SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "S G"/1) | (@(roleclean,performerclean) "S G")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 344 matches on Roles/Actors, 223 matches on Event Comments, 196 matches on Performance Comments, 56 matches on Author, and 37 matches on Performance Title.

Performances

Mainpiece Title: The Alchymist

Performances

Mainpiece Title: The Court Secret

Event Comment: The King's Company. For the identification of this play and details of its performance, see W. J. Lawrence, "Foreign Singers and Musicians at the Court of Charles II," Musical Quarterly, IX (1923), 217-25, and James G. McManaway, "Entertainment for the Grand Duke of Tuscany," Theatre Notebook, XVI (1961), 20-21. The Travels of Cosmo the Third [Monday 3 June 1669 NS; Monday 24 May 1669 OS]: In the afternoon his highness left home earlier than usual to make his visits, that he might be at the King's Theatre in time for the comedy, and a ballet set on foot and got up in honor of his highness by my Lord Stafford, uncle of the Duke of Norfolk. On arriving at the theatre, which was sufficiently lighted on the stage and on the walls to enable the spectators to see the scenes and the performances, his highness seated himself in a front box, where, besides enjoying the pleasure of the spectacle, he passed the evening in conversation with the Venetian ambassador, the Duke of Norfolk, Lord Stafford, and other noblemen. To the story of Psyche, the daughter of Apollo, which abounded with beautiful incidents, all of them adapted to the performers and calculated to express the force of love, was joined a well-arranged ballet, regulated by the sound of various instruments, with new and fanciful dances after the English manner, in which different actions were counterfeited, the performers passing gracefully from one to another, so as to render intelligible, by their movements, the acts they were representing. This spectacle was highly agreeable to his highness from its novelty and ingenuity; and all parts of it were likewise equally praised by the ladies and gentlemen, who crouded in great numbers to the theatre, to fill the boxes, with which it is entirely surrounded, and the pit, and to enjoy the performance, which was protracted to a late hour of the night (pp. 347-48). In BM Add. Mss. 10117, folio 230, Rugge's Diurnall states that towards the end of May 1669 Cosmo, Prince of Tuscany had several plays acted for him

Performances

Mainpiece Title: Psyche; Or, Love's Mistress

Performances

Mainpiece Title: The Forc'd Marriage; Or, The Jealous Bridegroom

Performances

Mainpiece Title: The Conquest Of Granada, Part I

Performances

Mainpiece Title: The Conquest Of Granada, Part Ii

Performances

Mainpiece Title: Hannibal

Performances

Mainpiece Title: The Careless Lovers

Performances

Mainpiece Title: The Ordinary

Performances

Mainpiece Title: Volpone; Or, The Fox

Performances

Mainpiece Title: The City Politiques

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: The Rival Queens; Or, The Death Of Alexander The Great

Performances

Mainpiece Title: The Deceiver Deceived

Performances

Mainpiece Title: Heroick Love

Performances

Mainpiece Title: The Way Of The World

Performances

Mainpiece Title: The Way Of The World

Performances

Mainpiece Title: Volpone

Performances

Mainpiece Title: Love The Leveller; Or, The Pretty Purchase

Performances

Mainpiece Title: Clotilda