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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sg Pietro Sodi"/1) | (@(roleclean,performerclean) "Sg Pietro Sodi")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1575 results for: Keyword - Sg Pietro Sodi
We found 1188 matches on Author, 219 matches on Performance Title, 128 matches on Performance Comments, 86 matches on Event Comments, and 0 matches on Roles/Actors.

1476
26 September 1769 @ Drury Lane Theatre

Performances

Mainpiece Title: The School For Rakes

Afterpiece Title: Queen Mab

Dance: I: Comic Dance-Daigueville, Sga Vidini

1477
28 May 1771 @ Drury Lane Theatre

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Lyar

Entertainment: V: Bucks Have at ye All-Mas. Palmer

1478
02 December 1771 @ Drury Lane Theatre

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Institution of the Garter

1479
05 May 1772 @ Drury Lane Theatre

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Harlequin's Invasion

Dance: II: A New Double Hornpipe-Mas. White, Miss Lings; IV: New Tambourine Dance-Mas. Byrn, Miss Byrn, Miss Wilkinson, scholars to Sg Giorgi (playbill)

1480
25 February 1773 @ Drury Lane Theatre

Performances

Mainpiece Title: Amphitryon

Afterpiece Title: The Pigmy Revels

1481
03 March 1773 @ Covent Garden

Performances

Mainpiece Title: The Messiah; Judith

Music: I: Concerto on French Horn-Spandau; II: Concerto on Organ-Arne

1482
26 April 1773 @ Covent Garden

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Man and Wife

Dance: I: New Dance, as17730206; II: A New Comic Dance-Mas. Harris (Scholar to Aldridge), Miss Mathews; End Opera: (By particular desire) will be reviv'd The Whim-Aldridge, Sg Manesiere; End II of Farce: A New Dance-Mas. Langrish (Scholar to Aldridge) his first appearance, Miss Besford

1483
02 October 1773 @ Drury Lane Theatre

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Polly Honeycomb

Dance: End: The Mountaineers, as17730930 Como, Sga Crespi (2nd appearance)

1484
13 October 1775 @ Covent Garden

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Orpheus and Eurydice; or, The Metamorphoses of Harlequin

1485
31 January 1776 @ Covent Garden

Performances

Mainpiece Title: Zara

Afterpiece Title: Prometheus

1486
12 February 1776 @ Covent Garden

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: Prometheus

1487
19 February 1776 @ Covent Garden

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Prometheus

1488
03 May 1776 @ Covent Garden

Performances

Mainpiece Title: Edward And Eleonora

Afterpiece Title: A Duke and no Duke

Dance: II: New Dance Call'd The Academy-; in which will be introduced the New Court Minuet, Rigadoon (never perform'd before)-Mas. Holland, Miss Armstrong; with a Minuet, Allemande-Mas. Dagueville, a Girl only 5 years old; to conclude with a new Cadrille-Sg and Sga Zuchelli, Dagueville, Sga Vidini; End: a New Dance call'd The Humours of the New@Market Races with all the usual performances,-Dagueville, Harris, Rudd, Mas. Holland, Miss Ross, Miss Armstrong, Sga Vidini; to conclude with the Pony Races-

1489
06 May 1776 @ Covent Garden

Performances

Mainpiece Title: Amphitryon; Or, The Two Sosias

Afterpiece Title: Midas

Dance: II: The Humours of the New@Market Races, as17760503

Monologue: Interlude. End: A Favourite Interlude (never perform'd there) call'd The Recruiting Serjeant. Serjeant-Mahon; Countryman-Wilson; Wife-Miss Dayes; Mother-Mrs Willems

1490
31 March 1778 @ King's Theatre

Performances

Mainpiece Title: L'amore Artigiano

Dance: End II: Masquerade Dance, as17780303Minuet de la Cour and Gavot, as17780303Provencal, as17780303Allemande a la Strasbourgoise, as17780303End Opera: La Serenade Interrompuee, as17780224

Ballet: End I: new Ballet Pastoral (composed by Simonet; the introduction by Banti), La Surprize de Daphnis et Cephise. Pas de Deux-Sg and Sga Zuchelli; Daphnis Banti; Cephise-Mlle Banti

1491
02 November 1778 @ Drury Lane Theatre

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Camp

Dance: I: Dance of Spirits-Miss Armstrong; III: Dance of Fantastic Spirits-; [These were danced, as here assigned, in both subsequent performances.] V: Grand Dance-Sg and Sga Zuchelli, Henry, Sga Crespi

1492
24 November 1778 @ King's Theatre

Performances

Mainpiece Title: L'avaro Deluso

Dance: With new Dances composed by Simonet. End II: La Noche Hollandoise-Banti, Zuchelli, Slingsby, Sga Zuchelli, Sga Tinti; End Opera: a new grand Serious Ballet, Les Nymphes de Diane; ou, L'Amour Faune-Mons Simonet, Mme Simonet, Banti, Sga Tinti

Ballet: End I: new Pantomime Ballet Annette et Lubin. Bailly-LeDet; Sig. du Village-Simonet; Lubin-Slingsby; Annette-Mme Simonet; unassigned-Sg Zuchelli, Sga Zuchelli

1493
25 March 1779 @ King's Theatre

Performances

Mainpiece Title: Enea E Lavinia

Dance: End I: a new Ballet, Hippomene et Atalante. Hippomene-Simonet, Atalante- Mlle Baccelli, Sg and Sga Zuchelli, Mlle Vidini, Slingsby; End II: a new Ballet, connected with the Opera, +Les Forges de Vulcain. Venus-Mme Simonet, the 3 Graces- Sga Zuchelli, Sga Tinti, Miss Rose, +Cupid- young Miss Simonet, +the 3 Cyclopes- Banti, Zuchelli, LeDet, +Vulcain- Slingsby; With a grand Chorus of the Cyclopes by $Sacchini-

Ballet: End Opera: a new Serious Ballet, La Fete du Ciel. Apollo-Mme Simonet; Flora-Sga Tinti; Zephir-Banti; Iris-Mlle Baccelli; To conclude with a grand Chaconne, in which-Mme Simonet will dance in a Man's Dress

1494
22 April 1780 @ King's Theatre

Performances

Mainpiece Title: Rinaldo

Dance: Three new Ballets composed by Favre Guiardele. End I: The Rural Sports-Sg and Sga Zuchelli, Henry, Miss Andreas, Miss Simonet, Sga Crespi; End II: La Fete Pastorale-Favre Guiardele, Mme Simonet, Sga Tantini; with a Pas Seul-Mlle Baccelli; accompanied on the guitar-Noferi; End Opera: Serious Ballet, as17800122, but Mme Simonet, Sga +Tantini; +Grand Chaconne by Floquet-

1495
23 January 1781 @ King's Theatre

Performances

Mainpiece Title: Mitridate

Dance: End I: The Pert Country Maid, as17810113; End II: a new serious Ballet (composed by Simonet) The Nymphs of Diana-Vestris? Jun., Mlle Baccelli, Sg and Sga Zuchelli, Henry, Sga Crespi, Miss Simonet, Mme Simonet; End Opera: a new grand Ballet half-character (composed by Simonet) The Rural Sports-Vestris? Jun., Mlle Baccelli, Henry, Sga Crespi, Traffieri, Slingsby, Sga Tantini

1496
25 April 1781 @ Drury Lane Theatre

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: A Fete

Afterpiece Title: Bon Ton

1497
03 June 1782 @ Haymarket Theatre

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggar's Opera

Afterpiece Title: Medea and Jason

Dance: In Act III of mainpiece a Hornpipe by Master Byrn. [This was danced, as here assigned, in all subsequent performances.]

1498
29 January 1743 @ King's Theatre

Event Comment: N.B. Sig Sodi being recover'd of his last indisposition, will dance this Night as usual

Performances

Mainpiece Title: Enrico

1499
30 April 1674 @ Dorset Garden Theatre

Event Comment: This date of performance is not a certainty; for the evidence, see Spencer, Shakespeare Improved, p. 94. Neither is Shadwell's authorship of the alterations a certainty, for the contributions of other playwrights have never been fully determined. (See Nicoll, Restoration Drama, p. 43.) The instrumental music was composed by Matthew Lock, with new vocal music by James? Hart and Pietro Reggio. See Songs Set by Signior Pietro Reggio, 1680. And differing versions of the second Prologue and the second Epilogue are in BM Egerton MS. 2623, ff. 54-55. Downes (Roscius Anglicanus, pp. 34-35): The Year after in 1673. The Tempest, or the Inchanted Island, made into an Opera by Mr Shadwell, having all New in it; as Scenes, Machines; particularly, one Scene Painted with Myriads of Ariel Spirits; and another flying away, with a Table Furnisht out with Fruits, Sweetmeats and all sorts of Viands; just when Duke Trinculo and his Companions, were going to Dinner; all things Perform'd in it so Admirably well, that not any succeeding Opera got more Money

Performances

Mainpiece Title: The Tempest; Or, The Enchanted Island

1500
14 June 1710 @ Greenwich

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music ....The orchestra was not very strong, consisting of no more than sixty persons, but it was incomparable-; Signiora Margarita del'Epine; sang, but she was by no means as pleasing as in the opera....She was the only person who sang. The instrumental music was extremely beautiful: Pepusch; who directs everything, and played the thorough-bass, excelled all the others. The violins too could scarce have been better. But most notable of all was a most charming concerto played with Pepusch by a flute and a viol di gamba. The person who plays the flute is a Frenchman called-Paisible; whose equal is not to be found....The second man, who played the viol di gamba with such uncommon excellence, is an Italian called-Signor Pietro

Performance Comment: ...The orchestra was not very strong, consisting of no more than sixty persons, but it was incomparable-; Signiora Margarita del'Epine; sang, but she was by no means as pleasing as in the opera....She was the only person who sang. The instrumental music was extremely beautiful: Pepusch; who directs everything, and played the thorough-bass, excelled all the others. The violins too could scarce have been better. But most notable of all was a most charming concerto played with Pepusch by a flute and a viol di gamba. The person who plays the flute is a Frenchman called-Paisible; whose equal is not to be found....The second man, who played the viol di gamba with such uncommon excellence, is an Italian called-Signor Pietro.
Cast
Role: called Actor: Signor Pietro.