SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Samuel James Arnold"/1) | (@(roleclean,performerclean) "Samuel James Arnold")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5499 matches on Author, 1131 matches on Performance Comments, 534 matches on Event Comments, 41 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Benefit for Wilkinson. Mainpiece: Not acted these 3 years. [Afterpiece: Prologue by Samuel Foote. For an account of Tea see Tate Wilkinson, The Wandering Patentee, 1795, 1, 282-90.] Receipts: #221 0s. 6d. (217.5.6; tickets: 3.15.0) (charge: #70)

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: The Author

Related Works
Related Work: The Author Author(s): Samuel Foote

Afterpiece Title: Tea; or, Tragedy a-la-Mode

Related Works
Related Work: Tea Author(s): Samuel Foote

Dance: As17780129

Event Comment: Benefit for Bensley. Afterpiece [1st time; F 2, by Samuel Jackson Pratt. Not in Larpent MS; not published. Prologue printed in Westminster Magazine, Apr. 1778, p.218; author unknown]. Public Advertiser, 2 Apr.: Tickets to be had of Bensley, Charlotte-street, Bloomsbury. Receipts: #230 16s. 6d. (131.6.0; 25.4.0; 0.7.6; tickets: 73.19.0) (charge: #66 9s.)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Joseph Andrews

Related Works
Related Work: Joseph Andrews Author(s): Samuel Jackson Pratt

Dance: As17780109

Event Comment: Mainpiece [1st time; T 5, by Samuel Jackson Pratt. Author of Prologue unknown. Epilogue attributed to the Hon. Richard Fitzpatrick (Crouch, 1, 125), and to Richard Brinsley Sheridan (I. A. Williams in The London Mercury, Aug. 1924, pp. 412-15)]: With New Scenes (see 29 Nov.), Dresses and Decorations. Public Advertiser, 12 Dec. 1781: This Day is published The Fair Circassian (1s. 6d.). Receipts: #149 19s. (126/19/0; 22/17/6; 0/2/6)

Performances

Mainpiece Title: The Fair Circassian

Related Works
Related Work: The Fair Circassian Author(s): Samuel Jackson Pratt

Afterpiece Title: The Apprentice

Music: In Act III of mainpiece an Epitbalamium [not listed in playbill, but see17811129]

Event Comment: Mainpiece [1st time; C 5, by Samuel Jackson Pratt. Prologue and Epilogue probably by the author]. Receipts: #210 7s. (190/11; 19/11; 0/5)

Performances

Mainpiece Title: The School For Vanity

Related Works
Related Work: The School for Vanity Author(s): Samuel Jackson Pratt

Afterpiece Title: The Gentle Shepherd

Event Comment: By Permission of the Lord Chamberlain. Benefit for Harwood, late prompter of the Theatre-Royal, Drury-Lane. Harwood's respectful compliments to his Friends in particular, and the publick in general, and assures them every effort in his power shall be exerted to render the Evening's Entertainment agreeable, and humbly hopes for their well-known candour and protection on the above occasion. Tickets and Places to be had of Harwood, next door to Drury-Lane Theatre, Little Russel-street, Covent Garden. [Harwood was prompter at dl from 1780 to 1786. Hooke was from cg.] Afterpiece: Written by the late Samuel Foote, Esq

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Devil upon Two Sticks

Related Works
Related Work: The Devil Upon Two Sticks Author(s): Samuel Foote

Entertainment: End: a variety of Theatrical and Senatorial Imitations-Kean

Event Comment: Benefit for Sedgwick. Afterpiece [1st time; MF 2, by Samuel Birch. Larpent MS 983; not published; synopsis of plot in Universal Magazine, May 1793 p. 389]: The Music principally composed by Attwood, with selections from Mozart, Ferrari, Martin y Soler?, Linley? Sen.. And a new Overture by Shaw. Morning Herald, 25 Apr.: Tickets to be had of Sedgwick at his house, Kennington-Green. Receipts: #379 14s. 6d. (70.18.0; 52.12.0; 3.1.6; tickets: 253.3.0) (charge: #162 5s. 1d.)

Performances

Mainpiece Title: At King's The School For Scandal

Afterpiece Title: The Mariners

Related Works
Related Work: The Mariners Author(s): Samuel Birch

Song: As17921030

Event Comment: By Permission of the Lord Chamberlain. Benefit for Everard. 1st piece [1st time; PREL 1, by Sarah Gardner. Larpent MS 1101; not published]. 2nd piece: Never acted here [acted 19 Aug. 1784]. [3rd piece: Prologue by Samuel Foote.] Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:00. To begin at 6:15. Tickets to be had at No. 21, Carey-street, Lincoln's-Inn Fields; New Slaughter's Coffee-house, St. Martin's-lane; of Adams, the Duke of Clarence Coffee-house, Haymarket; and of Everard, at Mr Shade's, Woburn-street, near Drury Lane Theatre

Performances

Mainpiece Title: Mrs Doggrell In Her Altitudes; Or, The Effects Of A West India Ramble

Afterpiece Title: The Clandestine Marriage

Afterpiece Title: The Author

Related Works
Related Work: The Author Author(s): Samuel Foote
Event Comment: Benefit for Master Welsh. Afterpiece [1st time; MF 2, by Samuel Birch]: The Music principally new, composed by Attwood, with a few selections from Mozart. Books of the Songs to be had hn the Theatre. Morning Chronicle, 21 May 1795: This Day is published The Adopted Child (1s.). Ibid., 21 Apr.: Tickets to be had of Master Welsh, No. 9, Margaret-street, Westminster. Receipts: #226 10s. (87.13.6; 43.3.6; 17.7.0; tickets: 78.6.0) (charge: free)

Performances

Mainpiece Title: The Jew

Afterpiece Title: The Adopted Child

Related Works
Related Work: The Adopted Child Author(s): Samuel Birch

Song: End IV: a favourite song (unaccompanied)-Master Welsh

Event Comment: Benefit for Bannister Jun. 1st piece [1st time; MD 2, by Samuel Birch]: The Musick by Attwood. Books of the Songs to be had in the Theatre. 2nd piece [1st time; INT 1, by George Colman, ynger. This was the 1st scene from Colman's New Hay at the Old Market, slightly revised; in subsequent seasons it was acted under the title of Sylvester Daggerwood]: By Permission of the Proprietor of the Theatre Royal Hay-Market. 3rd piece: With a Sea Fight. [The playbill assigns Sneer to Palmer, but "The Public are most respectfully informed that Palmer being too ill to perform this Evening, the character of Sneer will be attempted by Benson, who humbly hopes for their usual indulgence" (printed slip attached to Kemble playbill).] Oracle, 4 Apr.: Tickets to be had of Bannister Jun., No. 65, Gower-street, Bedford Square. Receipts: #613 12s. (332.0.6; 45.19.6; 4.3.0; tickets: 231.9.0) (charge: #221 19s.)

Performances

Mainpiece Title: The Smugglers

Related Works
Related Work: The Smugglers Author(s): Samuel Birch

Afterpiece Title: A Favourite Scene from New Hay [Sylvester Daggerwood]

Afterpiece Title: The Critic

Afterpiece Title: The Wedding Day

Event Comment: Afterpiece [1st time; MD 3, by Samuel Birch, adapted from Camille; ou, Le Souterrain, by Benoit Joseph Marsollier des Vivetieres, and from Les Victimes Cloitrees, by Jacques Marie Boutet de Monvel; the songs written by Thomas John Dibdin. Larpent MS 1236; not published. The playbill states that this was "Taken from the German," but London Chronicle, 12 Dec., says that its source is the same as that of The Captive of Spilburg (see dl, 14 Nov.). An examination of the MSS of these two pieces (Larpent 1230 and 1236) proves that such is unmistakably the case]: With entire new Scenes, Machinery, Dresses & Decorations. The Music composed and selected by Steibelt and Attwood. The Action of the Chorusaes, Finales, &c. under the Direction of Farley, and the Action of the Overture by Bologna Jun. A new Descriptive Overture, composed by Steibelt, on a Plan never before introduced on the English Stage, accompanied by Action. "The overture is...nothing more than music adapted to pantomime; and, in the present instance, the dumb shew is an unnecessary anticipation of the procession with which the piece opens" (Monthly Mirror, Dec. 1798, p. 369). The Scenery painted by Richards, Phillips, Lupino, Hollogan, Blackmore, &c. The Dresses by Dick and Mrs Egan. Books of the Songs to be had at the Theatre. Receipts: #338 17s. 6d. (325.14.6; 13.3.0)

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Albert and Adelaide; or, The Victim of Constancy

Related Works
Related Work: Albert and Adelaide; or, The Victim of Constancy Author(s): Samuel Birch

Dance: In afterpiece: Procession and Dance of Swabian Peasants-Blurton, Dyke, Wilde, L. Bologna, T. Cranfield, Platt, Masters, Slape, Ramage, Goodwin, Little, Ms Watts, Ms Iliff, Ms Norton, Ms Castelle, Ms Leserve, Miss Gray, Ms Bologna, Ms Masters, Ms Burnett, Ms Gilbert, Ms Lloyd, Ms Blurton, Ms Ward

Event Comment: The King's Company, presumably. For a version of this play, see R. G. Howarth, "A Manuscript of James Shirley's Court Secret," Review of English Studies, VII (1931), 302-13. The manuscript is in the Worcester College Library (Plays 9. 21). Pepys, Diary: My wife going to-day to dine with Mrs Pierce, and thence with her and Mrs Clerke to see a new play, The Court Secret. [The play had not been acted before the Restoration.

Performances

Mainpiece Title: The Court Secret

Related Works
Related Work: The Court Secret Author(s): James Shirley
Event Comment: [By James Moore Smythe.]All the Characters new dress'd

Performances

Mainpiece Title: The Rival Modes

Related Works
Related Work: The Rival Modes Author(s): James Moore Smythe
Event Comment: [By James Miller.] All the Characters new drest

Performances

Mainpiece Title: The Humours Of Oxford

Related Works
Related Work: The Humours of Oxford Author(s): James Miller
Event Comment: [Written by James Thomson.] With New Habits

Performances

Mainpiece Title: Sophonisba

Related Works
Related Work: Sophonisba Author(s): James Thomson
Event Comment: A New Tragedy. [By James Ralph.

Performances

Mainpiece Title: The Fall Of The Earl Of Essex

Related Works
Related Work: The Fall of the Earl of Essex Author(s): James Ralph
Event Comment: Mainpiece: Not Acted these thirty Years. Taken from the French of Moliere by Sir John Vanbrugh. [This version by James Ralph.] The Songs new set by John Frederick Lampe, and a new Grand Dance, in Grotesque Characters, proper to the Play. Afterpiece: a Farce of two Acts. Alter'd from Beaumont and Fletcher. [Author unknown. Apparently not published.]

Performances

Mainpiece Title: The Cornish Squire

Related Works
Related Work: The Cornish Squire Author(s): James Ralph

Afterpiece Title: The Sham Pilgrims

Event Comment: A new Comedy [By James Miller.]

Performances

Mainpiece Title: The Mother-in-law; Or, The Doctor The Disease

Related Works
Related Work: The Mother-in-Law; or, The Doctor the Disease Author(s): James Miller
Event Comment: At the particular Desire of several Ladies of Quality. Afterpiece: A New Farce of Two Acts. Taken from Shakespear: Intermix'd with Songs. [By James Worsdale.]

Performances

Mainpiece Title: The Earl Of Essex [the Unhappy Favourite]

Afterpiece Title: A Cure for A Scold

Related Works
Related Work: A Cure for a Scold Author(s): James Worsdale

Dance: As17350222

Event Comment: Mainpiece: Never Acted before. [By James Miller.] Daily Advertiser, 6 March: We hear that Sir John Barnard has offerM a Proposal limiting the Number of Playhouses, and for putting them under the Regulation of Parliament

Performances

Mainpiece Title: The Man Of Taste; Or, The Guardian

Related Works
Related Work: The Man of Taste Author(s): James Miller
Related Work: The Man of Taste; or, The Guardian Author(s): James Miller

Afterpiece Title: Harlequin Orpheus

Event Comment: Mainpiece: Never Acted before. [By James Sterling.] Afterpiece: a Ballad Opera. [Author unknown. Apparently not published.]

Performances

Mainpiece Title: The Parracide

Related Works
Related Work: The Parracide Author(s): James Sterling

Afterpiece Title: The Ch1mney Sweeper

Event Comment: [By James Miller. An adaptation of Much Ado About Nothing.

Performances

Mainpiece Title: The Universal Passion

Related Works
Related Work: The Universal Passion Author(s): James Miller
Event Comment: Benefit Lacy. Afterpiece: A new Satyrical, Allegorical, Political, Philosophical Farce, [Apparently by Lacy.] Daily Advertiser, 30 April: Yesterday I accidentally call'd in at the Theatre in the Hay-Market, and saw the Rehearsal of a new Farce call'd Fame...Which is to be acted there on Wednesday next...for the Benefit of Mr Lacy the Author. As I am neither acquainted with him, nor the Master of the Playhouse, I cannot be accus'd of Partiality, in affirming, that I think this the best Farce this Age has produc'd. It seems to be writ in Imitation of Shakespear, and entirely calculated for the present Taste. The Characters are strong, lively, majestic, and just; the incidents natural and moving; the Conduct regular; the Distresses extremely affecting; the Stile sublime; the Sentiments grand, full of Patriotism; and the Catastrophe so masterly wrought up, that, I am persuaded, no Farce whatsoever, now acting, will draw more Tears than this. But what affected me beyond all, was, the Zeal, the exemplary Zeal of a worthy Magistrate, who so strictly adheres to the very Letter of the Law, as to send a rich and honest Merchant, and Freeholder, to the House of Correction, as a sturdy Beggar, or Loiterer. I could enlarg in its Praise, but fear I may do the Author wrong, in raising your Expectations too high. See it, and I am convinc'd you will entertain the same Sentiments of it, as does Your Humble Servant, James Lacy. Alias Fustian, alias Sour-Wit, alias--But hold:--If I should be arraign'd for the Murder of this Farce, so many Alias's will half condemn me before I am heard

Performances

Mainpiece Title: Pasquin

Afterpiece Title: Fame; or, Queen Elizabeth's Trumpets; or, Never plead's Hopes of being a Lord Chancellor; or, The Lover turn'd Philosopher; or, The Miser's Resolve upon the Lowering of Interest

Related Works
Related Work: Fame; or, Queen Elizabeth's Trumpets; or, Never plead's Hopes of being a Lord Chancellor; or, The Lover turn'd Philosopher; or, The Miser's Resolve upon the Lowering of Interest Author(s): James Lacy
Event Comment: At the particular Desire of several Ladies of Quality. Mainpiece: Written by Shakespear. Afterpiece: a new Dramatick Piece: Intermix'd with Songs in Character. [By James Miller.

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: The Coffee House

Related Works
Related Work: The Coffee House Author(s): James Miller

Dance: V: Ballet, as17380120

Event Comment: Never Acted before. [By James Miller.] Preface to edition of 1738: Ill-fated Scenes....It was said...by a Gentleman at the Time of this Comedy's being Represented, That he never knew a Play Destroy'd with so much Art; its Enemies suffering those Things to pass without Disturbance which were of an indifferent Nature...but giving no Quarter to the Parts which they thought would entertain

Performances

Mainpiece Title: Art And Nature

Related Works
Related Work: Art and Nature Author(s): James Miller
Event Comment: Never Acted before. [By James Thomson.

Performances

Mainpiece Title: Agamemnon

Related Works
Related Work: Agamemnon Author(s): James Thomson