SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Robert Williams"/1) | (@(roleclean,performerclean) "Robert Williams")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 11554 matches on Author, 2581 matches on Performance Comments, 706 matches on Event Comments, 144 matches on Performance Title, and 1 matches on Roles/Actors.

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: The Poor Soldier

Song: In course evening: Sweet Echo-Mrs Mountain; accompanied on the Hautboy-Forster=; The Soldier Tir'd-Mrs Mountain

Performances

Mainpiece Title: The Review

Afterpiece Title: The Deaf Lover

Afterpiece Title: Obi

Event Comment: William Blaythwaite to Sir Robert Southwell, 4 Sept. 1679 [describing a visit made on 3 Sept. 1679 by Sir Edward Dering, Mrs Helena Percival, Miss Helena, Miss Betty, and himself]: What we saw was the dancing on the ropes performed first by Jacob Hall and his company, then by a Dutch dancer, who did wonderful feats. From thence we went to the Elephant, who I think was more terrible than pleasant to the young spectators (Morley, Memoirs of Bartholomew Fair, p. 192)

Performances

Mainpiece Title: Entertainments

Event Comment: Robert Hooke was at the Duke's Theatre but did not name the play (The Diary of Robert Hooke. p. 54)

Performances

Event Comment: Robert Hooke attended the Duke's Theatre, but again did not name the play (The Diary of Robert Hooke, 21 Aug. 1673)

Performances

Performances

Mainpiece Title: All In The Wrong

Performance Comment: Robert-Parsons; Sir Wm. Belmont-Burton; Blandford-Bransby; Sir John Restless-Yates; Beverly-OBrien; Lady Restless-Miss Haughton; Clarissa-Mrs Palmer; Belinda-Mrs Yates; Tattle-Mrs Bradshaw; Belmont-Packer.
Cast
Role: Robert Actor: Parsons

Afterpiece Title: Love at First Sight

Dance: III: The Irish Lilt, as17630922

Event Comment: Robert Shirley to Thomas Coke, Chartly, 21 Jan. 1695@6: I must agree with you that Wit and Sense seem this winter to have suffered an eclipse, and the dramatic writers more especially have showed how little they consulted either. I do assure you, I have not of late met with more of both than in your ingenious diverting letter to me, so that I am satisfied Wit is not retired out of town, but has only forsaken the stage. We that live in these northern parts are forced to range over fields and woods to find subjects of diversion, for in the frozen season of the year, there is nothing that is more so in the country than conversation. In my last ramble, either my own innate fancy, or the aversion I had to see such plays wrote in English as would hardly bear the reading, made me imagine I met with one of the Muses that had left the town, and by her discourse seemed to be Patroness of Dramatic Poetry. You know, Sir, to meet with a Nymph in the desert was no rarity in some countries heretofore, but yet I vow and swear between us, I asked her the occasion of her leaving the town, to which she made this sudden answer: @Neglected Wit is silent at a time@When puns, or bombast, stuff each doggrill rhyme.@In comic strain when they'd describe a fool,@The author proves the only ridicule.@In tragic verse while others fain would boast,@Landing some thousand Romans on the coast,@In what they would express themselves are lost,@Make Romans cowards, and make English great,@And make Bonduca valiant, to be beat.@Would Congreve or would Blackmoor now engage,@They might with manly thoughts reform the stage:@ ... As for Mr Southern's play, I have not yet seen it, so that I cannot at present give you my thoughts on it (HMC, 12th Report, Appendix, Part II, Cowper MSS., II, 359-60)

Performances

Event Comment: Robert Jennens to Thomas Coke, 19 Nov. 1696: There has been for four or five days together at the play house in Lincolns Inn Fields acted a new farce translated out of the French by Mr Monteux called the Shame Sham? Doctor or the Anatomist, with a great concert of music, representing the loves of Venus and Mars, well enough done and pleases the town extremely. The other house has no company at all, and unless a new play comes out on Saturday revives their reputation, they must break (HMC, 12th Report, Appendix, Part II, Cowper MSS., II, 367)

Performances

Mainpiece Title: The Anatomist

Afterpiece Title: The Loves of Mars and Venus

Performances

Mainpiece Title: The Tragedy Of Tragedies

Afterpiece Title: The Lottery

Dance: II: Saraband, Minuet-Lally, Miss Mears; III: Harlequins-Lally, Miss Brett

Music: Select Pieces-

Song: I: Miss Raftor; In II: E. Roberts

Performance Comment: Roberts.

Performances

Mainpiece Title: The London Merchant

Performance Comment: As17320517, but Blunt-Ridout; Maria-Miss Williams.
Cast
Role: Maria Actor: Miss Williams.
Role: Barnwell Sr Actor: J. Roberts

Afterpiece Title: The Devil to Pay

Performance Comment: Nell-Miss Raftor; Jobson-Bridgwater; Sir John-Stoppelaer; Lady Loverule-Mrs Mullart; Servants-Mullart, Jones, Ridout, Miss Williams, Miss Mears.

Dance: I: English Maggot-Lally Jr, Mrs Walter; V: Harlequin-Miss Brett; End Farce: The Midsummer Whim (new)-Lally Jr, Holt, Mrs Walter, Mrs D'Lorme

Song: In I: Miss Raftor; End IV: E. Roberts

Performance Comment: Roberts.

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Covent Garden Tragedy

Dance: By Le Sac, from DL

Song: By E. Roberts, from DL

Performance Comment: Roberts, from DL .
Event Comment: Robert Morris saw this play, but does not state where. It was later given, on 29 Sept., at HAY. See Beverly McAnear, "An American in London, 1735-1736," Pennsylvania Magazine of History and Biography, LXIV (1940), 376

Performances

Mainpiece Title: Love In A Bottle

Performances

Mainpiece Title: Abra Mule; Or, Love And Empire

Afterpiece Title: A City Ramble; or, The Humours of the Compter

Music: Handel's Water Musick

Dance: Clown by Nivelon. French Peasants by Lalauze and Mlle D'Hervigni. Sailors (from Orestes), as17360302

Song: A Mock Italian Song by E. Roberts

Performance Comment: Roberts .

Performances

Mainpiece Title: The Committee

Related Works
Related Work: The Committee; or, The Faithful Irishman Author(s): Sir Robert Howard
Related Work: The Committee Author(s): Sir Robert Howard

Afterpiece Title: The Happy Lovers; or, The Beau Metamorphos'd

Music: V: Preamble on the Kettle-Drums by J. Woodbridge, and the celebrated Water Musick, composed by Mr Handel, accompanied with Trumpets and French Horns

Dance: Hornpipe by Ferguson. By Cox, a Pewterer of the City of London, who never appeared on any stage before, particularly a Harlequin and a Scaramouch. Two Pierrots by Smith and La Back. End Afterpiece: Drunken Man of Pritchard

Song: By E. Roberts

Performance Comment: Roberts .

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The School Boy

Dance: I: Two Pierrots by Nivelon and Lalauze. III: Harlequine by Mlle De L'Isle. IV: Tambourine by Miss Rogers. End Afterpiece: Sailors (from Orestes) by Glover, &c

Song: II: Mock Italian Song by E. Roberts

Performance Comment: Roberts .

Performances

Mainpiece Title: Wit Without Money

Afterpiece Title: The School Boy

Dance: II: French Peasants by Lalauze, Mlle D'Hervigni, &c. IV: Glover's Sailors Dance. End of Afterpiece: By particular Desire, Flora's Holiday by leveridge, Laguerre, Roberts, Stoppelaer, Mrs Wright, Miss Hillyard

Performance Comment: IV: Glover's Sailors Dance. End of Afterpiece: By particular Desire, Flora's Holiday by leveridge, Laguerre, Roberts, Stoppelaer, Mrs Wright, Miss Hillyard .

Song: I: Mock Italian Song by E. Roberts. III: Tippling Philosophers by Leveridge. V: By Beard

Performance Comment: Roberts. III: Tippling Philosophers by Leveridge. V: By Beard .

Performances

Mainpiece Title: Cato

Afterpiece Title: The Intriguing Chambermaid

Music: End Afterpiece: Handel's Water Musick, in which Benj. Baker will beat the Kettle Drums

Dance: I: Comic Dance by Nivelon and his Scholar. II: Wooden Shoe Dance by Livier. III: Tambourine by Glover and Miss Rogers. IV: Harlequine by Mlle De L'Isle. V: Two Pierrots by Nivelon and Lalauze

Song: I: Mock Italian Song by E. Roberts. IV: By Mrs Wright

Performance Comment: Roberts. IV: By Mrs Wright .

Performances

Mainpiece Title: Love And Resolution

Dance: A new Ballad Dance-Leppi

Performances

Mainpiece Title: New Brooms

Afterpiece Title: Jane Shore

Afterpiece Title: May Day; or, The Little Gipsy

Performances

Mainpiece Title: They've Bit The Old One; Or, The Scheming Butler

Afterpiece Title: The Jealous Wife

Afterpiece Title: May-Day; or, The Little Gipsey

Entertainment: Monologue. End 2nd piece: an Epilogue Address portraying the Characteristic Jealousies of the Spaniard, the Italian, the Dutchman, the Frenchman, & the Englishman,-Mrs Mattocks

Performances

Mainpiece Title: Management

Afterpiece Title: The Ghost

Afterpiece Title: The Mouth of the Nile

Performances

Mainpiece Title: The Good-natured Man

Afterpiece Title: The Camp

Afterpiece Title: The Hermione

Song: End: A Chapter of Fashions (never performed; written by T. Dibdin Jun.)-Munden; The Tight Little Lads of the Ocean (never performed; written by the Author of The Bundle of Proverbs)-Fawcett

Performances

Mainpiece Title: The Fashionable Lady; Or, Harlequin's Opera: In The Manner Of A Rehearsal

Performance Comment: Part-Penkethman, Bullock, Lacy, W. Giffard, W. Williams, Huddy, Smith, Collet, Bardin, Mrs Thomas, Mrs Mountfort, Mrs Giffard, Mrs Palmer; but edition of 1730 lists: Ballad-Penkethman; Meanwell-W. Giffard; Modely-Bullock; Drama-Lacey; Mrs Foible-Mrs Mountford; Mrs Sprightly-Mrs Giffard; Prattle-Mrs Palmer; Merit-W. Williams; Smooth-Mrs Thomas; Hackum-Huddy; Whim-Smith; Trifle-Collet; Voice-Bardin; Harlequin-Burney.

Dance: Burny, Sandham, Eaton, R. Williams as Harlequin, Scaramouch, Punch, Pantalon

Performance Comment: Williams as Harlequin, Scaramouch, Punch, Pantalon.

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Three Weeks after Marriage