SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Robert Shirley"/1) | (@(roleclean,performerclean) "Robert Shirley")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1255 matches on Author, 1060 matches on Performance Comments, 303 matches on Event Comments, 95 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Committee

Related Works
Related Work: The Committee; or, The Faithful Irishman Author(s): Sir Robert Howard
Related Work: The Committee Author(s): Sir Robert Howard

Afterpiece Title: The Elopement

Dance: III: The Medley-Giorgi's Scholars

Performances

Mainpiece Title: The Committee

Related Works
Related Work: The Committee; or, The Faithful Irishman Author(s): Sir Robert Howard
Related Work: The Committee Author(s): Sir Robert Howard

Afterpiece Title: Edgar and Emmeline

Dance: V: The Irish Fair, as17730918

Performances

Mainpiece Title: The Committee

Related Works
Related Work: The Committee; or, The Faithful Irishman Author(s): Sir Robert Howard
Related Work: The Committee Author(s): Sir Robert Howard

Afterpiece Title: The Ladies Frolick

Dance: III: Hornpipe-Walker; End: The Mountaineers, as17730930

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Related Works
Related Work: The Committee; or, The Faithful Irishman Author(s): Sir Robert Howard
Related Work: The Committee Author(s): Sir Robert Howard

Afterpiece Title: Phebe; or, The Beggar's Wedding

Performances

Mainpiece Title: The Committee

Related Works
Related Work: The Committee; or, The Faithful Irishman Author(s): Sir Robert Howard
Related Work: The Committee Author(s): Sir Robert Howard

Afterpiece Title: The Genii

Dance: IV: The Jealous Harlequin, as17760117

Performances

Mainpiece Title: The Committee

Related Works
Related Work: The Committee; or, The Faithful Irishman Author(s): Sir Robert Howard
Related Work: The Committee Author(s): Sir Robert Howard

Afterpiece Title: The Deserter

Dance: As17761214

Song: End: O What a Charming Thing's a Battle-Bannister

Performances

Mainpiece Title: The Committee

Related Works
Related Work: The Committee; or, The Faithful Irishman Author(s): Sir Robert Howard
Related Work: The Committee Author(s): Sir Robert Howard

Afterpiece Title: The Deserter

Dance: End I: The Corn Thrashers, as17770419; End II: a Hornpipe-Master Staples (scholar of Blurton)

Ballet: End: The Wapping Landlady. Jack in Distress-Blurton; Wapping Landlady-Mr Griffiths; Orange Woman-Mrs Sutton

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Related Works
Related Work: The Committee; or, The Faithful Irishman Author(s): Sir Robert Howard
Related Work: The Committee Author(s): Sir Robert Howard

Afterpiece Title: Belphegor

Dance: As17780409

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Related Works
Related Work: The Committee; or, The Faithful Irishman Author(s): Sir Robert Howard
Related Work: The Committee Author(s): Sir Robert Howard

Afterpiece Title: The Quaker

Dance: End: Minuet de la Cour, Gavotte-Henry, Miss Armstrong

Entertainment: Monologue In IV: Description of a Man of War and Sea Fight-Moody

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Related Works
Related Work: The Committee; or, The Faithful Irishman Author(s): Sir Robert Howard
Related Work: The Committee Author(s): Sir Robert Howard

Afterpiece Title: The Wonders Of Derbyshire

Performances

Mainpiece Title: The Committee

Related Works
Related Work: The Committee; or, The Faithful Irishman Author(s): Sir Robert Howard
Related Work: The Committee Author(s): Sir Robert Howard

Afterpiece Title: The Critic

Performances

Mainpiece Title: The Committee

Related Works
Related Work: The Committee; or, The Faithful Irishman Author(s): Sir Robert Howard
Related Work: The Committee Author(s): Sir Robert Howard

Afterpiece Title: The Quaker

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Related Works
Related Work: The Committee; or, The Faithful Irishman Author(s): Sir Robert Howard
Related Work: The Committee Author(s): Sir Robert Howard

Afterpiece Title: Harlequin's Invasion

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Related Works
Related Work: The Committee; or, The Faithful Irishman Author(s): Sir Robert Howard
Related Work: The Committee Author(s): Sir Robert Howard

Afterpiece Title: The Triumph of Mirth

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Related Works
Related Work: The Committee; or, The Faithful Irishman Author(s): Sir Robert Howard
Related Work: The Committee Author(s): Sir Robert Howard

Afterpiece Title: The Author

Cast
Role: Robert Actor: Chaplin

Dance: As17840918

Song: End of Act I of mainpiece Bright Phoebus has mounted the Chariot of Day by Dignum

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Related Works
Related Work: The Committee; or, The Faithful Irishman Author(s): Sir Robert Howard
Related Work: The Committee Author(s): Sir Robert Howard

Afterpiece Title: Selima and Azor

Performances

Mainpiece Title: The Committee

Related Works
Related Work: The Committee; or, The Faithful Irishman Author(s): Sir Robert Howard
Related Work: The Committee Author(s): Sir Robert Howard

Afterpiece Title: The Humourist

Dance: As17880313

Song: End IV: O Say bonny Lass, as17880506

Event Comment: In L. C. 5@139, p. 373, is a list of plays allowed to the Duke's Company: The Poetaster [by Ben Jonson]. Cupids Reuenge [by Francis Beaumont and John Fletcher. See 17 Aug. 1668]. Timon of Athens [by William Shakespeare]. Troyolus and Grisseida [by William Shakespeare]. Three parts of H. ye 6 [by William Shakespeare]. The honest mans fortune [by John Fletcher and others]. Woemen pleas'd [by John Fletcher]. Witt at Seuerall Weapons [by Francis Beaumont and John Fletcher]. The Woemen Hater or The hungry Courtier [by Francis Beaumont]. All fooles [by George Chapman]. Birons Conspiracy [by George Chapman]. Broken heart [by John Ford]. Bird in a Cage [by James Shirley]. Chabot Admirall of ffranse [by James Shirley, with George Chapman]. ffaithful Shepherd [possibly Guarini's Il Pastor Fido]. Herod and Antipater [by Gervase Markham with William Sampson]. Humor out of breath [by John Day]. Jealous Louers [by Thomas Randolph]. Loues Melancholy [Lover's Melancholy, by John Ford]. Muliasses the Turke [by John Mason]. Queene of Arragon [by William Habington]. Revenge of Bussy D'Ambois [by George Chapman]. Revenge for Honor [or The Parricide, by Henry Glapthorne]

Performances

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Edition of 1672: Prologue-; Epilogue-. In spite of the fame of this work, the actors (with a few exceptions) associated with the principal roles are not known. Buckingham, however, taught John Lacy how to act Bayes in ridicule of John Dryden. According to A Key to the Rehearsal (1704), Anna Reeves acted Amaryllis. Several actors are named in the text: Abraham Ivory (an old actor who possibly did not play in the work); William Wintershall; Joseph Haines, William Cartwright, and George? Shirley. John Littlewood (along with Joseph Haines) is referred to in a poem on the play--see16711214--as though he performed in it. William Wintershall; Joseph Haines, William Cartwright, and George? Shirley. John Littlewood (along with Joseph Haines) is referred to in a poem on the play--see16711214--as though he performed in it.

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Afterpiece Title: Raymond and Agnes; or, The Castle of Lindenbergh

Performance Comment: Principal Characters-Farley, Follett, Simmons, Simpson, Cranfield, Hawtin, Blurton, Mlle DeLaCroix (1st appearance on this stage), Mlle St.Amand, Mrs Follett, Mrs Watts, Mrs Mountain; [Probable cast (see17990413): Raymond-Farley; +Robert-Follett; +Theodore-Simmons; +Claud-Simpson; +Count of Lindenbergh-Cranfield; +Don Felix-Hawtin; +Jaques-Blurton; +Baptist-Delpini see17970320 +Maugerette-Mlle De La Croix; +Spectre of the Bleeding Nun-Mlle St.Amand; +Countess of Lindenbergh-Mrs Follett; +Annette-Miss Burnett [see17970321 +Abbess of St. Claire-Mrs Watts; +Agnes-Mrs Mountain.] [I. +A Gothic Library in the Castle of Don Felixv. Raymond, discovered at his studies, is interrupted by the entrance of Don Felix (his father), who informs him 'tis his wish he should go upon his travels; Theodore, his favorite domestic, intreats to accompany him. II. Madrid; with a View of an Hotel and a Conventv. Procession of Nuns and Friars. Chorus. Agnes, the daughter of Count Lindenbergh, discovered at the lattice. Raymond and Theodore enter, order refreshments from the Hotel, and proceed on their journey, under the guidance of Claud, one of a banditti infesting the neighbouring Forest. III. A Forest at Midnight, with a distant Hovelv. Enter Baptist (one of the Banditti) disguised as a woodman. The carriage with Raymond and Theodore is seen to break down. Claud, pointing to the Hovel, informs them they may there find shelter for the night. IV. The Inside of the Hovelv. Maugerette and her Child discovered. Raymond and Theodore are introduced by Baptist. Theodore is shewn to his room by Maugerette. Robert and Jaques (sons to Baptist) enter armed, making a servile obedience to Raymond, who is conducted to his chamber by Robert. V. The Bed-room prepared for Raymondv. Maugerette wishing to preserve the life of Raymond from the assassins, conveys a Pillow stained with blood upon his bed, thereby to inform him of his danger. She conceals herself. Raymond retires to rest, but is prevented by finding the bloody Pillow, and struck with horror, falls into a swoon. Robert enters, attempts to murder him, is prevented by Maugerette; and Raymond, at her request, retires. VI. The Lower Apartment of the Hovelv. Robert informs his father and brother of the ineffectual attempt on the life of Raymond, who is brought in by Maugerette. A knocking is heard without. Agnes (who has been also benighted in the forest) is led in by Claud, attended by Servants. Supper is prepared. Opiates are mixed with the wine. Agnes drinks, and falls into a slumber. Maugerette begs Raymond not to drink, but to put on the semblance of sleep. Baptist sends Robert and Jaques to secure the servants, who have retired; and supposing Raymond at rest, prepares to murder him. Raymond seizes him, and Baptist falls by the hand of Maugerette, who points out a secret avenue, through which she, taking her child, Raymond and Agnes escape, followed by Theodore. VII. Inside of Lindenbergh Castlev. The mother of Agnes, the late Countess, pourtrayed in the habit of a Nun. The Count discovered viewing the picture with agitation; kneels to implore forgiveness for the Murder. Agnes brought in by Raymond, is introduced to the present Countess. She becomes enamoured of him, offers him her Picture, which he rejects with scorn. VIII. The Chamber of Agnesv. Portrait of a Nun, with a wound upon her breast, a Lamp, Dagger, and a Rosary on her arm. Agnes enamoured of Raymond, enters, and prepares to draw his Portrait. Raymond entering unperceived, throws himself at her feet, and obtains a promise of her hand. He requests an explanation of the picture of the bleeding Nun. She informs him (in a Song) 'tis the resemblance of a Spectre which haunts the Castle every fifth year. The Count and Countess approach; and in anger order Raymond to quit the castle. IX. The Outside of the Castlev. Raymond, about to depart, is diverted by the sound of a Mandoline. A paper is lowered by Agnes from the Castle, containing a drawing of the Nun, with the following Scrole: "When the castle-bell tolls One. Expect me like this bleeding Nun." X. The Outside of the Castle, as beforev. Raymond descends the Wall; the Clock strikes One; the Gates fly open; the apparition of the Nun comes from the Castle. Raymond (supposing it Agnes) follows in extasy. Theodore approaching is met by Agnes in the habit of the Nun. Agitated by the apparent neglect of Raymond, they retire. XI. A Dreary Woodv. Raymond, following the spectre (still supposing it Agnes), attempts to embrace it, when suddenly vanishing, a Cloud rises from the earth bearing the following inscription: "Protect the Child of the Murder'd Agnes." XII. The Mountainsv. Robert, Jaques and Claud (the Robbers) discovered at the grave of Baptist. Theodore and Agnes enter. Agnes is seized and borne into the Cavern. XIII. A Woodv. Theodore and Maugerette meet Raymond, and inform him of Agnes being seized by the Robbers. They hasten to her rescue. XIV. Inside of the Cavernv. The three Robbers cast lots for the possession of Agnes. She becomes the prize of Robert. He attempts to seize her. She resisting, he aims a stiletto at her breast. At this instant Raymond, Theodore and Maugerette rush in. Robert falls by the dagger of Raymond, Jaques by the sword of Theodore, and Claud by a pistol from the hand of Maugerette. XV. The Castle of Don Felix. Raymond presents Agnes to his Father, who joins their hands; and the Piece concludes with aFinale and Spanish Fandango-.

Song: Afterpiece: Vocal Parts-Gray, Linton, Street, Mrs Henley, Mrs Castelle, Miss Leserve. [Not listed on playbill, but in Songs (see below).

Event Comment: Charles II entered London on this day, an event which occasioned several works of a quasi-dramatic nature. One was The Famous Tragedie of the Life and Death of Mrs Rump...As it was presented on a burning Stage at Westminster the 29th of May, 1660. It has a Prologue and Epilogue; the author is not known. A second is An Ode Upon the Happy Return of King Charles II to his Languishing Nations, May 29. 1660. This work, by James Shirley, with music by Dr Coleman, was printed in 1660, and reprinted in A Little Ark, ed. G. Thorn-Drury (1921), pp. 21-23. A third is A True Relation of the Reception of his Majestie and Conducting him through the City of London...on Tuesday the 29 of this instant May, being the Day of his Majesties Birth

Performances

Event Comment: The King's Company. See Herbert, Dramatic Records, p. 118. See also The Variety, in Bentley, Jacobean and Caroline Stage, III, 149-51; and James Shirley's The Ball; or, French Dancing Master, in Bentley, V, 1079. See also 10 Nov. 1661

Performances

Mainpiece Title: The French Dancing Master

Performances

Mainpiece Title: The Schoole Of Complements

Performance Comment: [Love Tricks, by James Shirley.] Edition of 1667: The Prologue-; [No actors' names. Epilogue-. [As it is now Acted by His Royal Highnesse the Duke of York's Servants at the Theatre in Little Lincolns Inn Fields.As it is now Acted by His Royal Highnesse the Duke of York's Servants at the Theatre in Little Lincolns Inn Fields.
Related Works
Related Work: Love Tricks; or, The School of Compliments Author(s): James Shirley
Event Comment: Richard ye Third. Coriolanus. Andronicus. Julius Ceaser. The Moore of Venice [Othello]. Anthony & Clopatra. Cymbelyne. The Doubtfull Heire [Rosania; or, Love's Victory, by James Shirley]. The Impostor. The Brothers. The Sisters. The Cardinall. The Duke of Lerma. The Duke of Millan. Alphonso. The vnnaturall Cumbat. The Gardian. Aglaura. Arviragus & Philitia 1st pt. Arviragus & Philitia 2d pt. The Spartan Ladyes. The Bashfull Lover. Bussy D'Amboys. Brenoralt [or, The Discountented Colonel]. Country Captaine. The Variety. The Emperour of ye East. The Deserveing ffavorett. The Goblins. The ffatall Dowry. The Lost Lady. The Devell of Edmonton. More Desemblers then Weomen. The Mayor of Quinborough. The Northen Lasse. The Novella. Osmond ye Great Turke [or, The Noble Servant]. The Roman Actor. The Widdow. The Widdows Teares

Performances

Mainpiece Title: Comment Continued

Event Comment: Afterpiece: [By Christopher Bullock.] A Farce of one Act, taken out of a Play written by Mr Shirley, call'd, A Mad World, my Masters. Receipts: #40 9s

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The Slip

Dance: duPre, Moreau, Bovil, Sandham, Miss Russell