SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Samuel Ackroyde"/1) | (@(roleclean,performerclean) "Samuel Ackroyde")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3501 matches on Author, 82 matches on Event Comments, 28 matches on Performance Comments, 1 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Inkle And Yarico

Related Works
Related Work: Inkle and Yarico Author(s): Samuel Arnold

Afterpiece Title: The Child of Nature

Afterpiece Title: The Soldiers Festival or The Night before the Battle

Dance: In II: Negro Dance-Bologna, King, Platt, Blurton

Song: End: The Tight Little Island-Townsend

Performances

Mainpiece Title: The Mountaineers

Related Works
Related Work: The Mountaineers Author(s): Samuel Arnold

Afterpiece Title: The Citizen

Performances

Mainpiece Title: Inkle And Yarico

Related Works
Related Work: Inkle and Yarico Author(s): Samuel Arnold

Afterpiece Title: Tis All a Farce

Performances

Mainpiece Title: Zorinski

Related Works
Related Work: Zorinski Author(s): Samuel Arnold

Afterpiece Title: Tis All a Farce

Performances

Mainpiece Title: The Surrender Of Calais

Related Works
Related Work: The Surrender of Calais Author(s): Samuel Arnold

Afterpiece Title: Tis All a Farce

Performances

Mainpiece Title: tis All A Farce

Afterpiece Title: Inkle and Yarico

Related Works
Related Work: Inkle and Yarico Author(s): Samuel Arnold

Afterpiece Title: Fortunes Frolick

Performances

Mainpiece Title: Zorinski

Related Works
Related Work: Zorinski Author(s): Samuel Arnold

Afterpiece Title: Tis All a Farce

Performances

Mainpiece Title: The Surrender Of Calais

Related Works
Related Work: The Surrender of Calais Author(s): Samuel Arnold

Afterpiece Title: Tis All a Farce

Performances

Mainpiece Title: The Jew

Afterpiece Title: The Agreeable Surprise

Related Works
Related Work: The Agreeable Surprise Author(s): Samuel Arnold

Performances

Mainpiece Title: Peeping Tom

Related Works
Related Work: Peeping Tom Author(s): Samuel Arnold

Afterpiece Title: Fortunes Frolick

Afterpiece Title: The Agreeable Surprise

Related Works
Related Work: The Agreeable Surprise Author(s): Samuel Arnold

Performances

Mainpiece Title: The Agreeable Surprise

Related Works
Related Work: The Agreeable Surprise Author(s): Samuel Arnold

Afterpiece Title: Fortunes Frolick

Afterpiece Title: Obi

Performances

Mainpiece Title: Peeping Tom

Related Works
Related Work: Peeping Tom Author(s): Samuel Arnold

Afterpiece Title: Tis All a Farce

Afterpiece Title: Obi

Performances

Mainpiece Title: The Jew And The Doctor

Afterpiece Title: Tis All a Farce

Afterpiece Title: Peeping Tom

Related Works
Related Work: Peeping Tom Author(s): Samuel Arnold

Performances

Mainpiece Title: The Agreeable Surprise

Related Works
Related Work: The Agreeable Surprise Author(s): Samuel Arnold

Afterpiece Title: Fortunes Frolick

Afterpiece Title: Obi

Performances

Mainpiece Title: Inkle And Yarico

Related Works
Related Work: Inkle and Yarico Author(s): Samuel Arnold

Afterpiece Title: The Castle of Sorrento

Song: As18000725

Performances

Mainpiece Title: The Mountaineers

Related Works
Related Work: The Mountaineers Author(s): Samuel Arnold

Afterpiece Title: Rosina

Song: In course evening: Little Taffline; or, The Silken Sash-Mrs Bland

Performances

Mainpiece Title: Cambro britons

Related Works
Related Work: Cambro-Britons Author(s): Samuel Arnold

Afterpiece Title: The Agreeable Surprise

Related Works
Related Work: The Agreeable Surprise Author(s): Samuel Arnold

Song: End: Paddy's Description of Pizarro; or, Mr Paddy O'Doody and his Cousin Shaun Shaugnessy's Treat to the One Shilling Gallery-Johnstone

Performances

Mainpiece Title: The Point Of Honour

Afterpiece Title: The Review or The Wags of Windsor

Related Works
Related Work: The Review; or, The Wags of Windsor Author(s): Samuel Arnold

Performances

Mainpiece Title: Inkle And Yarico

Related Works
Related Work: Inkle and Yarico Author(s): Samuel Arnold

Afterpiece Title: The Review

Related Works
Related Work: The Review; or, The Wags of Windsor Author(s): Samuel Arnold

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Author

Related Works
Related Work: The Author Author(s): Samuel Foote

Dance: In II: a Hornpipe-

Song: After Imitations: Sweet Echo-Mrs Mountain

Entertainment: Imitations End: Variety of Imitations-T. Trueman

Event Comment: Rich's Company. The date of the first production is not known, but the Prologue to the Second Part [1699] refers to warm weather and to May Fair. The Songs to both parts were advertised in the Post Boy, 24-27 June 1699, suggesting a first production not later than the end of May 1699. The following among the songs for Part I list the singer or composer or both: From azure plains, sung by Pate, in A Second Collection of New Songs and Ballads (1699). How comes it now good Mrs Spratt, sung by Pate and Leveridge (ibid.). Of all the world's enjoyments, sung by Leveridge (ibid.). Whilst wretched fools sneak up and down, composed by Daniel Purcell and sung by Leveridge and Pate (ibid.). Young Philander wooed me long, composed by Daniel Purcell (ibid.). For Part II: The devil he pulled off his jacket of flame, composed by Samuel Ackroyde (ibid.). He led her by the milk-white hand, composed by Samuel Ackroyde (ibid.)

Performances

Mainpiece Title: The Famous History Of The Rise And Fall Of Massaniello

Event Comment: The United Company. This play was in rehearsal before the death of Charles II-see 6 Feb. 1684@5-and was staged shortly after the playhouse reopened. Luttrell's date of acquisition of the separately-printed Prologue and Epilogue is 9 May 1685 (in possession of Pickering and Chatto, Ltd., 1938), and the play may have been first given on that date or during the week preceding Saturday 9 May 1685. For Cibber's account of Mountfort as Sir Courtly, see Cibber, Apology, ed. Lowe, I, 129. The separately-printed Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 228-30. A separately-printed Three New Songs in Sir Courtley Nice (1685) contains three songs, with the music by Samuel Ackroyde and an unknown composer. In addition, two songs, As I grazed unaware and O be kind my dear be kind, both composed by R. King, are in The Theater of Music, Second Book, 1685. Downes (Roscius Anglicanus, pp. 40-41): The first new Comedy after King James came to the Crown, was Sir Courtly Nice, wrote by Mr Crown:...The Comedy being justly Acted, and the Characters in't new, Crown'd it with a general Applause: Sir Courtly was so nicely Perform'd, that not any succeeding, but Mr Cyber has Equall'd him. Note, Mr Griffin so Excell'd in Surly, Sir Edward Belfond, The Plain Dealer, none succeeding in the 2 former have Equall'd him, except his Predecessor Mr Hart in the latter. The Lover's Session; In Imitation of Sir John Suckling's Session of Poets (in Poems on Affairs of State, II [1703], 162): @Montrath was in Foppery conceiv'd another@Of Whitehall true Breed, Sir Nices Twin Brother:@None could tell, so alike all their Follies did seem,@Whether he acted Mumford, or Mumford him.

Performances

Mainpiece Title: Sir Courtly Nice Or It Cannot Be

Event Comment: The United Company. The date of the first performance is not precisely known, but a broadside copy of the Epilogue, in the Bodleian Library, has a licensing date of 20 Aug. 1685, a MS date of 24 Aug. 1685. The play was licensed on 11 Sept. 1685. These dates suggest a premiere in mid-to late-August 1685. For Anne Bracegirdle as Clita and speaker of the Epilogue, see Lucyle Hook, Anne Bracegirdle's First Appearance, Theatre Notebook, XIII (1959), 135. The Prologue and Epilogue, separately printed, are reprinted in Wiley, Rare Prologues and Epilogues, pp. 239-41. The broadside Prologue has a more detailed heading than that in the edition of 1686: Prologue To A Commonwealth of Women, Spoke by Mr Haynes, Habited like a Whig, Captain of the Scyth-men in the West, a Scythe in his Hand. Two songs, set by Samuel Ackroyde, are in The Theater of Musick, The Third Book, 1686

Performances

Mainpiece Title: A Commonwealth Of Women

Event Comment: The United Company. The date of the first performance is not known, but the fact that the play was licensed on 1 March 1685@6, suggests a performance in January, possibly as late as February 1686. Langbaine (English Dramatick Poets, 1691, p. 179): This Play was affronted in the Acting, by some who thought themselves Criticks, and others with Cat--calls, endeavour'd at once to stifle the Author's Profit, and Fame. Three songs, From drinking of sack by the bottle, Look down fair nymph and see, and There is one black and solemn hour, all with music composed by Samuel? Ackroyde, are in The Theater of Music, The Third Book, 1686

Performances

Mainpiece Title: The Banditti Or A Ladies Distress

Related Works
Related Work: The Banditti; or, Love's Labyrinth Author(s): Samuel Arnold
Related Work: The Castle of Andalusia Author(s): Samuel Arnold
Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 260: The Beggars at Whitehall. See also Nicoll, Restoration Drama, p. 351. A song, Bring out your cony-skins fair? maids to me, set for this play by Samuel Ackroyde, is in Vinculum Societatis, 1687

Performances

Mainpiece Title: The Beggars Bush