Event Comment: Robert Hooke was at the Duke's Theatre but did not name the play (The Diary of Robert Hooke. p. 54)

Event Comment: Robert Hooke attended the Duke's Theatre, but again did not name the play (The Diary of Robert Hooke, 21 Aug. 1673)

Event Comment: Prices 5s., 3s., 2s. [Macklin uses the concert formula in each advertisement.

Event Comment: Prices 5s., 3s., 2s. Never acted before, a new Comedy. [By Thomas Odell. From Shadwell's The Woman Captain (preface to 1st ed.).

Event Comment: Prices first mentioned in news notices: Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. [These are new and increased rates.

Event Comment: Prices as 26 Dec. 1744

Event Comment: [Prices in the pit lowered to 1s. 6d.

Event Comment: Prices: Boxes 2s. 6d. Pit and First Gallery 1s. 6d. Upper Gallery 1s. in both Daily Advertiser and General Advertiser

Event Comment: [Prices 3s., 2s., 1s. in Daily Advertiser; no bill in General Advertiser. Possibly not acted; see 22 Jan.] Benefit a Gentleman and his Family Under great distress. Tickets may be had of Daniel Findon, Union Coffee House, Cornhill

Event Comment: [Prices as 14 Jan.

Event Comment: [Prices as 14 Jan.

Event Comment: Prices as usual. Boxes 4s. Pit 2s. 6d. Gallery 2s

Event Comment: [Prices continued as 6 July.

Event Comment: Prices 2s. 6d. To begin at 6:30 p.m. [This was advertised as "in the course of a Concert," and was followed by a heavy display of Fireworks. This pattern repeated. Concerts at Marybone not accompanied by a play are not listed here.

Event Comment: Robert Shirley to Thomas Coke, Chartly, 21 Jan. 1695@6: I must agree with you that Wit and Sense seem this winter to have suffered an eclipse, and the dramatic writers more especially have showed how little they consulted either. I do assure you, I have not of late met with more of both than in your ingenious diverting letter to me, so that I am satisfied Wit is not retired out of town, but has only forsaken the stage. We that live in these northern parts are forced to range over fields and woods to find subjects of diversion, for in the frozen season of the year, there is nothing that is more so in the country than conversation. In my last ramble, either my own innate fancy, or the aversion I had to see such plays wrote in English as would hardly bear the reading, made me imagine I met with one of the Muses that had left the town, and by her discourse seemed to be Patroness of Dramatic Poetry. You know, Sir, to meet with a Nymph in the desert was no rarity in some countries heretofore, but yet I vow and swear between us, I asked her the occasion of her leaving the town, to which she made this sudden answer: @Neglected Wit is silent at a time@When puns, or bombast, stuff each doggrill rhyme.@In comic strain when they'd describe a fool,@The author proves the only ridicule.@In tragic verse while others fain would boast,@Landing some thousand Romans on the coast,@In what they would express themselves are lost,@Make Romans cowards, and make English great,@And make Bonduca valiant, to be beat.@Would Congreve or would Blackmoor now engage,@They might with manly thoughts reform the stage:@ ... As for Mr Southern's play, I have not yet seen it, so that I cannot at present give you my thoughts on it (HMC, 12th Report, Appendix, Part II, Cowper MSS., II, 359-60)

Event Comment: Robert Jennens to Thomas Coke, 19 Nov. 1696: There has been for four or five days together at the play house in Lincolns Inn Fields acted a new farce translated out of the French by Mr Monteux called the Shame Sham? Doctor or the Anatomist, with a great concert of music, representing the loves of Venus and Mars, well enough done and pleases the town extremely. The other house has no company at all, and unless a new play comes out on Saturday revives their reputation, they must break (HMC, 12th Report, Appendix, Part II, Cowper MSS., II, 367)