SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Robert Shirley"/1) | (@(roleclean,performerclean) "Robert Shirley")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1255 matches on Author, 1060 matches on Performance Comments, 303 matches on Event Comments, 95 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: The King's Company. The date of the first performance is not known, but the premiere probably occurred during this month. The Preface states: This Play, as it was wrote in less than a moneth, and was the last Play that was Acted at the King's Theatre in Covent-Garden, before the fatal Fire there. [The Preface may mean that this was the last new play acted before the fire.] Two songs for this play, with music by Robert Smith, are in Choice Songs and Ayres, The First Book, 1673

Performances

Mainpiece Title: The Miser

Cast
Role: Prologue Actor:
Role: Epilogue Actor: .
Event Comment: The King's Company. The date of the premiere is most uncertain. The play was apparently finished in July 1671-see C. E. Ward, The Life of John Dryden (Chapel Hill, North Carolina, 1961), p. 83-and the play may have been acted before April 1672. For the possibilities see Macdonald, Bibliography of Dryden, p. 110, and Nicoll, Restoration Drama, pp. 404-5. The Prologue and Epilogue are in Covent Garden Drollery, 1672. The song, Whilst Alexas lay prest, the music by Nicholas Staggins, was printed in Westminster Drollery (entered in the Stationers' Register, 3 June 1672) and in Choice Songs and Ayres, The First Book, 1673. Another song, Why should a foolish Marriage Vow, set by Robert Smith, is also in Choice Songs and Ayres, 1673

Performances

Mainpiece Title: Marriage A La Mode

Cast
Role: Prologue Actor: Hart
Role: Polydamas Actor: Wintershall
Role: Leonidas Actor: Kynaston
Role: Argaleon Actor: Lydall
Role: Hermogenes Actor: Cartwright
Role: Eubulus Actor: Watson
Role: Rhodophil Actor: Mohun
Role: Palamede Actor: Hart
Role: Palmyra Actor: Mrs Coxe
Role: Amalthea Actor: Mrs James
Role: Doralice Actor: Mrs Marshall
Role: Melantha Actor: Mrs Bowtell
Role: Philotis Actor: Mrs Reeve
Role: Belisa Actor: Mrs Slade
Role: Artemis Actor: Mrs Uphill
Role: Epilogue Actor: Mohun.
Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347. There is no certainty that this is the premiere. A song, A heart in love's empire, with music by Robert Smith, and another, Let's drink dear friends, set by Thomas? Farmer, are in Choice Songs and Ayres, The First Book, 1673. The Dedication in the edition of 1672 is to Prince Rupert and states: tho' of thirty times it has been acted, you seldom fail'd to honour it with your presence. Downes (Roscius Anglicanus, p. 32): The next new Comedy [at dg] was the Mamamouchi, or the Citizen turn'd Gentleman, Wrote by Mr Ravenscroft [cast as in edition of 1672 except French Tutor and Singing Master, by Mr Haines: (He having Affronted Mr Hart, he gave him a Discharge and then came into our House)]; This Comedy was look[ed] upon by the Criticks for a Foolish Play; yet it continu'd Acting 9 Days with a full House; upon the Sixth the House being very full: The Poet added 2 more Lines to his Epilogue, viz. @The Criticks came to Hiss, and Dam this Play,@Yet spite of themselves they can't keep away.@ However, Mr Nokes in performing the Mamomouchi pleas'd the King and Court, next Sir Martin, above all Plays

Performances

Mainpiece Title: The Citizen Turned Gentleman

Cast
Role: Mr Jorden Actor: Nokes
Role: Young Jorden Actor: Cademan
Role: Mr Cleverwit Actor: Crosby
Role: Sir Simon Softhead Actor: Underhil
Role: Trickmore Actor: Harris
Role: Cureal Actor: Sandford
Role: Maistre Jaques Actor: Angel
Role: Lucia Actor: Mrs Bitterton
Role: Marina Actor: Mrs Burroughs
Role: Betty Trickmore Actor: Mrs Leigh
Role: Prologue Actor:
Role: Epilogue Actor: . See also below.
Event Comment: The Duke's Company. There is no certainty that this date represents the premiere. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347. Downes (Roscius Anglicanus, pp. 33-34): Loves Jealousy, and The Morning Ramble. Written by Mr Nevil Pain. Both were very well Acted, but after their first run, were laid aside, to make Room for others; the Company having then plenty of new Poets. Two songs, Ah Corydon in vain you boast and Some happy soul come down and tell, both set by Robert Smith, are in Choice Songs and Ayres, The First Book, 1673

Performances

Mainpiece Title: The Fatal Jealousie

Cast
Role: Don Antonio Actor: Smith
Role: Don Gerardo Actor: Medburn
Role: Don Francisco Actor: Young
Role: Don Sebastian Actor: Crosby
Role: Jasper Actor: Sandford
Role: Pedro Actor: Burford
Role: Servant Actor: Norris
Role: Captain of the Watch Actor: Nath. Leigh
Role: Caelia Actor: Mrs Shadwel
Role: Eugenia Actor: Mrs Betterton
Role: Flora Actor: Mrs Osborn
Role: Nurse Actor: Nokes
Role: Witch Actor: Mrs Norris
Role: Prologue Actor: Smith
Role: Epilogue Actor: Harris.
Event Comment: The Diary of Robert Hooke: at Bartholomew fair with Grace. Shows 2 1!2 sh. (ed. H. W. Robinson and W. Adams [London, 1935])

Performances

Performances

Mainpiece Title: London Triumphant; Or, The City In Jollity And Splendour

Performance Comment: ...Invented and performed for Congratulation and Delight of the well deserving Governour, Sir Robert Hanson Knight, Lord Mayor of the City of London. At the Cost and Charges of the Worshipful Company of Grocers.
Event Comment: The King's Company. The date of the premiere is not known, but the play followed The Citizen Turned Gentleman (4 July 1672) and refers to it in the Prologue. Edward Ravenscroft replied in the Preface and Prologue to The Careless Lovers, which appeared in February or March 1672@3. A song, Long betwixt Love and fear Phillis tormented, set by Robert Smith, is in Choice Songs and Ayres, The First Book, 1673. Preface to The Assignation: It succeeded ill in the representation, against the opinion of many of the best Judges of our Age. Langbaine, English Dramatick Poets, p. 154: This Play was Damn'd on the Stage

Performances

Mainpiece Title: The Assignation; Or, Love In A Nunnery

Cast
Role: Prologue Actor:
Role: Duke of Mantona Actor: Major Mohun
Role: Prince Frederick Actor: Kynaston
Role: Aurelian Actor: Hart
Role: Camillo Actor: Burt
Role: Mario Actor: Cartwright
Role: Ascanio Actor: Mrs Reeve
Role: Benito Actor: Haynes
Role: Sophronia Actor: Mrs James
Role: Lucretia Actor: Mrs Marshall
Role: Hippolita Actor: Mrs Knep
Role: Laura Actor: Mrs Bowtel
Role: Violetta Actor: Mrs Cox
Role: Epilogue Actor: .
Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347. There is no indication that this is the premiere. A song, From friends all inspired, set by Robert Smith, is in Choice Songs and Ayres, The First Book, 1673. Downes, Roscius Anglicanus, pp. 33-34: Loves Jealousy, and The Morning Ramble. Written by Mr Nevil Pain: Both were very well Acted, but after their first run, were laid aside, to make Room for others; the Company having then plenty of new Poets

Performances

Mainpiece Title: The Mourning Ramble; Or, The Town-humours

Cast
Role: Prologue Actor:
Role: Townlove Actor: Betterton
Role: Merry Actor: Harris
Role: Ruffle Actor: Smith
Role: Muchland Actor: Medbourn
Role: Rash Actor: Crosby
Role: Fullam Actor: Underhill
Role: Breef Actor: Norris
Role: Honour Muchland Actor: Mrs Johnson
Role: Betty Rash Actor: Mrs Long
Role: Rose Actor: Mrs Shadwell
Role: Lady Turnup Actor: Mrs Osborn
Role: Epilogue Actor: .
Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347. There is no certainty that this performance is the premiere, but it may well be. Two songs, Ah false Amyntas, and Amyntas led me to a grove, both set by Robert Smith, are in Choice Songs and Ayres, 1673. Preface to the edition of 1673: Good, Sweet, Honey, Sugar-candied Reader, ...Indeed that day 'twas Acted first, there comes into the Pit a long, lither, plegmatick, white, ill-favour'd, wretched Fop, an Officer in Masquerade newly transported with a Scarfe & Feather out of France, a sorry Animal that has nought else to shield it from the uttermost contempt of all mankind, but that respect which we afford to Rats and Toads, which though we do not well allow to live, yet when considered as a part of God's Creation, we make honourable mention of them. A thing, Reader--but no more of such a Smelt: This thing, I tell ye, opening that which serves it for a mouth, out issued such a noise as this to those that state about it, that they were to expect a woful Play, God damn him, for it was a womans.... Reader, I have a complaint or two to make to you, and I have done; Know then that this Play was hugely injur'd in the Acting, for 'twas done so imperfectly as never any was before, which did more harm to this than it could have done to any of another sort; the Plot being busie (though I think not intricate) and so requiring a continual attention, which being interrupted by the intolerable negligence of some that acted in it, must needs much spoil the beauty on't. My Dutch Lover spoke but little of what I intended for him, but supplied it with a great deal of idle stuff, which I was wholly unacquainted with until I heard it first from him. According to the Preface, the Prologue was lost

Performances

Mainpiece Title: The Dutch Lover

Cast
Role: Epilogue Actor:
Role: Haunce Actor: Angel?.
Event Comment: The King's Company. The date of the premiere is not known, but as the play was entered in the Stationers' Register, 26 June 1673, it was probably acted in May 1673 or earlier. For a discussion of its possible dates, see Nicoll, Restoration Drama, p. 403. A song, The day is come, I see it rise, set by Robert Smith, is in Choice Songs and Ayres, The First Book, 1673. Dedication to the edition of 1673:...though it succeeded on the Stage

Performances

Mainpiece Title: Amboyna

Cast
Role: Prologue Actor:
Role: Captain Gabriel Towerson Actor: Hart
Role: Mr Beaumont Actor: Mohun
Role: Mr Collins Actor: Lydal
Role: Captain Middleton Actor: Watson
Role: Perez Actor: Burt
Role: Harman Actor: Cartwright
Role: The Fiscal Actor: Wintershal
Role: Harman Jr Actor: Kynaston
Role: Van Herring Actor: Beeston
Role: Isabinda Actor: Mrs Marshal
Role: Julia Actor: Mrs James
Role: English Woman Actor: Mrs Cory
Role: Epilogue Actor: .
Event Comment: The Duke's Company. This date of the premiere is not known, but the presence of Cademan (who was injured in August 1673) in the cast suggests a late spring or early summer production. In addition, two songs, in the play, Beauty no more shall suffer eclipse, and Full round the health good natured and free, both set by Robert Smith, are in Choice Ayres and Songs, 1673 (which was entered in the Stationers' Register, June 1673). It is possible, then, that the play was first given early as May 1673. Downes, Roscius Anglicanus, p. 33: A Comedy call'd The Reformation, Written by a Master of Arts in Cambridge; the Reformation in the Play, being the Reverse to the Laws of Morality and Virtue; it quickly made its Exit, to make way for a Moral one

Performances

Mainpiece Title: The Reformation

Cast
Role: Prologue Actor:
Role: Camillo Actor: Samford
Role: Pacheco Actor: Ant. Leigh
Role: Tutor Actor: Underhil
Role: Antonio Actor: Harris
Role: Pedro Actor: Cademan
Role: Leandro Actor: Cosby
Role: Lysander Actor: Medbourne
Role: Mariana Actor: Mrs Caff
Role: Ismena Actor: Mrs Johnson
Role: Juliana Actor: Mrs Batterton
Role: Lelia Actor: Mrs Osborn
Role: AEmilia Actor: Mrs Lee
Role: Nurse Actor: Mrs Norris.
Event Comment: The Diary of Robert Hooke, 1672-1678: at Scaramuches at york house. present: the King, Duke of York, Lord Ormond &c. (ed. H. W. Robinson and Walter Adams [London, 1935], p. 42). See slso Boswell, Restoration Court Stage, pp. 118-19, and John Harold Wilson, A Theatre in York House, Theatre Notebook, XVI (1962), 75-78

Performances

Event Comment: The Diary of Robert Hooke: at the musick house with Mr Boas. (27 Sept. 1673)

Performances

Mainpiece Title: Concert

Event Comment: The Duke's Company. See Duffett's burlesque, above. The Diary of Robert Hooke, 6 Dec. 1673: Saw Empress of Morocco at Duke's Theatre. 1s. 6d. Dutchess of York? there

Performances

Mainpiece Title: The Empress Of Morocco

Performances

Mainpiece Title: The Tempest; Or, The Enchanted Island

Performance Comment: Edition of 1674: Prologue-; Second Prologue-; Epilogue-; Second Epilogue-; According to L. C. 5@15, p. 3 (16 May 1674; see Nicoll, Restoration Drama, p. 356) Charles? Hart and Robert? Turner sang in The Tempest. Trinculo-Underhill?.
Cast
Role: Prologue Actor:
Role: Second Prologue Actor:
Role: Epilogue Actor:
Role: Second Epilogue Actor:
Role: Trinculo Actor: Underhill?.
Event Comment: The Duke's Company. The Diary of Robert Hooke (p. 108): To Hoskins with Sir Ch. Wren. By water with him to the Playhouse. Saw Tempest. Paid 3sh

Performances

Mainpiece Title: The Tempest

Performances

Mainpiece Title: The Goldsmiths Jubilee; Or, London's Triumph

Performance Comment: Containing, A Description of the several Pageants: On which are Represented, Emblematical Figures, Artful Pieces of Architecture, and Rural Dancing: with the Speeches Spoken on each Pageant. Performed Octob. 29, 1674 for the Entertainment of the Right Honourable and truly Noble Pattern of prudence and Loyalty, Sir Robert Vyner, Kt & Bart, Lord Mayor of the City of London: At the proper Costs and Charges of the Worshipful Company of Goldsmiths. The King's Most Sacred Majesty and his Royal Consort, their Royal Highnesses the Duke and Dutchess of York, Prince Rupert, The Duke of Monmouth, several Foreign Embassadors, Chief Nobility, and Secretaries of State, honouring the City with their Presence.
Event Comment: The Diary of Robert Hooke, 31 Oct. 1674: With Mr Francis Moegan at musick house

Performances

Mainpiece Title: Concert

Event Comment: The Duke's Company. The Diary of Robert Hooke: Mr Hoskins and I at Shadwell. Atheistical wicked play 2 1!2 sh

Performances

Mainpiece Title: The Libertine

Event Comment: The King's Company. The Diary of Robert Hooke, 27 Aug. 1675: Saw Psyche Grand foppery

Performances

Mainpiece Title: Psyche Debauched

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@142, p. 81: At the Virtuoso. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance; see VanLennep, Nell Gwyn's Playgoing, p. 407. The Diary of Robert Hooke, 25 May 1676: Mr Abraham Hill gave J. Hoskins, Aubery and I an account of Vertuoso play. A song, How retched is the slave to love, the music by Francis Forcer, is in Choice Ayres and Songs, The Second Book, 1679. Downes (Roscius Anglicanus, p. 37): The Libertine and Virtuoso: Both Wrote by Mr Shadwell; they were both very well Acted, and got the company great Reputation

Performances

Mainpiece Title: The Virtuoso

Cast
Role: Prologue Actor:
Role: Epilogue Actor:
Role: Sir NicholasGimcrack Actor: Percivall
Role: Sir Formal Trifle Actor: Anthony Leigh
Role: Sir Samuel Hearty Actor: Underhill
Role: Longvill Actor: Betterton
Role: Bruce Actor: Smythe
Role: Hazard Actor: Jevon
Role: Lady Gimcrack Actor: Mrs Shadwell
Role: Clarinda Actor: Mrs Currer
Role: Miranda Actor: Mrs Betterton
Role: unassigned Actor: Mrs Price.
Event Comment: The Duke's Company. This play may well have been performed regularly since 25 May. The Diary of Robert Hooke, 2 June 1676: with Godfrey and Tompion at Play. Met Oliver there. Damned Doggs. Vindica me Deus. People almost pointed. [Several entries in Hooke's Diary concern The Virtuoso. See his entries for 1 June, 3 June, 1 July.

Performances

Mainpiece Title: The Virtuoso

Event Comment: The Duke's Company. The Diary of Robert Hooke: Grace and Tom at Play Antony and Cleopatra

Performances

Mainpiece Title: Antony And Cleopatra

Event Comment: The Diary of Robert Hooke: With John? Oliver saw tigre in Bartholomew fair 2d. Saw the child doe strange tricks

Performances

Event Comment: The Diary of Robert Hooke: Saw the Dutch woeman in Bartholomew fair, very strange

Performances