SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "S G"/1) | (@(roleclean,performerclean) "S G")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 344 matches on Roles/Actors, 223 matches on Event Comments, 196 matches on Performance Comments, 56 matches on Author, and 37 matches on Performance Title.

Performances

Mainpiece Title: Leucippo

Dance: As17640124

Performances

Mainpiece Title: Leucippo

Dance: As17640124

Performances

Mainpiece Title: Leucippo

Dance: As17640124; after III: A New Dance-Duberval, Miss Auretti

Performances

Mainpiece Title: Leucippo

Dance: As17640207

Performances

Mainpiece Title: Leucippo

Dance: I: Le Matelot Provencalle-Fischer, Miss Auretti; II: Dance-Duberval, Miss Auretti; III: The Encampment-

Performances

Mainpiece Title: Leucippo

Dance: I: A new dance-Miss Lalauze; The Tambourine-Fischer; the Terzetto-Duval, Berardi, Miss Tetley; II: Le Matelot Provencalle-Fischer, Miss Auretti; III: Le Mariage du Village-Duberval, Miss Auretti; a new dance-Miss LaLauze

Song: By desire Nasce nel Bosco (Giordini)-Sga Mingotti; O che Salvo (Hasse)-Sga Mingotti; Se Il mio dual (Hasse)-Sga Mingotti; Non fau in che parlo (Perez)-Sga Mingotti; Act III: To mon@fugaste (Vento)-Sga Mingotti

Performances

Mainpiece Title: Solimano

Dance: As17650105

Performances

Mainpiece Title: Solimano

Dance: As17650105

Performances

Mainpiece Title: Solimano

Dance: As17650105

Performances

Mainpiece Title: Solimano

Dance: As17650105

Performances

Mainpiece Title: Solimano

Performances

Mainpiece Title: Solimano

Dance: Between the acts:

Event Comment: A Serio-Comic Opera in 2 acts (never performed here [1st performed at Vienna, 1784; and in April 1795 performed at king's under the title of Il Conte Ridocolo]). The Music composed in his best style by Paisiello. Under the direction of Mazzinghi. Fineschi being hardly recovered from his late severe indisposition humbly hopes for the indulgence of the public, whom rather than disappoint, he would run any danger. Gallini, for the last time, most respectfully entreats those few Subscribers who have hitherto delayed of declaring themselves, or sending in the names of their Co-subscribers, to do it immediately, as no one can be admitted without showing the Ticket for this year; and the Boxes not bespoke cannot remain empty after the opening of the House. Tickets to be had, and Subscription paid, as usual, at Messrs Ransom, Morland and Hammersley's, bankers, No. 57, Pall-Mall. The Doors to be opened at 6:00. To begin precisely at 7:00 [see 3 Jan. 1788]. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. "The only Part of the scenery which is interesting is the bridge Rialtov, and this is badly executed; it looks like a pantomimic show, but not like a grand opera scene; the bridge is crowded with figurative passengers, and small gondolas appear beyond it. The first idea is a capital error, for the representation of the bridge is supposed sideways, and being covered with shops, no passengers can be seen; the latter idea of boats being placed beyond the bridge crowds the scene, and makes the bridge lose its grand appearance at a distance...The Managers of the Opera are exceedingly to blame for having substituted a Soprano to a Tenor in the character of Gafforio" (Public Advertiser, 17 Dec.). Receipts: #164 14s. [These receipts, and those on all other nights throughout the opera season, represent the sale of non-subscription tickets. On this night 400 tickets were delivered to Prendergrass, office-keeper at the Haymarket pit entrance; of these he sold 159 at 10s. 6d. (i.e. #83 9s. 6d.). 100 were delivered to Toosey, office-keeper at the King's Door pit entrance; he sold 26 at 10s. 6d. (i.e. #13 13s.). 300 were delivered to Butler, office-keeper of the 1st Gallery; he sold 190 at 5s. (i.e. #47 10s.). 200 were delivered to Snelson, office-keeper of the 2nd Gallery; he sold 118 at 3s. (i.e. #17 10s.). Sale of one box #2 2s. "Difference from Gallery to Pit" (i.e. money received from persons who changed their seats from gallery to pit, 5s. 6d.). The delivery of 1,000 non-subscription tickets to be disposed was almost invariably the case on every night of the season; but see 5 Apr. 1788.

Performances

Mainpiece Title: Il Re Teodoro In Venezia Or Theodore king Of Corsica At Venice

Dance: End I: a new Divertissement (composed by Chevalier)-Chevalier, Coulon, Vestris, the two Miss Simonets, Sga Bedini, Mlle Coulon (1st appearance); End Opera: a new ballet (composed by Noverre) Les Offrandes a l'Amour-Didelot (1st appearance), Coulon, Vestris, Mlle Hilligsberg, Mlle Vedie, Mlle Coulon, Saulnier, Henry, Sala, the two Miss Simonets, Mlle Grenier, Mezierres

Performances

Mainpiece Title: Il Re Teodoro In Venezia

Dance: As17871208

Performances

Mainpiece Title: Il Re Teodoro In Venezia

Dance: As17871208

Performances

Mainpiece Title: Il Re Teodoro In Venezia

Dance: As17871208

Performances

Mainpiece Title: Il Re Teodoro In Venezia

Dance: As17871208

Performances

Mainpiece Title: Il Re Teodoro In Venezia

Dance: End I: Divertissement, as17871208, but Sga _Bedini; End Opera: Les Offrandes a l'Amour, as17871208

Performances

Mainpiece Title: Il Re Teodoro In Venezia

Dance: As17880103

Performances

Mainpiece Title: Il Re Teodoro In Venezia

Dance: As17880103

Performances

Mainpiece Title: Il Re Teodoro In Venezia

Dance: End I: a new ballet, The Military Dance (composed by Chevalier)-Didelot, Chevalier, Coulon, Vestris, Mlle Coulon, the two Miss Simonets, Sga Bedini, Mlle Hilligsberg; End Opera: Les Offrandes a l'Amour, as17871208

Performances

Mainpiece Title: Il Re Teodoro In Venezia

Dance: As17880115

Performances

Mainpiece Title: Il Re Teodoro In Venezia

Dance: As17880212

Ballet: L'Amour et Psiche. As17880212

Performances

Mainpiece Title: Il Re Teodoro In Venezia

Dance: End Opera: Les Offrandes a l'Amour, as17871208; End I: New Dance, as17880221; Pas de Bernois, as17880221; Pas de Trois, as17880221; Pas de Deux, as17880221; Pas Seul, as17880221; Pas de Russe, as17880221; Pas de Cinq, as17880221; Pas de Sept, as17880221; General Dance, as17880221; omitted: Pas Seul by Chevalier, Hornpipe

Performances

Mainpiece Title: Il Re Teodoro In Venezia

Dance: As17880426

Ballet: L'Amour et Psiche. As17880426