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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "S G"/1) | (@(roleclean,performerclean) "S G")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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692 results for: Keyword - S. G.
We found 344 matches on Roles/Actors, 223 matches on Event Comments, 196 matches on Performance Comments, 56 matches on Author, and 37 matches on Performance Title.

76
09 April 1798 @ Covent Garden

Performances

Mainpiece Title: The Raft

Performance Comment: As17980331Principal Characters-Johnstone, Townsend, Waddy, Farley, Simmons, Mrs Gilbert, Mrs Henley, Mrs Martyr. And see17980331 .

Afterpiece Title: The Orphan

Cast
Role: Principal Vocal Characters Actor: Townsend, Linton,Simmons, Gray, Street, Rees, Smith, Tett, Oddwell, Thomas, Everett, Little, J. Linton, Mrs Clendining, Miss Sims, Miss Wheatley, Mrs Watts, Mrs Follett, Miss Walcup, Mrs Masters, Mrs Lloyd, Mrs Bologna
Role: Maritornes Actor: Mrs Henley. Commencing with the Representation of the Ruins of a Peruvian Temple, where an injured Inca and his Son had taken refuge from the malice of their Persecutors-the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: where an injured Inca and his Son had taken refuge Actor: the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: to attempt the re Actor: obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England

Afterpiece Title: Harlequin's Return

Performance Comment: Principal Pantomime Characters. Harlequin-Bologna Jun.; Sammy Scrip-Simmons; Outre (his Man)-Bologna; Father to Columbine-Hawtin; Clown (his Man)-Follett; The other Pantomime Characters-Goostree Jun., Parsloe, Coombs, Noble; Columbine-Mlle St.Amand; Principal Vocal Characters. Jack Junk-Townsend; Fisherman-Linton; Harlequin's Father-Street; Mimic-Rees; Lawyers-Gray, Abbot, Blurton, Wilde; Country Boy-Miss Sims; Potter's Girl-Mrs Clendining; Milk@maid-Miss Wheatley; Harlequin's Mother-Mrs Henley; Lapland Witch-Mrs Iliff; Other Vocal Characters-Ms Castelle, Ms Watts, Ms Follett, Ms Norton, Ms Lloyd, Ms Burnett, Ms G. Walcup, Ms Bologna, Ms Gray; Sylph-Mrs Martyr; The Pantomime commences with a Sea View-the Father and Mother of Harlequin enter from their Hut and meeting their Friend, a Fisherman, according to Evening custom, deplore the absence of their Son, whom they conceive lost at Sea-a small Bark is discernable at a distance, which enlarging as it approaches, and making towards them, gives them hopes, which are realized by their Son's landing in the habit of a Sailor; but are dreadfully disappointed on finding that, being wrecked on the Coast of Lapland, a Witch of that Country, for his wishing to re-visit England, had struck him dumb; but to make amends bestowed on him an Enchanted Sword, which has the various qualities of becoming Sable when Danger is near, and being waved in different Directions produces the effect of making Dance, Laugh or Sleep those living objects it is employed upon-Escaped from the Witch, he has to contend with her Power-the Genius attendant on the Talismanic Influence of his Sword rises, promises assistance, and transforming him to the motley Hero, brings to his View his beloved Columbine-from hence the Harlequinade takes place, followed up by a variety of Changes, Tricks, Metamorphoses. A Short Description of the Scenery, Machinery.: Sea View. +Oft have our footsteps-Linton, Street, Mrs Henley; The wind blew fresh and fair-Townsend; Inside of Fisherman's Cottage, change to Corn-field. Brave offspring of Ocean-Mrs Martyr; Country Publicans. A Prize in the Lottery and its consequence. Outside of Town Hall. Behold natty Sammy-Simmons, Bologna; Changes to Inside of Ditto. Rustic rejoicings-Harlequin in armour, and Columbine's escape. Rural View. In the spring when the meadows-Miss Sims, Miss Wheatley; Milk pail change to Milk-maids, Garland, and Jack in the Green. Artist's Chamber. You take off good likenesses-Rees; in which a Variety of New Imitations-Rees; Fashionable Rout change to Billingsgate. Catch-Linton, Street, Gray, Abbot, Blurton, Wilde, Dyke, Curties, Mrs Castelle, Mrs Leserve, Mrs Bologna; Garden of Love. Chamber. Harlequin and Columbine in jeopardy-make their Pursuers dance to some tune. Landscape leading to the Pottery. Come buy my earthenware-Mrs Clendining; Inside View of the Pottery, change to Subterraneous Cavern. Rash stripling-Mrs Iliff; Bottle changes to Tarantula-the effects of its bite upon Harlequin, cured by Music. By sweet Music's powerful Note-Mrs Martyr; Cavern of Necromancy. With the entrance to the Fiery Gulph, where the Witch consults her Familiar, guarded by an immense Dragon, whose power is counteracted by that of the Sylph, who after singing the following air, Hither haste the young and gay-Mrs Martyr changes the Scene to The Bower of Constancy; The Lovers are united by their Parents, and the Piece concludes with an appropriate Finale-.
Cast
Role: Potter's Girl Actor: Mrs Clendining
Role: Milk pail change to Milk Actor: maids, Garland, and Jack in the Green. Artist's Chamber. You take off good likenesses-Rees

77
26 April 1796 @ Covent Garden

Performances

Mainpiece Title: Zorinski

Afterpiece Title: A Nicknackatory

Afterpiece Title: Lock and Key

Dance: 2nd piece to conclude with: Highland Festivity, as17951125

Song: 1st piece: Vocal Parts-Linton, Williamson, Blurton, Street, Abbot, Holland, Rees, Lee, Little, Miss Logan, Miss Ives, Miss Leserve, Miss Walcup, Mrs Castelle, Mrs Masters, Mrs Watts

Entertainment: Monologue.End: Monsieur Tonson (Founded on Fact, and recited at Free-Mason's Hall, last Winter, with universal Applause)-Fawcett

78
29 June 1780 @ Covent Garden

Performances

Mainpiece Title: G

Related Works
Related Work: The Maid of Kent Author(s): Francis G. Waldron
Related Work: The Contrast; or, The Jew and the Married Courtezan Author(s): Francis G. Waldron

79
03 July 1780 @ Covent Garden

Performances

Mainpiece Title: G

Related Works
Related Work: The Maid of Kent Author(s): Francis G. Waldron
Related Work: The Contrast; or, The Jew and the Married Courtezan Author(s): Francis G. Waldron

80
06 July 1780 @ Covent Garden

Performances

Mainpiece Title: G

Related Works
Related Work: The Maid of Kent Author(s): Francis G. Waldron
Related Work: The Contrast; or, The Jew and the Married Courtezan Author(s): Francis G. Waldron

81
08 February 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Liberty Hall; or, The Test of Good Fellowship

Performance Comment: Principal Characters by Bannister, Suett, Barrymore, R. Palmer, Staunton, Burton, Fawcett, Wrighten, Dodd; Miss Phillips, Mrs Wilson, Miss George. [Cast from Songs (G. Kearsley, 1785): English-Bannister; Sir Ephraim Rupee-Suett; Rupee-Barrymore; Fidgit-R. Palmer; Lord Lofty-Staunton; La Fleur-Burton; Nettle-Fawcett; Seabright-Wrighten; Ap Hugh-Dodd; Lucy-Miss Phillips; Patience-Mrs Wilson; Aurelia-Miss George.] hathi. hathi.
Cast
Role: Aurelia Actor: Miss George.

82
24 January 1749 @ King's Theatre

Performances

Mainpiece Title: Don Calascione

Dance: Between the Acts: Dancing-

83
28 January 1749 @ King's Theatre

Performances

Mainpiece Title: Don Calascione

Dance: Between the Acts: Dancing-

84
31 January 1749 @ King's Theatre

Performances

Mainpiece Title: Don Calascione

Dance: Between the Acts: Dancing-

85
04 February 1749 @ King's Theatre

Performances

Mainpiece Title: Don Calascione

Dance: Between the Acts: Dancing-

86
11 February 1749 @ King's Theatre

Performances

Mainpiece Title: Don Calascione

Dance: Between the Acts: Dancing-

87
25 February 1749 @ King's Theatre

Performances

Mainpiece Title: Don Calascione

Dance: Between the Acts: Dancing-

88
04 March 1749 @ King's Theatre

Performances

Mainpiece Title: Don Calascione

Dance: Between the Acts: Dancing-

89
15 April 1749 @ King's Theatre

Performances

Mainpiece Title: Don Calascione

90
22 April 1749 @ King's Theatre

Performances

Mainpiece Title: Don Calascione

91
06 May 1749 @ King's Theatre

Performances

Mainpiece Title: Don Calascione

92
20 May 1749 @ King's Theatre

Performances

Mainpiece Title: Don Calascione

93
10 February 1750 @ King's Theatre

Performances

Mainpiece Title: Don Calascione

94
17 February 1750 @ King's Theatre

Performances

Mainpiece Title: Don Calascione

95
28 April 1750 @ Haymarket Theatre

Performances

Mainpiece Title: Don Calascione

96
08 March 1757 @ King's Theatre

Performances

Mainpiece Title: Antigono

97
12 March 1757 @ King's Theatre

Performances

Mainpiece Title: Antigono

98
15 March 1757 @ King's Theatre

Performances

Mainpiece Title: Antigono

99
19 March 1757 @ King's Theatre

Performances

Mainpiece Title: Antigono

100
22 March 1757 @ King's Theatre

Performances

Mainpiece Title: Antigono