SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Robert and James Adam"/1) | (@(roleclean,performerclean) "Robert and James Adam")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3080 matches on Author, 2103 matches on Performance Comments, 628 matches on Event Comments, 128 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: [Afterpiece in place of PATRICK IN PRUSSIA, advertised on playbill of 30 May.] On account of Johnstone's Indisposition THE WORLD IN A VILLAGE [also advertised as above] is obliged to be deferred. Tickets delivered for that Comedy [Account-Book: by Claremont, W. Wilde, Jackson, Little, Hawtin, Roberts, Pollock, Curteen, Pilfold] will be admitted. Receipts: #399 13s. 6d. (55/4/6; 4/11/6; tickets: 339/17/6)

Performances

Mainpiece Title: The Beggars

Related Works
Related Work: The Blind Beggar of Bethnal Green Author(s): Robert Dodsley

Dance: In Act III of mainpiece Hornpipe in character by Jackson; End of mainpiece Dermot and Kathlane, as17931022

Opera: As17931211, but omitted: Mat o' the Mint. Also THE MIDNIGHT HOUR. As17931211, but omitted: Matthias, Ambrose

Event Comment: Afterpiece [1st time; F 2, by Thomas Hurlstone. Prologue by Robert Houlton (see text)]. Morning Chronicle, 23 Mar. 1795: This Day is published Crotchet Lodge (1s.). Receipts: #179 16s. 6d. (172.14.6; 7.2.0)

Performances

Mainpiece Title: The Mysteries Of The Castle

Performance Comment: As17950205, but Chorus of Soldiers and Sailors-_Spofforth.
Related Works
Related Work: The Mysteries of the Castle Author(s): Miles Peter Andrews

Afterpiece Title: Crotchet Lodge

Performance Comment: [Principal Characters by Quick, Fawcett, Bernard, Macready, Powel, Farley, Rock, Thompson, Miss Chapman, Mrs Davenport, Miss Stuart, Mrs Henley, Mrs Martyr. Cast from text (T. N. Longman [1795]): Timothy Truncheon-Quick; Nimble-Fawcett; Squire Shinken ap Lloyd-Bernard; Dashley-Macready; Doctor Chronic-Powel; Waiter-Farley; Paddy-Rock; Bootcatcher-Thompson; Florella-Miss Chapman; Miss Crotchet-Mrs Davenport; Maid at the Inn-Miss Stuart; Landlady-Mrs Henley; Thisbe-Mrs Martyr; Prologue-Fawcett [in the character of Nimble, disguised as a Sailor with a Wooden-leg (text). It was spoken, as here assigned, at all subsequent performances]..
Cast
Role: Landlady Actor: Mrs Henley

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: As17941122, but Myrtle-Macready; Lucinda-Miss Cornelys; Indiana-Mrs Esten (1st and only appearance this season); added: Sir John Bevil-Hull; Mrs Sealand-Mrs Davenport.
Cast
Role: Mrs Sealand Actor: Mrs Davenport.
Role: Sealand Actor: Harley

Afterpiece Title: The British Recruit

Afterpiece Title: Barataria or Sancho Turned Governor

Song: As17950316

Entertainment: Monologues. End: Dryden's Ode on St. Cecilia's Day-Mrs Esten; After which: Belles Have at Ye All (written by the Author of the Prologue to Crotchet Lodge [Robert Houlton])-Mrs Mattocks

Performance Comment: End: Dryden's Ode on St. Cecilia's Day-Mrs Esten; After which: Belles Have at Ye All (written by the Author of the Prologue to Crotchet Lodge [Robert Houlton])-Mrs Mattocks.
Event Comment: Benefit for Johnstone. 1st piece [1st time; C 5, by William Macready, based on The Artful Husband, by William Taverner. Prologue by William Thomas Fitzgerald. Epilogue by Robert Houlton (see text)]. 2nd piece [1st time; M. INT 1, author unknown. Larpent MS 1076; not published]: The Music part new and part compiled by Shield. Morning Herald, 4 June 1795: This Day is published The Bank Note (2s.). Morning Chronicle, 18 Apr.: Tickets to be had of Johnstone, No. 19, Piazza, Covent-garden. Receipts: #434 19s. 6d. (168.1.0; 8.0.6; tickets: 258.18.0)

Performances

Mainpiece Title: The Bank Note Or Lessons For Ladies

Performance Comment: Principal Characters by Quick, Holman, Johnstone, Fawcett, Middleton, Hull, Townsend, Macready, Powel, Miss Standen, Mrs Mattocks, Mrs Lee, Miss Hopkins, Mrs Davenport, Mrs Norton, Miss Wallis. Cast from text (T. N. Longman, 1795): Mr Hale-Quick; Sir Charles Leslie-Holman; Killeavy-Johnstone; Ned Dash-Fawcett; Mr Bloomfield-Middleton; Father-Hull; Tim-Townsend; Lieutenant Selby-Macready; Careful-Powel; Young Bloomfield-Miss Standen; Mr Bloomfield's Servant-Abbot; Porter-Coombs; Gentleman-Platt; Cook-Ledger; Butler-Williamson; Mrs Bloomfield-Mrs Mattocks; Sally Flounce-Mrs Lee; Miss Emma Hale-Miss Hopkins; Lady Supple-Mrs Davenport; Maid-Mrs Norton; Miss Russel-Miss Wallis; Gentlewoman-Mrs Follett; Prologue-Macready; Epilogue-Mrs Mattocks.

Afterpiece Title: The Sailors Prize or May Day Wedding

Afterpiece Title: Three Weeks after Marriage

Dance: 2nd piece to conclude with: a Garland Dance (composed by Byrn)-Byrn, Mlle St.Amand, Mme Rossi

Performance Comment: Amand, Mme Rossi.

Song: Incidental to 1st piece: The Irishman's Peep at the Continent-Johnstone; End II: Old Towler-Incledon; In course 2nd piece: New Ballad-Mrs Martyr; Fat Dolly-Munden; Battle Song-Bowden; Let us love and let us drink-Munden; Bowden, Mrs Martyr; Teddy O'Shaughnessey's History-Johnstone; When 'tis Night and the Mid@Watch is come, Admiral Benbow-Incledon; Now landed from the Ocean-

Event Comment: Benefit for Mrs Martyr. By Special Desire of the Turkish Ambassador [Yussuf Adijah Effendi]. 2nd piece [1st time; M. INT 1, probably by William Pearce. Text (Glindon and Co., 1795)]: The Music composed by Shield, Reeve, &c. The Dance and Procession by Byrn. With a Naval Medley Overture composed by Dr Arnold. In the course of the Piece will be represented the Engagement in which the brave Captain Robert? Faulknor fell [in an action off Guadeloupe on 5 Jan. 1795] between the English Frigate the Blanche and the French Frigate La Pique. To conclude with the Funeral Procession of Capt. Faulknor (composed by Byrn), accompanied by a new Dead March (composed by Shield). Morning Chronicle, 21 Apr.: Tickets to be had of Mrs Martyr, No. 16, Martlett-court, Bow-street, Covent-garden. Receipts: #402 10s. (201.0; 5.19; tickets: 195.11)

Performances

Mainpiece Title: The Bank Note

Afterpiece Title: The Death of Captain Faulknor or British Heroism

Afterpiece Title: Tom Thumb

Performance Comment: As17941010, but Huncamunca-Mrs Clendining; Doodle-_; Noodle-_. [Young Standen billed as: A child only six years old.]Young Standen billed as: A child only six years old.]

Song: Incidental to 1st piece: The Irishman's Peep at the Continent-Johnstone; In course: Black Eyed Susan-Incledon; In course 2nd piece: [Larpent MS 1079 states, correctly, that most of the songs were "Sung in Arrived at Portsmouth"] Glee-Incledon, Linton, Bowden (Shield); With pride we steer for Britain's Coast-Incledon (Shield); O bring me wine-Bowden (Shield); A description of the Irish way of settling a Quarrel-Johnstone (Reeve); Negro Song-Mrs Martyr (Reeve); Description of a Cockney-Munden (Reeve); Hail to the Brave-Johnstone, Bowden, Incledon (Shield)

Entertainment: End II: Imitations of several favorite Vocal Performers-Mrs Wells; End 1st piece: Imitations of two celebrated Tragic Actresses-Mrs Wells (positively her last appearance in public)

Event Comment: The Last Night of the Company's performing this Season. [Account-Book: Tickets delivered by Mrs Lloyd, W. Bayzand, Timkins (box-keeper), Street, Barnes, Morris, Rye, Dosel, Wells, King, Timkins (carpenter), Thompson (near Stage), Coates, Roberts, Thompson, (gallery door-keeper) will be admitted.] Receipts: #419 1s. (38.16; after-money: not listed; tickets: 380.5)

Performances

Mainpiece Title: The Busy Body

Performance Comment: Marplot-Lewis; Sir George Airy-Holman; Sir Jealous Traffic-Thompson; Charles Gripe-Macready; Whisper-Farley; Sir Francis Gripe-Quick; Patch-Mrs Mattocks; Isabinda-Mrs Mountain; Scentwell-Mrs Platt; Miranda-Mrs Pope.
Cast
Role: Miranda Actor: Mrs Pope.

Afterpiece Title: The Irish Mimick

Dance: End: a Scotch Reel-Bayzand, King, Mlle St.Amand

Performance Comment: Amand.
Event Comment: By Permission of the Lord Chamberlain. Benefit for Mrs Yates, and her Infant Children. [Mr and Mrs Litchfield, with Mrs Litchfield as Little Pickle, are identified in Morning Chronicle, 10 Feb. Address by Thomas Roberts (European Magazine. Feb. 1797, p. 121).] Tickets to be had of Mrs Yates, No. 26, Great Pultney-street, Golden-square; and of Rice at the Theatre, where Places for the Boxes may be taken

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: The Spoild Child

Entertainment: MonologueEnd: Address (written for the Occasion)-Mrs Yates

Event Comment: Benefit for Johnstone. 3rd piece [1st time; F 2, by Thomas Knight; incidental music by William Reeve]: Partly taken from The Committee [by Sir Robert Howard]. Morning Herald, 21 June 1797: This Day is published [by G. Cawthorn] The Honest Thieves (1s.). True Briton, 25 Apr.: Tickets to be had of Johnstone, No. 19, Piazza, Covent-Garden. Receipts: #434 7s. 6d. (210.4.0; 11.18.0; tickets: 212.5.6)

Performances

Mainpiece Title: Inkle And Yarico

Performance Comment: Inkle-Johnstone; Sir Christopher Curry-Quick; Campley (with additional songs, and for that night only)-Incledon; Medium-Powel; Mate (with an additional song)-Townsend; Trudge-Fawcett; Wowski-Mrs Martyr; Narcissa-Mrs Mountain; Patty-Mrs Fawcett; Yarico (for that Night only, with additional Songs, Hope told a flattering tale, accompanied on the Harp by Weippert)-Mrs Ferguson.

Afterpiece Title: British Fortitude or An Escape from France

Performance Comment: Capt. O'Leary-Johnstone; Edward-Incledon; Joey-Munden; Patrick-Macready; Commandant-Claremont; Annette-Mrs Mountain.
Cast
Role: Commandant Actor: Claremont

Afterpiece Title: The Honest Thieves or The Faithful Irishman

Related Works
Related Work: The Committee; or, The Faithful Irishman Author(s): Sir Robert Howard

Song: In course 2nd piece: I was call'd knowing Joey-Munden; At dawn of Life our Vows were plighted-Mrs Mountain; The Storm-Incledon; The turban'd Turk who scorns the World-; Hospitality; or, The Land of Potatoes-Johnstone; End 2nd piece: Old Towler-Incledon

Event Comment: Account-Book: Tickets delivered by Blurton, Furkins, (b[ox-keeper]), Bagley, Coates, Roberts, Paskin, Pitt, Hall (carpenter), Norton, Furkins (c[arpe]n[ter]), Doe will be admitted. [Afterpiece in place of Diamond Cut Diamond, advertised on playbill of 24 May.] Receipts: #305 15s. 6d. (40.13.6; 4.4.6; tickets: 260.17.6)

Performances

Mainpiece Title: Wives As They Were And Maids As They Are

Afterpiece Title: The Positive Man

Event Comment: Afterpiece: Altered from the Comedy of The Committee; or, The Faithful Irishman [by Sir Robert Howard]. Never acted here

Performances

Mainpiece Title: Inkle And Yarico

Cast
Role: Wowski Actor: Mrs Bland

Afterpiece Title: The Honest Thieves

Related Works
Related Work: The Committee; or, The Faithful Irishman Author(s): Sir Robert Howard
Event Comment: Account-Book: Tickets delivered by Roberts, Norton, Loyd, Atkins, Mrs Pitt, Little, Ince, West, Dyke, Bagley, Berecloth, Young, Noble, Thompson, Coombs, Bonsor will be admitted. Receipts: #307 17s. (30.0.6; 5.5.6; tickets: 272.11.0)

Performances

Mainpiece Title: The Busy Body

Performance Comment: As17971004, but Patch-Mrs Davenport; Miranda-Miss Betterton.
Cast
Role: Miranda Actor: Miss Betterton.

Afterpiece Title: The Poor Soldier

Event Comment: 2nd piece: Altered from The Committee; or, The Faithful Irishman [by Sir Robert Howard]

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: The Honest Thieves

Related Works
Related Work: The Committee; or, The Faithful Irishman Author(s): Sir Robert Howard

Afterpiece Title: My Grandmother

Event Comment: [Account-Book: Tickets delivered by Jackson, Thompson (box-keeper), Webb (door-keeper), Dibdin, Purkins, Pitt, Williamson, Goodwin, Anselmo, Roberts, Loyd, West, Berecloth, Young, Norton will be taken.] Receipts: #374 16s. (38.1.6; 4.18.0; tickets: 331.16.6)

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Hartford Bridge

Dance: End: A Scotch Divertisement-Jackson, Platt, Dyke, Miss Bologna, Mrs Watts

Event Comment: Account-Book: Tickets delivered by Blurton, Young, Coates, Bent, Wilkins, Sturgeon, Brice, Goodwin, Anselmo, Roberts, Robson, Bonsor, Mrs Morris, Keeting, Akery, Ashwin, Hawtin will be admitted. Receipts: #409 13s. 6d. (25.12.0; 2.3.6; tickets: 381.18.0)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Guardian

Related Works
Related Work: L'Honorata Poverta di Rinaldo: viz, The honourable Poverty of Rinaldo, false accused by the Maganzesians: With Harlequing Guardian to his Master's Family and Defender of his Castle Author(s): Giacinto Andrea Cicognini
Related Work: The Man of Taste; or, The Guardian Author(s): James Miller

Dance: III: Hornpipe in Fetters-Blurton

Event Comment: Charles II entered London on this day, an event which occasioned several works of a quasi-dramatic nature. One was The Famous Tragedie of the Life and Death of Mrs Rump...As it was presented on a burning Stage at Westminster the 29th of May, 1660. It has a Prologue and Epilogue; the author is not known. A second is An Ode Upon the Happy Return of King Charles II to his Languishing Nations, May 29. 1660. This work, by James Shirley, with music by Dr Coleman, was printed in 1660, and reprinted in A Little Ark, ed. G. Thorn-Drury (1921), pp. 21-23. A third is A True Relation of the Reception of his Majestie and Conducting him through the City of London...on Tuesday the 29 of this instant May, being the Day of his Majesties Birth

Performances

Event Comment: The King's Company. See Herbert, Dramatic Records, p. 118. See also The Variety, in Bentley, Jacobean and Caroline Stage, III, 149-51; and James Shirley's The Ball; or, French Dancing Master, in Bentley, V, 1079. See also 10 Nov. 1661

Performances

Mainpiece Title: The French Dancing Master

Performances

Mainpiece Title: The Schoole Of Complements

Performance Comment: [Love Tricks, by James Shirley.] Edition of 1667: The Prologue-; [No actors' names. Epilogue-. [As it is now Acted by His Royal Highnesse the Duke of York's Servants at the Theatre in Little Lincolns Inn Fields.As it is now Acted by His Royal Highnesse the Duke of York's Servants at the Theatre in Little Lincolns Inn Fields.
Related Works
Related Work: Love Tricks; or, The School of Compliments Author(s): James Shirley
Event Comment: The Duke's Company. Pepys, Diary: Away to my wife at the Duke of York's house, in the pit, and so left her; and to Mrs Pierce, and took her and her cozen Corbet, Knepp and little James, and brought them to the Duke's house; and, the house being full, was forced to carry them to a box, which did cost me 20s., besides oranges, which troubled me, though their company did please me. Thence, after the play, stayed till Harris was undressed, there being acted The Tempest, and so he withall, all by coach, home

Performances

Mainpiece Title: The Tempest

Performance Comment: [Altered by Sir William Davenant and John Dryden.] See16671107.
Event Comment: Richard ye Third. Coriolanus. Andronicus. Julius Ceaser. The Moore of Venice [Othello]. Anthony & Clopatra. Cymbelyne. The Doubtfull Heire [Rosania; or, Love's Victory, by James Shirley]. The Impostor. The Brothers. The Sisters. The Cardinall. The Duke of Lerma. The Duke of Millan. Alphonso. The vnnaturall Cumbat. The Gardian. Aglaura. Arviragus & Philitia 1st pt. Arviragus & Philitia 2d pt. The Spartan Ladyes. The Bashfull Lover. Bussy D'Amboys. Brenoralt [or, The Discountented Colonel]. Country Captaine. The Variety. The Emperour of ye East. The Deserveing ffavorett. The Goblins. The ffatall Dowry. The Lost Lady. The Devell of Edmonton. More Desemblers then Weomen. The Mayor of Quinborough. The Northen Lasse. The Novella. Osmond ye Great Turke [or, The Noble Servant]. The Roman Actor. The Widdow. The Widdows Teares

Performances

Mainpiece Title: Comment Continued

Event Comment: The King's Company. For the identification of this play and details of its performance, see W. J. Lawrence, "Foreign Singers and Musicians at the Court of Charles II," Musical Quarterly, IX (1923), 217-25, and James G. McManaway, "Entertainment for the Grand Duke of Tuscany," Theatre Notebook, XVI (1961), 20-21. The Travels of Cosmo the Third [Monday 3 June 1669 NS; Monday 24 May 1669 OS]: In the afternoon his highness left home earlier than usual to make his visits, that he might be at the King's Theatre in time for the comedy, and a ballet set on foot and got up in honor of his highness by my Lord Stafford, uncle of the Duke of Norfolk. On arriving at the theatre, which was sufficiently lighted on the stage and on the walls to enable the spectators to see the scenes and the performances, his highness seated himself in a front box, where, besides enjoying the pleasure of the spectacle, he passed the evening in conversation with the Venetian ambassador, the Duke of Norfolk, Lord Stafford, and other noblemen. To the story of Psyche, the daughter of Apollo, which abounded with beautiful incidents, all of them adapted to the performers and calculated to express the force of love, was joined a well-arranged ballet, regulated by the sound of various instruments, with new and fanciful dances after the English manner, in which different actions were counterfeited, the performers passing gracefully from one to another, so as to render intelligible, by their movements, the acts they were representing. This spectacle was highly agreeable to his highness from its novelty and ingenuity; and all parts of it were likewise equally praised by the ladies and gentlemen, who crouded in great numbers to the theatre, to fill the boxes, with which it is entirely surrounded, and the pit, and to enjoy the performance, which was protracted to a late hour of the night (pp. 347-48). In BM Add. Mss. 10117, folio 230, Rugge's Diurnall states that towards the end of May 1669 Cosmo, Prince of Tuscany had several plays acted for him

Performances

Mainpiece Title: Psyche Or Loves Mistress

Event Comment: The Duke's Company. The date of the first performance is not known, but Downes (Roscius Anglicanus, p. 32) states: The first new Play Acted there, was King Charles the VIII. of France; it was all new Cloath'd, yet lasted but 6 Days together, but 'twas Acted now and then afterwards. Two songs for this play, Too justly alas, set by James Hart, and O love if e'er thou'lt ease a heart, set by Pelham Humphrey, are in Choice Songs and Ayres, First Book, 1673

Performances

Mainpiece Title: The History Of Charles The Eighth Of France Or The Invasion Of Naples Of The French

Performance Comment: Edition of 1672: The Prologue-; Alphonso-Metbourn; Ferdinand-Harris; Prince of Salerne-Smith; Ascanio-Young; Trivultio-Sandford; Gonsalvo-Burford; Ghost-Cademan; Charles the Eighth-Batterton; Lewis-Crosby; Mompensier-Norris; Isabella-Mrs Batterton; Cornelia-Mrs Slaughter; Irene-Mrs Shadwell; Julia-Mrs Dixon; Epilogue-.
Cast
Role: Ferdinand Actor: Harris
Role: Trivultio Actor: Sandford
Event Comment: On this date, James Vernon, writing to Sir Joseph Williamson, reported: Senior Scaramouchio and his band have begged his Majesty's leave to returne, theire affaires requiring their presence att home (Letters to Sir Joseph Williamson at Cologne, Camden Society, I, 179)

Performances

Performances

Mainpiece Title: Othello Moor Of Venice

Performance Comment: Edition of 1681: Duke-$Lydal; Brabantio-$Cartwright; Gratiano-$Griffin; Lodovico-$Harris; Othello-$Hart; Cassio-$Kynaston; Iago-$Mohun; Roderigo-$Beeston; Montano-$Watson; Clown-$Jo Haynes; Desdemona-$Mrs Cox; Emilia-$Mrs Rutter; Bianca-$Mrs James. See also 6 Feb. 1668@9.
Event Comment: The King's Company. This performance is known through a document summarized in The Theatrical Inquisitor and Monthly Mirror, July 1816, p. 25, and summarized in Fitzgerald, A New History, I, 145. Although this performance is the first certainly known, it is probably not the premiere, for the attendance (see below) was too small for the premiere of a new work by John Dryden. Since the play was entered in the Stationers' Register, January 1678, the first production was probably not long before this performance. The document in The Theatrical Inquisitor gives this information: The King's Box, no receipts; Mr Hayles' boxes, #3 (probably 15 spectators); Mr Mohun's boxes, #1 12s. (probably 8 spectators); Mr Yeats' boxes, 12s. (probably 3 spectators); James' boxes, #2 (probably 10 spectators). Mr Kent's pitt, 82 spectators, and Mr Britan's pitt, 35 spectators, a total of 117, paying #14 12s. 6d. Mr Bracy's gallery, 42 spectators; and Mr Johnson's gallery, 21 spectators; a total of 63 spectators, who paid #4 14s. 6d. Mr Thomson's gallery, 33 spectators, paying #1 13s. The total attendance appears to have been 249; the receipts were #28 4s. The house rent came to #5 14s. Downes (Roscius Anglicanus, p. 11) gives a cast which is identical except for omissions

Performances

Mainpiece Title: All For Love Or The World Well Lost

Performance Comment: Edition of 1678: Prologue to Anthony and Cleopatra-; Marc Anthony-Hart; Ventidius-Mohun; Dollabella-Clarke; Alexas-Goodman; Serapion-Griffin; Another Priest-Coysh; Cleopatra-Mrs Boutell; Octavia-Mrs Corey; Epilogue-.
Event Comment: The King's Company. This performance is known from a document in The Theatrical Inquisitor and Monthly Mirror, July 1816, p. 26, and in Fitzgerald, A New History, I, 145. This document lists the receipts and attendance: The King's box, #1 10s., possibly six persons; Mr Hayles' boxes, #2 16s., possibly 14 persons; Mr Mohun's boxes, #3 16s., possibly 19 persons; Mr Yate's boxes, #1 15s. 6d., possibly 9 persons; James' boxes, #2 4s., possibly 11 persons. Mr Kent's pit, 112 persons; and Mr Britan's pit, 79 persons; a total of 191 persons paying #23 17s. 6d. Mr Bracy's gallery, 100 persons; Mr Johnson's gallery, 44 persons; a total of 144 persons, paying #10 16s. Upper Gallery, 119 persons, paying #5 19s. Mrs Kempton (upper gallery?), 5s. The house rent is listed as #5 14s. The attendance appears to total at least 513 persons. Compare these data with those for 12 Dec. 1677

Performances

Mainpiece Title: The Rival Queens Or Alexander The Great

Related Works
Related Work: Alexander the Great; or, The Conquest of Persia Author(s): James D'Egville