Event Comment: By Handel. By Command of their Majesties

Event Comment: Archer by Mr King. Cherry first time Miss Jarratt pretty well. Sga Pacini danc'd for the first time. She is a small figure, not much Elegance but was very well received (Hopkins Diary). Agreement with Sga Paccini, 20 June 1775: "I do agree for my partner, Mr Willoughby Lacy, and myself, to engage Signora Paccini as first dancer at our Theatre, the ensuing season, which commences the first week in September 1775, and finishes the end of May 1776; for which the said Signora shall receive from us, by weekly or monthly payments as she pleases, the sum of three hundred and twenty-five pounds sterling, and she is likewise to have a benefit in course of salary, and at the best time of the year, for which she is to dance whenever she is called upon, to the best of her power and abilities. This engagement the managers of the Theatre Royal in Drury Lane engage to fulfill on their part, under the penalty of five-hundred pounds sterling. Witness my hand this nineteenth day of June 1775." (Signed.) David Garrick for Willoughby Lacy and himself (Boaden, Private Correspondence of Garrick, II, 63). The Comedy of The School for Lovers oblig'd to be deferr'd. Receipts: #153 19s. 6d. (Treasurer's Book)

Event Comment: A New, Grand, Serious Opera, with Chorusses [1st time; SER 2, by Lorenzo DaPonte]. The Music by Bianchi

Event Comment: The New English Opera oblig'd to be deferr'd till Friday on account of the Indisposition of Sga Cremonini. Tomorrow, by Particular Desire. Richard III, with a Pantomime (Not perform'd this season) call'd The Genii

Event Comment: Benefit for Theatrical Fund, instituted by Persons of this theatre. Mainpiece: Acted there but once. Such of the Nobility, Gentry, etc. who are pleased to favour this undertaking are desire to send for places, Pit or Box tickets, to Mr Sarjant at the stage-door. [Neville attended at half-past four and read the principal parts of the play, as altered by Colman. Noted that Sga Manesiere did The Sicilian Peasant in boy's clothes.] @Receipts #164 19s.@Charges to House #63@Chorus Singers #1 15s.@Candles #1 5s.@Kettle Drum 5s.@Bag Pipes 5s.@#66 10s.@Dr to the Fund #98 9s.-Account Book@

Event Comment: Benefit for Sieur Daigville, Sga Vidini

Event Comment: Benefit for Sga Passerini. Pit and Boxes half a Guinea. Gallery 5s. The Overture and some songs composed by his Majesty the King of Prussia. The Remaining songs by the best masters as Quantz, Nichelman, Benda. The Duet and chorus-Graun, chief composer of the court, poetry-Villati. The afterpiece "an Italian Pastoral.

Event Comment: Benefit for Duquesney and Sga Manesiere. None admitted behind the Scenes

Event Comment: 1st piece [1st time; PREL I, by George Colman elder; also ascribed to George Keate. Larpent MS 565; not published]: In Three Scenes of Dialogue. 2nd piece: The Music compiled by Dr Pepusch. 3rd piece [1st time; B. BALL I (see king's, 29 Mar.)]: Ballet Tragi-Comique by Signior Novestris [i.e. George Colman, the elder]. The Music by Signior Gluck. With New Scenes, Dresses and Decorations. Machinist and Painter-Signior Rookereschi. Tailor-Signior Walkerino. Morning Chronicle, 9 Aug.: Bannister with great good sense played chastely, and suffered the burlesque to arise out of his serious performance of Polly, not attempting to render the character ridiculous by making it more outre than it was rendered by his voice and figure

Event Comment: Mainpiece: Several of the Airs and the Overture composed by Dr Arnold. Books of the Songs to be had at the Theatre. The Doors to be opened at 6:00. To begin precisely at 7:00 [same throughout season]. Places for the Boxes to be had of Rice at the Theatre. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s

Event Comment: Benefit for Miss George. [Monologue by Charles Stuart {.European Magazine, Sept. 1786, p. 165).] Morning Chronicle, 31 July: Tickets to be had of Miss George, No. 23, King-street, St. Ann's, Soho. Afterpiece: Never performed here

Event Comment: Benefit for Miss George. Public Advertiser, 8 Aug.: Tickets to be had of Miss George, No. 8, Panton-street

Event Comment: Mainpiece [1st time; T 3, as altered by George Colman, the elder]: Written by Lillo, Author of George Barnwell. Not acted these 50 years [acted 4 Sept. 1755. Prologue by the alterer (Colman, Prose, III, 233)]. The Words of the Song in the Tragedy will be given at the Doors of the Theatre. Public Advertiser, 28 June 1783: This Afternoon will be published Fatal Curiosity (1s)

Event Comment: Mainpiece: Written by Lillo, Author of George Barnwell. [Prologue, which is by George Colman, the elder, is the Prologue introductory to the play, not the Prologue spoken on 31 May, &c] Afterpiece: The Music by Dr Arnold. The Scenes by Rooker. Books of the Tragedy and of the Songs in the Pantomime to be had in the Theatre

Event Comment: Benefit for Miss George

Event Comment: By Permission of the Lord Chamberlain. Benefit for Mrs Cuyler. [Kean is identified on HAY playbill of 26 Aug. 1784.] 1st and 2nd pieces: Both written by George Colman, Esq. 3rd piece: Written by the late David Garrick. Not acted these 12 years. Tickets to be had of Mrs Cuyler, No. 7, St. Alban's-street; at the bar of George's Coffee-house; and of Rice, at the Theatre, where places for the boxes may be taken. Tickets delivered for the 15th will be admitted

Event Comment: Mainpiece: Written by Lillo, Author of George Barnwell. [Prologue by George Colman, the elder (Colman, Prose, in, 233). Mrs Bates was from CG.]

Event Comment: Benefit for Mrs Siddons. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four o'clock. Morning Herald, 1 May: Tickets to be had of Mrs Siddons, Gower-street, Bedford-square. "In the apparent assumption of madness [and] the express'd weakness and melancholy of the character Kemble is not equalled by any of his predecessors . . . Till [Mrs Siddons] there never was, in sensible discrimination, as there ought to be, the real madness of Ophelia from the feigned distraction of Hamlet. Till then the dignity, the love, even the pathos of the part [were] but poorly, if at all administered" (Public Advertiser, 17 May). Receipts: #326 14s. 6d. (137/3/0; 7/3/6; 0/4/0; tickets: 182/4/0)(charge: #109 16s.)