SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sampson Edwards"/1) | (@(roleclean,performerclean) "Sampson Edwards")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 939 matches on Author, 826 matches on Performance Comments, 215 matches on Event Comments, 91 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Sir Courtly Nice; Or, It Cannot Be

Performances

Mainpiece Title: The Gordian Knot Unty'd

Event Comment: This celebration of the Queen's Birthday presumably was given on 30 April, her birthday. The music in the Royal Society of Music gives the singers as Mrs Ayliff, The Boy, Turner, Snow, Edwards, Howell, Bowman, Damascene, Bouchier, Williams, Woodeson, Roberts. See Purcell's Works, Purcell Society, XXIV (1926), ii

Performances

Mainpiece Title: Concert

Event Comment: Rich's Company. The date of the first performance is not known, but the Prologue to Bonduca refers to She Ventures and He Wins. As Bonduca was advertised in the London Gazette, No. 3126, 24-28 Oct. 1695, the play was certainly not acted later than early October 1695, probably not later than September 1695. The Edition of 1696 includes on the titlepage: With A New Entertainment of Musick, Vocal and Instrumental. [The music was composed by Henry Purcell. See Purcell's Works, Purcell Society, XVI, vii-xiii.] Those songs for which a performer is named are as follows: O lead me to some peaceful gloom, sung by Miss Cross, and Sing ye Druids, all your voices raise, sung by Mrs Ayliff, both in Songs in the Tragedy of Bonduca, ca. 1696. To arms, sung by Freeman and Edwards, is in Thesaurus Musicus, The Fifth Book, 1696

Performances

Mainpiece Title: Bonduca; Or, The British Worthy

Performances

Mainpiece Title: The Younger Brother; Or, The Amorous Jilt

Event Comment: Rich's Company. The date of this production is not certain. The Dedication, signed by George Powell and John Verbruggen, is dated Monday, 16 Oct. 1696, but this date is in error, for the sixteenth fell on Friday in October; however, 16 Nov. 1696 fell on Monday. In addition, the Dedication implies that the two men hope to have visitors (i.e., spectators at performances) on "Wednesday, and Saturday next, the Visiting Days of, Your Friends and Servants, George Powell, John Verbruggen." It is possible that the text and the songs were printed in advance of performance and were available at the theatre, but it is still uncertain whether the opera first appeared in October or November 1696. The Single Songs, With the Dialogue, was published separately in 1696, with Daniel Purcel named as the composer. The songs to which performers' names are listed are as follows: Cease, Cynthia, cease your fruitless tears, sung by Mrs Cross. I courted and writ, the verse by Jo Hanes and sung by Church. How happy I am the fair sex can defy, the verse by Jo Hanes and sung by Leveridge. 'Tis in vain to tell me I am deceived, sung by Freeman. Great queen of Hymen's hallowed fires, sung by Mrs Willis. Why, Chloe, will you not perceive, the verse by John Robens and sung by Church. Why dost thou fly me, sung by Edwards and Mrs Cross. If mortals laugh and sing, sung by Freeman. The Songs were entered in the Term Catalogues, November 1696

Performances

Mainpiece Title: Brutus Of Alba; Or, Augusta's Triumph

Performances

Mainpiece Title: The Novelty 0

Afterpiece Title: The Novelty 1; Thyrsis, A Pastoral

Afterpiece Title: The Novelty 2; All Without Money

Afterpiece Title: The Novelty 3; Hercules [By Peter Motteux

Afterpiece Title: The Novelty 4; The Unfortunate Couple

Afterpiece Title: The Novelty 5; Natural Magick

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: The Tragical History Of King Richard The Third

Performances

Mainpiece Title: The Tragical History Of King Richard The Third

Performances

Mainpiece Title: The Indian Emperour

Dance: Serious and Comic Dancing-

Performances

Mainpiece Title: Jane Shore

Song:

Dance:

Performances

Mainpiece Title: The Island Princess

Dance:

Performances

Mainpiece Title: King Henry The Ivth, Part I

Song: Leveridge, Mrs Chambers

Dance: DuPre, Lally, Pelling, Mrs Laguerre, Mrs Wall, Mrs Ogden; particularly a new Polonese-Lally, Mrs Wall; Myrtillo-

Event Comment: Receipts: #170 9s. 6d. Probable attendance: boxes, 236 paid; stage, 44 paid; balcony, 2 paid; Pit, 290 Paid and 3 orders; slips, 47 paid and 1 order; first gallery, 419 paid and 1 order; second gallery, 189 paid. For a comment on the play by Thomas Edwards, see V. M. Gilbert, Unrecorded Comments on John Gay, Henry Travers, and Others, Notes and Queries, August 1953, pp. 337-38

Performances

Mainpiece Title: The Beggar's Opera

Event Comment: [By Ebenezer Forrest.] By Command of His Royal Highness. After the Manner of the Beggar's Opera. All the Habits and Scenes entirely New. Receipts: #161 18s. 6d. [For a comment on this performance, see Thomas Edwards to John Clerke, "Unrecorded Comments on John Gay, Henry Travers, and Others", N & Q (August 1953), p. 338.

Performances

Mainpiece Title: Momus Turn'd Fabulist; Or, Vulcan's Wedding

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Devil to Pay