SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Royal Garden at Richmond"/1) | (@(roleclean,performerclean) "Royal Garden at Richmond")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2152 matches on Event Comments, 763 matches on Performance Title, 587 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Mrs Mountain. [Philipps is identified in Monthly Mirror, Sept. 1796, p. 315. As Mrs Plomer Sga Salvini had 1st appeared at the hay, 12 June 1788.] Afterpaece [1st time; MF 2, author unknown. Larpent MS 1131; not published]: The Music and Overture by Spofforth. Morning Herald, 4 May: Tickets to be had of Mrs Mountain, No. 6, York-street, Covent-Garden. Receipts: #380 18s. 6d. (150.7.6; 5.16.0; 224.15.0)

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Witch of the Wood; or, The Nutting Girls

Dance: In: The Spanish Fandango-Byrn, Mlle St.Amand; II afterpiece: The Humours of a Country Fair-Holland, Platt, Bayzand, Cranfield, Ratchford, Mrs Lloyd, Mrs Blurton, Miss Smyth, Mrs Watts

Song: End: Sally in our Alley-Incledon

Event Comment: Benefit for Mrs Powell. "If we make allowances for embarrassment and imperfect study, the performance of Mrs Powell was by no means indifferent" (Monthly Mirror, May 1796, p. 50). Afterpiece: Not acted these 4 years. Morning Herald, 2 May: Tickets to be had of Mrs Powell, No. 22, Henrietta-street, Covent-Garden. Receipts: #466 11s. 6d. (189.3.6; 53.1.6; 4.14.6; tickets: 216.15.0) (charge: #212)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Follies of a Day

Event Comment: Benefit for Suett. Afterpiece [1st time; F 2, by John Grubb. Larpent MS 1132; not published. Author of Prologue unknown]. Morning Herald, 16 May: Tickets to be had of Suett, No. 19, Martlet-court, Covent-Garden. Receipts: #403 13s. 6d. (152.10.0; 57.5.0; 4.16.0; tickets: 187.10.0; odd money: 1.2.6) (charge: none listed). [Account-Book: Suett to have #100 of Tickets and half those above that sum which he brings in; of which due him #43 15s.

Performances

Mainpiece Title: Mahmoud

Afterpiece Title: Alive and Merry

Event Comment: Benefit for Middleton. Morning Herald, 10 May: Tickets to be had of Middleton, No. 20, Great Russell-street, Covent-Garden. Receipts: #287 12s. (144.18.6; 2.15.0; tickets: 139.18.6)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Netley Abbey

Dance: In I: Grand Masquerade-; with the Minuet de la Cour and Allemande, as17950921

Song: End IV: Elegy-; Solemn Dirge-; Vocal Parts, as17950921, but Miss _Stuart, Miss _Kirton; After entertainment: Black@ey'd Susan-Incledon; My Mother had a Maid called Barbara, as17960314but _Bowden; Old Towler-Incledon

Entertainment: End: Monsieur Tonson, as17960426; After which Recitation and Music, as performed last Season with universal Applause at Freemason's Hall, in which Errors of the Press-Holman; Dryden's Ode of Alexander's Feast-Middleton; The Story of the Dog (written by Whitehead)-Pope

Event Comment: Benefit for Mrs Clendining. 3rd piece: To conclude as 15 Apr. Morning Herald, 16 May: Tickets to be had of Mrs Clendining, No. 13, King-street, Covent-Garden. Receipts: #238 4s. (100.15; 15.4; tickets: 122.5)

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: Tom Thumb

Afterpiece Title: The Point at Herqui

Dance: In 3rd piece: a new incidental Dance, as17960415

Song: In 3rd piece: songs As17960503; In Evening: Mad Bess (1st time), the Minstrel's Song [Where is that tow'ring spirit fled?] [from The Days of Yore-Mrs Clendining; Harp-Weippert

Event Comment: Benefit for Whitfield. 1st piece: Written by the late Mr Benson [see 9 June]. Morning Herald, 21 May: Tickets to be had of Whitfield, No. 19, Piazza, Covent Garden. Receipts: #127 15s. (79.11.0; 40.5.6; 3.12.6; tickets: none listed; odd money: 4.6.0) (charge: #223 3s. 5d.)

Performances

Mainpiece Title: Love And Money

Afterpiece Title: First Love

Afterpiece Title: My Grandmother

Event Comment: Benefit for Johnstone. 1st piece: The Overture, Chorusses and new Musick by Dr Arnold. The new Scenery by Rooker, Marinari, &c. 2nd [1st time; MF 1, author unknown. Not in Larpent MS; not published]: Overture and new Music by Reeve, and selected Songs by Dibdin. [3rd piece in place of The Prize, advertised on playbill of 31 Aug. C. Kemble had 1st appeared as Zorinski at the hay on 31 Aug. and 7 Sept. 1795.] Morning Herald, 27 Aug.: Tickets to be had of Johnstone, No. 19, Piazza, Covent-Garden

Performances

Mainpiece Title: Zorinski

Afterpiece Title: The Married Un-Married; or, The Widow'd Wife

Afterpiece Title: A Mogul Tale

Event Comment: [Extra night] By Authority of the Most Noble for Marquis of Salisbury, Lord Chamberlain of his Majesty's Household. Benefit for Waldron, prompter. Tickets to be had of Waldron, No. 4, Cross-court, Bow-street, Covent Garden

Performances

Mainpiece Title: The Mountaineers

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Mock Doctor

Dance: End 2nd piece: Pas Russe, as17960907

Entertainment: MonologueEnd: Collins's Ode on the Passions-Palmer

Event Comment: [Mainpiece in place of The Force of Ridicule; afterpiece of Richard Coeur de Lion, both advertised on playbill of 28 Nov.] "The new Comedy last night was deferred upon the pretext of Miss Farren's illness...The Manager sent after Mrs Siddons, who was found at Covent-Garden Theatre, seeing Abroad and at Home. Brandon, however, ordered her a chair, and she kindly performed Isabella. Wroughton read the Father" (Oracle, 30 Nov.). "For near an hour the audience waited patiently...At half past seven Palmer addressed the audience" He said that Miss Farren was ill, that to those who preferred to leave the theatre their money would be returned, and that instead of the new play Mrs Siddons would act Isabella, "as soon as the dresses could be prepared for that purpose. This address was by no means favourably received, and hundreds of persons immediately left the house. A few minutes after eight, the Curtain drew up to the tragedy, which was well performed, and much applauded by the few who remained to witness it" (Morning Herald, 30 Nov.). "November 30. Miss Farren last night refused to appear in a new Play at Drury Lane which made much confusion in the House. The cause assigned was indisposition but that was not believed by the audience; and the fact Lysons says is, that as she cannot obtain payment from the Theatre, she resolutely told them she wd. not appear unless her demands were paid...Such is the unprincipled conduct of Sheridan" (Diary of Joseph Farington, 1922, I, 174). [On 1 Dec. Morning Herald prints a letter from Miss Farren, from Green-street, Grosvenor-square. saying that she really was ill. The editor of the paper adds a note in which he affirms his positive knowledge that rumours about a dispute as to Miss Farren's unpaid salary were without foundation.] Receipts: #134 2s. (82.2; 50.18; 1.2)

Performances

Mainpiece Title: Isabella

Afterpiece Title: The Prisoner

Event Comment: [Murray's 1st appearance as Dr Caius was at Bristol, 11 June 1787. In adterpiece the playbill retains Incledon, but "Last night at Covent Garden an apology [was] made for the indisposition of Incledon, and a request that Bowden might sing the Hunting Song in his stead" (Morning Herald, 29 Dec.).] Receipts: #216 15s. 6d. (208.17.6; 7.18.0)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Harlequin and Oberon

Event Comment: Mainpiece [1st time; C 5, by Elizabeth Inchbald. Author of Prologue unknown]: With new Dresses, Scenery, &c. Morning Herald, 4 Apr. 1797: This Day is published Wives as they Were, and Maids as they Are (2s). "The Manager of Covent Garden Theatre gives Mrs Inchbald #500 for her new Comedy" (True Briton, 13 Mar.). Receipts: #302 13s. 6d. (295.9.0; 7.4.6)

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Afterpiece Title: The Wicklow Mountains

Event Comment: Benefit for Mrs Mattocks. 1st piece: In 3 Acts. [In 1st piece the playbill assigns Welford to Holman, and in 3rd piece Don Carlos to the same. But "An uncle of Holman expired suddenly on Saturday morning. An apology was made for Holman in the evening, and Macready took the Parts he was to have performed in the Play and Farce" (True Briton, 8 May). In 1st piece Cheaterly is assigned to Macready; who took his place is not stated.] True Briton, 22 Apr.: Tickets to be had of Mrs Mattocks, No. 8, Great Russell-street, Covent-Garden. Receipts: #223 12s. 6d. (118.10.0; 4.2.0; tickets: 101.0.6)

Performances

Mainpiece Title: Fashionable Levities

Afterpiece Title: Lock and Key

Afterpiece Title: Lovers' Quarrels

Afterpiece Title: Bantry Bay

Event Comment: Benefit for Johnstone. 3rd piece [1st time; F 2, by Thomas Knight; incidental music by William Reeve]: Partly taken from The Committee [by Sir Robert Howard]. Morning Herald, 21 June 1797: This Day is published [by G. Cawthorn] The Honest Thieves (1s.). True Briton, 25 Apr.: Tickets to be had of Johnstone, No. 19, Piazza, Covent-Garden. Receipts: #434 7s. 6d. (210.4.0; 11.18.0; tickets: 212.5.6)

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: British Fortitude; or, An Escape from France

Afterpiece Title: The Honest Thieves; or, The Faithful Irishman

Song: In course 2nd piece: I was call'd knowing Joey-Munden; At dawn of Life our Vows were plighted-Mrs Mountain; The Storm-Incledon; The turban'd Turk who scorns the World-; Hospitality; or, The Land of Potatoes-Johnstone; End 2nd piece: Old Towler-Incledon

Event Comment: Benefit for Mrs Martyr. 2nd piece [1st time; ENT 1, by John Cartwright Cross (see Monthly Mirror, June 1797, p. 370). Larpent MS 1166; not published]; With a striking Representation of the Conflagration of the Spanish Fleet in the Gulph of Pariav, the Island's Capitulation and the Departure of its Garrison, Prisoner of War [on 18 Feb. 1797]. True Briton, 1 May: Tickets to be had of Mrs Martyr at her house, No. 16, Martlett Court, Bow-street, Covent-Garden. Receipts: #359 14s. (185.5; 8.2; tickets: 166.7)

Performances

Mainpiece Title: Abroad And At Home

Afterpiece Title: The Surrender of Trinidad; or, Safe Moor'd at Last

Afterpiece Title: The Irishman in London

Song: End I: The Storm-Incledon; In course 2nd piece: Black@Ey'd Susan-Incledon; Beauty at her Levee-Munden; Jack at the Windlass-Fawcett; The Wolf-Bowden; Oh why to be happy-Incledon; The Row-Johnstone; Bravura Song-Mrs Clendining; a new Negro Song (composed by Shield)-Mrs Martyr; Rule Britannia-

Event Comment: Benefit for Suett. True Briton, 11 May: Tickets to be had of Suett, No. 10, Hart-street, Covent-Garden. Account-Book: Suett by agreement with the proprietors to pay half the value of tickets he brings in over #100. Receipts: #319 11s. (91.16.0; 54.2.0; 1.8.6; tickets 172.4.6) (charge: not levied; see above)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Shipwreck

Event Comment: Benefit for Mrs Mountain. 2nd piece [1st time: CO 2, by James Hook Jun. Larpent MS 1172; not published]: With appropriate Scenery, Dresses, and Decorations. The Overture and Music by James Hook? Sen.. True Briton, 16 May: Tickets to be had of Mrs Mountain, No. 28, Maiden-lane, Covent-Garden. Receipts: #287 3s. (86.4.6; 14.6.0; tickets: 186.12.6)

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: Diamond Cut Diamond; or, Venetian Revels

Afterpiece Title: Cross Purposes

Song: In: Ma chere Amie-Incledon; End Act I 2nd piece: to conclude with a Grand Serenade-, by Moonlight, on the Water, representing a View in the Bay of Venice, with distant Illuminations; A Madrigal-Incledon, Gray, Linton, which is echoed from various Gondolas, as they pass and repass, sounding their Oars to the Time of the Singers; The Storm-Incledon

Event Comment: Benefit for Mrs Clendining. [1st piece in place of The Travellers in Switzerland, advertised on playbill of 23 May.] Morning Herald, 22 May: Tickets to be had of Mrs Clendining, No. 13, King-street, Covent-Garden. Receipts: #157 18s. (55.10; 3.19; tickets: 98.9)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: An Harmonic Festival

Afterpiece Title: Lovers' Quarrels

Dance: End I: The Statute Dance-

Event Comment: Benefit for Mrs Powell. Lodoiska [advertised on playbill of 24 May] is obliged to be deferred on account of the Indisposition of Suett. True Briton, 16 May: Tickets to be had of Mrs Powell, No. 22, Henrietta-street, Covent-Garden. Receipts: #287 2s. 6d. (91.14.6; 49.7.6; 2.3.6; tickets: 143.17.0) (charge: #220 0s. 8d.)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Richard Coeur de Lion

Event Comment: Benefit for Whitfield. True Briton, 26 May: Tickets to be had of Whitfield, No 19, Piazza, Covent-Garden. Receipts: #427 14s. (69.1.6; 54.3.0; 2.2.6; tickets: 302.7.0) (charge: #212 13s. 5d.)

Performances

Mainpiece Title: The Wheel Of Fortune

Afterpiece Title: The Spoil'd Child

Ballet: The Scotch Ghost. As17961221

Event Comment: Benefit for Miss DeCamp. 3rd piece: With a Sea Fight. True Briton, 15 May: Tickets to be had of Miss DeCamp, No. 32, Bow-street, Covent-Garden. Receipts: #376 6s. 6d. (121.8.6; 79.13.6; 2.14.0; tickets: 172.10.6) (charge: #221 1s. 1d.)

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Critic

Entertainment: Monologue.End 2nd piece: as17970529

Event Comment: Benefit for Delpini. [1st piece in place of The School for Arrogance, advertised on playbill of 8 June.] 2nd piece [1st time; BALL. P 1, author unknown]. 4th piece: To conclude with a View of the Temple of Magic. True Briton, 2 June: Tickets to be had of Delpini, No. 27, Maiden-lane, Southampton-street, Covent-Garden. Receipts: #211 0s. 6d. (105.5.6; 13.11.6; tickets: 92.3.6)

Performances

Mainpiece Title: The Mask'd Friend

Afterpiece Title: The Folly of Age; or, The Accomplished Lady

Afterpiece Title: Barataria

Performance Comment: As17960926, but Duchess-Mrs Watts; Mary the Buxom-Mrs Delpini (1st appearance these 8 years); Taylor-_; Gardener-_; Cryer-_.
Cast
Role: Gardener Actor: Gray

Afterpiece Title: Harlequin's Medley

Dance: In 2nd piece: A la Parisot, Le Pas Russe-Delpini

Song: In 2nd piece: La Verginella, My dear Molly@oh! what Folly (composed by Carter)-Delpini

Entertainment: Vaudeville. In 4th piece: The Farm Yard- (from The Rape of Proserpine), with the Birth of Harlequin, and his Emancipation from the Egg Shell; The favorite Scene from Aladin of Pantaloon's Death-, and the Whimsical Lamentation of Pierrot; A Jump through a Hogshead of Fire-; and the celebrated Dying and Skeleton Scenes-

Event Comment: Benefit for Suett. True Briton, 8 Aug.: Tickets to be had of Suett at his chambers, No. 10, Hart-street, Covent-Garden

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Follies of a Day

Song: Between: Little Taffline-Mrs Bland; The Town Crier (composed by Dibdin)-Suett; End: An Old Woman of Eighty-Munden

Event Comment: Benefit for Johnstone. 2nd piece [1st time; M. INT 1, but Walley Chamberlain Oulton; music by Thomas Attwood. Larpent MS 1178; not published]. True Briton, 23 Aug.: Tickets to be had of Johnstone, No. 19, Piazza, Covent-Garden

Performances

Mainpiece Title: The Surrender Of Calais

Afterpiece Title: The Irish Tar; or, Which is the Girl

Afterpiece Title: The Agreeable Surprise

Song: 1st piece: Vocal Parts, as17970623 but _Caulfield Jun., _Walker, _Willoughby, Mrs _Butler, Mrs _Masters, Mrs _Norton, Miss _Menage, Mrs _Wall, Mrs _Benson, Miss _Leserve

Event Comment: Mainpiece: In Act I incidental to the Tragedy, a Grand Masquerade. [This was included in all subsequent performances.] Afterpiece: With the Fantoccini, as 30 Oct. ["In the late performance of this play at Covent Garden theatre, we perceive that this objection [i.e. Romeo and Juliet in III. v standing on the stage] is removed; the principal part of the scene is spoken from a balcony...The grand funeral dirge is introduced with magnificence and ostentation. A long procession of monks, friars, &c., accompanied with music, is made to passover the stage. But what end is all this farce and shew to answer?...We must rather laugh at so much pomp and expence bestowed on Juliet. If there is any distress stirring, the candle-snuffers and scene-shifters, who assist as chief mourners, have it all to themselves" (Monthly Mirror, Nov. 1797, p. 293). Receipts: #197 3s. 6d. (193.5.6; 3.18.0)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Harlequin and Oberon

Song: End IV: the Funeral Procession of Juliet to the Monument of the Capulets, and a Solemn Dirge-; Vocal Parts-Johnston, Incledon, Townsend, Linton, Blurton, Gray, Street, Abbot, Lee, Little, Sawyer, Tett, Mrs Mountain, Mrs Clendining, Miss Wheatley, Miss Sims, Mrs Henley, Mrs Watts, Mrs Follett, Miss Leserve, Mrs Castelle, Mrs Norton, Mrs Gilbert, Mrs Masters, Mrs Lloyd, Mrs Blurton, Miss Walcup, Miss Gray, Miss Burnett, Mrs Martyr

Event Comment: "Incledon is no longer under any engagement at Covent-garden Theatre; having shewn a good deal of restiveness at being obliged to sing in the after-piece of Joan of Arc, he applied to Mr Harris on Friday [16 Feb.] to deliver him up his articles, which was instantly complied with" (Times, 19 Feb.). [On 22 Feb. and 15 Mar. Incledon acted, by Command; but not again until 14 Apr.] Receipts: #256 18s. 6d. (239.10.6; 17.8.0)

Performances

Mainpiece Title: He's Much To Blame

Afterpiece Title: Joan of Arc

Music: In afterpiece: The Harp-Weippert