SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Scythians"/1) | (@(roleclean,performerclean) "Scythians")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 349 matches on Roles/Actors, 3 matches on Performance Comments, 1 matches on Performance Title, 1 matches on Event Comments, and 0 matches on Author.

Performances

Mainpiece Title: Arrived At Portsmouth

Afterpiece Title: The Days of Yore

Afterpiece Title: Merry Sherwood

Performances

Mainpiece Title: Speculation

Afterpiece Title: Merry Sherwood

Performances

Mainpiece Title: King Henry The Fourth, First Part

Afterpiece Title: Merry Sherwood

Performances

Mainpiece Title: Speculation

Afterpiece Title: Merry Sherwood

Performances

Mainpiece Title: Cross Purposes

Afterpiece Title: The Days of Yore

Afterpiece Title: Merry Sherwood

Performances

Mainpiece Title: Speculation

Afterpiece Title: Merry Sherwood

Performances

Mainpiece Title: The London Hermit

Afterpiece Title: Merry Sherwood

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: Merry Sherwood

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: Merry Sherwood

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: Merry Sherwood

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: Merry Sherwood

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: Merry Sherwood

Performances

Mainpiece Title: The Travellers In Switzerland

Afterpiece Title: The Follies of a Day

Afterpiece Title: Arrived at Portsmouth

Dance: 1st piece to conclude with: The Savoyard-Byrn, Holland, Mlle St.Amand; In 3rd piece: a New Dance-Byrn, Holland, Mlle St.Amand

Song: End I: The Sea Storm-Incledon; In 3rd piece: We've bade the restless seas adieu-; O why to be happy, as17960314With Rosabel what joy to stray-Townsend; Here we laugh and work together-; With pride we steer'd for England's coast-Incledon; When love was a stranger-Mrs Mountain; The seaman who of wars may tell-Incledon, Bowden; Rule Britannia-; In course: Old Towler-Incledon; an entire New Song-Incledon

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: British Fortitude and Hibernian Friendship

Afterpiece Title: The Follies of a Day

Song: In 2nd piece: As17960405, but Fa la la-_; Our Simple Tale thus Ended-Incledon, Johnstone, Linton, Street, the rest of the characters; End III 1st piece: Old Towler-Incledon

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: Arrived at Portsmouth

Afterpiece Title: The Maid of the Oaks

Dance: In 2nd piece: a New Dance-Holland, Platt, Mrs Watts

Song: In 2nd piece: As in 3rd piece, 12 Apr., but The Sea Storm-_; Old Towler-_; New Song-_

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Arrived at Portsmouth

Afterpiece Title: The Irish Mimick

Dance: As17960420

Song: In Evening: a Hunting Song [Old Towler]-Incledon; 2nd piece: We've bade the restless seas adieu-; O why to be happy, as17960412; Here we laugh and work together-; With pride we steer'd for England's coast, as17960412; When love was a stranger, as17960412; Hearts of Oak-Incledon, Chorus

Performances

Mainpiece Title: The Old Maid

Afterpiece Title: Every One has His Fault

Afterpiece Title: Cymon

Dance: Conclude 3rd piece: Dance-

Song: End: Black@Ey'd Susan-Incledon; End 2nd piece: The Group of Lovers-Munden

Performances

Mainpiece Title: Such Things Are

Afterpiece Title: Arrived at Portsmouth

Afterpiece Title: Rosina

Dance: End 2nd piece: Highland Festivity, as17951125

Song: In 2nd piece: songs as in 3rd piece, 12 Apr. We've bade the restless seas adieu-; O why to be happy, as17960314+With Rosabel what joy to stray-Townsend; Here we laugh and work together-; With pride we steer'd for England's coast-Incledon; When love was a stranger-Mrs Mountain; The seaman who of wars may tell-Incledon, Bowden; Rule Britannia-

Performances

Mainpiece Title: The Point At Herqui

Afterpiece Title: The Dramatist

Afterpiece Title: Oscar and Malvina

Dance: In: a new incidental Dance, as17960415

Song: In: songs as17960503; End 2nd piece: The Sea Storm-Incledon; In 3rd piece: songs The Sea Storm, as17960516; I am a jolly gay Pedlar, as17960516; Come every jovial Fellow, as17960516; O ever in my bosom live, as17960516

Event Comment: Mainpiece: In 5 Acts, altered from the Dramatic Romance by David Garrick, Esq. With a new Overture and new additional Musick by Storace [on 2 Jan. 1792 and thereafter, added: Shaw] and other Eminent Masters. Entirely new Scenery by Greenwood, and new Dresses, Decorations and Machinery. To conclude with a Grand Procession of the Hundred Knights of Chivalry, and the Representation of an Ancient Tournament. [These were included in all subsequent performances.] Books of the Songs to be had at the Theatre. Morning Post, 3 Jan. 1792, prints a full description of the Procession of over 100 persons: 1st, Anglo-Saxon Knights and banners; then ancient British knights, Norman knights, Indians, Turks, Scythians, Romans, a dwarf, a giant; at end, "soldiers drawing a superb picture of St. George, knights in chain mail, a cupid leading a knight covered with a silver net, Hymen, piping fauns, bands of cupids drawing an altar--flame burning, cupids hovering over it, and others feeding doves below, a troop of Arcadian shepherds drawing the car of Cymon and Sylvia, characters of the drama, and chorus." "At the conclusion of the procession, a tournament took place of both horse and foot, between several combatants in armour, who fought with lances, swords and battle-axes: three of Hughes' horses [from the Royal Circus] were introduced, and managed with much dexterity; the Prince of Wales' Highlander made one of the procession, and entered the lists as a champion, fighting with an enormous club; against him a small female warrior was opposed, by whom he was subdued. It was by far the grandest spectacle ever seen upon the stage. Many of the characters were taken from Sir Philip Sydney's Arcadia, in which the scene of the piece was laid; and the dresses of the knights, armour, &c. from the drawings and descriptions of the best antiquarians" (Oulton, 1796, II, 215). [This was Edmund Kean's 1st appearance on the stage; he was about four years old. He personated a cupid lying in Cymon and Sylvia's car (Kelly, Reminiscences, II, 21-22).] Account-Book, 13 Jan. 1792: Paid Hughes for his Horses #16 19s. 10d.; 23 Jan.: Paid Gough for his Greyhounds in Cymon #5 19s. 6d. Receipts: #420 6s. (385.0; 35.5; 0.1)

Performances

Mainpiece Title: Cymon

Afterpiece Title: All the World's a Stage