The London Stage Database team will be retiring the Legacy Search on May 1, 2025. Please take a moment before that date to reproduce any pre-2021 searches and export any resulting datasets you may wish to preserve for future use. We are making this change in order to free up computational resources for new features and data, currently in development with support from the National Endowment for the Humanities. Watch this space for more updates and, coming soon, new ways to keep up with the latest project developments!
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sheriffs of London"/1) | (@(roleclean,performerclean) "Sheriffs of London")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 846 matches on Event Comments, 604 matches on Performance Title, 433 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Douglas

Performance Comment: As17901004, but Douglas (1st time [in London])-Fennell; Glenalvon-Harley; Officer-_; Anna-_.

Afterpiece Title: The Picture of Paris, Taken in the Year 1790

Event Comment: ["When the Commemoration of King Charles's Death [on 30 Jan.] falls on a Sunday we always act on Monday. "This occurred for the first time, at both dl and cg, on 31 Jan. 1785. Previously, when 30 Jan. was a Sunday, both theatres had observed the commemoration on Monday 31 Jan. In mainpiece the playbill retains Kemble as Faulkland, but "Mr Benson read FaulklandR for me [this because Kemble was detained returning from Bath to London]" (Kemble Mem.).] Receipts: #231 7s. (180.12.0; 50.1.6; 0.13.6)

Performances

Mainpiece Title: The Rivals

Afterpiece Title: The Fairy Favour

Event Comment: This was a semi-private rehearsal, with Davide as Pirro. "Yesterday evening an act of Pyrrhus was rehearsed on the stage of this theatre' (London Chronicle, 24 Feb.). "The Theatre is not yet ready entirely for the Public" (Oracle, 24 Feb.) [see 26 Mar.]. On 22 Feb. the newspapers carried a statement from the theatre that "the rehearsal announced for Wednesday Evening is...deferred for a few days." But this deferment was set aside. The Lord Chamberlain having refused a license for the performance of opera at this theatre, Pirro was not publicly performed

Performances

Mainpiece Title: Pirro

Event Comment: Benefit for Palmer. End I afterpiece: A Grand Representation of Mount Vesuvius, at the Time of an Eruption. Oracle, 28 Feb: Tickets to be had of Palmer, No. 3, London Road, St. George's Fields. Receipts: #340 5s. 6d. (144.1.0; 22.0.0; 4.4.6; tickets: 170.0.0) (charge: #126 4s. 11d.)

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: The Deserter of Naples

Entertainment: Monologue. A Lecture on Oratory: The Pulpit the Senate the Bar and the Stage with a Specimen of Scotch Elocution, written by the late Samuel Foote, Esq.-Palmer

Event Comment: Benefit for Mrs Siddons. Part of the Pit [9 rows (London Chronicle, 5 Apr.)] will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four. Morning Chronicle, 4 Apr.: Tickets to be had of Mrs Siddons, No 49, Marlborough-street. Receipts: #412 11s. (212.2.0; 10.18.6; 0.0.6; tickets: 189.10.0) (charge: free)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: The Deuce is in Him

Performances

Mainpiece Title: Love In A Village

Performance Comment: As17901211, but Young Meadows (with an additional song [When thou art absent], set to music by Shield)-Incledon (1st appearance in that character [in London]); Rosetta-Miss Dall (1st appearance in that character).

Afterpiece Title: Catherine and Petruchio

Song: Probably at end: Black Eyed Susan-Incledon; Wine cannot cure the Pain I endure for my Chloe-Johnstone, Incledon

Music: Between Acts afterpiece: the favourite air of Moggy Lauder (on the Union Pipes)-the celebrated Courtney

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Afterpiece Title: The Kentish Barons

Afterpiece Title: Taste and Feeling

Performance Comment: Principal Characters-Wilson, Bannister Jun., Iliff, Bland, Chapman, Farley, Evatt, Abbott, Lyons, Mrs Brooks, Mrs Powell, Miss Palmer. [Cast adjusted from London Chronicle, 8 July: Mr Gout-Wilson; Mr Robert Gout-Bannister Jun.; Ned Howard-Iliff; William-Bland; Landlord-Chapman; Harriet-Mrs Brooks; Mrs Gout-Mrs Powell; Lucy-Miss Palmer; Farley, Evatt, Abbott, Lyons are unassigned.] Farley, Evatt, Abbott, Lyons are unassigned.]
Event Comment: Benefit for Palmer. Oracle, 22 Aug.: Tickets to be had of Palmer, No. 3, London Road, Lambeth

Performances

Mainpiece Title: The Battle Of Hexham

Afterpiece Title: The Catch Club [i

Afterpiece Title: Who's the Dupe

Performances

Mainpiece Title: Poor Old Drury

Performance Comment: !! Characters by Palmer, Parsons, Barrymore, R. Palmer, Wewitzer, Wrighten, Phillimore, Banks, Bland, Burton, Alfred. Vocal Parts-Dignum, Sedgwick, Fawcett, Chapman, Danby; Muses-Mrs Powell, Mrs Goodall, Miss Hagley, Miss DeCamp, Miss Collins, Miss Heard, Mrs Shaw, Mrs Butler, Mrs Brigg; [Cast from Larpent MS 918, and London Chronicle, 23 Sept.: Palmer, Parsons, R. Palmer, Wrighten, Alfred [all in their own persons]; French Critic-Wewitzer; Italian Singer-Bland; Apollo-Dignum; Mercury-Sedgwick; Melpomene-Mrs Powell; Thalia-Mrs Goodall; Terpsichore-Miss DeCamp; Euterpe-Miss Collins; Phillimore, Banks, Burton. Phillimore, Banks, Burton.

Afterpiece Title: The School for Scandal

Afterpiece Title: No Song No Supper

Song: III 2nd piece: a song-Sedgwick

Event Comment: Afterpiece [1st time; BALL. P 1, by James Byrne. MS of Songs only: Larpent MS 919; synopsis of action in Universal Magazine, Oct. 1791, p. 308]: Taken from Ossian. With new Music, Airs, Chorusses, new Scenery, Dresses, and Decorations. The Ballet composed by Byrne. The new Music composed, and the Ancient Scots Music selected and adapted by Shield. The Overture by Reeve. The Scenery by Richards, Hodgins, Pugh, &c. &c. The Dresses by Dick. Books of the Songs, &c. to be had at the Theatre. [For Harp and Pipes see 24 Oct.] Account-Book, 22 Nov.: Paid Byrne for Oscar & Malvina #50; 8 Dec.: Paid Mad. St.Amand expenses from Paris to London #14 6s. 8d. Receipts: #182 16s. 6d. (177.13.6; 5.3.0)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Oscar and Malvina; or, The Hall of Fingal

Song: II: song-Incledon

Event Comment: [In lieu of 1st two pieces the playbill announces Macbeth, but "Holman was disabled by illness; Macbeth was allotted to Harley...who was also indisposed." The Farmer and The Merry Mourners [i.e. Modern Antiques] were acted, but "Quick, in hurrying to the theatre, fell, and materially bruised his knee. Waldron played Quick's character. Mrs Watts...took the part which belongs to Mrs Harlowe" (London Chronicle, 7 Jan.).] Receipts: #132 19s. (132.4; 0.15)

Performances

Mainpiece Title: The Farmer

Afterpiece Title: Modern Antiques

Afterpiece Title: Blue Beard

Event Comment: "When [Mrs Siddons's] approach was known from the words of the play, and almost before she was within view of the audience, the applause commenced on all sides, and continued for some minutes" (London Chronicle, 23 Jan.). "The same bold, nervous articulation, with the same violent bursts of passion--bursts that confound criticism, though they harrow up the soul...There is a dignified deportment even in her shocks of surprise--her starts of horror--her agonies of death. She never descends to a superfluous motion" (Morning Chronicle, 23 Jan.). Receipts: #432 8s. 6d. (393.12.6; 35.8.0; 3.8.0)

Performances

Mainpiece Title: Isabella; Or, The Fatal Marriage

Afterpiece Title: The Virgin Unmask'd

Song: In III: Epithalamium. Vocal Parts-Mrs Bland, Miss Hagley

Performances

Mainpiece Title: King Richard The Third

Performance Comment: As17911114, but Palmer's name listed in playbill as Richmond; Queen Elizabeth-Mrs Siddons (1st appearance in that character [in London]); Lady Anne-Miss Collins; Duchess of York-Mrs Ward.

Afterpiece Title: The Waterman

Event Comment: Benefit for Palmer. Afterpiece [1st time; P 3, author unknown. "Founded on the Tale of Inkle & Yarico" (Kemble Mem.), by Sir Richard Steele, in The Spectator, No. II, 13 March 1710-11. Not in Larpent MS; not published]: The Music by Gluck and Martini [i.e. Martin y Soler]. Morning Herald, 9 Mar.: Tickets to be had of Palmer, No. 3, London-road, St. George's Fields. Receipts: #452 16s. (169.17; 47.13; 2.11; tickets: 232.15) (charge: #169 5s. 8d.)

Performances

Mainpiece Title: The Rivals

Afterpiece Title: The American Heroine; or, Ingratitude Punished

Dance: In afterpiece: the Dances (composed by Hamoir,)-Hamoir, Bidotti, Keys, Nicolini, Walker, Whitmill, Mrs Barrett, Mrs Bourk, Mrs Brooker, Mrs Davis, Mrs Harris, Mrs Haskey, Miss Jacobs, Miss DeCamp

Event Comment: Benefit for Mrs Jordan. Afterpiece [1st time; F 2, by Simon, based partly on La Bonne Mere, by Jean Pierre Claris deFlorian; incidental music by Johann Gottlieb Nicolai. Larpent MS 940; not published]: To conclude with a Rural Breakfast [a representation of that given by the Countess of Buckinghamshire for the Prince of Wales at her villa near London (Genest, VII, 53)], and a Dance by the Characters. Morning Herald, 31 Mar.: Tickets to be had of Mrs Jordan, No. 14, Somerset-street, Portman-square. Receipts: #548 9s. 6d. (216.8.6; 30.2.0; 5.9.0; tickets: 296.10.0) (charge: #153 5s. 10d.)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Village Coquette

Performances

Mainpiece Title: The Jealous Wife

Performance Comment: As17920208, but Oakly-Kemble; Major Oakly-Palmer (Their 1st appearance in those characters); Paris-Wewitzer; Mrs Oakly-Mrs Siddons (1st appearance in that character [in London]); Lady Freelove-Mrs Hopkins; William-Maddocks; John-Webb; Tom-Alfred; Robert-Lyons.

Afterpiece Title: The First Floor

Performances

Mainpiece Title: Just In Time

Performance Comment: Principal Characters by Quick, Blanchard, Munden, Powel, Marshall, Thompson, C. Powell, Cross, Rees, Letteney, Milburne, Follett, Blurton, Rowson, Coombes, Linton, Incledon, Mrs Martyr, Mrs Mountain, Mrs Webb, Miss Dall (1st appearance this season). The other Vocal Parts-Mrs Arnold, Miss Francis, Mrs Davenett, Miss Leserve, Mrs Watts, Mrs Gray, Mrs Lloyd, Mrs Powell, Miss Barnett, Mrs Masters, Mrs Cross; Cast from London Chronicle, 12 May 1792: Sir Solomon Oddly-Quick; Handy-Blanchard; Stave-Munden; Commodore Larboard-Powel; Dr Julep-Marshall; Roger-Thompson; Le Friz-C. Powell; Captain Melville-Incledon; Judith-Mrs Martyr; Maria-Mrs Mountain; Lady Oddly-Mrs Webb; Augusta-Miss Dall; Cross, Rees, Letteney, Milburne, Follett, Blurton, Rowson, Coombes, Linton and the Vocal Parts are unassigned. Cross, Rees, Letteney, Milburne, Follett, Blurton, Rowson, Coombes, Linton and the Vocal Parts are unassigned.

Afterpiece Title: The Deaf Lover

Dance: In: Dance incidental to the piece,-Byrne, Mlle St.Amand

Entertainment: Monologue End: (by way of Epilogue) Poetical Sketch, Jemmy Jumps in the Dumps; or, A Sunday Lounge in Hyde Park-Munden

Performances

Mainpiece Title: The Suicide

Afterpiece Title: Young Men, and Old Women

Performance Comment: Principal Characters by Wilson, R. Palmer, Bannister Jun., Lyons, Abbott, Mrs Webb, Mrs Taylor, Miss Heard. Cast from London Chronicle, 6 July 1792, and Larpent MS: Sir Samuel Prejudice-Wilson; Knavestone-R. Palmer; Sylvan-Bannister Jun.; Mrs Ambilogy-Mrs Webb; Kitty-Mrs Taylor; Fanny Prejudice-Miss Heard; Lyons, Abbott are unassigned. Lyons, Abbott are unassigned.

Performances

Mainpiece Title: Cross Partners

Afterpiece Title: The Family Compact

Performance Comment: Principal Characters by Aickin, Wewitzer, Baddeley, Bannister Jun., Evatt, R. Palmer, Cubitt, Mrs Brooks, Miss Heard, Miss Fontenelle, Mrs Goodall. Cast from London Chronicle, 7 Sept: Mr Relative-Aickin; Sir Rouncival-Wewitzer; Touchwood-Baddeley; Colonel Monosyllable-Bannister Jun.; Goodluck-Evatt; Violet-R. Palmer; Citem-Cubitt; Mrs Relative-Mrs Brooks; Matilda-Miss Heard; Esther-Miss Fontenelle; Emily-Mrs Goodall; Prologue-Bannister Jun.

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Holman; Capulet-Powel; Benvolio-Davies; Friar Lawrence-Hull; Prince-Macready; Tibalt-Cubitt; Paris-Marshall; Balthazar-Evatt; Mercutio-Lewis; Lady Capulet-Mrs Platt; Nurse-Mrs Powell; Juliet (1st time [in London])-Mrs Esten.

Afterpiece Title: Blue Beard; or, The Flight of Harlequin

Dance: In afterpiece: Dancing-Byrn, Platt, Ratchford

Song: End IV: Juliet's Funeral Procession-; with the Solemn Dirge Vocal Parts-Johnstone, Incledon, Darley, Gray, Rock, Lee, Letteney, Mrs Blanchard, Mrs Harlowe, Miss Stuart, Miss Barnett, Mrs Arnold, Mrs Cross, Miss Leserve, Mrs Davenett, Mrs Watts, Mrs Gray, Miss Francis, Mrs Masters, Miss Broadhurst

Event Comment: [This was Wilson's last appearance in London; subsequently he acted at Edinburgh, Manchester, &c.] Receipts: #250 10s. 6d

Performances

Mainpiece Title: Just In Time

Afterpiece Title: The Prisoner at Large

Event Comment: The Careless Husband [advertised on playbill of 8 Nov.] is obliged to be deferred on account of the Indisposition of a Principal Performer. [This was F. Aickin's last appearance in London. Subsequently he acted for several years at the Liverpool theatre, of which he was the manager.] Receipts: #349 11s

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Hartford Bridge

Song: As17921029

Event Comment: [Afterpiece in place of The Irishman in London, advertised on playbill of 17 Dec.] Receipts: #208 3s

Performances

Mainpiece Title: Columbus

Afterpiece Title: Modern Antiques

Event Comment: [This was Mrs Wells's last appearance as a regular member of the company of any London theatre.] Receipts: #290 11s. 6d

Performances

Mainpiece Title: Wild Oats

Afterpiece Title: Harlequin's Museum

Dance: As17921226

Event Comment: By Command of Their Majesties. "God save the King was sung by the audience, standing up, twice before the piece commenced, and twice after it was finished. At the end of the Divertisement, Rule Britannia was sung, the whole Royal Family joining" (London Chronicle, 17 Jan.). Receipts: #477 10s

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Hartford Bridge

Dance: End: A New Divertisement, as17921124, but _Byrn; In afterpiece: The Lucky Escape, as17921116