SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sacchini"/1) | (@(roleclean,performerclean) "Sacchini")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 255 matches on Author, 44 matches on Event Comments, 14 matches on Performance Comments, 6 matches on Performance Title, and 3 matches on Roles/Actors.

Performances

Mainpiece Title: Evelina

Related Works
Related Work: Evelina Author(s): Antonio Sacchini

Dance: End I: Les Delassements Militaires- [see17970117]; End Opera: L'Amour et Psiche, as17961220

Performances

Mainpiece Title: Evelina

Related Works
Related Work: Evelina Author(s): Antonio Sacchini

Dance: As17970124

Performances

Mainpiece Title: Evelina

Related Works
Related Work: Evelina Author(s): Antonio Sacchini

Dance: End I: Les Delassements Militaires, as17970124; End Opera: Apollon Berger, as17961227

Performances

Mainpiece Title: Evelina

Related Works
Related Work: Evelina Author(s): Antonio Sacchini

Dance: As17970131

Performances

Mainpiece Title: Evelina

Related Works
Related Work: Evelina Author(s): Antonio Sacchini

Dance: As17970211

Performances

Mainpiece Title: Evelina

Related Works
Related Work: Evelina Author(s): Antonio Sacchini

Dance: As17970221

Performances

Mainpiece Title: Evelina

Related Works
Related Work: Evelina Author(s): Antonio Sacchini

Dance: End I: Les Delassements Militaires- as17970124; End Opera: L'Heureux Retour- see17970328

Performances

Mainpiece Title: Evelina

Related Works
Related Work: Evelina Author(s): Antonio Sacchini

Dance: As17970211

Performances

Mainpiece Title: Evelina

Related Works
Related Work: Evelina Author(s): Antonio Sacchini

Dance: End I: Divertissement, as17970103

Ballet: End Opera: L'Amour et Psiche. As17961213, but L'Amour-Mlle Parisot; unassigned-_Fialon

Performances

Mainpiece Title: Evelina

Related Works
Related Work: Evelina Author(s): Antonio Sacchini

Dance: As17971202

Ballet: Ariadne et Bacchus. As17971202

Performances

Mainpiece Title: Evelina

Related Works
Related Work: Evelina Author(s): Antonio Sacchini

Dance: WithAriadne et Bacchus- [see17971128]

Performances

Mainpiece Title: Evelina

Related Works
Related Work: Evelina Author(s): Antonio Sacchini

Dance: End I: L'Offrande a Terpsichore, as17971202; End Opera: Ariadne et Bacchus, as17971216

Performances

Mainpiece Title: Evelina

Related Works
Related Work: Evelina Author(s): Antonio Sacchini

Dance: As17980102

Performances

Mainpiece Title: Evelina

Related Works
Related Work: Evelina Author(s): Antonio Sacchini

Dance: End I: L'Offrande a Terpsichore-, as17971202; End Opera: [a new grand Ballet, composed by Gallet with music by Bossi], Constante et Alcidonis- [but review in Morning Chronicle, 7 Feb., refers to Didelot, Mme Rose, Laborie, Mme Laborie, Mme Hilligsberg

Performances

Mainpiece Title: Alexander's Feast; Judas Maccabaeus

Afterpiece Title: A Miscellaneous Act

Performance Comment: Concerto on the organ-Stanley; Verdi Prati (Handel)-Mrs Kennedy; Rosy Bowers (Purcell)-Norris; Tergi il pianto (Sacchini)-Miss Draper; Won Regina (Sacchini)-Miss Linley; Haste my Nannet (Travers)-Miss Linley, Webster; Anthem(Handel)-.

Music: End Part I: concerto on the violin, as17790219

Event Comment: A Serious Opera, altered [by Carlo Francesco Badini] from Metastasio; the Music by Anfossi [a pasticcio, with additions by Sacchini, Piccinni, Gazzaniga, Schuster, Mortellari]. [This was Mme Mara's 1st appearance on the English operatic stage. She had 1st sung in London, in concerts at the Pantheon, in 1784.] "It is with the utmost astonishment we remarked that she unites the talents of an excellent actress with the merit of the most enchanting singer that ever perhaps came forth on any stage" (Morning Herald, 15 Feb.). "Mme Mara delivered the recitatives with a force of expression that produced the strongest interest of character, and the woes of Dido as powerfully engaged the sympathy, as the rich and varied melody of the airs, the admiration of the audience" (Morning Chronicle, 16 Feb.). "The [second] opera was Didone, a pasticcio, for which Mara had made a very judicious selection of songs, introducing four of very different characters, by Sacchini, Piccinni, and other composers, all of which were so much and so equally admired, that two were encored every night, each of them receiving that mark of approbation in its turn. Mara's talents as a singer (for she was no actress and had a bad person for the stage) were of the very first order. Her voice, clear, sweet, distinct, was sufficiently powerful, though rather thin, and its agility and flexibility rendered her a most excellent bravura singer, in which style she was unrivalled" (Mount-Edgcumbe, 59)

Performances

Mainpiece Title: Didone Abbandonata

Dance: As17860124 throughout

Performances

Mainpiece Title: L'allegro Ed Il Penseroso 0; Grand Selection 0

Afterpiece Title: L'Allegro ed il Penseroso 1

Afterpiece Title: L'Allegro ed il Penseroso 2

Afterpiece Title: A Grand Miscellaneous Act

Performance Comment: Second Hautboy Concerto-; Resta Ingrata-Harrison (Armida, by Sacchini); How blest the Maid-Miss Poole (Hercules); Together let us range the fields-Mrs Billington, Harrison (Solomon, by Boyce); Jehovah crowned-Incledon; He comes he comes-Chorus (Esther); Quest' alma sventurata-Mrs Billington (Creso, by Sacchini); Hallelujah Amen-Grand Chorus (Judas Maccabaeus).

Music: As17910330

Event Comment: Mainpiece [1st time; DO 3, by Prince Hoare, based on Didone Abbandonata, by Pietro Metastasio]: The Musick is chiefly new, and composed by Storace. The Selections are made from the most celebrated works of Salieri, Paer, Rampini, Sacchini, Sarti, Giordani, Cimarosa, Schuster, Andreozzi. The Scenery and Machinery designed by Greenwood and executed by himself and his Pupils. The Dresses of the Tyrians, Trojans and Africans entirely new, and taken from the most accurate descriptions of the Habits of their respective Nations. [Both Miss Barclay and Master Welsh had 1st appeared at the king's oratorios, 24 Feb.]. "A procession was introduced in which an Ostrich, a Dromedary and an Elephant marched to slow music. The Masque, which concluded the opera, was some insipid stuff about Neptune and Nereids, with a representation of the Temple of Neptune. Young Welsh sang prettily in this said Masque" (Morning Herald, 24 May). "[Mara] retained only one song of her Didone [see king's, 14 Feb. 1786]; the brilliant bravura, Son Regina, of Sacchini" (Mount-Edgcumbe, 80). Morning Herald, 28 May 1792: This Day is published Dido (price not listed). Receipts: #244 8s. 6d(213.14.5; 28.15.0; 1.19.0)

Performances

Mainpiece Title: Dido Queen Of Carthage

Monologue: To Conclude Masque, Neptune's Prophecy. Tritons, Neriads-the full Chorus of the Theatre; Neptune-Bannister; Ascanius-Master Welsh (1st appearance on any stage [see 24 Feb.]); Venus-Miss Collins; The Graces-Miss DeCamp, Miss Jacobs, Miss Heard

Afterpiece Title: The Miller of Mansfield

Event Comment: A serious Opera, the Music entirely new composed by Sacchini. The Tempest Dance composed by Barthelemon. The last Serious Ballet composed by Jomelli

Performances

Mainpiece Title: Nitteti

Related Works
Related Work: Nitteti Author(s): Antonio Sacchini

Dance: I: Ballet-Mariottini, Nina Favier; II: The Tempest; or, The Happy Shipwreck, an Heroic Ballet with a Grand Chaconne-Pitrot, Mimi Favier, other parts-Nina Favier, Sga Mazzoni, Mariottini, Bocchini; End Opera: Ballet, Chaconne-Fierville

Event Comment: Benefit for Sga Marchetti. A Cantata, music by Sacchini which has never been performed before. Tickets 10s. 6d. To begin at 7:00 p.m

Performances

Mainpiece Title: Il Trionfo Della Costazza

Music: After I: Solo on Hautboy-Fischer; End Opera: Solo on Violincello-Crosdell, to conclude with a Grand Overture

Event Comment: A new opera with Grand Chorusses, Music entirely New by Sacchini

Performances

Mainpiece Title: Motezuma

Dance: I: New Ballet, La Fete de Flora-; In which a Grand Chaconne-Mlle Baccelli; II: Grand Ballet, Les Mexicains-S. Vallouis, Mme Vallouis; End opera: Grand Heroic Historic Ballet-Lany, M and Mme Vallouis, Mlle Baccelli; with Chaconnes-Vallouis, Mlle Baccelli

Event Comment: Opera, music by Sacchini &c. [not performed, according to Public Advertiser, 8 Nov., because of illness of two singers, one being Sga Sestini. A Letter by William Lee in The Public Advertiser (7 Nov.) notes that beginning in 1772 he had served refreshments in a room which served also as a passage to the boxes; alterations made to enclose the passage were made in 1773; Lee was charged #60 a year for the room (with the fire and light at his own expense). Then Elizabeth Smith, who had had charge of concessions died. In 1774 Lee was charged #160 plus #80 for coals and light. Hence Lee lost #130 and was saved only by a benefit by the graciousness of the Nobility and Gentry.

Performances

Mainpiece Title: Didone

Related Works
Related Work: Didone Author(s): Antonio Sacchini

Dance: As17751104

Ballet: Le Triomphe D'Euthime sur Le Genie de Liba. As17751104

Performances

Mainpiece Title: A Lyric Ode; Alexander's Feast, And The Coronation Anthems

Music: After the Ode: A Miscellaneous Act-; New Overture-; Song-a Gentleman (his first appearance in Public); Concerto on Oboe-Fischer; Song-Miss M. Linley (composed by Bach); Concerto on violin-Linley Jr; Song-Miss Linley (composed by Sacchini); Duetto-the Two Miss Linley's (composed by Piccini); Chorus

Performance Comment: Linley (composed by Bach); Concerto on violin-Linley Jr; Song-Miss Linley (composed by Sacchini); Duetto-the Two Miss Linley's (composed by Piccini); Chorus. Chorus.
Event Comment: Mainpiece [1st time; CO 3, by Thomas Hull, altered from The School for Guardians by Arthur Murphy. Not in Larpent MS; synopsis of plot in Public Advertiser 19 Nov.]: With New Dresses, &c. The Music chiefly compiled; the rest composed by Dr Arne, Sacchini and Fisher. Books of the Songs to be had at the Theatre. Public Advertiser, 18 Nov. 1777: This Day is published the Airs in Love Finds the Way (6d.). [Miss Courtenay is identified in the Airs.] Receipts: #233 8s. 6d. (232.5.0; 1.3.6)

Performances

Mainpiece Title: Love Finds The Way

Afterpiece Title: The Upholsterer

Dance: End II: The Minuet de la Cour, as17771111; End: The Enchantress, as17771104

Event Comment: A revived Serious Opera, in 2 acts; the Music composed, with Improvements, by Sacchini. Public Advertiser, 25 June: On Saturday last was revived at the King's Theatre the Serious Opera of Creso [see 8 Nov. 1777], under the new title of Euriso

Performances

Mainpiece Title: Euriso

Dance: End I: Grand Serious Ballet, as17810515; Grand Chaconne, as17810515

Ballet: End Opera: Ninette a la Cour. As17810222