SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Samuel Johnson"/1) | (@(roleclean,performerclean) "Samuel Johnson")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3715 matches on Author, 1348 matches on Performance Comments, 457 matches on Event Comments, 7 matches on Performance Title, and 1 matches on Roles/Actors.

Performances

Mainpiece Title: Zorinski

Related Works
Related Work: Zorinski Author(s): Samuel Arnold

Afterpiece Title: Tis All a Farce

Performances

Mainpiece Title: The Surrender Of Calais

Related Works
Related Work: The Surrender of Calais Author(s): Samuel Arnold

Afterpiece Title: Tis All a Farce

Performances

Mainpiece Title: tis All A Farce

Afterpiece Title: Inkle and Yarico

Related Works
Related Work: Inkle and Yarico Author(s): Samuel Arnold

Afterpiece Title: Fortunes Frolick

Performances

Mainpiece Title: Zorinski

Related Works
Related Work: Zorinski Author(s): Samuel Arnold

Afterpiece Title: Tis All a Farce

Performances

Mainpiece Title: The Surrender Of Calais

Related Works
Related Work: The Surrender of Calais Author(s): Samuel Arnold

Afterpiece Title: Tis All a Farce

Performances

Mainpiece Title: The Jew

Afterpiece Title: The Agreeable Surprise

Related Works
Related Work: The Agreeable Surprise Author(s): Samuel Arnold

Performances

Mainpiece Title: Peeping Tom

Related Works
Related Work: Peeping Tom Author(s): Samuel Arnold

Afterpiece Title: Fortunes Frolick

Afterpiece Title: The Agreeable Surprise

Related Works
Related Work: The Agreeable Surprise Author(s): Samuel Arnold

Performances

Mainpiece Title: The Agreeable Surprise

Related Works
Related Work: The Agreeable Surprise Author(s): Samuel Arnold

Afterpiece Title: Fortunes Frolick

Afterpiece Title: Obi

Performances

Mainpiece Title: Peeping Tom

Related Works
Related Work: Peeping Tom Author(s): Samuel Arnold

Afterpiece Title: Tis All a Farce

Afterpiece Title: Obi

Performances

Mainpiece Title: The Jew And The Doctor

Afterpiece Title: Tis All a Farce

Afterpiece Title: Peeping Tom

Related Works
Related Work: Peeping Tom Author(s): Samuel Arnold

Performances

Mainpiece Title: The Agreeable Surprise

Related Works
Related Work: The Agreeable Surprise Author(s): Samuel Arnold

Afterpiece Title: Fortunes Frolick

Afterpiece Title: Obi

Performances

Mainpiece Title: Inkle And Yarico

Related Works
Related Work: Inkle and Yarico Author(s): Samuel Arnold

Afterpiece Title: The Castle of Sorrento

Song: As18000725

Performances

Mainpiece Title: The Mountaineers

Related Works
Related Work: The Mountaineers Author(s): Samuel Arnold

Afterpiece Title: Rosina

Song: In course evening: Little Taffline; or, The Silken Sash-Mrs Bland

Performances

Mainpiece Title: Cambro britons

Related Works
Related Work: Cambro-Britons Author(s): Samuel Arnold

Afterpiece Title: The Agreeable Surprise

Related Works
Related Work: The Agreeable Surprise Author(s): Samuel Arnold

Song: End: Paddy's Description of Pizarro; or, Mr Paddy O'Doody and his Cousin Shaun Shaugnessy's Treat to the One Shilling Gallery-Johnstone

Performances

Mainpiece Title: The Point Of Honour

Afterpiece Title: The Review or The Wags of Windsor

Related Works
Related Work: The Review; or, The Wags of Windsor Author(s): Samuel Arnold

Performances

Mainpiece Title: Inkle And Yarico

Related Works
Related Work: Inkle and Yarico Author(s): Samuel Arnold

Afterpiece Title: The Review

Related Works
Related Work: The Review; or, The Wags of Windsor Author(s): Samuel Arnold

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Author

Related Works
Related Work: The Author Author(s): Samuel Foote

Dance: In II: a Hornpipe-

Song: After Imitations: Sweet Echo-Mrs Mountain

Entertainment: Imitations End: Variety of Imitations-T. Trueman

Event Comment: By Authority. By the Hurlothrumbo Company of Comedians. Mainpiece: An Operatical Comedy of Three Acts. Written by Lord Flame [Samuel Johnson of Chesire]. Afterpiece: a Farce of Two Acts. [Presumably by Johnson also.] Box 4s. Pit 2s. 6d. Gallery 1s. 6d. 7 p.m

Performances

Mainpiece Title: A Fool Made Wise

Afterpiece Title: Sir John Falstaff in Masquerade

Event Comment: Afterpiece: Written by Samuel Foote, Esq

Performances

Mainpiece Title: The Spanish Barber

Performance Comment: Count Almaviva-Palmer; Doctor Bartholo-Parsons; Basil-Aickin; Tallboy-R. Palmer; Argus-Wewitzer; Notary-Cubitt; Alcade-Johnson; Lazarillo-Bannister Jun.; Rosina-Mrs Bannister.
Cast
Role: Alcade Actor: Johnson
Related Works
Related Work: The Spanish Barber; or, The Fruitless Precaution Author(s): Samuel Arnold

Afterpiece Title: The Liar

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Shylock-Macklin; Antonio-Delane; Bassanio-Havard; Gratiano-Mills; Launcelot-Neale; Morochius-Sparks; Lorenzo (with proper songs)-Lowe; Portia-Mrs Clive; Nerissa-Mrs Bennet; Jessica-Mrs Ridout; Duke-Winstone; Solanio-Berry; Salarino-Blakes; Gobbo-Ray; Tubal-Taswell; Balthasar-Simpson; Prologue [written by Samuel Johnson]-Garrick; Epilogue-Mrs Woffington [Rosenbach copy of Prologue and Epilogue. Spoken at the opening of the Theatre in Drury Lane, 1747.]Rosenbach copy of Prologue and Epilogue. Spoken at the opening of the Theatre in Drury Lane, 1747.]
Event Comment: Tomorrow will be publish'd, at 1s. 6d. Irene. A Tragedy, acted at the Theatre Royal Drury Lane, by Mr Samuel Johnson, Printed for R. Dodsley in Pall Mall, and sold by M. Cooper in Paternoster Row. [In 1749 was published an Essay on Tragedy, with a Critical Examen of Mahomet and Irene (T. P. Barton@Collection, Boston Public Library).

Performances

Mainpiece Title: None

Event Comment: The Last Time of Performing in This Theatre. Kemble Mem.: Sheridan wrote the Address [not listed on playbill; see Gazetteer, 6 June], Palmer delivered it. Universal Magazine, June 1791, p. 438: On Saturday night, of a gradual decay, and in the 117th year of her age, died old Madam Drury, who lived through six reigns, and saw many generations pass in review before her...She had a rout of near 2000 people at her house the very night of her death; and the old lady found herself in so much spirits, that she said she would give them 'No Supper' without a 'Song'; which being complied with, she fell back gently in her chair, and expired without a groan. Dr Palmer, one of her family physicians, attended her in her last moments, and announced her dissolution to the company. [This was written by George Colman, ynger.] Gazetteer, 6 June: Samuel Johnson was powerfully and pathetically shewn the universal horror which men feel of the last even towards things indifferent, or sometimes unpleasant; and there seemed to be some apprehension of this sort of pain on Saturday, for a very few attended to take their leave of the scene where they have been so often regaled with fictitious sorrow and gladness. [This theatre was first opened on 26 March 1674. It has been altered and redecorated on several occasions, notably by the architects Robert and James Adam in the summer of 1775, for which see illustration in The London Stage, Part IV, Vol. III, 1650. The new theatre was not in readiness until April, 1794. The principal reason for the delay was that the patent had lapsed, and "it being necessary to obtain one previous to the payment of their respective sums on the part of the subscribers, application was made to Mr Harris, of Covent Garden Theatre, who possessed a dormant patent." The price set was #15,000, and the patent was sent to a banker for inspection. A Mr George White, who had married a daughter of William Powell, one of the former patentees, and had thereby a financial interest, objected to this price, and "obtained a prohibition in the Court of Chancery which obliged the banker to restore the patent to the Manager of Covent Garden Theatre." The subscribers to the new Drury Lane thereupon refused to pay their subscriptions, and work on the demolition of the old theatre was halted (London Chronicle, 30 July 1792). Sheridan finally offered #20,000: #15,000 to Harris and #5,000 to White, which was accepted, and work on the theatre was resumed, the cornerstone being laid on 4 Sept. 1792 (Morning Chronicle, 6 Sept.; London Chronicle, 12 Sept. 1792). The Actual sum eventually paid to Harris was #11,667.] Paid in lieu of Benefits: Kelly #100; Miss Farren #300; Aickin #60; Williames #42. Received from Their Majesties for Season #78. Paid Renters #20 apiece (Account-Book). Receipts: #105 5s. 6d. (74.7.0; 24.0.6; 6.18.0)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: No Song No Supper

Event Comment: Benefit for Townsend and Mrs Johnson. 3rd piece [1st time in London; F 1, by William Dunlap]: Performed with distinguished Applause at the John St.? Theatre, New York [on 9 Jan. 1797]; compressed into one act [from two], and adapted for the English Stage by a Gentleman [perhaps the author]. "Commencing at half past eleven o'clock, and after a tiresome variety of other entertainments, the audience thought they had had enough for their money, and demanded the fall of the curtain before the conclusion of [Tell Truth and Shame the Devil]" (Monthly Mirror, June 1799, p. 367). Morning Chronicle, 8 May: Tickets to be had of Townsend, No. 9, Leicester-place. [Mrs Johnson not listed.] Receipts: #442 17s. 6d. (108.1.0; 1.11.0; tickets: 333.5.6, of which Townsend sold 218.2.0; Mrs Johnson 115.3.6)

Performances

Mainpiece Title: The Iron Chest

Performance Comment: As17990423, but Fitzharding-Johnson (from the Park? Theatre, New York; 1st appearance on this stage); Samson (1st time)-Townsend; Helen (for that night only)-Mrs Johnson; Chorus of Robbers-_; Chorus of Servants-_.
Cast
Role: Fitzharding Actor: Johnson
Role: Helen Actor: Mrs Johnson

Afterpiece Title: Catherine and Petruchio

Performance Comment: As17990316but Catherine (for that night only)-Mrs Johnson.

Afterpiece Title: Tell Truth and Shame the Devil

Performance Comment: Principal Characters-H. Johnston, Murray, Johnson, Mrs Litchfield. [Probable cast: Tom Holton-H. Johnston; +Whitely-Murray; +Semblance-Johnson (see George C. D. Odell, Annals of the New York Stage, 1927, I, 429); Susan-Mrs Litchfield. Text $T. and J. Swords, New York, 1797) lists the American cast.]

Song: End: Mad Tom-Betts (1st appearance on the stage); Young William-Incledon; The Golden Days-Munden; The Tight Little Island-Townsend; The Wind blew fresh and fair-Townsend

Music: End I 1st piece: Concerto Clarionet-Orsato (of the Theatre Royal Venice; 1st appearance in this Metropolis); a duetto solo by means of the Pression and Repercussion of the Air-Orsato This his curious Discovery has received the greatest Applause in most of the Courts

Event Comment: Benefit Johnson. At the Desire of several Persons of Quality. Written by the Famous Ben. Johnson. [First announced for 19 May-see a playbill in the British Museum (Press Mark 11795 g 19)--it was deferred by the "extream hot Weather."

Performances

Mainpiece Title: Volpone

Performance Comment: Corbaccio-Johnson.
Cast
Role: Corbaccio Actor: Johnson.
Event Comment: Benefit Johnson. Written by the famous Ben Johnson

Performances

Mainpiece Title: Volpone Or The Fox

Performance Comment: Volpone-Powell; Mosca-Wilks; Corvino-Mills; Bonario-Booth; Corbaccio-Johnson; Voltore-Keene; Sir Politick-Norris; Caelia-Mrs Rogers; Lady Wou'dbe-Mrs Kent.
Cast
Role: Corbaccio Actor: Johnson