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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Royal"/1) | (@(roleclean,performerclean) "Royal")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2337 results for: Keyword - Royal
We found 1193 matches on Event Comments, 687 matches on Performance Title, 654 matches on Roles/Actors, 320 matches on Performance Comments, and 0 matches on Author.

1051
14 June 1731 @ Drury Lane Theatre

Event Comment: DDaily Advertiser, 14 June: The Managers of...Drury-Lane, have Orders to get Things in Readiness for the Royal Theatre at Hampton-Court, where Plays are to be acted for the Diversion of the Royal Family

Performances

1052
21 December 1731 @ Drury Lane Theatre

Event Comment: By Command of Her Royal Highness the Princess Royal [who was present]

Performances

Mainpiece Title: The Indian Emperor; Or, The Conquest Of Mexico By The Spaniards

Dance:

1053
28 December 1731 @ Drury Lane Theatre

Event Comment: By Command of Her Royal Highness the Princess Royal [who was present]

Performances

Mainpiece Title: Tamerlane

Music: Select Pieces-

Dance: I: a new Scotch Dance-Miss Robinson; III: English Maggot-

Ballet: V: Ballad D'Amour. Adonis-Denoyer; Venus-Mrs Booth; Attendants on Adonis-Essex, Lally, Thurmond, Houghton; Attendants on Venus-Mrs Walter, Mrs Delorme, Miss Williams, Miss Mears

1054
24 November 1732 @ Drury Lane Theatre

Event Comment: By His Majesty's Command. [The Royal Family present.] Daily Post, 23 Nov.: We hear the King and all the Royal Family remove from Richmond...and are to be at ...Drury Lane [Friday] Evening; a List of Plays, &c. having been sent to Richmond by his Majesty's Command

Performances

Mainpiece Title: The Double Gallant; Or, The Sick Lady's Cure

Afterpiece Title: The Country Revels

1055
05 March 1733 @ Drury Lane Theatre

Event Comment: By Command of Her Royal Highness, the Princess Royal. Benefit Mills. Daily Post, 5 March: Colley Cibber...is so ill of a Cold he is not able to Act. Daily Advertiser, 7 March: On Monday Night last a great Disorder happen'd amongst the Footmen at [dl], occasion'd by one of the Orange Women, who meeting with some Affront, as she was passing from the Theatre to the Coffeehouse, drew out her Penknife, and stabb'd a Chairman and two Gentlemen's Servants therewith, before it could be wrench'd from her, and then took Sanctuary in the Coffee-house; but the same was immediately beset, and the People refusing either to produce the Woman, or acquaint the Footmen who she was, they forc'd themselves into the Room, broke all the Glasses and China

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Devil to Pay

Dance: Denoyer, Mrs Booth, Essex, Miss Robinson, Haughton, Mrs Walter

1056
10 November 1733 @ King's Theatre

Event Comment: Daily Advertiser, 12 Nov.: The Royal Family were at the Opera, his Highness the Prince of Orange was there likewise in a Box next to that of the Princess Royal

Performances

Mainpiece Title: Semiramis

1057
13 November 1733 @ King's Theatre

Event Comment: The Princess Royal's Marriage, being deferr'd, the Opera will be perform'd that Day as usual. Daily Courant, 14 Nov.: Last Night their Majesties, his Royal Highness the Prince of Wales, and the three eldest Princesses . . . saw . . . Otho; but his Highness the Prince of Orange was not there

Performances

Mainpiece Title: Otho

1058
15 March 1734 @ Goodman's Fields

Event Comment: Daily Advertiser, 18 March: And on Friday [Giffard] invited the whole Company to a very grand Entertainment, prepar'd for 'em in the Play-house, where their Majesties, his Royal Highness the Prince of Wales, the Prince and Princess of Orange, the Royal Family, Success to Trade, Prosperity to the City of London, and many other Loyal Healths were drank; during which time the Arches were again illuminated, Fireworks play'd off, and the Night concluded with a Ball

Performances

Mainpiece Title:

1059
30 September 1734 @ Mile End Green

Performances

Mainpiece Title: Gardener's Wedd1ng; Or, The Waterman Defeated

Performance Comment: Peartree-Julian; Rako-Warner; Ply-Yeates Jr; Bridemen-Williams, Bird; Razor (French Barber)-Dodson; Margery-Mrs Martin; Margery's Mother-Mrs Choca; Bridemaids-Miss Yeates, Miss Nancy Yeates. Concluding with the Entertainment of Britannia; or the Royal Nuptials of the Prince of Orange . or the Royal Nuptials of the Prince of Orange .

1060
10 February 1735 @ Haymarket Theatre

Event Comment: By Command of his Royal Highness the Duke, their Royal Highnesses the Princesses Amelia and Caroline

Performances

Mainpiece Title: La Double Inconstance

Afterpiece Title: Arlequin Sauvage

Dance:

1061
27 February 1735 @ Lincoln's Inn Fields

Event Comment: Benefit Francisque. By Their Majesties' Command. N.B. Places may be taken next the Boxes built on the Stage for their Royal Highness the Princess Amelia and Princess Caroline. [King, Queen, and rest of the Royal Family present.]

Performances

Mainpiece Title: Arlequin Astrologue, Statue, Enfant, Ramoneur, Negre & Skelette: With Two New Scenes, Viz, The Elbow-chair And The Dog

Afterpiece Title: Harlequin always Harlequin

1062
17 March 1735 @ Drury Lane Theatre

Event Comment: Benefit Denoyer. By Command of His Royal Highness. Mainpiece: Taken from Moliere. London Daily Post and General Advertiser, 17 March: The celebrated Monsieur Denoyer and Mademoiselle Salle, by Permission of the Masters of the two Theatres Royal, have agreed to dance together at each other's Benefit

Performances

Mainpiece Title: The Mother-in-law

Afterpiece Title: The Lottery

Dance: I: Russian Sailor by Denoyer, &c. II: By Denoyer's Apprentice. III: Shepherd's Mount by Denoyer, Mlle Salle, &c, with a new Scene, and New Habits. V: Minuet (in modern Habits) by Denoyer and Mlle Salle

1063
21 April 1735 @ Haymarket Theatre

Event Comment: By Command of his Royal Highness the Duke, their Royal Highnesses the Princesses Amelia, Caroline, Mary, and Louisa

Performances

Mainpiece Title: Tartuffe

Afterpiece Title: Attendez Moy Sous l'Orme

Dance:

1064
28 April 1735 @ Haymarket Theatre

Event Comment: By Command of his Royal Highness the Prince of Wales, the Duke, their Royal Highnesses the Princesses Amelia, Carolina, Maria and Louisa

Performances

Mainpiece Title: Harlequin Astrologer, Infant, Ch1mney-sweeper, Statue, Parrot, & Skeleton

Afterpiece Title: Harlequin Hulla

Music: Select Pieces. Solo on the German Flute by Burk Thumoth

Dance:

1065
15 May 1735 @ Haymarket Theatre

Event Comment: By Command of His Royal Highness the Duke, their Royal Highnesses the Princesses Carolina, Amelia, Louisa, and Maria

Performances

Mainpiece Title: Arlequin Balourd

Afterpiece Title: Harlequin and Scaramouch Deserteurs

Dance:

1066
11 February 1736 @ Drury Lane Theatre

Event Comment: By Command of his Royal Highness the Duke, and their Royal Highnesses the Princesses Caroline, Mary, and Louisa [who were present]

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Harlequin Restor'd

Music: In II: Solo on Violin by Charke

Dance: II: New Serious Dance by Denoyer, Mlle Anne Roland, &c. III: Revellers by Essex, Mrs Walter, &c. IV: French Peasants by Poitier, Mlle Roland, &c

1067
19 February 1736 @ Covent Garden

Event Comment: Written by the late Mr Dryden. Set to Musick by Mr Handel. Pit and Boxes half a Guinea. Galleries 4s. and 2s. 6d. London Daily Post and General Advertiser, 20 Feb.: Last Night his Royal Highness the Duke, and her Royal Highness the Princess Amelia were at. . . Mr Dryden's Ode, set to Musick by Mr Handel. Never was upon the like Occasion so numerous and splendid an Audience at any Theatre in London, there being at least 1300 Persons present; and it is judg'd that the Receipt of the House could not amount to less than 450l. It met with general Applause, tho attended with the Inconvenience of having the Performers placed at too great a distance from the Audience, which we hear will be rectified the next Time of Performance. [Egmont also present.]

Performances

Mainpiece Title: The Feast Of Alexander

1068
26 February 1736 @ Covent Garden

Event Comment: By Command of His Royal Highness the Duke, and their Highnesses the Princesses Caroline, Mary, and Louisa [who were present]. London Daily Post and General Advertiser, 28 Feb.: The Author perceiving from the Behaviour of some Persons, a determin'd Resolution, notwithstanding the Presence of part of the Royal Family, to breed a Disturbance, to the Prejudice of the Play, occasion'd, as 'tis supposed, from an invidious Letter inserted in Thursday's Grubstreet Journal, has chose to withdraw his Play, rather than give them an Opportunity of gratifying their Malice, by a Repetition of such Disturbances as must necessarily prevent the Audience from hearing the Performance in Peace. Receipts: #112 14s

Performances

Mainpiece Title: The Double Deceit

Dance: Tambourine by Glover and Miss Rogers. Comic Ballet by Lalauze, Mlle d'Hervigni, &c. French Peasant by Tench and Miss Rogers. Scot's Dance by Glover, Miss Rogers, Desse, Mrs Ogden, Tench, Mlle Delorme

1069
04 May 1736 @ King's Theatre

Event Comment: In Honour of the Royal Nuptials of their Royal Highnesses the Prince and Princess of Wales. [Music by Porpora.]

Performances

Mainpiece Title: The Feast Of Hymen

1070
06 November 1736 @ Covent Garden

Event Comment: By Command of their Royal Highnesses the Prince and Princess of Wales [who were present]. Pit and Boxes put together at half a guinea each. First Gallery 5s. Upper Gallery 2s. 6d. London Daily Post and General Advertiser, 8 Nov.: The Box in which their Royal Highnesses sat, was of white Sattin, beautifully Ornamented With Festons of flowers, in their proper Colours, and in Front was a flaming Heart, between two Hymeneal Torches, whose different Flames terminated in one Point, and were surmounted with a Label, on which were wrote, in Letters of Gold, these Words, Mutuus Ardor

Performances

Mainpiece Title: Alcina

1071
19 November 1736 @ Lincoln's Inn Fields

Event Comment: Mainpiece: Written by the late Mr Gay. London Daily Post and General Advertiser, 20 Nov.: We hear that Mr Giffard...last Night, upon the happy Occasion of her Royal Highness' s Birth-Day, entertained his Company with an elegant Supper and a Concert of Musick, where the Healths of their Majesties, the Prince and Princess of Wales, and the rest of the Royal Family were drank with universal Demonstrations of Joy

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Harlequin Shipwreck'd

1072
16 March 1737 @ Covent Garden

Event Comment: By Command of their Royal Highnesses the Prince and Princess of Wales [who were present]. An Ode, written by Mr Dryden. The Pit will be floored over, and laid into the Boxes. London Daily Post and General Advertiser, 17 March: The Prince and Princess of Wales seem'd to be highly entertain'd, insomuch that his Royal Highness commanded Mr Handel's Concerto on the Organ to be repeated

Performances

Mainpiece Title: Alexander's Feast

1073
03 November 1738 @ Drury Lane Theatre

Event Comment: By Command of His Royal Highness The Duke and Their Royal Highnesses the Princesses Caroline, Mary, and Louisa

Performances

Mainpiece Title: Love For Love

Afterpiece Title: Robin Goodfellow

1074
10 November 1738 @ Drury Lane Theatre

Event Comment: By Command of His Royal Highness the Duke, and Their Royal Highnesses the Princesses Amelia, Caroline, Mary, and Louisa. Mainpiece: Taken from Plautus and Moliere

Performances

Mainpiece Title: The Miser

Afterpiece Title: Harlequin Grand Volgi

1075
24 November 1738 @ Drury Lane Theatre

Event Comment: By Command of his Royal Highness the Duke, and Their Royal Highnesses the Princesses Amelia, Caroline, Mary, and Louisa. Mainpiece: Written by the late Sir John Vanbrugh

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: Robin Goodfellow

Dance: III: Dance of Moors-Muilment, Mrs Walter