SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Shepherd"/1) | (@(roleclean,performerclean) "Shepherd")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1171 matches on Roles/Actors, 398 matches on Performance Title, 262 matches on Performance Comments, 57 matches on Event Comments, and 0 matches on Author.

Performances

Mainpiece Title: Too Loving By Half

Afterpiece Title: The Winter's Tale

Performance Comment: As17831223, but added to Perdita: Come, come, my good shepherds. [Edition of 1782 (Bathurst) adds: Gentleman-Thompson]..

Afterpiece Title: Rosina

Dance: End of 2nd piece Adelaide de Brabant, as17840508

Event Comment: Public are most respectfully informed that The Heiress, intended for this Evening [with The Gentle Shepherd, announced on playbill of 2 June], is obliged to be deferred 'till Thursday next, which will be the last Time of the Company's performing this Season. [This being Whitsun Eve, CG and King's were, as usual on this evening, dark.]

Performances

Mainpiece Title:

Performances

Mainpiece Title: Acis And Galatea; Redemption 0

Performance Comment: Vocal Parts, Violin As17870223, but Public Advertiser, 9 Mar., notes Hush ye pretty warbling choir, Love in her eyes sits playing, Must I my Acis still Bemoan?-Mme Mara; Love sound's th' alarm-Dignum; O ruddier than the cherry-Reinhold; As when the dove-Mrs Crouch; Consider fond shepherd-Miss George; Happy happy we-Dignum, Miss George; The flocks shall leave the mountains-Dignum, Reinhold, Mrs Crouch.

Afterpiece Title: A New Symphony

Performances

Mainpiece Title: Tit For Tat

Afterpiece Title: Dr Last's Examination

Afterpiece Title: The Intriguing Chambermaid

Afterpiece Title: The Day

Performance Comment: Morning. Champaign Country The Early Horn-Miss George; How sweet in the Woodlands-Davies, Miss George; Noon. Skirts of a Wood Sweet Echo-Mrs Bannister; Dance Shepherd's Wedding-Byrn, Mrs Goodwin, the two Miss Simonets; Prithee Susan-Meadows, Mrs Forster; Afternoon. A Drawing-Room Time has not thinn'd-Meadows, Mrs Bannister; Where the Bee sucks-Davies, Mathews, Miss George, Mrs Bannister; Night. A Country Church-yard My Lucy alas is no more-Chapman, Mrs Forster, Mrs Edwards; dance Fairies Sporting-young D'Egville, Giorgi's Scholars, Miss DeCamp; Musical Epilogue-Meadows, Chapman, Mathews, Mrs Edwards, Mrs Gaudry, Mrs Forster.

Performances

Mainpiece Title: Dr Last's Examination

Afterpiece Title: The Follies of a Day

Afterpiece Title: The Day

Performance Comment: Morning. Champaign Country. The Village Delight-Mrs Bannister, Mrs Forster; Hunting Song-Chapman; The Early Horn-Miss George; Noon. Skirts of a Wood. Prithee Susan-Meadows, Mrs Forster; dance, Shepherd's Wedding-Byrn, Mrs Goodwin, the two Miss Simonets; Afternoon. How merrily we live-Davies, Meadows, Mrs Bannister; Where the Bee sucks-Davies, Mathews, Mrs Forster, Mrs Bannister; Night. A Country Church-yard. Sweet Echo-Mrs Bannister; dance, Fairies Sporting-young D'Egville, Giorgi's Scholars, Miss DeCamp; Poor Thomas Day-Edwin, Davies, Chapman; Musical Epilogue-Meadows, Chapman, Mathews, Mrs Edwards.

Entertainment: Imitations End 2nd piece: As17870807

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Maid of the Oaks

Performance Comment: Dupely-Lewis; Old Groveby-Fearon; Oldworth-Thompson; Sir Harry Groveby-Davies; Hurry-Edwin; Maria (with the original song)-Mrs Mountain; Lady Bab Lardoon-Mrs Abington; The Music Characters [i.e. Shepherds and Shepherdesses (see text, 1788)]-Cubitt, Miss Stuart, Mrs Morton.

Dance: End: As17880124; I afterpiece: a Dance-Byrne, Mrs Ratchford, Mrs Goodwin

Song: II: a song-Mrs Kennedy

Performances

Mainpiece Title: Werter

Afterpiece Title: Harlequin's Chaplet

Performance Comment: Harlequin-Boyce; Clown-Delpini; Pantaloon-Ratchford; Lover-Farley; Barber (with A Twiggle and a Friz)-Edwin; Farmer (with Come Roger and Nell)-Bannister; Shepherd, Shepherdess (with Cast my Love, thine Eyes around)-Mrs Martyr, Mrs Mountain; Lawyers-Davies, Reeve, Cubitt; Serjeant-W. Powel; 1st Recruit-C. Powell; 2nd Recruit-Cubitt; Artist-Letteney; Carpenter-Lee; Bricklayers-Thompson, Evatt; Doctor-Jackson; Woodcutter-Rock; Monkey-Rayner; Peacock-Sloper; Principal Witches-Darley, Duffey, Mrs Mountain, Mrs Martyr; Fishwomen-Mrs Gray, Mrs Lefevre, Mrs Masters, Mrs White; Colombine-Miss L. Simonet.

Dance: In afterpiece: Byrne, the two Miss Simonets

Song: In III: Epithalamium. Vocal Parts-Darley, Cubitt, Mrs Mountain, Mrs Martyr

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: Harlequin's Chaplet

Performance Comment: [and see17891221] Harlequin-Boyce; Clown-Delpini; Pantaloon-Ratchford; Lover-Farley; Farmer (with Come Roger and Nell)-Bannister; Shepherd, Shepherdess (with Cast my Love, thine Eyes around)-Mrs Martyr, Mrs Mountain; Serjeant-W. Powel; Recruit-C. Powell; Bricklayers-Letteney, Thompson; Carpenter-Lee; Gardener-Ledger; Woodcutter-Rock; Lover's Servant-Platt; Monkey-Rayner; Peacock-Sloper; Principal Witches-Darley, Duffey, Mrs Mountain, Mrs Martyr; Fishwomen-Mrs Gray, Mrs Lefevre, Mrs Masters, Mrs White; Colombine-Mrs Watts.

Dance: As17891231

Performances

Mainpiece Title: A Grand Selection From The Works Of handel 0

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: As17900317but Concerto bassoon-Parkinson; Grand Concerto-_; Come unto Him all ye that labour-Miss Hagley; With plaintive notes-Miss Romanzini; There were shepherds-Miss Romanzini; And the Angel said unto them-Miss Hagley [The Messiah]; Glory to God-Chorus [Joshua].Joshua].

Performances

Mainpiece Title: A Grand Selection Of Sacred Music 0

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: First Grand Concerto-; 'Twas at the Royal Feast-Harrison; Happy Pair-Harrison, Chorus; With ravish'd ears-Miss Mahon; Bacchus ever young and fair-Griffiths; Baccahus' blessings are a treasure-Chorus (Alexander's Feast); Consider fond shepherd-Miss Dall (Acis and Galatea); Disdainful of danger-Saville, Harrison, Sale; Pious Orgies-Miss Cantelo (Judas Maccabaeus); No more to Ammon's God-Chorus as17900317 The Prince unable-Miss Poole as17900319 The Horse and his Rider-Double Chorus as17900224.

Afterpiece Title: Grand Selection 3 Entirely selected from The Messiah

Music: As17900219

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Harlequin's Chaplet

Performance Comment: Harlequin-Boyce; Clown-Follett; Pantaloon-Ratchford; Lover-Farley; Farmer (with Come Roger and Nell)-Cubitt; Shepherd, Shepherdess (with Cast, my Love, thine Eyes around)-Mrs Martyr, Mrs Mountain; Serjeant-W. Powel; Recruit-C. Powell; Bricklayers-Letteney, Thompson; Carpenter-Lee; Sportsmen-Cross, Evatt; Gardener-Ledger; Woodcutter-Rock; Lover's Servant-Master Simmons; Monkey-Rayner; Peacock-Sloper; Principal Witches-Davies, Reeve [Public Advertiser: Linton], Miss Williams, Mrs Mountain; Colombine-Mrs Watts.

Dance: As17901020

Event Comment: "The performance of last night boasted some additional impression, by the fine imagination of [Kemble's] starting at the trumpet from the prayer of penitence, and springing up the Hero and the King...[In Act V] the scene with Katharine was as sportive and as easy as possible...Comus followed, vice the Critic, obliged to be postponed from [the] indisposition of Parsons (MS annotation on Kemble playbill)]. Some disapprobation attended the drawing up the curtain. Palmer explained, and then, without 'wiping his lips since he spoke last' began "The Star that bids the Shepherd fold" (Oracle, 1 Nov.). Receipts: #223 5s. 6d. (180.8.6; 41.3.0; 1.14.0)

Performances

Mainpiece Title: King Henry The Fifth

Afterpiece Title: Comus

Event Comment: Mainpiece: In 5 Acts, altered from the Dramatic Romance by David Garrick, Esq. With a new Overture and new additional Musick by Storace [on 2 Jan. 1792 and thereafter, added: Shaw] and other Eminent Masters. Entirely new Scenery by Greenwood, and new Dresses, Decorations and Machinery. To conclude with a Grand Procession of the Hundred Knights of Chivalry, and the Representation of an Ancient Tournament. [These were included in all subsequent performances.] Books of the Songs to be had at the Theatre. Morning Post, 3 Jan. 1792, prints a full description of the Procession of over 100 persons: 1st, Anglo-Saxon Knights and banners; then ancient British knights, Norman knights, Indians, Turks, Scythians, Romans, a dwarf, a giant; at end, "soldiers drawing a superb picture of St. George, knights in chain mail, a cupid leading a knight covered with a silver net, Hymen, piping fauns, bands of cupids drawing an altar--flame burning, cupids hovering over it, and others feeding doves below, a troop of Arcadian shepherds drawing the car of Cymon and Sylvia, characters of the drama, and chorus." "At the conclusion of the procession, a tournament took place of both horse and foot, between several combatants in armour, who fought with lances, swords and battle-axes: three of Hughes' horses [from the Royal Circus] were introduced, and managed with much dexterity; the Prince of Wales' Highlander made one of the procession, and entered the lists as a champion, fighting with an enormous club; against him a small female warrior was opposed, by whom he was subdued. It was by far the grandest spectacle ever seen upon the stage. Many of the characters were taken from Sir Philip Sydney's Arcadia, in which the scene of the piece was laid; and the dresses of the knights, armour, &c. from the drawings and descriptions of the best antiquarians" (Oulton, 1796, II, 215). [This was Edmund Kean's 1st appearance on the stage; he was about four years old. He personated a cupid lying in Cymon and Sylvia's car (Kelly, Reminiscences, II, 21-22).] Account-Book, 13 Jan. 1792: Paid Hughes for his Horses #16 19s. 10d.; 23 Jan.: Paid Gough for his Greyhounds in Cymon #5 19s. 6d. Receipts: #420 6s. (385.0; 35.5; 0.1)

Performances

Mainpiece Title: Cymon

Afterpiece Title: All the World's a Stage

Performances

Mainpiece Title: A Grand Selection 0principally From The Works Of handel; Redemption 0

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Justly these evils, Why does the God?-Incledon; Ye men of-Miss Barclay (Samson); And in that air Behold! God is my salvation-Reinhold; Therefore with joy-Reinhold; And in that Day-Mrs Bland; Call upon his name-Mrs Bland; Sing unto the Lord-Mrs Crouch, Reinhold; Cry out and shout-Chorus (New Anthem, Shaw); Dead March (Saul)-; Lord remember David-Kelly [Sosarme]; Ah chi sa-Kelly, Mrs Crouch, Morelli; Consider found shepherd-Master Welsh (Acis and Galatea); But bright Cecilia, As from the pow'r-Mrs Crouch (Dryden's Ode).

Afterpiece Title: Grand Selection 3

Song: End II: Mad Bess-Mrs Crouch (Purcell)

Performances

Mainpiece Title: The Winter's Tale

Performance Comment: Florizel-Holman; Polixenes-Aickin; Camillo-Hull; Cleomenes-Powel; Clown-Quick; Autolicus (with songs)-Munden; Leontes-Harley; Perdita (with Come, come, my good Shepherds) (1st time)-Mrs Mountain; Paulina-Mrs Fawcett; Dorcas-Miss Stuart; Mopsa-Mrs Harlowe; Hermione (for that night only)-Mrs Pope.

Afterpiece Title: The Irishman in London

Afterpiece Title: The Golden Pippin

Song: In 2nd piece: As17920421; End II: a Selection of the most favourite Catches and Glees from Harrison and Knyvett's Vocal Concert-; O let the merry peal go on-(Danby); When Arthur first in Court began-(Callcott); Tweedside What beauties does Flora-(Corfe); Come let us all a Maying go-(Hilton)

Performances

Mainpiece Title: The Messiah; Grand Selection 0

Afterpiece Title: The Messiah 1

Performance Comment: Overture-; Comfort ye my people, Every Valley-Harrison; And the glory-Chorus; Thus saith the Lord, But who may abide-Bellamy; And he shall purify-Chorus; Behold! a Virgin, O thou that tellest-Miss Leak; For behold!, The people that-Bellamy; For unto us-Chorus; There were Shepherds-Mrs Harrison; Glory to God-Chorus; Rejoice greatly-Master Welsh; Then shall the Eyes, He shall feed his Flock-Miss Poole; Come unto him-Mrs Harrison; His yoke is easy-Chorus.

Afterpiece Title: The Messiah 2

Afterpiece Title: The Messiah 3

Song: End Part I: Captivity (supposed to be sung by the unfortunate Marie Antoinette, Queen of France, during her confinement in the Tower of the Temple; composed by Percy)-Master Welsh

Music: End Part II: concerto on the violin-Janiewicz

Performances

Mainpiece Title: A Grand Selection 0

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: As17930215, but To arms your ensigns-_Sedgwick, Leete; added +concerto oboe-W. Parke; O magnify the Lord-Miss Leak [Chandos Anthems]; From the mountains lo! he comes, Tell me lovely shepherd-Mrs Harrison; Come unto these yellow sands-_; Hark! the watch dogs bark-_; +Full fathom five-_; Sea Nymphs hourly ring his knell-_; Thou didst blow-_.

Afterpiece Title: Grand Selection 3

Performances

Mainpiece Title: How To Grow Rich

Afterpiece Title: Harlequin's Chaplet

Performance Comment: Principal Pantomimic Characters-Simpson, Follett, Farley, Rock, Evatt, Rees, Thompson, Claremont, Hawtin, Mrs Watts, Mrs Follett, Miss Smith, Mrs Ratchford, Mrs Blurton, Miss Paye; Vocal Characters-Linton, Gray, Davies, Street, Little, Sawyer, Kendrick, Spofforth, Tett, Mrs Martyr, Mrs Mountain, Miss Barnett, Miss Leserve, Mrs Masters, Mrs Lloyd. [Partial cast adjusted from playbill of 15 Nov. 1790: Harlequin-Simpson; Clown-Follett; Lover-Farley; Woodcutter-Rock; Bricklayers-Evatt, Thompson; Lover's Servant-Rees; Pantaloon-Claremont; Gardener-Hawtin; Colombine-Mrs Watts; Shepherd, Shepherdess-Mrs Martyr, Mrs Mountain; Same playbill lists the other character: Farmer, Serjeant, Recruits, Carpenter, Sportsmen, Monkey, Peacock, Witches.] Same playbill lists the other character: Farmer, Serjeant, Recruits, Carpenter, Sportsmen, Monkey, Peacock, Witches.]

Entertainment: Afterpiece: [To conclude with Three Entire New Scenes, representing the Town and Harbour of Toulon; with a View of the Manoeuvring of the British, Spanish, and French Fleets, after the Surrender of the Town and Fortifications to the English] on the Twenty-ninth of August [1793]. In which, When in War on the Ocean-Davies; an Entire New Song [composed by Shield,-Incledon; The Music- [Selected by Shaw from Pepusch, Dr Arne, Arnold, Fisher, [Michael] Arne, Vincent, Dibdin, Reeve, Shield; The Dances-Byrn, Holland[; The Scenery-Hodgins, Walmsley, Phillips

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Harlequin's Chaplet

Performance Comment: Harlequin-Boyce; Clown-Follett; Pantaloon-Ratchford; Lover-Farley; Farmer (with Come Roger and Nell)-Cubitt; Shepherd, Shepherdess (with Cast, my Love, thine Eyes around)-Mrs Martyr, Mrs Mountain; Serjeant-W. Powel; Recruit-C. Powell; Bricklayers-Letteney, Thompson; Carpenter-Lee; Sportsmen-Cross, Evatt; Gardener-Ledger; Woodcutter-Rock; Lover's Servant-Master Simmons; Monkey-Rayner; Peacock-Sloper; Principal Witches-Davies, Reeve [Public Advertiser: Linton], Miss Williams, Mrs Mountain; Colombine-Mrs Watts.

Dance: As17931020

Performances

Mainpiece Title: The Messiah

Performance Comment: Principal Vocal Performers as17940314but omitted: Miller. Leader as17940312ART I. Overture. Comfort ye my people and Every Valley by Harrison. And the glory by Chorus. Thus saith the Lord and But who may abide by Meredith. And he shall purify by Chorus. Behold! a Virgin and O thou that tellest by Kelly. For, behold! and The people that by Meredith. For unto us by Chorus. There were Shepherds by Sga Storace. Glory to God by Chorus. Rejoice greatly by Master Welsh. Then shall the Eyes and He shall feed his flock by Mrs Bland. Come unto him by Sga Storace. His yoke is easy by Chorus. PART II. Behold the Lamb by Chorus. He was despised by Mrs Crouch. Surely he hath borne by Chorus. All they that see him by Kelly. He trusted in God by Chorus. Thy rebuke hath and Behold! and see by Harrison. He was cut off and But thou didst not by Miss Leak. Lift up your heads by Chorus. Unto which of the by Kelly. Let all the Angels by Chorus. Thou art gone up by Mrs Bland. The Lord gave by Chorus. How beautiful by Master Welsh. Their sound is gone by Chorus. Why do the nations by Meredith. Let us break by Chorus. He that dwelleth and Thou shalt break them by Dignum. Hallelujah by Chorus. PART III. I know that my Redeemer liveth by Master Welsh. Since by Man by the Principal Singers and Semi-Chorus. By Man came also the Resurrection of the Dead by Chorus. For as in Adam all die by Semi-Chorus. Even so in Christ shall all he made alive by Chorus. Behold! I tell by Meredith. The trumpet shall sound, accompanied on the trumpet by Hyde, and Then shall be brought to pass [singer not listed]. O Death where is thy sting by Harrison and Mrs Crouch. But thanks be to God by Chorus. If God he for us by Miss Leak. Worthy is the Lamb by Chorus .singer not listed]. O Death where is thy sting by Harrison and Mrs Crouch. But thanks be to God by Chorus. If God he for us by Miss Leak. Worthy is the Lamb by Chorus .

Music: End of Part I concerto on the flute by Ashe; End of Part II concerto on the violin by Giornovichi

Event Comment: By Permission of the Lord Chamberlain. Benefit for Waldron, prompter. Mainpiece [1st time; TC 5, by Francis Godolphin Waldron. Larpent MS 1094; not published]: Founded on Shakespeare and Fletcher's Two Noble Kinsmen, by the Continuator of Ben Jonson's Sad Shepherd. With new Music composed by Dr Arnold. Copies of the Songs will be delivered gratis at the Theatre. Afterpiece [1st time; C 3, by Francis Godolphin Waldron, abridged from his The Maid of Kent. Larpent MS 1095; not published]: Written by the Author of Heigho for a Husband. Tickets and Places for the Boxes to be had of Waldron, No. 54, Drury-lane, and of Rice, at the Theatre

Performances

Mainpiece Title: Love And Madness

Afterpiece Title: 'Tis a Wise Child Knows its Father

Performances

Mainpiece Title: A Grand Selection 0 From The Most Favourite Works Of Handel; Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Overture-; O the pleasures of the plains-Chorus; Shepherd what-Master Elliot; I rage I melt I burn, O ruddier than the cherry-Reinhold; The flocks shall leave-Miss Poole, Incledon, Reinhold (Acis and Galatea); Grateful Hearts-Miss Dufour (Nabal); Hear Jacob's God-Chorus; O mirror of our fickle state-Miss Celson (Samson); Sweet Bird-Mme Mara; accompanied on the violin-G. Ashley (L'Allegro); My arms against, Sound an alarm-Incledon; We hear-Chorus (Judas Maccabaeus); No cruel father-Incledon (Saul); O had I Jubal's lyre-Miss Poole (Joshua); The many rend the skies-Chorus (Alexander's Feast); Pious orgies-Mme Mara (Judas Maccabaeus); No more to Ammon's God-Chorus (Jephtha).
Cast
Role: Shepherd what Actor: Master Elliot

Afterpiece Title: Grand Selection 3

Music: As17980309

Performances

Mainpiece Title: The Haunted Tower

Dance: End I: Telasco and Amgahi ; or, The Peruvian Nuptials. Principal Characters-Didelot, Laborie, Deshayes, Mlle Parisot, Mme Laborie, Mlle J. Hilligsberg, Mme Hilligsberg; Pas de Quatre-Deshayes, Laborie, Mme Hilligsberg, Mlle Parisot

Ballet: End Opera: Atalante and Hyppomenus; or, The Foot Race. Grecian Princes Hyppomenus-Deshayes; Pelus-Didelot; Adrastus-Laborie; Atalante-Mlle Parisot; Sererine (nymph of the Woods)-Mlle J. Hilligsberg; Zelie (nymph of the Woods)-Mlle J. Hilligsberg; Zelie (nymph of the Woods)-Mme Laborie; Clitie (nymph of the Woods)-Mme Hilligsberg; Shepherdesses Mlles D'Egville, Denis, B.? Denis, Lupini, Cranfield; Nymphs of the Woods, Fauns, Shepherds-The whole corps de Ballet; In which the favourite Skipping@rope Pas de Deux-Didelot, Mme Hilligsberg

Performance Comment: Grecian Princes Hyppomenus-Deshayes; Pelus-Didelot; Adrastus-Laborie; Atalante-Mlle Parisot; Sererine (nymph of the Woods)-Mlle J. Hilligsberg; Zelie (nymph of the Woods)-Mlle J. Hilligsberg; Zelie (nymph of the Woods)-Mme Laborie; Clitie (nymph of the Woods)-Mme Hilligsberg; Shepherdesses Mlles D'Egville, Denis, B.? Denis, Lupini, Cranfield; Nymphs of the Woods, Fauns, Shepherds-The whole corps de Ballet; In which the favourite Skipping@rope Pas de Deux-Didelot, Mme Hilligsberg.