SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Richard Southern"/1) | (@(roleclean,performerclean) "Richard Southern")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1991 matches on Author, 696 matches on Performance Title, 679 matches on Performance Comments, 507 matches on Event Comments, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Don Quixote in England

Song:

Dance:

Performances

Mainpiece Title: King Richard Iii

Performances

Mainpiece Title: King Richard The Second

Afterpiece Title: The Dragon of Wantley

Dance: BBallet, as17380204

Performances

Mainpiece Title: King Richard The Second

Afterpiece Title: The Dragon of Wantley

Dance: BBallet, as17380204

Performances

Mainpiece Title: King Richard The Second

Afterpiece Title: The Dragon of Wantley

Dance: Nivelon, Mlle Roland

Performances

Mainpiece Title: King Richard The Second

Afterpiece Title: The Dragon of Wantley

Dance: Nivelon, Mlle Roland

Performances

Mainpiece Title: King Richard The Second

Afterpiece Title: The Dragon of Wantley

Dance: CComic Dance-Nivelon, Mlle Roland

Performances

Mainpiece Title: King Richard The Second

Afterpiece Title: The Dragon of Wantley

Dance: As17380210

Performances

Mainpiece Title: King Richard The Second

Afterpiece Title: The Dragon of Wantley

Dance: Mlle Roland

Performances

Mainpiece Title: King Richard The Second

Afterpiece Title: The Royal Chace

Performances

Mainpiece Title: King Richard The Second

Afterpiece Title: The Dragon of Wantley

Dance: BBallet, as17380302

Performances

Mainpiece Title: King Richard The Second

Dance: I: Je ne scai quoy-Tench, Villeneuve, Miss Oates; II: Comic Dance-Nivelon, Mrs LeBrun; III: French Sailors-Lalauze, Mlle Roland; V: Grecian Sailors-Glover

Song: II: The Roast Beef of Old England-Leveridge; IV: Since Times are so bad-Leveridge, Salway

Performances

Mainpiece Title: King Richard Iii

Dance: As17421108

Song: Beard, Lowe

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: HHarlot's Progress

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Mock Doctor

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Miss in Her Teens

Song: Platt

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Life and Death of Tom Thumb

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Old Witch of Endor; or, Harlequin Turn'd Beau

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Register Office

Entertainment: End: Bucks Have at Ye All-Richards

Monologue: II: Teague's Rambles to London. Capt. O'Brallaghan (with the favorite song in Love a La Mode)-Broderick; Terence O'Droghida-Youngs; the Knife Grinder (By Particular Desire)-Broderick

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Medley

Performances

Mainpiece Title: The School Of Shakespeare; Or, Humours And Passions

Afterpiece Title: The Waterman; or, The First of August

Dance: As17810620

Entertainment: Before the Curtain draws up: the celebrated Cento (written by Richard? Berenger, in honor of Shakespeare)-Bannister Jun

Performances

Mainpiece Title: A School For Fathers

Afterpiece Title: The First Floor

Song: [Kelly introduced a song by Giuseppe Sarti with English words by Richard Tickell, and a duet composed by himself and Stephen Storace with words by French Laurence (Kelly, I, 296). Neither one of these is listed on the playbill]

Performances

Mainpiece Title: La Frascatana

Dance: End I: an entire new ballet, composed by Didelot, La Bonte du Seigneur-[see17880531]; End Opera: [an entire new ballet in 5 acts, Richard Coeur de Lion [also composed by Didelot] [in which-Sga Perez[, pensioner to the Duke of Parma,

Music: II 2nd ballet: will be introduced a new French instrument, Le Cistre-Lefevre; End IV: concerto on French Horn-Ponto who will likewise accompany the principal dancers last Act

Performances

Mainpiece Title: A Second Grand Selection 0 Of Sacred Music From The Works Of handel

Afterpiece Title: Grand Selection 1

Performance Comment: Overture-(Esther); Tears such as tender fathers shed-Bartleman (Deborah); When his loud voice-Chorus (Jephtha); How blest the maid-Mrs Second (Hercules); Hail mighty Joshua-Chorus (Joshua); Softly rise O southern breeze-Harrison; Ye southern breeze-Chorus (Solomon, by Boyce); Holy holy Lord-Mrs Billington (Rodelinda); Gird on thy sword-Chorus (Saul).

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Event Comment: The United Company. The date of the first performance is not known. The January issue of the Gentleman's Journal, wnich did not appear until some time in February, stated: Mr Congreve...hath written a Comedy, which will be acted in a little time, and is to be call'd, The Old Batchelor (p. 28). The Gentleman's Journal, February 1692@3 (issued in March 1693): The success of Mr Congreve's Old Batchelor has been so extraordinary, that I can tell you nothing new of that Comedy; you have doubtless read it before this, since it has been already printed thrice. And indeed the Wit which is diffus'd through it, makes it lose but few of those Charms in the Perusal, which yield such pleasure in the Representation. Mr Congreve will in some time give us another play; you may judge by this how acceptable it will be (p. 61). In addition, a reference in the Epilogue indicates that it was produced during Lent, ano since the third edition was advertized in the London Gazette, No. 2856, 23-27 March 1693, early March seems the most likely date for the premiere. According to The Female Wits (ca. 1696), The Old Batchelor was acted fourteen days successively. John Barnard of Yale University states that Narcissus Luttrell's copy of The Old Batchelor in the Newberry Library bears the notation: "10d Mar. 16 1692@3." BM Add. Mss. 4221 (341) Memoirs Relating to Mr Congreve Written by Mr Thomas Southern (in Macdonald, Bibliography of Dryden, p. 54n): When he began his Play the Old Batchelor haveing little Acquaintance with the traders in that way, his Cozens recommended him to a friend of theirs, who was very usefull to him in the whole course of his play, he engag'd Mr Dryden in its favour, who upon reading it sayd he never saw such a first play in his life, but the Author not being acquainted with the stage or the town, it woud be pity to have it miscarry for want of a little Assistance: the stuff was rich indeed, it wanted only the fashionable cutt of the town. To help that Mr Dryden, Mr Arthur Manwayring, and Mr Southern red it with great care, and Mr Dryden putt it in the order it was playd, Mr Southerne obtained of Mr Thos. Davenant who then governd the Playhouse, that Mr Congreve should have the privilege of the Playhouse half a year before his play was playd, wh. I never knew allowd any one before. The music for the play was composed by Henry Purcell. See Purcell's Works, Purcell Society, XXI (1917), iii-v

Performances

Mainpiece Title: The Old Batchelor