bird In A Cage; Or, Money Works Wonders

Related Works
Related Work: The Bird in a Cage; or, Money Works Wonders! Author(s): James Shirley
Related Work: The Bird in a Cage; or, The Beauties Author(s): James Shirley

Afterpiece Title: The Drummer; or, The Haunted House

Dance: In Act III of mainpiece a Grand Dana of Ladies [performers not listed]; End of mainpiece The Drunken Sailor Reclaim'd [performers not listed, but see17860304