SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Robert and James Adam"/1) | (@(roleclean,performerclean) "Robert and James Adam")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3039 matches on Author, 2103 matches on Performance Comments, 628 matches on Event Comments, 128 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Afterpiece [1st time; P 2 (?), by James Wild. MS: Larpent 1000]: The greatest part entirely new, with a few Select Scenes from the most approv'd Compositions. With new Scenery, Machinery, Dresses and Decorations. The Dresses entirely new. The new Music composed by Shield, the rest selected from Harington, Dr Arne, Eley, Reeve, Pepusch, Galliard, George Ware, Hook, &c. The Scenery and Machinery entirely new painted by Richards, Hodgins, Walmsley, Lupino, Pugh, Phillips and Malton. The Dances entirely new, composed by Byrn. Account-Book, 23 Apr. 1795: Paid James Wild in full for Dr Faustus #40. European Magazine, Jan. 1794, p. 49: Dr Faustus has afforded entertainment to three if not four generations. It was first produced at Drury-lane in 1723, by Mr Thurmond, a dancing-master, and was afterwards succeeded at Lincoln's inn-fields, in the same year, by Mr Rich's more splendid performance [entitled The Necromancer; or, Harlequin Doctor Faustus], which received improvement at different revivals of it. At the latter end of 1766 [at Covent Garden] Mr Woodward made some alterations, and it was revived with great success. It is again brought forward with applause, and recalls to the remembrance of those who formerly saw it with delight, the recollection of the most enchanting period of life. The opening scene of Tartarus . . . was first introduced in the speaking pantomime of The Mirror [at Covent Garden, 30 Nov. 1779). Receipts: #352 13s. 6d. (324/13/6; 28/0/0)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: HARLEQUIN AND FAUSTUS; or, The Devil will have his Own

Performance Comment: The following is a short Description of part of the Scenery, Business and Characters: I. A Representation of Tartarus, exhibiting the Punishments of Sisyphus, Tantalus, Ixion, Titius, Phlegyas, &c. &c. (design'd and executed by Richards; music by Shield). Lucifer-Cubitt; Pillardoc-Richardson; Asmodius-Townsend; Orchus-Blurton; Bclial-Linton; Ades-Street. II. The Study of Dr Faustus (painted by Hodgins). Dr Faustus-Farley; Zany-West. III. A Landscape and Water Mill (painted by Walmsley). Harlequin-Boyce; Pierrot-Follett; Miller-Hawtin; Taylor-Simmons; Bridemen-Cranfield, Ratchford, Blurton, Wilde, Rayner, Jackson, &c.//Miller's Wife-Miss Leserve; Bridemaids-Mrs Follett, Mrs Watts, Mrs Ratchford, Mrs Cranfield, Mrs Crowe, Mrs Lloyd, &c.; Colombine-Mme Rossi; Philidel (the Celestial Spirit)-Mrs Mountain. IV. A View of a Country Inn: The Bull and Dog (The Machinery invented by Hodgins). Landlady (with a song in character)-Mrs Henley. V. A Representation of tht Scaffolding prepared for erecting the New Theatre-Royal, Drury Lane, as it appeared in July. Irish Song in character by Rock. Which changes to a View of the above Building, as it will appear when completed (designed and painted by Malton). Playhouse Glee (composed by Dr Arne) by Blanchard, Bernard, Davies, Linton, Street, Spofforth, &c. VI. A View of Smithfield on a Market-Day (painted by Hodgins and Phillips). A New Glee (composed by Shield [singers not listed]). VII. The Garden of Faustus (painted by Pugh). Zephyrus-Byrn//Flora-Mlle St. Amand. VIII. A Tobacco Warehouse, which changes to an Equestrian Figure by Roubiliac. IX. A Street, in which is introduced two Irish Sedan Chairs (designed by Hodgins). Harington's Stammering Glee by Blanchard, Townsend, Cubitt. X. A View of a Garden and Tent, which changes to a Canal, in which will be introduced the celebrated piece of machinery, The Peacock. XI. A Farm Yard, which changes to a Chinese Bridge. XII. The Infernal Regiom, with a Shower of Fire. XIII. The Temple of Glory (designed and executed by Hodgins). Aerial Spirits-Byrn, Holland, Mlle St. Amand, Cranfield, Ratchford, King, Blurton, Wilde, Mrs Castelle, Miss Kirton, Miss Leserve, Mrs Follett, Mrs Watts, Mrs Blurton .
Event Comment: Benefit for Mrs Mountain. 2nd piece [1st time: CO 2, by James Hook Jun. Larpent MS 1172; not published]: With appropriate Scenery, Dresses, and Decorations. The Overture and Music by James Hook? Sen.. True Briton, 16 May: Tickets to be had of Mrs Mountain, No. 28, Maiden-lane, Covent-Garden. Receipts: #287 3s. (86.4.6; 14.6.0; tickets: 186.12.6)

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: Diamond Cut Diamond; or, Venetian Revels

Performance Comment: Principal Characters-Incledon, Knight, [Fawcett, Powel, Simmons, Curties, [Munden, Mrs Mountain, Mrs Clendining, Mrs Martyr; [Partial cast from musical score (A. Bland & Weller [1797]): Martino-Incledon; Durazzo-Fawcett; Doctor Vivaldo-Munden; Adriana-Mrs Mountain; Julia-Mrs Clendining; Rosa-Mrs Martyr; [Larpent MS lists the other parts: Claudio-; Uberto-; Lento-; Pieto-.
Related Works
Related Work: Diamond Cut Diamond; or, Venetian Revels Author(s): James Hook Jr.James Hook Sr.

Afterpiece Title: Cross Purposes

Song: In: Ma chere Amie-Incledon; End Act I 2nd piece: to conclude with a Grand Serenade-, by Moonlight, on the Water, representing a View in the Bay of Venice, with distant Illuminations; A Madrigal-Incledon, Gray, Linton, which is echoed from various Gondolas, as they pass and repass, sounding their Oars to the Time of the Singers; The Storm-Incledon

Related Works
Related Work: Auld Robin Gray Author(s): Samuel James Arnold
Related Work: Fire and Water! Author(s): Miles Peter Andrews
Event Comment: This work, printed in 1674, was performed, probably, at court by a French company. See M. Horn-Monval, French Troupes in England During the Restoration, Theatre Notebook, VII (1953), 82; and Edwin P. Grobe, S. Bre, French Librettist at the Court of Charles II, Theatre Notebook, IX (1954), 20-21

Performances

Mainpiece Title: Ballet Et Musique Pour Le Divertissement Du Roy De La Grande Bretagne

Performance Comment: [Probably by Sebastian Bremond, with music by Robert Cambert and Favier.]
Related Works
Related Work: Ballet et Musique Pour le Divertissement du Roy de la Grande Bretagne Author(s): Robert Cambert
Event Comment: [By Robert Hurst.] With other Decorations proper to the Play. Receipts: #36 11s

Performances

Mainpiece Title: The Roman Maid

Related Works
Related Work: The Roman Maid Author(s): Robert Hurst
Event Comment: Mainpiece: A New Ballad Opera. [By Robert Drury.

Performances

Mainpiece Title: The Fancy'd Queen

Related Works
Related Work: The Fancy'd Queen Author(s): Robert Drury

Afterpiece Title: The Stage-Mutineers

Dance: SScotch Dance-Davenport, Miss Baston; Swedish Dal Karle-Delagarde, Mrs Ogden; Irish Trot-Bethen

Event Comment: Benefit a Person in Distress. At the Desire of several Ladies of Quality. Mainpiece: Written by Shakespear. Afterpiece: Written by the Author of the Toy Shop. [Tickets for Janno, Roberts, and Hough also taken.

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Afterpiece Title: The King and the Miller of Mansfield

Related Works
Related Work: The King and the Miller of Mansfield Author(s): Robert Dodsley
Event Comment: At the particular Desire of several Ladies of Quality. Mainpiece: Written by the late Mr Otway. Afterpiece: A new Dramatick Piece of One Act: Being the Sequel to the King and the Miller of Mansfield. [By Robert Dodsley.

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Sir John Cockle at Court

Related Works
Related Work: Sir John Cockle at Court Author(s): Robert Dodsley

Dance: V: Ballet-Denoyer, Haughton, Miss Thompson

Event Comment: By particular Desire. Afterpiece: A new Dramatick Tale. [By Robert Dodsley.

Performances

Mainpiece Title: Julius Caesar

Cast
Role: Portia Actor: Mrs Roberts

Afterpiece Title: The Blind Beggar of Bethnal Green

Related Works
Related Work: The Blind Beggar of Bethnal Green Author(s): Robert Dodsley
Event Comment: Benefit for Palmer (Pit-door-keeper). Tickets deliver'd by Denny, Humphrey, Page, Spilsbury, and Roberts will be taken. Receipts: #150 (Cross)

Performances

Mainpiece Title: The Miser

Performance Comment: Clerimont-Jefferson; Miser-Yates; Decoy-Brownsmith; Frederick-Havard; Ramilie-Palmer; Harriet-Mrs Davies; Wheedle-Mrs Bennet; James-Clough; List-Marr; Furnish-Raftor; Mariana-Mrs Yates, 1st time; Mrs Wisely-Mrs Cross; Leppet-Mrs Clive, in which character will be introduc'd the Song of the Life of a Beau.
Cast
Role: James Actor: Clough
Related Works
Related Work: The Miser Author(s): James Wild
Related Work: Fame; or, Queen Elizabeth's Trumpets; or, Never plead's Hopes of being a Lord Chancellor; or, The Lover turn'd Philosopher; or, The Miser's Resolve upon the Lowering of Interest Author(s): James Lacy

Afterpiece Title: The King and the Miller of Mansfield

Related Works
Related Work: The King and the Miller of Mansfield Author(s): Robert Dodsley

Dance: III: A Hornpipe-Walker

Entertainment: % New Magic Scene, as17580428

Event Comment: Never acted before. By Robert Dodsley

Performances

Mainpiece Title: Cleone

Performance Comment: Actors only in bill, but Sifroy-Ross; Glanville-Sparks; Beaufort Sr-Ridout; Beaufort Jr-Dyer; Paulet-Clarke; Ragozin-Anderson; Isabbella-Mrs Elmy; Cleone-Mrs Bellamy; Prologue-Ross; Epilogue-Mrs Bellamy (Genest, IV, 559).
Cast
Role: Ragozin Actor: Anderson
Related Works
Related Work: Cleone Author(s): Robert Dodsley
Event Comment: Mainpiece: Not acted this season. [The Ode, by Robert Lloyd and A. Murphy (according to J. P. Kemble's note on the playbill), combines an Elegy on the death of George II with a compliment on the accession of George III.

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Tears and Triumphs of Parnassus

Related Works
Related Work: The Tears and Triumphs of Parnassus Author(s): Robert Lloyd

Dance: II: Reviv'd the Pantomime Dance, call'd The Prussian Camp The Prussian Soldiers by the Comedians, the Characters of the Dance-Grimaldi, Miss Baker

Music:

Song: n Ode for Music, call'dThe Tears and Triumphs of Parnassus-. The Music compos'd by Stanley

Event Comment: Afterpiece: A new Opera of Two Acts [by Robert Dossie]. Music by Rush

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Statesman Foil'd

Related Works
Related Work: The Statesman Foil'd Author(s): Robert Dossie

Dance: As17680530

Event Comment: Mainpiece: A New Comedy by Robert Hitchcock [first perform'd at York]

Performances

Mainpiece Title: The Macaroni

Related Works
Related Work: The Macaroni Author(s): Robert Hitchcock

Afterpiece Title: The Apprentice

Song: III: O What a Charming Thing's a Battle-Bannister

Event Comment: Mainpiece: A New Tragedy by Robert Jephson. New Scenes and Dresses. This Tragedy having been read by the Author's Friends in most of the great Family's in Town & puff'd up in Such a Manner that the Expectations of the Audience were so much rais'd that it fell far short of what they imagin'd-the four first Acts are heavy & want incident & Plot, the Writing is Clear & Nervous-the 5 Act has more incident & Plot but Writing not so Nervous: No Play had ever more Justice in the getting of it up Mr G. was not Sparing of his Labour & Attendance nor was any Expence deny'd for the Cloaths & Scenery both of which were Superb and it receiv'd with very great applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Paid Mr Wright per order #6 5s.; Mr Wallis on note #2 2s. (Treasurer's Book). [The Westminster Magazine for Feb. outlines the plot of Braganza, and comments favorably: "Upon the whole, Braganza, met with general and deserved applause; and we cannot help congratulating the Public on the acquisition of a truly dramatic Genius." The author, Colonel Jephson, was Aid-de-Camp to the Lord Lieutenant of Ireland. Walpole wrote to Mason: "Braganza was acted with prodigious success. The audience, the most impartial I ever saw, sat mute for two acts, and seemed determined to judge for themselves, and not to be the dupes of the encomiums that had been so lavishly trumpeted. At the third act they grew pleased and interested; at the fourth they were cooled and deadened by two unneccessary scenes, but at the catastrophe in the fifth they were transported. They clapped, shouted, hussaed, cried bravo, and thundered out applause." Commends Mrs Yates, and hopes this will spark a new era in dramatic writing. Sweepingly condemns that of last fifty years.] Receipts: #250 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Braganza

Performance Comment: Parts by Smith, Palmer, Aickin, Packer, Brereton, Davies, Hurst, Usher, Wright, Keen, Wrighten, Wheeler, Griffiths, Norris, Reddish, Mrs Johnston, Mrs Yates. With Prologue and Epilogue. Velasquez-Smith; Ribiro-Palmer; Almada-J. Aickin; Ramirez-Packer; Mendoza-Brereton; Pizarro-Davies; Corea-Hurst; Lemos-Usher; Roderick, 1st Citizen-Wright; Officer-Keen; Antonio-Wrighten; Mello-Wheeler; 2nd Citizen-Griffiths; Ferdinand-Norris; Duke-Reddish; Inis-Mrs Johnston; Duchess-Mrs Yates; Prologue-Palmer; Epilogue-Mrs Yates (Genest, V, 448).
Cast
Role: Ferdinand Actor: Norris
Related Works
Related Work: Braganza Author(s): Robert Jephson

Afterpiece Title: The Anatomist

Event Comment: Mainpiece [1st time; T 5, by Robert Jephson. Prologue by the author (Gentleman's Magazine, Jan, 1782, p. 36). Another Prologue, by the Right Hon. Luke Gardiner, "not arriving in London time enough for the first exhibition of the Count of Narbonne, was not spoken" (ibid.). Epilogue by Richard Josceline Goodenough, but beginning with 20 Nov. it was superseded by a new Epilogue written by Edmond Malone (see text)]: With new Scenery and Dresses. Public Advertiser, 1 Nov.: The Management of The Count of Narbonne is . . . under very good Care: Mr Horace Walpole, with a Fondness nothing less than fatherly, directs that part of the Affair which respects the Scenes and Dresses, while Henderson takes Charge of the Rehearsals and the casting of inferior Parts... [Henderson] is to wear a Dress which is lent him from among the Antiquities at Strawberry Hill. "I have been at the theatre, and compromised the affair of the epilogues: one is to be spoken to-morrow, the friend's on the author's night. I have been tumbling into trap-doors, seeing dresses tried on in the green-room, and directing armour in the painting-room" (Walpole [16 Nov. 1781], XII, 95). "I never saw a more unprejudiced audience, nor more attention. There was not the slightest symptom of disapprobation to any part ... It is impossible to say how much justice Miss Younge did to your writing. She has shown herself a great mistress of her profession, mistress of dignity, passion, and of all the sentiments you have put into her hands. The applause given to her description of Raymond's death lasted some minutes, and recommenced; and her scene in the fourth act, after the Count's ill-usage, was played in the highest perfection. Mr Henderson was far better than I excepted from his weakness, and from his rehearsal yesterday, with which he was much discontented himself. Mr Wroughton was very animated, and played the part of the Count much better than any man now on the stage would have done. I wish I could say Mr Lewis satisfied me; and that poor child Miss Satchell was very inferior to what she appeared at the rehearsals, where the total silence and our nearness deceived us. Her voice has no strength, nor is she yet at all mistress of the stage. I have begged Miss Younge to try what she can do with her by Monday. However, there is no danger to your play: it is fully established" (Walpole [to the author, 18 Nov. 1781], XII, 95-96). Public Advertiser, 28 Nov. 1781: This Day is published The Count of Narbonne (price not listed). Receipts: #164 10s. 6d. (163/0/6; 1/10/0)

Performances

Mainpiece Title: The Count Of Narbonne

Performance Comment: The Characters by Henderson, Wroughton, Lewis, Thompson, Fearon, J. Bates; Miss Satchell, Mrs Morton, Miss Younge. [Cast from text (T. Cadell, 1781), and London Chronicle, 19 Nov.: Austin-Henderson; Raymond-Wroughton; Theodore-Lewis; Fabian-Thompson; Officers of the Count-Fearon, J. Bates, Painter, &c.; Adelaide-Miss Satchell; Jacqueline-Mrs Morton; Hortensia-Miss Younge.] With a new Prologue [spoken by Wroughtton] and Epilogue [spoken by Miss Younge (see text). These were spoken, as here assigned, at the first 13 performances only (see17811215)] . With a new Prologue [spoken by Wroughtton] and Epilogue [spoken by Miss Younge (see text). These were spoken, as here assigned, at the first 13 performances only (see17811215)] .
Related Works
Related Work: The Count of Narbonne Author(s): Robert Jephson

Afterpiece Title: The Deaf Lover

Event Comment: Mainpiece [1st time in London; co 3, 1st acted at Smock Alley Theatre, Dublin, 30 Jan. 1784. MS: Larpent 703, not published]: Written by [Robert] Jephson [with lyrics by Sir Nathaniel Barry (Larpent MS). In 1787 abridged by John O'Keeffe as Love and War]. With new Scenes and Decorations. A new Overture by the celebrated Haydn. The Airs by David Rizzio, [J. C] Bach, Paisiello, Duni, Carolan, Shield and Tenducci [i.e. "The Music partly compiled by Tenducci; the new Airs composed by Shield" (notice on playbill of 11 May)]. Books of the Songs to be had at the Theatre. [Afterpiece in place of The Lying Valet, announced on playbill of 11 May.]

Performances

Mainpiece Title: The Campaign; Or, Love In The East Indies

Related Works
Related Work: The Campaign; or, Love in the East Indies Author(s): Robert Jephson
Related Work: The Campaign Author(s): Robert Jephson
Related Work: Love and War Author(s): Robert Jephson

Afterpiece Title: Retaliation

Dance: As17841116

Event Comment: Afterpiece [1st time; CO 2, by Robert Jephson and John O'Keeffe, i.e. an abridgement by O'Keeffe of Jephson's The Campaign (see 12 May 1785). Not in Larpent MS; not published; synopsis of plot in Universal Magazine, Mar. 1787, p. 155]: With new Scenes, Dresses, &c. A new Overture composed by the celebrated Haydn. The Airs by Gretry, Hook, J. C.? Bach, Paisiello, Duny [recte Duni], Carolan, Shield and Tenducci. Books of the Songs to be had at the Theatre. Receipts: #265 11s. 6d. (257.11.6; 8.0.0)

Performances

Mainpiece Title: Such Things Are

Afterpiece Title: Love and War

Related Works
Related Work: Love and War Author(s): Robert Jephson
Event Comment: Benefit for Mrs Siddons. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their Servants by Half past Four o'Clock. Mainpiece: Not acted these 10 years. [Epilogue by Robert Jephson.] Afterpiece: Written by D. Garrick, Esq. Public Advertiser, 31 Jan.: Tickets to be had of Mrs Siddons, Gower-street, Bedford-square. Receipts: #340 5s. 6d. (166.10.0; 11.0.0; 1.4.6; tickets: 161.11.0) (charge: free)

Performances

Mainpiece Title: The Law Of Lombardy

Related Works
Related Work: The Law of Lombardy Author(s): Robert Jephson

Afterpiece Title: Lethe; or, AEsop in the Shades

Performance Comment: Lord Chalkstone-Bannister Jun.; Mercury-Kelly; songs-Kelly; AEsop-Aickin; Fine Gentleman-R. Palmer; Frenchman-Baddeley; Drunken Man-Moody; Charon-Williames; Bowman-Lamash; Old Man-Parsons; Fine Lady (with song in character, and for this night only)-Mrs Siddons.
Event Comment: Benefit for Baddeley. 3rd piece [1st time; INT I, probably by Robert Baddeley. Not in Larpent MS; not published]: Taken from [The Lame Lover, by] the late Samuel Foote, Esq. Public Advertiser, 2 May: Tickets to be had of Baddeley, No. 10, New Store-street, Bedford-square. Receipts: #297 16s. (74.14; 8.12; 0.19; tickets: 213.11) (charge: #117 16s. 4d.)

Performances

Mainpiece Title: Love For Love

Cast
Role: Scandal Actor: Barrymore.

Afterpiece Title: (End of Act II) Jewish Education

Afterpiece Title: A Lesson for Lawyers

Related Works
Related Work: A Lesson for Lawyers Author(s): Robert Baddeley

Afterpiece Title: Rosina

Entertainment: Monologue. As17890430

Event Comment: Benefit for Mrs Siddons (the last Night of her Engagement). [She had 1st acted Juliet at Birmingham, 6 Sept. 1776, and 1st recited the Ode, written by Robert Merry (European Magazine, Apr. 1789, pp. 335-38), at the King's on 21 Apr.] Part of the Pit will be laid into the Boxes, To prevent Confusion, Ladies are desired to send their Servants by Half past Four o'Clock. Public Advertiser, 29 Apr.: Tickets to be had of Mrs Siddons, Gower-street, Bedford Square. "The pouting Scene with the old Nurse was the cleverest thing I ever saw--so pretty, so Babyish, so charming" (Thraliana, II, 748). On this and every Evening for the Remainder of the Season the Doors will not be opened till 5:30, and the Performance will commence exactly at 6:30. Receipts: #320 6s. 6d. (112.12.0; 11.12.0; 1.7.6; tickets: 194.15.0) (charge: #112 13s. 7d.)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Toy Shop

Related Works
Related Work: The Toy-Shop Author(s): Robert Dodsley

Song: As17881117, but Vocal Parts-Miss Hagley, Miss _Collett

Entertainment: Monologue. End afterpiece: An Ode on the Recovery of His Majesty-Mrs Siddons; in the Character of Britannia. Conclude with: God save the King!-

Event Comment: Benefit for Baddeley. 2nd piece [1st time; INT 1, probably by Robert Baddeley. Larpent MS 865; not published]. Public Advertiser, 20 Apr.: Tickets to be had of Baddeley, No. 10, New Store-street, Bedford Square. Receipts: #320 9s. 6d. (94.18.0; 16.5.0; 0.12.6; tickets: 208.14.0) (charge: #117 10s. 6d.)

Performances

Mainpiece Title: A Trip To Scarborough

Cast
Role: Amanda Actor: Mrs Kemble

Afterpiece Title: Mordecai's Beard

Related Works
Related Work: Mordecai's Beard Author(s): Robert Baddeley

Afterpiece Title: The Romp

Related Works
Related Work: Love and Money; or, The Fair Caledonian Author(s): Robert Benson

Dance: End I: As17900323

Song: End II: a new Masonic Song-Dignum

Entertainment: Monologue. End: The Picture of a Play@House; or, Bucks have at ye all-Bannister Jun

Event Comment: 2nd piece: Never [previously] acted in this Kingdom [by Robert Jephson, altered by the author from his The Hotel; or, The Servant with Two Masters, which was based on Il Servitore di due Padroni, by Carlo Goldoni, and on Arlequin Valet de deux Maitres, by Jean Pierre de Ours de Mandajors, and 1st acted at Smock Alley Theatre, Dublin, 8 May 1783]. Oracle, 18 Mar. 1791: This Day is published Two Strings to Your Bow (1s). Receipts: #210 3s. 6d. (205.17.0; 4.6.6)

Performances

Mainpiece Title: The Widow Of Malabar

Afterpiece Title: Two Strings to Your Bow

Performance Comment: Characters-Munden, Bernard, Davies, Macready, Powel, Thompson, Cross, Miss Stuart, Miss Brangin, Mrs Harlowe. [Cast from text (C. and G. Kearsley, 1791): Lazarillo-Munden; Borachio-Bernard; Octavio-Davies; Ferdinand-Macready; Don Pedro-Powel; Don Sancho-Thompson; Waiter-Cross [not in text; see17921012]; Leonora-Miss Stuart; Maid Servant-Miss Brangin; Donna Clara-Mrs Harlowe.
Cast
Role: Ferdinand Actor: Macready
Related Works
Related Work: Two Strings to Your Bow Author(s): Robert Jephson

Afterpiece Title: A Divertisement

Dance: As17901123

Event Comment: Mainpiece [1st time; T 5, by Robert Merry. Prologue by John Taylor. Epilogue by Miles Peter Andrews (see text)]: With new Scenes and Dresses. Oracle, 7 May 1791: This Day is published Lorenzo (1s. 6d.). Receipts: #187 3s. (182.19.6; 4.3.6)

Performances

Mainpiece Title: Lorenzo

Related Works
Related Work: Lorenzo Author(s): Robert Merry

Afterpiece Title: Two Strings to Your Bow

Cast
Role: Ferdinand Actor: Macready
Role: and true he says Actor: Mrs Mountain
Related Works
Related Work: Two Strings to Your Bow Author(s): Robert Jephson
Event Comment: Mainpiece [1st time; CO 3, by Robert Merry. Larpent MS 933; not published]: With entire new Music, Scenery, and Dresses. The Overture and the whole of the Music composed new by Mazzinghi. Books of the Songs to be had at the Theatre. Receipts: #284 1s. (281.14; 2.7)

Performances

Mainpiece Title: The Magician No Conjurer

Related Works
Related Work: The Magician no Conjurer Author(s): Robert Merry

Afterpiece Title: The Deaf Lover

Event Comment: Account-Book: Tickets delivered by Townsend, Williamson, Robson (music porter), Smart, Walker, Strahan, Anselmo, Sturgeon, Furkins, Bazely, Simmons, Roberts, Barnes, Steer will be admitted. Receipts: #409 10s. (34.11.0; 7.0.6; tickets: 367.18.6)

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: Two Strings to Your Bow

Cast
Role: Landlord Actor: Davenport
Role: Ferdinand Actor: Macready
Related Works
Related Work: Two Strings to Your Bow Author(s): Robert Jephson